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Music box

From Wikipedia, the free encyclopedia
Automatic musical instrument
"Symphonion" redirects here. For the historical musical instrument, seeCharles Wheatstone. For other uses, seemusic box (disambiguation).
Not to be confused withrecord player.
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Music box byPolyphon-Musikwerke in Leipzig, Germany
A music box
Interior of a large music box at theMuseu de la Música de Barcelona in Catalonia

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Amusic box (American English) ormusical box (British English) is an automaticmusical instrument in a box that producesmusical notes by using a set ofpins placed on a revolvingcylinder or disc to pluck the tuned teeth (orlamellae) of a steelcomb. The popular device best known today as a "music box" developed from musicalsnuff boxes of the 18th century and were originally calledcarillons à musique (French for "chimes of music"). Some of the more complex boxes also contain a tinydrum and/orbells in addition to the metal comb.

History

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Typical table music box, with six interchangeable cylinders

The Symphonium company started business in 1885 as the first manufacturers of disc-playing music boxes. Two of the founders of the company, Gustave Brachhausen and Paul Riessner, left to set up a new firm,Polyphon, in direct competition with their original business and their third partner, Oscar Paul Lochmann. Following the establishment of the Original Musikwerke Paul Lochmann in 1900, the founding Symphonion business continued until 1909.[1]

According to the Victoria Museums in Australia, "The Symphonion is notable for the enormous diversity of types, styles, and models produced... No other disc-playing musical box exists in so many varieties. The company also pioneered the use of electric motors... the first model fitted with an electric motor being advertised in 1900. The company moved into the piano-orchestrion business and made both disc-operated and barrel-playing models, player-pianos, and phonographs."[1]

Meanwhile, Polyphon expanded to America, where Brachhausen established theRegina Company. Regina was a spectacular success. It eventually reinvented itself as a maker of vacuums and steam cleaners.[citation needed]

In the heyday of the music box, some variations were as tall as a grandfather clock and all used interchangeable large disks to play different sets of tunes. These were spring-wound and driven and both had a bell-like sound. The machines were often made in England, Italy, and the US, with additional disks made in Switzerland, Austria, and Prussia. Early "juke-box" pay versions of them existed in public places. Marsh's free Museum and curio shop inLong Beach, Washington (US) has several still-working versions of them on public display. TheMusical Museum, Brentford,London has a number of machines.[2] The Morris Museum in Morristown, New Jersey, USA has a notable collection, including interactive exhibits. In addition to video and audio footage of each piece, the actual instruments are demonstrated for the public daily on a rotational basis.[3]

Timeline

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9th century: InBaghdad, theBanū Mūsā brothers, a trio ofPersian inventors, produced "the earliest known mechanical musical instrument", in this case ahydropoweredorgan which played interchangeable cylinders automatically, which they described in theirBook of Ingenious Devices. According to Charles B. Fowler, this "cylinder with raised pins on the surface remained the basic device to produce and reproduce music mechanically until the second half of the nineteenth century."[4]

Early 13th century: InFlanders, an ingenious bell ringer invented a cylinder with pins which operates cams, which then hit the bells.[4]

1598: Flemishclockmaker Nicholas Vallin produced a wall-mounted clock which has a pinned barrel playing on multiple tuned bells mounted in the superstructure. The barrel can be programmed, as the pins can be separately placed in the holes provided on the surface of the barrel.[5]

1665: Ahasuerus Fromanteel in London mades a table clock which has quarter striking and musical work on multiple bells operated by a pinned barrel. These barrels could be changed for those playing different tunes.[6]

1772: A watch was made by one Ransonet at Nancy,France which has a pinned drum, playing music not on bells but on tuned steel prongs arranged vertically.[7]

1796:Antoine Favre-Salomon, a clockmaker fromGeneva replaced the stack of bells by a comb with multiple pre-tuned metallic notes in order to reduce space. Together with a horizontally placed pinned barrel, this produced more varied and complex sounds. One of these first music boxes is now displayed at theShanghai Gallery of Antique Music Boxes and Automata inPudong'sOriental Art Center.[8]

1877:Thomas Edison invents thephonograph, which has important consequences for the musical-box industry, especially around the end of the century.[9][10]

Pocket watch with musical movements
a Corgi Ice Cream Van music box toy car with the hand crank musical chime

In 2010 American jazz guitaristPat Metheny released the albumOrchestrion on which he performed alongside a variety of custom-designed and built acoustic and electromechanicalorchestrions which comprised the rest of the "band", playing music in real-time through theMIDI file format.[11]

Repertoire

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In 1974–1975, German composerKarlheinz Stockhausen composedTierkreis, a set of twelve pieces on the signs of thezodiac, for twelve music boxes.[12][13][14][15][16][17][18][19]

See also

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References

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  1. ^ab"A Brief History of the Symphonion Company".Museums Victoria Collections.
  2. ^"Origins of Automatic Music". Archived fromthe original on 2011-04-26. Retrieved2011-05-02.
  3. ^"morrismuseum.org".
  4. ^abFowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments",Music Educators Journal,54 (2), MENC_ The National Association for Music Education:45–49,doi:10.2307/3391092,JSTOR 3391092,S2CID 190524140. Citation on p. 45.
  5. ^In the Collections of the British Museum (M.L. Antiquities Dept.Ilbert collection)
  6. ^Horological Masterworks Exhibition AHS 2003 Catalogue No.14
  7. ^Sotheby's Auction Masterpieces from the Time Museum June 19, 2002 Lot 73
  8. ^en.shoac.com.cn, "Antique Music Box Gallery", accessed 18 Dec 2014.
  9. ^"History of the Cylinder Phonograph".Library of Congress. RetrievedJune 1, 2022.
  10. ^Stross, Randall (June 23, 2010)."The Incredible Talking Machine".Time. RetrievedJune 1, 2022.
  11. ^"Orchestrion - Pat Metheny | Album".AllMusic.
  12. ^Peter Andraschke, "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965", inZur Neuen Einfachheit in der Musik, Studien zur Wertungsforschung 14, edited by Otto Kolleritsch, 126–43 (Vienna and Graz: Universal Edition [for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz], 1981).ISBN 3-7024-0153-9.
  13. ^Giuliano d'Angiolini, "Tierkreis, oeuvre pour instrument mélodique et/ou harmonique: un tournant dans le parcours musical de Stockhausen",Analyse Musicale (1989, 1er trimestre): 68–73.
  14. ^Hermann Conen,Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre, Kölner Schriften zur Neuen Musik 1, edited byJohannes Fritsch andDietrich Kämper. (Mainz: Schott's Söhne, 1991).ISBN 3-7957-1890-2.
  15. ^Wilfried Gruhn, "'Neue Einfachheit'? Zu Karlheinz Stockhausens Melodien desTierkreis", inReflexionen uber Musik heute: Texte und Analysen, edited by Wilfried Gruhn, 185–202 (Mainz, London, New York, and Tokyo: B. Schott's Söhne, 1981.ISBN 3-7957-2648-4.
  16. ^Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen’s Recent Music",Perspectives of New Music 22 (1983–84): 147–85, citation on 148.
  17. ^Michael Kurtz,Stockhausen: A Biography, translated byRichard Toop (London and Boston: Faber and Faber, 1992).ISBN 0-571-14323-7 (cloth)ISBN 0-571-17146-X (pbk).
  18. ^Gallus Oberholzer, "Karlheinz Stockhausen komponierte 12 Melodien speziell für Spieldosen",Das mechanische Musikinstrument: Journal der Gesellschaft für selbstspielende Musikinstrumente 12, no. 46 (December 1988): 49.
  19. ^Christel Stockhausen, "StockhausensTierkreis: Einführung und Hinweise zur praktischen Aufführung"Melos 45 /Neue Zeitschrift für Musik 139 (July–August 1978): 283–87.

Further reading

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  • Bahl, Gilbert.Music Boxes: The Collector's Guide to Selecting, Restoring and Enjoying New and Vintage Music Boxes. Philadelphia, Pennsylvania: Running Press, 1993.
  • Bowers, Q. David.Encyclopedia of Automatic Musical Instruments.ISBN 0-911572-08-2. Lanham, Maryland: Vestal Press, Inc., 1972.
  • Diagram Group.Musical Instruments of the World. New York: Facts on File, 1976.
  • Ganske, Sharon.Making Marvelous Music Boxes. New York: Sterling Publishing Company, 1997.
  • Greenhow, Jean.Making Musical Miniatures. London: B T Batsford, 1979.
  • Hoke, Helen, and John Hoke.Music Boxes, Their Lore and Lure. New York: Hawthorn Books, 1957.
  • Ord-Hume, Arthur W. J. G. (1973).Clockwork Music. London: Allen & Unwin.ISBN 978-0-04-789004-8.
  • Ord-Hume, Arthur W. J. G.The Musical Box: A Guide for Collectors.ISBN 0-88740-764-1. Atglen, Pennsylvania: Schiffer Publishing Ltd., 1995.
  • Reblitz, Arthur A.The Golden Age of Automatic Musical Instruments.ISBN 0-9705951-0-7. Woodsville, New Hampshire: Mechanical Music Press, 2001.
  • Reblitz, Arthur A., Q. David Bowers.Treasures of Mechanical Music.ISBN 0-911572-20-1. New York: The Vestal Press, 1981.
  • Sadie, Stanley. ed. "Musical Box".The New Grove Dictionary of Music and Musicians.ISBN 1-56159-174-2. MacMillan. 1980. Vol 12. P. 814.
  • Smithsonian Institution.History of Music Machines.ISBN 0-87749-755-9. New York: Drake Publishers, 1975.
  • Templeton, Alec, as told to Rachael Bail Baumel.Alec Templeton's Music Boxes. New York: Wilfred Funk, 1958.

External links

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Wikimedia Commons has media related toMusical boxes.

Videos

Audio of historical music boxes

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