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Mr. Bliss

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Picture book by J. R. R. Tolkien
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Mr. Bliss
First edition
AuthorJ. R. R. Tolkien
IllustratorJ. R. R. Tolkien
Cover artistJ. R. R. Tolkien
LanguageEnglish
GenreChildren's literature
Fantasy fiction
PublisherGeorge Allen & Unwin
Publication date
September[1] 1982
Publication placeUnited Kingdom
Media typePrint (hardback & paperback)
Preceded byThe Letters of J. R. R. Tolkien 
Followed byFinn and Hengest 

Mr. Bliss is a children'spicture book byJ. R. R. Tolkien, published posthumously in book form in 1982. One of Tolkien's least-known short works, it tells the story of Mr. Bliss and his first ride in his new motor-car. Many adventures follow: encounters with bears, angry neighbours, irate shopkeepers, and assorted collisions.

Narrative

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Mr. Bliss tells the story, in pictures and handwritten text, of Mr. Bliss and his first ride in his new motor-car. Many adventures follow: encounters with bears, angry neighbours, irate shopkeepers, and assorted collisions.

Concept and creation

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The story was inspired by Tolkien's own vehicular mishaps with his first car, purchased in 1932. The bears were based ontoy bears owned by Tolkien's sons. Tolkien was both author andillustrator of the book. His narrative binds the story and illustrations tightly together, as the text often comments directly on the pictures.

Several commentators have comparedMr. Bliss with the works ofBeatrix Potter andEdward Lear, and also toThe Wind in the Willows.[2]

Mr. Bliss was not published during Tolkien's lifetime. He submitted it to his publishers as a balm to readers who were hungry for more from him after the success ofThe Hobbit. The ink and coloured pencil illustrations would have made production costs prohibitively expensive. Tolkien agreed to redraw the pictures in a simpler style, but then found he didn't have time to do it. The manuscript lay in a drawer until 1957, when he sold it (as well as the original manuscripts ofThe Lord of the Rings,The Hobbit, andFarmer Giles of Ham) toMarquette University for £1,250. It was first published byGeorge Allen & Unwin in hardback in 1982. It had Tolkien's difficult-to-read handwritten story and illustrations on one page, and a typeset transcription on the facing page.

One of the new roads that Tolkien felt were "gutting" theOxfordshire countryside, theA34

Alex Lewis, inMallorn, writes that Tolkien lamented the loss of the countryside in and aroundOxfordshire. Tolkien loved nature,especially trees, and had what Lewis calls "well-founded" fears for the environment, "verg[ing] on the prophetic".[3] Lewis analyses the factors that were causing this loss. They included the growth in Oxfordshire's population in the 20th century (doubling between 1920 and 1960); the area'sindustrialisation byMorris Motors, and the concomitant increase in motor traffic in the city of Oxford; the building of roads, including theM40 motorway cutting across the countryside; and thesuburbanisation of Oxford ascommuters started to use the railway to allow them to live in Oxford but work in London. TheSecond World War increased the number of airfields in the area from 5 to 96, causing the Oxfordshire countryside to be "gutted".[3] Tolkien found that it was "difficult [in 1949] to recapture the spirit of the former days, when we used to beat the bounds of the L[ittle] K[ingdom] [as inFarmer Giles of Ham] in an ancient car."[3] Tolkien was horrified by the change that motor traffic wreaked on Oxford, and the air pollution; he gave up his happy but dangerous driving, as depicted inMr. Bliss, at the start of the war.[3]

Tolkien used two names fromMr. Bliss for hobbits inThe Lord of the Rings: Gaffer Gamgee and Boffin.

See also

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References

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  1. ^Publication covered in the weeklyTimes Educational Supplement of 24 September 1982, reported inAmon Hen (the bulletin ofThe Tolkien Society) no. 59 (December 1982) p. 14 Jessica Yates
  2. ^Scull, Christina;Hammond, Wayne G. (2006). "Reader's Guide".The J. R. R. Tolkien Companion and Guide. Boston:Houghton Mifflin. p. 592.ISBN 978-0-618-39113-4.
  3. ^abcdLewis, Alex (2003)."The Lost Heart of the Little Kingdom".Mallorn (41):3–8.

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