| Frauenkirche | |
|---|---|
| Dom zu Unserer Lieben Frau | |
| English:Cathedral of Our Lady | |
Bavarian:Dom zu Unsra Liabm Frau | |
 | |
 Frauenkirche | |
| 48°8′19″N11°34′26″E / 48.13861°N 11.57389°E /48.13861; 11.57389 | |
| Location | Frauenplatz 12 Munich,Bavaria |
| Country | Germany |
| Denomination | Catholic Church |
| Sui iuris church | Latin Church |
| Website | www |
| History | |
| Status | Co-cathedral |
| Consecrated | 1494 |
| Architecture | |
| Functional status | Active |
| Architect | Jörg von Halsbach |
| Architectural type | Cathedral |
| Style | Gothic Renaissance (domes) |
| Years built | preced. 12th century actual 1468–1488 |
| Completed | 1524 (domes added) |
| Specifications | |
| Length | 109 metres (358 ft) |
| Width | 40 metres (130 ft) |
| Height | 98.57 metres (323.4 ft) |
| Administration | |
| Archdiocese | Munich and Freising |
| Clergy | |
| Archbishop | Reinhard Cardinal Marx |
| Priest | Msgr. Klaus Peter Franzl |
| Laity | |
| Director of music | Lucia Hilz (Domkapellmeisterin) |
| Organist(s) | Ruben Sturm Martin Welzel (Assistant Organist, 2013–2021, and Associate Organist, 2021–2022) Msgr. Hans Leitner (2003–2021) |
TheFrauenkirche (Full name:German:Dom zu Unserer Lieben Frau,Bavarian:Dom zu Unsra Liabm Frau,lit. 'Cathedral of Our Dear Lady') is a church inMunich,Bavaria, Germany, that serves as thecathedral of theArchdiocese of Munich and Freising and seat of its Archbishop. It is a landmark and is considered a symbol of the Bavarian capital city. Although called "Münchner Dom" (Munich Cathedral) on its website andURL, the church is referred to as "Frauenkirche" by locals. It is the biggesthall church in the world.[1]
Because of local height limits, the church towers are widely visible. As a result of the narrow outcome of a local plebiscite, city administration prohibits buildings with a height exceeding 99 m in the city center. Since November 2004, this prohibition has been provisionally extended outward, and consequently, no buildings may be built in the city over the aforementioned height.[2] The south tower, which is open to those wishing to climb the stairs or use the elevator, offers a unique view of Munich and the nearbyAlps since the completion of its renovation in 2022.[3]
A lateRomanesque church was added next to the town's first ring of walls in the 12th century. This new church served as a second city parish following the older,Alter Peter church. The lateGothic cathedral visible today, which replaced the Romanesque church, was commissioned byDuke Sigismund and the people of Munich, and built in the 15th century.
The cathedral was erected in only 20 years' time byJörg von Halsbach. Because there was not a nearby stone quarry and for other financial reasons, brick was chosen as building material. Construction began in 1468,[4] and when the cash resources were exhausted in 1479,Pope Sixtus IV granted anindulgence.
The two towers, which are both just over 98 meters (323 feet) tall, were completed in 1488, and the church was consecrated in 1494. There were plans for tall, open-work spires typical of the Gothic style, but given the financial difficulties of the time, the plans could not be realized. The towers remained unfinished until 1525.
German historianHartmann Schedel printed a view of Munich including the unfinished towers in his famousNuremberg Chronicle, also known as Schedel's World Chronicle. Finally, because rainwater was regularly penetrating the temporary roofing in the tower's ceilings, the towers were completed in 1525, albeit using a more budget-friendly design. This new design may have been modelled after theDome of the Rock inJerusalem, which itself was modelled from lateByzantine architecture and erroneously considered to beSolomon's original temple.[6] The resulting domes atop each tower contributed to making the church a distinctive Munich landmark.
The building has a volume of about 200,000 m³,[7] and originally had the capacity to house 20,000 standing people. Later, pews for ordinary people were introduced. Considering late fifteenth-century Munich had only 13,000 inhabitants and an already established parish church in Alter Peter, it is quite remarkable that a second church of this magnitude was erected in the city.
In 1919,Eugen Leviné, leader of a short-livedBavarian Socialist Republic, had the Frauenkirche declared a "revolutionary temple."[8]
The cathedral suffered severe damage during the later stages ofWorld War II. AfterAllied forces' air raids, the church roof collapsed, one of the towers suffered severe damage, and the majority of the church's irreplaceable historical artifacts held inside were lost—either destroyed by bomb raids themselves, or removed with the debris in the aftermath. A multi-stage restoration effort began soon after the war. The final stage of restoration was completed in 1994.[9]
The Frauenkirche was constructed from red brick in the lateGothic style within only 20 years. The building is designed very plainly, without rich Gothic ornamentation and with its buttresses moved into and hidden in the interior. This, together with the two towers' special design (battered upwards, etc.), makes the construction, mighty anyway, look even more enormous and gives it a near-modern appearance according to the principle of "less is more".
The Late Gothic brick building with chapels surrounding theapse is 109 metres (358 ft) long, 40 metres (130 ft) wide, and 37 metres (121 ft) high. Contrary to a widespread legend that says the two towers with their characteristic domes are exactly one meter different in height, they are almost equal: the north tower is 98.57 metres (323.4 ft) while the south tower is only 98.45 metres (323.0 ft), 12 centimetres (4.7 in) less. The original design called for pointed spires to top the towers, much likeCologne Cathedral, but those were never built because of lack of money. Instead, the two domes were constructed during theRenaissance and do not match the architectural style of the building; however they have become a distinctive landmark of Munich. With an enclosed space of about 200,000 m³, with 150,000 m³ up to the height of the vault, it is the second among the largesthall churches in general and the second among the largestbrick churches north of the Alps (after St. Mary's Church in Gdańsk).[7]
In accordance with a law passed in 2004, no buildings within Munich city limits may be built taller than the Frauenkirche towers.[10]
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CatholicMass is held regularly in the cathedral, which still serves as a parish church.
It is among the largesthall churches in southern Germany. The hall is divided into 3 sectors (the main nave and two side aisles of equal height (31 metres (102 ft)) by a double row of 22 pillars (11 at either side, 22 metres (72 ft)) that help enclose the space. These are voluminous, but appear quite slim because of their impressive height and the building's height-to-width ratio. The arches were designed by Heinrich von Straubing.
From the main portal the view seems to be only the rows of columns with no windows and translucent "walls" between the vaults through which the light seems to shine. The spatial effect of the church is connected with a legend about a footprint in a square tile at the entrance to the nave, the so-called "devil's footstep".
A rich collection of 14th to 18th century artwork of notable artists likePeter Candid,Erasmus Grasser,Jan Polack,Hans Leinberger,Hans Krumpper andIgnaz Günther decorates the interior of the cathedral again since the last restoration.[11] The Gothic nave, several of the Gothic stained-glass windows, some of them made for the previous church, and the tomb monument ofLouis IV, Holy Roman Emperor are major attractions. For the daily choral prayers Erasmus Grasser created in 1495–1502 the choir stalls with busts of apostles and prophets and small statues which survived the alterations of the Baroque period and the Gothic Revival, but burned in World War II, only the figures had been relocated and preserved. Therefore, the Frauenkirche still has the largest surviving ensemble of characters from the Late Gothic in Germany. The optical end of the sanctuary is formed by a column on which stands the St. Mary statue byRoman Anton Boos, which he executed in 1780 for thesounding board of the former pulpit. The former high altar painting completed byPeter Candid in 1620 has been moved to the north wall entrance of the sacristy and depicts theAssumption of Mary into heaven.
Much of the interior was destroyed during World War II. An attraction that survived is theTeufelstritt, or Devil's Footstep, at the entrance. This is a black mark resembling a footprint, which according to legend was where thedevil stood when he curiously regarded and ridiculed the 'windowless' church that Halsbach had built. (In baroque times the high altar obscured the one window at the very end of the church, that visitors can see now when standing in the entrance hall.)
In another version of the legend, the devil made a deal with the builder to finance construction of the church on the condition that it contain no windows. The clever builder, however, tricked the devil by positioning columns so that the windows were not visible from the spot where the devil stood in the foyer. When the devil discovered that he had been tricked, he could not enter the already consecrated church. The devil could only stand in the foyer and stomp his foot furiously, which left the dark footprint that remains visible in the church's entrance today.
Legend also says the devil then rushed outside and manifested his evil spirit in the wind that furiously rages around the church.[12]
Another version of that part of the legend has it that the devil came riding on the wind to see the church under construction. Having completely lost his temper, he stormed away, forgetting the wind, which will continue to blow around the church until the day the devil comes back to reclaim it.
The crypt contains the tombs of theArchbishops of Munich and Freising and among others of these members of theWittelsbach dynasty:
The current organs were built in 1993–1994 byGeorg Jann. The Great Organ (1994)[13] on the west gallery has 95 stops (140 ranks, 7,165 pipes), which can be played from two four-manual general consoles (a tracker console behind the Rückpositiv division, and a second movable electric console on the lower choir gallery). The Choir Organ (1993)[14] is located on a gallery in the right nave, near the altar stairs. It has 36 stops (53 ranks) and can be played from a three-manual tracker console, as well as from the two main consoles on the west gallery. Both organs together contain 131 stops (193 ranks, 9,833 pipes) and are the largest organ ensemble in Munich.[15]
Both towers contain tenbells cast in the 14th, 15th, 17th and 21st centuries. Their combination is unique and incomparable in Europe. The heaviest bell calledSusanna orSalveglocke is one of the biggest bells in Bavaria. It was cast in 1490 by Hans Ernst by order ofAlbrecht IV.[17]
| No. | Audio | Name | Cast in, by, at | Diameter (mm) | Mass (kg) | Note (Semitone-1/16) | Tower |
|---|---|---|---|---|---|---|---|
| 1 | Susanna (Salveglocke) | 1490, Hanns Ernst, Regensburg | 2.060 | ≈8.000 | a0+3 | North | |
| 2 | Frauenglocke | 1617, Bartholomaeus Wengle, München | 1.665 | ≈3.000 | c1+6 | North | |
| 3 | Bennoglocke | 1.475 | ≈2.100 | d1+7 | South | ||
| 4 | Winklerin | 1451, Meister Paulus, München | 1.420 | ≈2.000 | e♭1 +15 | North | |
| 5 | Praesenzglocke | 1492, Ulrich von Rosen, München | 1.320 | ≈1.600 | e1+9 | South | |
| 6 | Cantabona | 2003, Rudolf Perner, Passau | 1.080 | 870 | g1+12 | South | |
| 7 | Frühmessglocke | 1442, Meister Paulus, München | 1.050 | ≈800 | a1+10 | South | |
| 8 | Speciosa | 2003, Rudolf Perner, Passau | 890 | 540 | b1+10 | South | |
| 9 | Michaelsglocke | 840 | 440 | c2+12 | South | ||
| 10 | Klingl (Chorherrenglocke) | 14th century, anonymous | 740 | ≈350 | e♭2 +13 | South |
In the church's north tower, since the mid-1980s, was a radio relay station of the German foreign intelligence serviceBND and another secret service.[18] The relay station was removed in 2018.
