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Move Over

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From Wikipedia, the free encyclopedia
1997 song by the Spice Girls
This article is about the Spice Girls single. For the Janis Joplin song, seePearl (Janis Joplin album). For the traffic law, seeMove over law.

"Move Over"
Song bySpice Girls
from the albumSpiceworld
Released3 November 1997
Recorded1997
StudioAbbey Road
GenreDance-pop
Length
2:46 (album version)
5:30 (live version)
LabelVirgin
Songwriters
  • Clifford Lane
  • Mary Wood
  • Spice Girls
Producers
Audio video
"Move Over" onYouTube

"Move Over", also known as "Generationext",[1] is a song by Englishgirl group theSpice Girls from their second studio album,Spiceworld (1997). The song was originally co-written by Clifford Lane with Mary Wood as ajingle forPepsiCo's "GeneratioNext"advertising campaign and used intelevision ads released in January 1997. ThroughAbbott Mead Vickers BBDO, the Spice Girls signed anendorsement deal with Pepsi in early 1997, that consisted of the release of an exclusiveCD single, TV commercials, on-can and bottle promotion and the group's first live concerts in Turkey.

The Spice Girls co-wrote with Lane and Wood a new extended version of "Move Over", which was produced by Matt Rowe andRichard Stannard. The version is adance-pop song with influences ofpop-rock, which is thematically linked to the concepts ofmerchandising andconsumerism. The Spice Girls filmed three television ads using their own version of the song and later included it as a track onSpiceworld, while a one-track CD featuring a live performance of the song during the Istanbul concerts was released as apromotional single by Pepsi.

The inclusion of "Move Over" as a track onSpiceworld garnered divisive opinions frommusic critics, while the song itself received a mixed reception for its production and lyrical content. The group performed the song for their first live concert, later released on video asGirl Power! Live in Istanbul (1998). It was also added to the setlist of their 1998Spiceworld Tour.

Background

[edit]

In May 1995, the Spice Girls met withartist managerSimon Fuller, who signed them with19 Entertainment.[2] The group considered a variety ofrecord labels in London and Los Angeles, signing a deal withVirgin Records in July.[3] From this point on until the summer of 1996, the Spice Girls continued to write and record tracks for their debut album, set to be released at the end of 1996.[4] On 8 July 1996, the Spice Girls released their debut single "Wannabe" in the United Kingdom,[5] with it topping theUK Singles Chart for seven weeks.[6] Following an international promotional campaign, the song became a commercial success across Asia, Europe and Oceania.[4][7] In October, their second single "Say You'll Be There" debuted at number one in the UK.[5][8] On 4 November 1996, the Spice Girls released their debut studio albumSpice,[9] selling 1.5 million copies in the UK by the end of the year.[10] The album's third single, "2 Become 1", topped the UK Singles Chart in December.[5][11]

From the beginning of the Spice Girls, Fuller envisioned the group as their own particularbrand, and soon after, they became involved in an unprecedented marketing phenomenon that led to a prolific number ofmerchandise and sponsorship deals,[12][13] a situation that at the time "proved ground-breaking" inpop music.[14] Thesponsorship agency Broadcast Innovations conceived the idea to link the Spice Girls withPepsiCo's then upcomingadvertising campaign. The agency subsequently approachedAbbott Mead Vickers BBDO (AMV BBDO) in London with themarketing strategy for theendorsement deal, which was then presented to Pepsi.[15] Negotiations with Fuller started in October 1996, for a deal that initially only covered the UK and the rest of Europe.[14] In early 1997, the Spice Girls signed a multimillion-pound deal with the company to front its latest ad campaign,[16][17] which had been expanded to 78 countries worldwide.[18] Robert Dodds, president of 19 Entertainment, commented about the collaboration: "They [Pepsi] were smart in believing in the girls [...] They got in early, [...] by the time they actually wanted to run the activity, the girls were the biggest thing on the planet. It genuinely built their business globally."[14]

Writing and release

[edit]

In January 1997, Pepsi announced its new global marketing campaign under the "GeneratioNext" slogan,[19] a continuation of the "Pepsi Generation" advertisement theme. The new slogan aimed to replace the various catch phrases used in the United States such as "Nothing else is a Pepsi", and those used in international markets such as "Change the script" and "Choice of a new generation". Pepsi bought around four minutes of commercial time during theSuper Bowl XXXI, which happened on 26 January 1997. The commercial was fast-paced and featured young boxers, waitresses and fun-seekers. Brian Swette,executive vice president andchief marketing officer at Pepsi, described the characters in it as "positive, in control and lay claim to the future—the antithesis ofGeneration X".[20]

The ads featured thejingle "Move Over", written by Mary Wood and Clifford Lane of theBBDOadvertising agency in New York City.[15] In an interview withBillboard, Wood commented that during the process of creating "Move Over", it was more important to have a "great song first" before anyproduct placement; she commented: "We started writing all thesehooks—'next phase, next wave, next craze'—to define what this idea of 'Generation Next' meant, and then we kind of went, 'Oh, no, the product. We got to go back and get the product.'"[21] The lyrics of the song mock past musical styles such as "rave,rap,punk,metal" urging listeners to not "do it over, cause that's over", while embracing the "next page, next stage, next craze, next wave".[20]

The Spice Girls recorded their own version of the jingle for the commercials they did for Pepsi,[15] atAbbey Road Studios in London.[22] The complete un-edited two-minutes 46-seconds version of the song, was officially unveiled on 6 October 1997, during a press conference inGranada, Spain,[23][24] as the sixth track of the group's second studio albumSpiceworld,[25] set to be released on 3 November 1997.[9] The album credits Wood, Lane and the Spice Girls as writers and thesongwriting teamRichard "Biff" Stannard and Matt Rowe as theproducers of the song.[25] "Move Over" was later included as the sixth track on the group's 2007Greatest Hits compilation album.[26]

Composition and lyrics

[edit]

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Musically, "Move Over" is anuptempodance-pop song, with influences fromrock music.[27][28] David Sinclair ofThe Times characterized the song as a "Joan Jett-ishpop-rock anthem",[29] while theChicago Tribune'sGreg Kot described it as "bubblegumindustrial rock".[30] The song is written in thekey ofG minor, with atime signature set in common time, and moves at a moderatetempo of 104 beats per minute. It starts with adrumsintroduction that is followed by the repeated use of the phrase "Generation Next" while using the sequence of Gm–F–C–F as thechord progression.[31] The song features an energetic "burbling beat",[32][33] and well as a "rousing"chorus that combines the Spice Girls' voices with a "metallic powerchord".[23][34]

The song's lyrics has been described as "slogan-mongering",[35] while thematically some critics linked it tomerchandising andconsumerism.[36][37][38]Geri Halliwell commented about the meaning of the song: "It's about the next generation breaking free".[39] The "English accented,hip-hopped",[40] rap during the song'sbridge was described byJ. D. Considine ofThe Baltimore Sun as "mildlyfunky".[35] It usesword association rhymes with the word "Generation" ("Dedication /Celebration /Phenomination /Good Vibration").[37][41]

Sponsorship deal

[edit]

Promotional campaign

[edit]

The sponsorship deal signed between Pepsi and the Spice Girls consisted of the release of 30-secondtelevision ads, on-can and bottle promotion featuring pictures of the group and their first live concerts,[42] reportedly worth £1 million.[43] The campaign ran worldwide and helped expand the Spice Girls brand globally, in particular in Southeast Asia and both North and South America.[18][44] Ray Cooper,deputy managing director at Virgin commented about the deal: "It's millions and millions of pounds worth of film and television advertising that we couldn't even contemplate. But Pepsi can build that into their game plan."[18] As part of the deal, British advertising agency Claydon Heeley International devised the release of "Step to Me" during the summer of 1997, an exclusiveCD single only available to customers who had collected 20 pinkring pull tabs from promotional Pepsi cans,[42] not accessible through traditional retailers.[45] This resulted in the company redeeming 12,000 applications a day.[46] An accompanying extensive campaign also ran in the British national and regional press,teen magazines and radio ads onCapital FM's thePepsi Chart Show.[47]

The Spice Girls filmed three television ads using their version of "Move Over" as part of the campaign.[48][49] AMV BBDO began shooting the ads in March 1997, with American directorSam Bayer.[15] Located in a deserted alley indowntown Los Angeles,[50] the shoot required armed guards for the crew because of the menacing setting.[15] The ads featured the group throwing cans in the air, as well as singing and dancing to the song while gyrating around buildings with a silver backdrop containing thePepsi logo.[51] They premiered the first week of June 1997 in the US,[49] before later expanding to TVs and cinemas in 60 countries.[15][43] On 12–13 October 1997, the Spice Girls performed two live concerts inIstanbul, Turkey, a location chosen because it was one of the most important marketing drive areas for Pepsi. The company distributed 40,000 tickets that were for the most part only available to the winners of one of the largest ever staged competitions in Europe.[45][52]

Aftermath

[edit]

In late July 1997, 92 million promotional packs of Pepsi cans and bottles featuring the Spice Girls were produced worldwide.Britvic, Pepsi's UK franchise holder, estimated that between 450,000 and 600,000 CDs of "Step to Me" were redeemed during the campaign, becoming the most successful on-pack promotion in the history of the British soft-drink market.[1][47] In the UK, sales of Pepsi increased by 30% during the week of promotion for the Istanbul concerts.[1] Simon Lowden, marketing director for Pepsi Europe commented that by October 1997, the company achieved a 23.5% volume share up from their usual 18.7% in the country,[47] while in the rest of Europe its share of thecola market reached 20%, increasing by up to 1.6% since the beginning of the promotional campaign with the Spice Girls.[42]

In November 1997, Pepsi signed a new deal with the group for a European promotional campaign during the first months of 1998.[53] Similar to the previous deal, it offered consumers the chance to collect exclusive live CDs by the Spice Girls and three other acts,Coolio,Hanson andEternal, by gathering 18 ring pull tabs from Pepsi cans. The company backed the campaign with TV, press and poster ads during May and June 1998.[54] The group released a one-trackpromotional single CD featuring a live performance of the song taken from their Istanbul concerts as "Move Over/Generationext (Live)".[55]

Critical reception

[edit]

Music critics had divisive positions about the inclusion of "Move Over" onSpiceworld.Melody Maker's Ian Watson called the song an "extended advert" and considered it one of the tracks that "ruin what could have been a sublime record".[56] Writing forSlate magazine,David Plotz remarked that the song "is what businesspeople callsynergy and musicians callprostitution. Whatever it is, it pays."[13] TheHartford Courant's music critic Roger Catlin was critical of the addition, commenting that the Spice Girls appear to be "blissfully blind to the commercial overkill of turning their Pepsi commercial into a track of its own".[37] Considine ofThe Baltimore Sun had a similar impression, wondering if "any of them stoop to adding a jingle to their repertoire".[35] Jim Sullivan ofThe Boston Globe was unconcerned with the addition as he thought that "there's no credibility to lose. The walls between overtcommercialism and pop music are pretty thin anyway."[38] Ruth Kinane ofEntertainment Weekly believed that "Move Over" helped in "paving the way for even more acceptable pop/product marketing collaborations for generations to come".[57]The Guardian'sAlexis Petridis felt that it is "a bit hard to hear as a song rather than an advertising jingle".[58]David Wild ofRolling Stone magazine's had a more positive opinion, calling the track "a nifty cross-promotion of a song",[59] while Deborah J. Wolfinsohn of theAustin American-Statesman characterized the collaboration as "a bizarre and thoroughly modern sensation".[32]

The song itself was met with mixed opinions from critics. Sarah Davis ofDotmusic regarded "Move Over" as one of "the most eagerly anticipated tracks on the album, if one of the more repetitive".[41] TheLos Angeles Times critic Natalie Nichols considered it the album's "most engaging number",[34] an opinion shared byNewsday's Scott Schinder, who highlighted the song as one of the album's "more appealing tracks".[60] In a review of the group's entire catalogue,Vulture.com's Anne T. Donahue placed the track as their sixth best song, describing it as "an anthem so powerful it inspired countless listeners [...] to abandonCoke for Pepsi".[61] Ilana Kaplan ofBillboard magazine thought the song was "the perfect anthem for theGen Y".[62] Caroline Sullivan ofThe Guardian commented that of all the songs onSpiceworld "only 'Stop' and 'Move Over' live up to their vulgar potential".[63]David Browne ofEntertainment Weekly was mixed on the track; although he described it as "a laughably vague call for universal togetherness", Browne added that "suddenly the hearttakes over, and you find yourself lying in front of the stereo speakers bowing before the great goddesses of Spice".[23]Edna Gundersen, writing forUSA Today, had a more critical view of the song, calling it a "tiresome chant that goads 'generation next'" and pointed it out as an example of the album's "stream of cliched 'Girl Power' pep talks".[64] While reviewingSpiceworld, Craig D. Lindsey of theHouston Press called "Move Over" one of the album's "two grating songs",[65] whileCharlie Porter ofThe Times dismissed it as the "awful song from their Pepsi advert".[66]

Live performances

[edit]

In October 1997, the Spice Girls performed "Move Over" as part of theencore of their first live concert at theAbdi İpekçi Arena in Istanbul. For the performance, the group returned to the stage after a small break, wearing silverboilersuits while the background screens showed visuals of the Pepsi logo.[67][68] The concert was broadcast onShowtime in apay-per-view concert special titledSpice Girls in Concert: Wild!,[69] and later included on theVHS and DVD releaseGirl Power! Live in Istanbul (1998).[70] The Spice Girls added the song to the setlist for their 1998Spiceworld Tour. During the performance, the group portrayedsupermodels on a runway, dressed in over the top clothes designed by British stylistKenny Ho. A group of male dancers dressed in black coats played the role of photographers at the side of a catwalk show.[71] The song was included on the setlist of theSpice World – 2019 Tour as part of the first interlude.[72]

Format and track listing

[edit]
  • UK/European Promotional CD[55]
  1. "Move Over/Generationext"(Live) – 5:30

Credits and personnel

[edit]

Credits of "Move Over" adapted from the booklet ofSpiceworld.[25]

References

[edit]

Citations

  1. ^abcRogers, Danny (5 October 1997). "The Spice trade".Brandweek. Vol. 39, no. 37. Adweek LLC. pp. 32–36.ISSN 1064-4318.
  2. ^Sinclair 2008, p. 68
  3. ^Sinclair 2008, pp. 70, 72
  4. ^abPride, Dominic (2 November 1996)."Virgin's Spice Girls Spread Flavor Globally".Billboard. Vol. 108, no. 44.MRC Media & Info. p. 89.ISSN 0006-2510. Retrieved5 February 2021.
  5. ^abcSinclair 2008, p. 297
  6. ^"The Official Charts Company – Spice Girls – Wannabe".Official Charts Company. Retrieved5 February 2021.
  7. ^"Spice Girls - Wannabe (Song)".Recorded Music NZ. Archived fromthe original on 25 March 2020. Retrieved5 February 2021.
  8. ^"The Official Charts Company – Spice Girls – Say You'll Be There". Official Charts Company. Retrieved5 February 2021.
  9. ^abSinclair 2008, p. 299
  10. ^Sinclair, David (27 December 1996). "Spicy climax to a year of big losers".The Times. p. 32.
  11. ^"The Official Charts Company – Spice Girls – 2 Become 1". Official Charts Company. Retrieved16 February 2021.
  12. ^Sinclair 2008, pp. 106–113
  13. ^abPlotz, David (16 November 1997)."The Spice Girls: Cherish these cheeky hucksters before they're gone".Slate. Archived fromthe original on 22 February 2021. Retrieved3 February 2021.
  14. ^abc"Spice Girls: The power of Brand Spice".Music Week. Vol. 24, no. 45. Intent Media. 10 November 2007. p. 22.ISSN 0265-1548.
  15. ^abcdef"Campaign of the week: Pepsi".Marketing.Haymarket Media Group. 19 June 1997. p. 12.ISSN 0025-3650.
  16. ^"Pepsi vs Coke: advertising battle turns to social media".The Daily Telegraph. 1 February 2010. Archived fromthe original on 4 February 2010. Retrieved5 February 2021.
  17. ^Armstrong, Stephen (3 March 1997). "Singin' the blue One year ago the mother of all marketing relaunches took place when Pepsi launched Project Blue".The Guardian. p. 106.
  18. ^abcSmith, Craig (22 May 1997). "Music to marketers' ears".Marketing. Haymarket Media Group. pp. 22–23.ISSN 0025-3650.
  19. ^"Case Study - Pepsico: Cola gets a pep talk".Brand Strategy.Centaur Media. 16 April 2007. pp. 20–23.ISSN 0965-9390.
  20. ^abEliott, Stuart (21 January 1997)."As Pepsi regroups, it strikes a generational note once again".The New York Times. Archived fromthe original on 27 May 2015. Retrieved3 February 2021.
  21. ^Hampp, Andrew (20 October 2012). "The Joy of Frisbie".Billboard. Vol. 124, no. 37. MRC Media & Info. p. 11.ISSN 0006-2510.
  22. ^Spice Girls 1997, p. 88
  23. ^abcBrowne, David (7 November 1997)."Lost in Spice: Music Review: Spiceworld".Entertainment Weekly. No. 404.Meredith Corporation. p. 83.ISSN 1049-0434.Archived from the original on 7 June 2011. Retrieved4 January 2021.
  24. ^Llewellyn, Howell (18 October 1997)."New Spice Girls Album Should Get Lift From TV, Film".Billboard. Vol. 109, no. 42. MRC Media & Info. p. 8.ISSN 0006-2510. Retrieved10 December 2020.
  25. ^abc(1997) CD forSpiceworld by the Spice Girls, UK Edition [CD Booklet]. London:Virgin Records. (CDV 2850).
  26. ^(2007) CD forGreatest Hits by the Spice Girls, European Edition [CD Booklet]. London: Virgin Records. (SPICECD 1).
  27. ^Picolli, Sean (13 November 1997). "Shiny, Happy Spice Girls Still at It".Sun-Sentinel. p. 3.E.
  28. ^Fischer, Von Günther (31 October 1997)."CD-Kritik: Spice Girls: 'Spiceworld'".Der Spiegel (in German). Archived from the original on 5 December 2020. Retrieved3 February 2021.{{cite news}}: CS1 maint: bot: original URL status unknown (link)
  29. ^Sinclair, David (31 October 1997). "More girl power to their elbows".The Times. p. 35.
  30. ^Kot, Greg (7 November 1997). "Music: Album reviews".Chicago Tribune. p. 35.
  31. ^"Move Over - Sheetmusic - Spice Girls".Hal Leonard LLC. Retrieved28 February 2021.
  32. ^abWolfinsohn, Deborah J (4 November 1997). "Spice Girls' new CD has more sugar than Pepsi".Austin American-Statesman. p. E.1.
  33. ^Fletcher, Todd (19 November 1997). "Spice Girls open door to their world in soundtrack".The Florida Times-Union. p. C.1.
  34. ^abNichols, Natalie (2 November 1997)."Girls Lacking Spice, Sass in New 'World'".Los Angeles Times. Archived fromthe original on 30 October 2020. Retrieved3 February 2021.
  35. ^abcConsidine, J.D. (4 November 1997)."The Spice Girls can't be serious; Review: The bubble gum bursts as group tries for a depth that it doesn't possess on 'Spiceworld'".The Baltimore Sun. p. 1.E. Retrieved3 February 2021.
  36. ^Harrington, Richard (2 November 1997). "Pop Tarts: Spice Girls Take Over".The Washington Post. p. G.1.
  37. ^abcCatlin, Roger (2 November 1997). "Spice Girls Trying to Prolong Shelf Life".Hartford Courant. p. G.1.
  38. ^abSullivan, Jim (4 November 1997). "Nice-and-nasty formula keeps working for Girls".The Boston Globe. p. E, 1:5.
  39. ^Cripps, Rebecca; Spice Girls (1997). "Spiceworld: Listen Up!".Spice. Vol. 1, no. 4.John Brown Media. p. 81.
  40. ^Takiff, Jonathan (14 November 1997). "Fun is Bubbling Up Spice Girls Froth".Philadelphia Daily News. p. F.14.
  41. ^abDavis, Sarah (4 October 1997)."Spice Girls: Spiceworld (Virgin)".Dotmusic. Archived fromthe original on 7 March 2001. Retrieved3 February 2021.
  42. ^abc"Integrated Pepsi".Marketing. Haymarket Media Group. 9 October 1997. p. 14.ISSN 0025-3650.
  43. ^abBlackhurst, Chris (18 May 1997)."Five little rich girls".The Independent. Archived fromthe original on 14 April 2012. Retrieved25 February 2021.
  44. ^Sinclair 2008, p. 109
  45. ^abBoyd, Brian (17 October 1997). "Caveat Emptor".The Irish Times. p. 10.
  46. ^McCann, Paul (7 October 1997). "Losing a little Spice".The Independent. p. 1.
  47. ^abcQassim, Ali (7 November 1997)."Direct: Marketing Challenge - How the band led the brand to expand Pepsi's market share".Campaign. Archived fromthe original on 11 February 2017. Retrieved25 February 2021.
  48. ^"Advertising war fizzles out at last".The Sunday Telegraph. 31 January 2010. p. 7.
  49. ^ab"Celebrities".Milwaukee Journal Sentinel. 3 June 1997. p. 8.
  50. ^Cripps, Rebecca; Spice Girls (1997). "Generation Next".Spice. Vol. 1, no. 3. John Brown Media. pp. 70–71.
  51. ^McGrath, David (16 July 1997). "Pepsi".The Times. p. 22.
  52. ^English, Charlie (10 May 1997). "Review:Safelty in numbers at Spice Girl's first live gig The Spice Girls, Manchester Opera House".The Guardian. pp. 1, 2:3.
  53. ^"Pepsi to keep Spice Girls for 98".Marketing. Haymarket Media Group. 27 November 1997. p. 4.ISSN 0025-3650.
  54. ^"Pepsi plans major music promotion".Marketing Week. Vol. 20, no. 45. Centaur Media. 19 February 1998. p. 8.ISSN 0141-9285.
  55. ^abSpice Girls (1998) "Move Over/Generationext (Live)" (UK CD Single) Printed in the UK.EMI Swindon. CDLICS 116.
  56. ^Watson, Ian (8 November 1997). "The Spice Is Right: Spice Girls: Spiceworld (Virgin)".Melody Maker. Vol. 74, no. 45.IPC Media. p. 51.ISSN 0025-9012.
  57. ^Kinane, Ruth (8 February 2018)."15 of the Spice Girls' most fabulous, feisty, and feminist moments".Entertainment Weekly. Archived fromthe original on 26 March 2019. Retrieved3 February 2021.
  58. ^Petridis, Alex (8 November 2018)."All 43 Spice Girls songs ranked!".The Guardian. Archived fromthe original on 8 November 2018. Retrieved3 February 2021.
  59. ^Wild, David (20 November 1997)."Album Reviews: Spiceworld".Rolling Stone. No. 775.Penske Media Corporation. pp. 75–76.ISSN 0035-791X. Archived fromthe original on 15 December 2007. Retrieved3 February 2021.
  60. ^Schinder, Scott (9 November 1997). "'Spiceworld' Contains More Sugar Than Spice".Newsday. p. D.31.
  61. ^Donahue, Anne T (29 May 2019)."Every Spice Girls Song, Ranked".Vulture.com. Archived fromthe original on 29 May 2019. Retrieved3 February 2021.
  62. ^Kaplan, Ilana (3 November 2017)."Spice Girls' 'Spiceworld' Turns 20: Remembering Their Eclectic, Theatrical Second Album".Billboard.Archived from the original on 5 November 2017. Retrieved3 February 2021.
  63. ^Sullivan, Caroline (31 October 1997). "The new product - Spice Girls: Spiceworld (Virgin)".The Guardian.
  64. ^Gundersen, Edna (4 November 1997). "Spice Girls' follow-up comes off a bit bland".USA Today. p. D, 1:2.
  65. ^Lindsey, Craig D. (11 December 1997)."Rotation: Spice Girls – Spiceworld".Houston Press. Archived fromthe original on 23 September 2015. Retrieved3 February 2021.
  66. ^Porter, Charlie (1 November 1997). "The big album - Spiceworld".The Times. p. 13.
  67. ^Wright, Matthew (13 October 1997). "It's Good to Turk; Fab five delight crowd at Istanbul concert".The Mirror. p. 12.
  68. ^Hochman, Steve (19 January 1998). "TV Review; Onstage, the Girls Could Use a Dash More Spice".Los Angeles Times. p. 17.
  69. ^"Spice Girls Go Pay-Per-View".MTV News. 3 December 1997. Archived fromthe original on 18 June 2022. Retrieved9 December 2020.
  70. ^Girl Power! Live in Istanbul (VHS). Spice Girls. Virgin Music Video. 1997. VID 2842.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  71. ^Cripps, Rebecca; Spice Girls (1998). "Fashion Show!".Spice. Vol. 1, no. 6. John Brown Media. pp. 30, 32.
  72. ^Heward, Emily (31 May 2019)."Spice Girls at Manchester Etihad Stadium - start and finish time, set list, tickets, support and everything you need to know".Manchester Evening News. Archived fromthe original on 27 May 2019. Retrieved22 February 2021.

Bibliography

Studio albums
Compilation album
Video albums
Singles
Featured singles
Promotional singles
Concerts and tours
Filmography
Merchandise
Works about Spice Girls
Associated people
Related articles
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