Motörhead released 22 studio albums, 10 live recordings, 12 compilation albums and five EPs over a career spanning 40 years. Usually apower trio, they had particular success in the early 1980s with several successful singles in theUK Top 40 chart. The albumsOverkill,Bomber (both 1979),Ace of Spades (1980) and, particularly, the live albumNo Sleep 'til Hammersmith (1981) cemented Motörhead's reputation as a top-tier rock band.[2] The band are ranked number 26 onVH1's 100 Greatest Artists of Hard Rock.[3] By 2025, the band has sold more than 25 million albums worldwide.[4]
Most often classified as heavy metal, Motörhead has been credited with being part of and influencing numerous musical scenes,thrash metal andspeed metal especially. Lemmy, however, always insisted that they were arock and roll band. He said they had more in common withpunk bands, but with their own unique sound, Motörhead is embraced in both punk and metal scenes. Their lyrics typically covered such topics as war,good and evil,abuse of power,promiscuity,substance abuse and, most famously, gambling, the last theme being the focus of their hit song "Ace of Spades".[5]
Lemmy died on 28 December 2015 from cardiacarrhythmia and congestiveheart failure, after being diagnosed withprostate cancer.[6] The day after his death, longtime members Dee and Campbell both confirmed that Motörhead had disbanded. By 2018, all three members of Motörhead's best-known line-up (Lemmy, Taylor and Clarke) had died.[6][7][8][9][10]
Lemmy was dismissed fromHawkwind in May 1975 after being arrested in Canada for drug possession;[12][13] he said "the band dismissed me for doing the wrong drugs".[14] Now on his own, Lemmy decided to form a new band called Motörhead, the name was inspired bythe final song he had written for Hawkwind.[15]
Lemmy wanted the music to be "fast and vicious, just like theMC5".[16] His stated aim was to "concentrate on very basic music: loud, fast, city, raucous, arrogant, paranoid, speedfreak rock n roll ... it will be so loud that if we move in next door to you, your lawn will die".[17] He recruited guitaristLarry Wallis (formerly ofPink Fairies) on the recommendation ofMick Farren, based on Wallis' work withSteve Peregrin Took's bandShagrat, and Lucas Fox on drums. According to Lemmy, the band's first practice was at the now defunct Sound Management rehearsal studios, in Kings Road,Chelsea in 1975. Sound Management leased the basement area of furniture store The Furniture Cave, located in adjacent Lots Road. Kilmister has said they used to steal equipment, as the band was short on gear.[18] Their first engagement was supportingGreenslade atThe Roundhouse, London on 20 July 1975.[19] On 19 October, having played 10 gigs, they became the supporting act toBlue Öyster Cult at theHammersmith Odeon.[20]
The band were contracted toUnited Artists byAndrew Lauder, theA&R man for Lemmy's previous band, Hawkwind.[21] They recorded sessions atRockfield Studios inMonmouth with producerDave Edmunds, during which Fox proved to be unreliable and was replaced by drummerPhil "Philthy Animal" Taylor, a casual acquaintance of Lemmy's. Their record label was dissatisfied with the material and refused to release it, although it was subsequently issued asOn Parole in 1979 after the band had established some success.[22]
In March 1976, deciding that two guitarists were required, the band auditioned an acquaintance of drummer Taylor's named"Fast" Eddie Clarke.[23] Wallis, who was continuing to tour with a reformed Pink Fairies, quit immediately after the auditions and Clarke remained as the sole guitarist. Thistrio of Lemmy/Clarke/Taylor is today regarded as the "classic" Motörhead line-up.[24] In December, the band recorded theHolland–Dozier–Holland composition "Leaving Here" for earlypunk rock and pub rock label,Stiff Records, but United Artists intervened to prevent its general release as the band were still under contract to them, despite the label's refusal to issue their debut album. Initial reactions to the band had been unfavourable; they won a poll for "the best worst band in the world" in the music magazineNME.[25]
By April 1977, living in squats and with little recognition, Taylor and Clarke decided to quit the band, and after some debate, they agreed to do a farewell show at theMarquee Club in London. Lemmy had become acquainted with Ted Carroll fromChiswick Records and asked him to bring a mobile studio to the show to record it for posterity. Carroll was unable to get the mobile unit to the Marquee Club on 1 April 1977,[26] but showed up backstage after the engagement and offered them two days atEscape Studios with producerSpeedy Keen to record a single. The band took the chance, and instead of recording a single they laid down 11 unfinished tracks. Carroll gave them a few more days atOlympic Studios to finish the vocals and the band completed 13 tracks for release as an album.[27] Chiswick issued the single "Motorhead" in June, followed by the albumMotörhead in August, which spent one week in theUK Albums Chart at number 43.[19][28] The band toured the UK supporting Hawkwind in June, then from late July they commenced the "Beyond the Threshold of Pain Tour" withthe Count Bishops,[19] a band who were gaining some popularity on the early punk rock and pub rock scene.
In August,Tony Secunda took over the management of the band, and their cohesiveness became so unstable that by March 1978, Clarke and Taylor had formed and were performing as the Muggers with Speedy Keen andBilly Rath of American punk bandThe Heartbreakers.[17]
The single's success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producerJimmy Miller atRoundhouse Studios.[22] A hint of what the band had recorded for the album came on 9 March 1979 when the band played "Overkill" onTop of the Pops to support the release of the single ahead of theOverkill album, which was released on 24 March. It became Motörhead's first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart.[28] These releases were followed by the "Overkill" UK tour which began on 23 March.[19] A subsequent single was released in June, coupling the album track "No Class" as theA-side with the previously unreleased song "Like a Nightmare" on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart.[28]
During July and August, except for a break to appear at theReading Festival, the band were working on their next album,Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart.[28] On 1 December, it was followed by the "Bomber" single, which reached number 34 on the UK Singles Chart.[28] The "Bomber" Europe and UK tour followed, with support fromSaxon. The stage show featured a spectacular aircraftbomber-shaped lighting rig. During the "Bomber" tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975–1976 and released them as the albumOn Parole, which peaked at number 65 on the UK Albums Chart in December.[28]
On 8 May 1980, while the band were on tour in Europe, Bronze releasedThe Golden Years, which sold better than any of their previous releases, reaching number eight on the UK Singles Chart.[28] The band had, however, preferred the titleFlying Tonight, in reference to the "Bomber" lighting rig. On 20 August, the band had a 40-minute filmed slot, along withGirlschool's 20 minutes performing live at the Nottingham Theatre Royal for theRockstage programme, broadcast on UK television by theATV on 4 April 1981.[29]
Cover of the "Ace Up Your Sleeve" tour booklet, using one of the shots taken during the photography session inBarnet for theAce of Spades album cover
During August and September 1980, the band were at Jackson's Studios in Rickmansworth, recording with producerVic Maile. The "Ace of Spades" single was released on 27 October 1980 as a preview of theAce of Spades album, which followed on 8 November.[22] The single reached No. 15 and the album reached No. 4 on the UK charts, the latter being the highest position in the band's history.[28] Bronze celebrated itsgold record status by pressing alimited edition of the album in gold vinyl.
Motörhead made an appearance onTop of the Pops in November that year with "Ace of Spades", and between 22 October and 29 November the band were on their "Ace Up Your Sleeve" UK tour with support fromGirlschool andVardis, and also made an appearance as guests on theITV children's showTiswas on 8 November.[19] The "Arizona desert-style" pictures used on the album sleeve and tour booklet cover were taken during a photo session at asandpit inBarnet.[30] "Ace of Spades", considered to be the definitive Motörhead anthem,[31] "put a choke on the English music charts and proved to all that a band could succeed without sacrificing its blunt power and speed".[32]
To coincide with theAce of Spades release,Big Beat, who had inherited the Chiswick catalogue, put together four unused tracks from the Escape Studios sessions in 1977 and released them asBeer Drinkers and Hell Raisers, which reached No. 43 on the UK Singles Chart in November.[22][28]
The band had more chart hits in 1981 with the releasesSt. Valentine's Day Massacre EP, their collaboration with Girlschool which reached No. 5 on the UK Singles Chart in February; the live version of "Motorhead", which reached No. 6 on the UK Singles Chart in July; and the album it was taken from,No Sleep 'til Hammersmith, which reached No. 1 on the UK Albums Chart in June.[28] During March 1981, the band had been touring Europe, and in the final week of the month they conducted the "Short Sharp, Pain in the Neck" UK tour from which the recordings forNo Sleep 'til Hammersmith were made.[19]
From April through to July, the band toured North America for the first time as guests ofBlizzard of Ozz, an early incarnation ofOzzy Osbourne's band, but were still able to make an appearance onTop of the Pops on 9 July to promote the live "Motorhead" single. In October the band recorded tracks at BBC'sMaida Vale studio for theDavid Jensen show broadcast on 6 October. The band commenced a European tour on 20 November, supported byTank, after which Clarke produced Tank's debut albumFilth Hounds of Hades atRamport Studios in December and January.
Between 26 and 28 January 1982, the band started recording their self-produced new album at Ramport Studios, before moving ontoMorgan Studios to continue the sessions throughout February. On 3 April the single "Iron Fist" was released, reaching No. 29 on the UK Singles Chart, followed by the parent albumIron Fist, released on 17 April and peaking at No. 6 on the UK Albums Chart.[28] They were the last releases to feature the Lemmy, Clarke, Taylor line-up, though the line-up continued to perform in theIron Fist UK tour between 17 March and 12 April, and the band's first headlining North America tour from 12 May until Clarke's last engagement at theNew York Palladium on 14 May.[19]
1982–1985: Departures,Another Perfect Day andNo Remorse
Clarke left as a consequence of the band recordingStand By Your Man, acover version of theTammy Wynette classic, in collaboration withWendy O. Williams and thePlasmatics. Clarke felt that the song compromised the band's principles, refused to play on the recording and resigned, later forming his own band,Fastway. Lemmy and Taylor made numerous telephone calls to find a guitarist, including one toBrian Robertson, formerly withThin Lizzy, who was recording asolo album in Canada. He agreed to help out and complete the tour with them. Robertson signed a one-album deal resulting in 1983'sAnother Perfect Day and the two singles from it, "Shine" and "I Got Mine".[22]
In June and July the band played five dates in Japan, and from mid-October until mid-November they toured Europe. From late May until early July, the band conducted the "Another Perfect Tour", followed by an American tour between July and August, and another European tour in October and November.[19] Robertson began to cause friction in the band as a result of his on-stage attire, consisting of shorts and ballet shoes, and with his refusal to play old standards that Motörhead audiences expected to hear. Robertson left the band soon after their concert at the Berlin Metropol on 11 November 1983.[19][22][33]
After Robertson's departure, the band received tapes from guitarists from all over the world who wished to be considered for a place in Motörhead. The group returned to the concept of dual lead guitars by hiring unknownsWürzel andPhil Campbell (formerly ofPersian Risk).[22] In February 1984, the Lemmy, Campbell, Würzel, and Taylor line-up recorded "Ace of Spades" for the "Bambi" episode in theBritish television series,The Young Ones. Scenes of the band playing are interspersed with the characters' antics as they rush to the railway station, in a parody ofthe Beatles' comedy filmA Hard Day's Night.[34] Taylor quit the band after that recording, causing Lemmy to quip: "Did I leave them or did they leave me?". Before joining Motörhead, Phil Campbell had met formerSaxon drummerPete Gill, and the trio decided to call him to see if he would like to visit London. The try-outs went well and Gill was hired.[22]
Bronze Records thought the new line-up would not make the grade and decided to "nail down the lid" on the group with a compilation album. When Lemmy found out, he took over the project, selecting tracks, providingsleeve notes and insisted that Motörhead record four brand new tracks to go at the end of each side of the album.[22] During the sessions between 19 and 25 May 1984 at Britannia Row Studios, London, the band recorded six tracks for the single's B-side and the album. The single "Killed by Death" was released on 1 September and reached No. 51 in the UK Singles Chart, the double albumNo Remorse was released on 15 September and reached silver disc status, attaining the position of No. 14 in the UK Album charts.[19][28]
The band were involved in a court case with Bronze over the next two years, believing that their releases were not being promoted properly, and the record company banned them from the recording studio.[22] The band looked to more touring for income;Australia and New Zealand in late July to late August, a brief tour of Hungary in September, and theNo Remorse "Death on the Road" tour between 24 October and 7 November. They kicked off their tour in the UK by making a live appearance on the early morning children's TV showThe Saturday Starship.[35] Their set, which included "Iron Fist", "Ace of Spades", and "Overkill", was performed in the car park of theCentral TV studios, Birmingham, prompting complaints about the noise from local residents.[36]On 26 October the band made a live appearance on the BritishChannel 4 music programmeThe Tube, performing "Killed By Death", "Steal Your Face" (over which the programme's end-credits were played) and the unbroadcast "Overkill", before going on to their next engagement that evening. From 19 November to 15 December the band toured America with Canadianspeed metal bandExciter and Danishheavy metal bandMercyful Fate and from 26 to 30 December performed five shows in West Germany.[19]
On 5 April 1985, ITV broadcast four songs that were recorded after the band went off air on their earlier appearance onThe Tube programme. A week later the band, dressed in tuxedos, played four songs on the live Channel 4 music showECT (Extra-Celestial Transmission). To celebrate the band's 10th anniversary, two shows were arranged atHammersmith Odeon on 28 and 29 June, a video of the second show was taken and later released asThe Birthday Party. From early June until early August the band were on their 'It Never Gets Dark' tour of Sweden and Norway, an American tour followed in mid-November until late December.[19]
From 26 March to 3 April 1986, the band toured West Germany, the Netherlands and Denmark on their "Easter Metal Blast" and in June, played two dates in Bologna and Milan in Italy. The court case with Bronze was finally settled in the band's favour. The band's management instigated their own label,GWR.[22] Recording took place in Master Rock Studios, London and the single "Deaf Forever" was released on 5 July as a taster for theOrgasmatron album, which was released on 9 August. On the same day as the release of the album, Lemmy and Würzel were interviewed byAndy Kershaw on the BBC Radio 1Saturday Live show and "Orgasmatron" and "Deaf Forever" were played. The single reached No. 67 and the album reached No. 21 in the UK charts.[28]
On 16 August, the band played at theMonsters of Rock atCastle Donington and was recorded by BBC Radio 1 for a futureFriday Rock Show broadcast. The performance closed with a flypast by a couple of Second World War German aircraft. Also that day Lemmy was filmed giving his views on spoof metal act "Bad News" for inclusion in aPeter Richardson Comic Strip film entitled "More Bad News" since the band featuringRik Mayall, Peter Richardson,Nigel Planer andAdrian Edmondson were also performing at Donington. In September the band conducted their "Orgasmatron" tour in Great Britain, supported by fledgling actZodiac Mindwarp and the Love Reaction. In October they toured America and in December were in West Germany.[19]
In 1987, during the filming ofEat the Rich – in which Lemmy was taking a starring role alongside well-known comedy actors such asRobbie Coltrane,Kathy Burke, the regulars fromthe Comic Strip ensemble, and various other musiciancameo appearances[37] – Gill left the band and Taylor returned to appear in the band's cameo as "In House Club Band" alongside Würzel and Campbell. The band wrote "Eat the Rich" especially for the film, its soundtrack featured tracks fromOrgasmatron and Würzel's solo single "Bess". The band's second album for GWR wasRock 'n' Roll, released on 5 September, after a tight work schedule in the studio. While having some popular tracks and using "Eat the Rich" as its second track, the band commented that the album was virtually "nailed together".[22]
On 2 July 1988 Motörhead were one of the performers at theGiants of Rock Festival inHämeenlinna, Finland. The tracks were released asNo Sleep at All on 15 October. A single from the album was planned with the band wanting "Traitor" as the A-side, but "Ace of Spades" was chosen instead. When the band noticed the change, they refused to allow the single to be distributed to the shops, and it was withdrawn and became available only on the "No Sleep at All" tour and through theMotörheadbangers fan club. While they continued to play live shows during 1989 and 1990, Motörhead once again felt unhappy with their career, and a court case with GWR followed, which was not resolved until mid-1990.[22]
With the court case resolved, Motörhead signed toEpic/WTG and spent the last half of 1990 recording a new album and single in Los Angeles.[22] Just prior to the album sessions the band's former manager, Doug Smith, released the recording of the band's 10th anniversary show, much against the bands wishes, having previously told him that they did not want it released, in 1986. In the studio they recorded four songs with producerEd Stasium, before deciding he had to go.
When Lemmy listened to one of the mixes of "Going to Brazil", he asked for him to turn up four tracks, and on doing so heardclaves andtambourines that Stasium had added without their knowledge. Stasium was fired andPeter Solley was hired as producer. The story according to Stasium was that Lemmy's drug and alcohol intake had far exceeded the limitations of Stasium's patience so he quit.[38] The single "The One to Sing the Blues" issued on 24 December 1990 (7" and CD) and 5 January 1991 (12"), was followed by the album1916 on 21 January. The single, which was issued in 7", cassette, shapedpicture disc, 12" and CD single, reached No. 45 in the UK Singles Chart, the album reached No. 24 in the UK Album Charts.[19][28]
The band conducted their "It Serves You Right" tour of Britain in February, the "Lights Out Over Europe" tour followed, lasting until early April, when the band returned to Britain to play another six venues. In June the band played five dates in Japan and five dates in Australia and New Zealand. Between July and August, they played across the United States withJudas Priest,Alice Cooper,Metal Church and openerDangerous Toys on the "Operation Rock 'n' Roll" tour. The band finished the year with six dates in Germany during December.[39][non-primary source needed]
On 28 March 1992, the band played what would turn out to be Taylor's last engagement at Irvine Meadows, Irvine, California.[39] The band had been wanting Lemmy to get rid of their manager, Doug Banker, for some time and after an unsolicited visit from Todd Singerman, who insisted he should manage them despite never having managed a band before, the band met with Singerman and decided to take him on board, firing Banker.[40] In the midst of this, the band were recording an album at Music Grinder Studios, in the city's east part of Hollywood during the1992 Los Angeles riots. Three drummers participated in the making of theMarch ör Die album: Phil Taylor, who was fired because he did not learn the drum tracks on the song "I Ain't No Nice Guy";Tommy Aldridge who recorded most of the material on the album; andMikkey Dee, who recorded "Hellraiser", a song originally written by Lemmy for Ozzy Osbourne'sNo More Tears album.March ör Die features guest appearances by Ozzy Osbourne andSlash.[19]
Lemmy had known Mikkey Dee from the time whenKing Diamond had toured with Motörhead. He had asked Dee to become Motörhead's drummer before, but Dee had declined due to his commitment to King Diamond. On this occasion, Dee was available and met the band to try out. Playing the song "Hellraiser" first, Lemmy thought "he was very good immediately. It was obvious that it was going to work." After recording "Hellraiser" and "Hell on Earth" in the studio,[41] Dee's first engagement with Motörhead was on 30 August at theSaratoga Performing Arts Center. The new line-up then went on tour, playing dates with Ozzy Osbourne,Skew Siskin andExodus. On 27 September, the band played at theLos Angeles Coliseum withMetallica andGuns N' Roses. The band toured Argentina and Brazil during October and conducted the "Bombers and Eagles in '92" tour of Europe withSaxon throughout December.[39]
Motörhead played two dates at theArena Obras Sanitarias in Buenos Aires in April 1993 and toured Europe from early June until early July, returning to the United States to play one show at theNew York Ritz on 14 August.[39] A new producer was sought for the band's next album and eventuallyHoward Benson, who was to produce the band's next four albums, was chosen. The band recorded atA&M Studios and Prime Time Studios in Hollywood and the resultant album, titledBastards, was released on 29 November 1993. The single "Don't Let Daddy Kiss Me" included the song "Born to Raise Hell", which also appeared on the album and would later be re-recorded with collaborative vocals from bothIce-T andUgly Kid Joe frontmanWhitfield Crane for the soundtrack of the movieAirheads (in which Lemmy also made a cameo appearance) and released as a single in its own right. AlthoughBastards received airtime, the record companyZYX Music would not pay for promotional copies, so the band sent out copies themselves.[42] A further tour of Europe was made throughout December that year.[39]
In February and March 1994, Motörhead toured the United States withBlack Sabbath andMorbid Angel. In April the band resumed their tour of the States until early May, playing an engagement with theRamones on 14 May at theEstadio Velez in Buenos Aires,[39] attracting a crowd of 50,000 people.[43] The band toured Japan in late May and Europe in June, August and December.[39]
The band's 1995 touring schedule began in Europe in late April. In June, they went on a second tour with Black Sabbath, this time supported byTiamat, until the band succumbed to influenza and headed back to Los Angeles andCherokee Studios in Hollywood where they were to record an album. During the sessions it became clear that Würzel was not extending himself and left the band after the recording.[44] The title track from the album,Sacrifice, was later used in the movieTromeo and Juliet, a film in which Lemmy appears as the narrator. The band decided to continue as a three-man line-up and a tour of Europe was performed throughout October and the first two days of November. A three-day tour of South America followed the week after. Lemmy celebrated his 50th Birthday later that year with the band at theWhisky a Go Go in Los Angeles;Metallica played at the event under the name the Lemmy's.[39]
In 1996, the band began touring the States in early January and played 30 venues up to 15 February; a seven-date tour of Europe in June and July was followed by two engagements in South America during August. A tour of the United States withBelladonna and Speedball began with two shows (Los Angeles & Hollywood) in early October 1996 and concluded in Washington on 4 December.[39] During this time the band had recordedOvernight Sensation, at Ocean Studio and Track House Recording Studio. The album was released on 15 October, the first official album of the band as a three-piece sinceAnother Perfect Day and the best distributed album the band had had for years.[45] The band concluded the year's touring with 13 dates in Germany.[39]
During 1997, the band toured extensively, beginning with the first leg of theOvernight Sensation tour in Europe on 12 January at theLondon Astoria, where the guest musicians were Todd Campbell, Phil Campbell's son, on "Ace of Spades" and "Fast" Eddie Clarke for "Overkill". The European leg lasted until March and was followed by four dates in Japan, from late May to 1 June, and an American tour withW.A.S.P. throughout the rest of June. In August, three dates in Europe were followed by seven dates in Britain, which ended with a show at theBrixton Academy on 25 October, where the guest musician was Paul Inder, Lemmy's son, for "Ace of Spades". A further four dates in October in Russia concluded the year 1997.[39]
1998–2003:Snake Bite Love,We Are Motörhead, andHammered
Lemmy recalled that the touring was going particularly well, with some countries like Argentina and Japan putting the band in larger venues, and the English promoters discovered that "they could turn a nice profit with Motörhead shows". In his opinion, the three-piece line-up was performing excellently and it was high time they made another live record.[46] The band did eventually, but made another studio album first,Snake Bite Love, recorded in various studios and released on 3 March 1998.
The band joined with Judas Priest at the Los AngelesUniversal Amphitheatre on 3 April, to begin their "Snake Bite Love" tour. On 21 May, Motörhead were recorded at The Docks in Hamburg. The tracks from this performance were later released asEverything Louder Than Everyone Else. The band were invited to join the Ozzfest Tour and played dates across the States during early July until early August and were in Europe from early October until late November. The British leg of the tour was dubbed the "No Speak With Forked Tongue" tour and included support bandsGroop Dogdrill, Radiator and Psycho Squad, which was fronted by Phil Campbell's son Todd.[39]
In 1999 Motörhead made a tour of the states between 20 April and 2 June, before going to Karo Studios inBrackel, Germany to record their next album,We Are Motörhead, which was released in May the following year. During the time the album sessions took place, the band played at venues around Europe, the first of which was atFila Forum inAssago, nearMilan, where Metallica'sJames Hetfield joined the band on-stage to play "Overkill". In October and early November, the band toured the states withNashville Pussy. Throughout the rest of November, the band conducted their European "Monsters of the Millennium" tour withManowar,Dio andLion's Share, ending the Millennium with two shows at the London Astoria. The two shows were billed under theKerrang! "X-Fest" banner and at the first show were supported byBackyard Babies and during the second show guest vocals were provided bySkin fromSkunk Anansie and Nina C. Alice from Skew Siskin for "Born to Raise Hell", and Ace from Skunk Anansie played "Overkill" with the band.[39]
Entrance ticket for the 25th anniversary concert at theBrixton Academy on 22 October 2000
In May 2000, the release ofWe Are Motörhead and the single from it, a cover of the Sex Pistol's "God Save the Queen", coincided with the start of the band's "We Are Motörhead" tour across South and North America during May and June, with a further nine shows across in Europe in July. Shows in the United States and France were followed by the release of a double-disc compilation album,The Best Of, on 26 August.
Four dates in Japan preceded the band's 25th anniversary concert on 22 October at the Brixton Academy in London, where guest appearances were made by "Fast" Eddie Clarke,Brian May,Doro Pesch,Whitfield Crane, Ace, Paul Inder and Todd Campbell. The show also featured the return of the Bomber lighting rig. The event was filmed and released the following year as the25 & Alive Boneshaker DVD, and the CD of the show,Live at Brixton Academy, was released two years after that.[39] Lemmy states the reason for the DVD as wanting "to record it for the posterity or whatever it is. I nodded off through the 10th anniversary, we never did anything on the 20th, so the 25th made sense."[25]
A tour of West and East Europe followed the anniversary concert, taking the band through October, November and December.[39] The schedule for the Eastern European tour was quite brutal, involving two 18-hour drives back-to-back and little time off, at the Warsaw venue the band did not arrive until 11 o'clock and the crew were still loading into the venue at one in the morning, while the fans waited.[47]
After taking a month off, the band began working on a new album at Chuck Reid's house in theHollywood Hills. This album,Hammered, was released the following year. On 1 April 2001, the band gave a one-song performance forTriple H's entrance atWrestleMania X-Seven at theReliant Astrodome in Houston. The second leg of the "We Are Motörhead" tour began in May in Ireland, moving across to the United Kingdom. In Manchester, the band were supported byGoldblade, and byPure Rubbish at the two London shows. The second London show also includedBackyard Babies and Paul Inder, who was guest musician for "Killed By Death". Between June and August, Motörhead played at a number of rock festivals in Europe; including as theGraspop Metal Meeting in Belgium, theQuart Festival in Norway, and theWacken Open Air on 4 August, where four songs were recorded for the25 & Alive Boneshaker DVD. The band returned to the States for a seven show tour between late September and early October.[39]
In April 2002, a DVD of some of Motörhead's performances from the 1970s and 1980s along with some stock footage of the band was released asThe Best of Motörhead. Two weeks earlier, theHammered album was released and supported by the "Hammered" tour, which kicked off in the States at around the same time. The United States dates continued until late May, and a European leg followed between June and August. In October, the band played five dates in Great Britain withAnthrax, Skew Siskin and Psycho Squad. The final venue was the Wembley Arena in London, where instead of Psycho Squad, the band were supported by Hawkwind, with Lemmy performing "Silver Machine" on stage with them. Throughout the rest of October and better part of November, the band were on a European tour with Anthrax.[39]
In April and May 2003, the band continued to promote theHammered album in the States, and on the three dates Phil Campbell had to miss, his mother having died,Todd Youth stood in for him. Between late May and mid-July the band played seven dates at Summer Festivals in Europe and from late-July until the end of August, they were touring the United States withIron Maiden and Dio. On 7 October a comprehensive five-disc collection of the band's recordings covering 1975–2002 was released asStone Deaf Forever!. On 1 September 2003, the band returned to Hollywood's Whisky A Go-Go club for the Hollywood Rock Walk of Fame Induction. During October, the band performed a tour of Great Britain withthe Wildhearts and Young Heart Attack. The band performed seven shows across Belgium, the Netherlands and Spain between 21 and 28 October and from late November until early December they were in Germany and Switzerland, touring with Skew Siskin andMustasch. On 9 December, the previously recordedLive at Brixton Academy album was released.[39]
Motörhead performed an invitation-only concert at theRoyal Opera House inCovent Garden, London on 22 February 2004; at Summer Festivals in South America during May; and in Europe during June, July and August. They had already spent time in the studio, working onInferno, which was released on 22 June and followed by the "Inferno" tour of Ireland with Class of Zero for three dates. Joined bySepultura, the tour hit Great Britain.[48] Some of the London show at the Hammersmith Apollo was filmed for TV asGene Simmons introduced the extraopening act the Class, made up of school children from his Channel 4 seriesRock School. Würzel guested on "Overkill". The band continued the tour with Sepultura across Europe through the rest of November and December. At the show inMagdeburg, Germany on 4 December Motörhead joined Sepultura on stage during their support slot playing the song "Orgasmatron", in celebration of Sepultura's 20th Anniversary. The show on 7 December at the Philipshalle inDüsseldorf was recorded and later released as theStage Fright DVD.[39]
From March until early May 2005, the band toured the United States, and in June and August were on the "30th Anniversary" tour in Europe.[39] On 22 August, they were the subject of an hour-long documentary,Live Fast, Die Old, aired onChannel 4 as part ofThe Other Side series of documentaries, filmed by new and established directors.[51][non-primary source needed][52]
On 20 September, a compilation containing the band's appearances on BBC Radio 1 and a concert recording from Paris Theatre, London, was released asBBC Live & In-Session. In October, the band toured Europe withMondo Generator before returning to Britain to tour withIn Flames and Girlschool in October and November. During the show at the Brixton Academy on 19 November, Lemmy joined Girlschool on stage to play "Please Don't Touch". Motörhead finished the year's tours in December, with two engagements in New Zealand and five in Australia withMötley Crüe.[39] Also in 2005, Motörhead played on theVaya Con Tioz farewell festivalBöhse Onkelz at Lausitzring. In 2006, the band performed a four-dateHouse of Blues tour in the States in March withMeldrum and from June until early August played at European open-air festivals with some indoor headlining shows. On 28 October, the band performed at The Rock Freakers Ball inKansas City before heading off to tour Great Britain withClutch andCrucified Barbara.
Motörhead at the Masters of Rock tour in 2007
During that tour,Kiss of Death was released on 29 August 2006 viaSanctuary Records, with a video for "Be My Baby". The tour ended on 25 November at the Brixton Academy, where Phil Campbell played on "Killed By Death" during Crucified Barbara's support set. Twelve shows in Europe withMeldrum took them through the end of November to early December, the first two shows also featuring Skew Siskin.[39]
In November, the band agreed to a sponsorship deal with the Greenbank B under-10s football team fromNorth Hykeham,Lincoln, putting the band's name as well as War-Pig on the team's shirts; the under-10s run out to "Ace of Spades". Lemmy is old friends with Gary Weight, the team's manager; Weight "sent an email off to them and they came back and said it was a great idea" and hopes the deal will draw inspired performances from his team.[53] On 25 April 2007, the band played at the Poliedro de Caracas inCaracas, Venezuela, and on 29 April at the Fundiçao Progresso,Rio de Janeiro.[39] In June, Motörhead played an engagement at theRoyal Festival Hall as part ofJarvis Cocker'sMeltdown. On 26 February 2008,No Sleep 'til Hammersmith was reissued again as a two disc CD.
From March through to June 2008, the band convened in Los Angeles with producer Cameron Webb to begin work on their 19th albumMotörizer. Mikkey Dee's drum tracks were recorded atDave Grohl's studio.Motörizer was released on 26 August. It does not feature artwork by Joe Petagno, the artist who designed many of their classic covers. In June 2008 the band performed on the main stage of theDownload festival. Between 6 and 31 August, Motörhead joinedJudas Priest,Heaven & Hell andTestament on theMetal Masters Tour. On 20 August the band played at theRoseland Ballroom, New York, as part of "The Volcom Tour 2008", which continued withthe Misfits,Airbourne,Valient Thorr andYear Long Disaster atHouse of Blues,Anaheim, California, on 2 September, playing a further thirteen dates. The band concluded the tour without the supporting bands, playing one more show at the Roseland Ballroom on 20 September, and the final engagement, atThe Stone Pony,Asbury Park, New Jersey on 21 September.
On 30 September,Reuters reported that Neverdie Studios had signed a deal with Lemmy and Motörhead to develop and market Lemmy's Castle and Motorhead Stadium inside the virtual world ofEntropia Universe, an online universe.[54] The year's touring ended with a 34-date tour of Europe with a variety of support bands includingDanko Jones,Saxon,Witchcraft, and Airbourne.[39]
On 6 March 2009, the band played in the Middle East for the first time, at the annualDubai Desert Rock Festival. On 1 April Motörhead were reported to have entered into a two-year sponsorship deal with UK Roller Derby team the Lincolnshire Bombers Roller Girls.[55] That September, noted drummerMatt Sorum filled in for Mikkey Dee for a U.S. tour.[56] "I was absolutely blown away and was very honoured to get the call," Sorum said. "You know what I love about Lemmy? He's always on time. We go on stage, no delays. Being inbands where you have to wait around for a couple of hours fucks you up."[50]
In November 2009, the band were supported byNWOBHM veteransSweet Savage on the Irish leg of the tour (30 years after first sharing the stage together) andpunk andgoth rock legendsthe Damned on the UK leg of their world tour. On the Damned's official website,Captain Sensible said: "Ha ha ... we're working with Lemmy again, are we? Excellent! He's the real deal, the absolute antithesis to all that the likes ofSimon Cowell stand for. And for that we should all be grateful. This tour will be a celebration of all things rock 'n' roll ... pity the poor roadies is all I can say!"[57]
2010–2015:The Wörld Is Yours,Aftershock, andBad Magic
In a November 2009 interview with ABORT Magazine's E.S. Day, Lemmy said that Motörhead would enter the studio in February 2010 "to rehearse, write and record" their 20th studio album, to be released by the end of the year.[58][non-primary source needed][59] The album was recorded with Cameron Webb and Welsh producer Romesh Dodangoda in Longwave Studio, Cardiff. In an interview with Hungarian television in July 2010, drummerMikkey Dee announced that the album was finished, with 11 tracks. The album's name was said to beThe Wörld Is Yours. On 3 November 2010,Future plc, a UK media company, announced that Motörhead were to releaseThe Wörld is Yours via an exclusive publishing deal withClassic Rock magazine on 14 December 2010.[60][61] The standard CD release ofThe Wörld is Yours would go on sale on 17 January 2011, through Motörhead's own label, Motörhead Music.[61][62]
Phil Campbell of Motörhead – New York City 28 February 2011
To coincide with the release of their upcoming album, Motörhead embarked on a 35th Anniversary UK tour, from 8–28 November 2010,[63] and a European tour from 30 November 2010 – 19 December 2010. They also took their tour to the Americas in 2011.[64][non-primary source needed] In October, the band recorded a slow blues version of their longtime hit"Ace of Spades" for a TV spot forKronenbourg beer.[65][non-primary source needed] On 5 December the single "Get Back in Line" was released,[66] followed by the release of a video for the single on 6 December.[67] In December, Mikkey Dee stated to French journalists that Motörhead are planning to release a box-set with several DVDs in 2011. He did not give any details but said that it will come in a "beautiful package including many surprises".[68]
On 17 January 2011, it was announced that Motörhead would be part of the Sonisphere Festival in Knebworth.[69] In August 2011, they headlined theBrutal Assault open-air festival in the Czech Republic. On 2 March 2011 Motörhead performed onLate Night with Jimmy Fallon.[70]On 9 July 2011, former guitaristWürzel died of a heart attack.[71] In celebration of 35 years' touring, in late 2011 the band released the live DVDThe Wörld Is Ours – Vol 1 – Everywhere Further Than Everyplace Else, including performances at theO2 Apollo Manchester,Best Buy Theater, New York City andTeatro Caupolicán,Santiago de Chile. On 19 December 2011, it was announced that Motörhead would play at the German festivalsRock am Ring and Rock im Park inNürburgring andNuremberg respectively in June 2012.[72][73] On 12 January 2012, it was announced that Motörhead were touring the US and Canada in early 2012, along with three other metal bandsMegadeth,Volbeat andLacuna Coil. TheGigantour took place from 26 January to 28 February 2012, but Motörhead missed the final four shows because Lemmy had a combination of an upper respiratory viral infection and voice strain, resulting in severelaryngitis. Lemmy wrote on Facebook, "I'm giving my voice a good rest", hoping he would recover soon to play at theMayhem Festival, which was held from 30 June to 5 August 2012. Motörhead also took part on 23 June in the Rock-A-Field Luxembourg Open Air Festival inRoeser.
In an April 2012 interview with Classic Rock Revisited, Lemmy was asked if Motörhead were planning to make a follow-up toThe Wörld Is Yours. He replied, "We have not started writing any songs yet but we will. We put out an album out every two years. I will continue to do that as long as I can afford an amp."[74] On 28 June 2012, Lemmy told Auburn Reporter that Motörhead will release their next album in 2013 and they had written "about 6 songs so far."[75] On 23 October 2012, Lemmy toldBillboard.com that the band had planned to enter the studio in January to begin recording the album for a mid-2013 release.[76] On 28 February 2013, it was announced that Motörhead had begun recording their new album.[77] Motörhead released the live DVDThe Wörld Is Ours – Vol. 2 – Anyplace Crazy As Anywhere Else in September 2012. On 18 June 2013, the new album's title was revealed to beAftershock.
In mid-November 2013, Motörhead were due to embark on a European tour alongsideSaxon, followed by a tour in Germany and Scandinavia due to last until mid December 2013 but the dates were postponed and rescheduled for February and March 2014 due to Lemmy's health problems. However, in January 2014, Motörhead announced the cancellation of the new February and March dates of their European tour as Lemmy was still to reach full recovery from diabetes related health problems.[78] But the same month, the band was confirmed forCoachella Festival to take place across two weekends in spring 2014 (12–14 and 19–21 April) inIndio, California,[79] the exact dates to be revealed as 13 and 20 April 2014. In February 2014, Motörhead confirmed a Summer tour 2014 with eight European dates (from 24 June to 10 August) in France (2 dates), Switzerland, Italy, Germany (2 dates), Russia and Ukraine.[80][non-primary source needed] In March 2014, the band announced a Los Angeles date on 11 April 2014 at Club Nokia. Later on, two new dates on 17 and 18 April 2014 respectively in Las Vegas (Pearl) and San Francisco (Warfield) were added.[81] Still in March 2014, Motörhead announced that three heavy metal bands Megadeth, Anthrax and themselves would perform from 22 to 26 September 2014 at the first annual Motörhead's Motörboat cruise on board the Carnival Ecstasy (self-proclaimed "The Loudest Boat in the World"), due to sail from Miami and visit the ports ofKey West and theCozumel island just off Mexico'sYucatán Peninsula.[82][non-primary source needed]
In a September 2014 interview onFull Metal Jackie, Lemmy stated that Motörhead would "probably" enter the studio in January 2015 to start work on their 22nd studio album for a tentative late 2015 release.[83] On 25 February 2015, Motörhead officially confirmed that they were in the studio recording their new album in Los Angeles with longtime producer Cameron Webb.[84][non-primary source needed][85] On 27 May 2015, the band released teasers on their Facebook page with the roman number "XXXX" on it. On 4 June the new album (which would be their last)Bad Magic was launched for pre-order on Amazon, revealing its title and cover art which also shows the "XXXX", coinciding with the 40th anniversary of the band. The album was released on 28 August 2015.[86][87] The band performed at the UK'sGlastonbury Festival in June 2015. Their final UK gig was at theEden Project on 27 June 2015.[88]
While touring the album as the "40th anniversary Tour", Motörhead had to cut short their Salt Lake City show on 27 August 2015 (in the Rocky Mountains) due to Lemmy's breathing problems[89] (the result of analtitude sickness) and then they had to cancel completely day-off their Denver Riot Fest set on 28 August 2015. Their tour picked up again on 1 September 2015 at Emo's inAustin, Texas (moved from Cedar Park Center) but the group were again forced to abandon their set after three songs[b] and to cancel subsequent shows (from the show on 2 September 2015 inSan Antonio, Texas to the show on 5 September 2015 inHouston, Texas included).[92]
Despite his ongoing health issues forcing Motörhead to cut short or cancel several US shows,[90][93][c][d] Lemmy Kilmister was able to bounce back in time for the trio's annual Motörboat heavy metal cruise from Miami to the Bahamas which ran from 28 September through 2 October 2015 including performances by bands such asSlayer,Anthrax,Exodus,Suicidal Tendencies andCorrosion of Conformity. For this occasion, Motörhead performed live two entire (identical) sets on 30 September and 1 October 2015.[96][97][98]
Motörhead continued the "40th Anniversary Tour" in Europe in November and December. They played concerts in Germany, Sweden, Norway and Finland.[99] Their final concert was in Berlin, Germany on 11 December 2015. After Lemmy's death, drummerMikkey Dee spoke in an interview about him: "He was terribly gaunt. He spent all his energy on stage and afterwards he was very, very tired. It's incredible that he could even play, that he could finish the Europe tour. It was only 20 days ago. Unbelievable."[100] The "40th Anniversary Tour" was planned to continue in January 2016 in the band's home country the UK, the first concert would have been in Newcastle on 23 January 2016.[101]
On 28 December 2015, Lemmy died, four days after celebrating his 70th birthday. He was the second Motörhead member to die in 2015, followingPhil Taylor the previous month. The band posted the following message on Facebook:
There is no easy way to say this... our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favourite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren't words.
We will say more in the coming days, but for now, please... play Motörhead loud, play Hawkwind loud, play Lemmy's music LOUD.Have a drink or few.
Share stories.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
The following day, drummerMikkey Dee confirmed that Motörhead would not continue, stating, "Motörhead is over, of course. Lemmy was Motörhead. We won't be doing any more tours or anything. And there won't be any more records. But the brand survives, and Lemmy lives on in the hearts of everyone."[7][8] Two days after Lemmy's death, guitaristPhil Campbell also stated that "Motörhead is no longer".[9]
A few days later, the band's long-time manager Todd Singerman told the press that Lemmy had experienced chest pains two days after his 70th birthday party (held atWhisky a Go Go) and visited into the emergency room, but was released the next day. However, Singerman was concerned because Lemmy's speech was "getting bad" and took him to abrain scan. On 26 December the doctor came into Lemmy's apartment, "brought the results and told us all that he has two to six months to live". Lemmy reacted calmly. "He took it better than all of us", said Singerman. "His only comment was, 'Oh, only two months, huh?' The doctor goes, 'Yeah, Lem, I don't want to bullshit you. It's bad, and there's nothing anyone can do. I would be lying to you if I told you there was a chance.'" Plans were made to treat Lemmy at home. A video game console at theRainbow Bar and Grill that Lemmy loved to play was brought to his apartment. On 28 December 2015, he spent hours on the console, and Rainbow owner Mikael Maglieri paid a visit. Lemmy died in his sleep later that day.[103]
An autopsy on Kilmister showed that the causes of death were prostate cancer, a cardiac arrhythmia, and congestive heart failure.[104]
Since Motörhead's break-up, Campbell and Dee have remained musically active. Campbell went on to formPhil Campbell and the Bastard Sons. The band originally focused on performing Motörhead songs at major festivals. The band has subsequently performed in supporting slots with Guns N' Roses, Hawkwind, Saxon, and Airbourne. Following their debut albumThe Age of Absurdity, released in January 2018 they have gone on to produce several acclaimed albums of their own material and to establish a reputation as a successful touring band in their own right.[citation needed] Dee joinedThin Lizzy to play on their anniversary shows in January 2016. However, on 19 April, it was announced that he would not be participating.[105] Subsequently, it was announced that Dee would be filling in forJames Kottak on theScorpions' twelve North American headlining dates, including a run of shows at theHard Rock Hotel in Las Vegas dubbed "Scorpions blacked out in Las Vegas".[106][107] Dee later joined the band permanently.[108]
Initially planned on 27 May 2016, UDR Music released on 10 June 2016Clean Your Clock, a Motörhead archive live album featuring material recorded at the 20 and 21 November 2015 shows at the Zenith inMunich.[109] On 1 September 2017, Motörhead releasedUnder Cöver, a covers album featuring covers throughout Motörhead's history, along with covers only found on tribute albums, and new recordings.[110]
Former Motörhead guitarist"Fast" Eddie Clarke died on 10 January 2018 after a battle withpneumonia at the age of 67, making him the last member of the band's classic line-up (following Taylor and Lemmy) to die.[111]
Original Motörhead guitaristLarry Wallis died on 19 September 2019 at age 70 from an unknown cause.[112]
On 27 June 2025, a "lost" Motörhead album calledThe Manticore Tapes was released. It is a compilation of tracks that were recorded in August 1976 atEmerson, Lake & Palmer's Manticore Studio inFulham, representing the first recorded material from the lineup of Lemmy, Taylor and Clarke.[113]
AllMusic editorStephen Thomas Erlewine wrote: "Motörhead's overwhelmingly loud and fast style of heavy metal was one of the most groundbreaking styles the genre had to offer in the late '70s" and though "Motörhead wasn'tpunk rock ... they were the first metal band to harness that energy and, in the process, they createdspeed metal andthrash metal."[114]
Although Motörhead is often considered aheavy metal band, Lemmy always described Motörhead's music as simply "rock and roll". In 2011, he said: "We were not heavy metal. We were a rock 'n' roll band. Still are. Everyone always describes us as heavy metal even when I tell them otherwise. Why won't people listen?"[115] In 2014, he reiterated toDer Spiegel that he did not particularly like heavy metal.[116]
Lemmy had stated that he generally felt more kinship with punk rockers than with heavy metal bands: Motörhead had engagements with fellow Brits,the Damned, with whom he played bass on a handful of late 1970s engagements,[117] as well as having penned the song "R.A.M.O.N.E.S." as a tribute to theRamones. Motörhead, Lemmy stated, have more in common aesthetically withthe Damned thanBlack Sabbath, and nothing whatsoever in common withJudas Priest. Lemmy said he felt little kinship with the speed metal bands Motörhead have inspired:
They've just got the wrong bit. They think that being fast and loud is the whole thing and it isn't. The guitar solos are not really difficult for a guitar player, it's just playing scales. To feel a solo and bend into it & I mean Hendrix is the best guitarist you've ever seen in your life. And he learned from people like Buddy Guy, Lightnin' Hopkins and people like that inspired Hendrix. To be influenced by something, you're gonna have to play it the same.[118]
TheNME stated that their brief solos were just long enough "... to open another bottle of beer", while a 1977Stereo Review commented that "they know they're like animals, and they don't want to appear any other way. In view of the many ugly frogs in heavy metal who think they are God's gift to womankind these Quasimodos even seem charming in their own way".[119] Motörhead's approach did not change drastically over the band's career, though this is a deliberate choice: erstwhile Motörhead drummerPhil "Philthy Animal" Taylor said that rock icons likeChuck Berry andLittle Richard never drastically altered their style, and, like them, Motörhead preferred to play what they enjoyed and did best.[120] This fondness for the first decade of rock and roll (mid-1950s to mid-1960s) is also reflected in some of Motörhead's occasional cover songs from that era.
Lemmy often playedpower chords in his basslines. When asked about whether he had begun as a rhythm guitarist, he stated:
No, I play a lot of notes, but I also play a lot of chords. And I play a lot of open strings. I just don't play like a bass player. There are complaints about me from time to time. It's not like having a bass player; it's like having a deep guitarist.[121]
The name "Motörhead" is a reference to users of the drugamphetamine.[122] The band's distinctive fanged-face logo, with its oversized boar's tusks, chains, and spikes, was created by artistJoe Petagno in 1977 for the cover of theMotörhead album and has appeared in many variations on covers of ensuing albums. The fanged face has been referred to variously as "War-Pig"[123] and "Snaggletooth".[124] The band's name is usually printed in alowercase form ofblackletter. Theumlaut characterö is possibly derived from the similar "heavy metal umlaut" in the name of their 1975 acquaintancesBlue Öyster Cult. However, this umlaut does not alter the pronunciation of the band's name. When asked if Germans pronounced the band "Motuuuurhead", Lemmy answered "No, they don't. I only put it in there to look mean".[125]
Snaggletooth B Motörhead on Motörhead's first album
Snaggletooth is the fanged face that serves as the symbol of Motörhead. ArtistJoe Petagno drew it in 1977 for the cover of the band's debut album (with designerPhil Smee who turned it into a negative and did thelettering to complete the logo),[126] having met Lemmy while doing some work with Hawkwind.[127][non-primary source needed] Petagno stated:
The inspiration came from just being a naturally pissed-off bastard! And Lemmy's the same way! So it was bound to be an alchemal wedding of a more "primordial nature". I did a lot of research on skull types and found a cross-breed gorilla-wolf-dog combination would work nicely with some oversized boars horns. Lemmy added Helmet, chains, spit, spikes and grit.[127]
Eddie Clarke was less sure about the imagery to begin with:
I shuddered when I saw it the first time. I thought, "Blimey, this ain't gonna go down that well", because it was just way over the top, then. But I grew to love it ... [At first] it was not scary or horrifying, it would've been, in those days, deemed bad taste.[128]
It has remained a symbol of Motörhead throughout the years, with Petagno creating many variations of Snaggletooth/War-Pig, for the covers of ensuing albums. Only two of the original covers for Motörhead's 22 studio albums do not feature any variation of War-Pig on the cover:On Parole andOvernight Sensation (of which,On Parole was never sanctioned by the band), and was in any case reissued with a black Snaggletooth on a white background. Phil is wearing a Snaggletooth badge on the cover ofAce of Spades. The cover of "Iron Fist" depicts a metal gauntlet wearing four skull-shaped rings, one of which is Snaggletooth, while the rear of the album-sleeve shows a fully detailed metal sculpture of the symbol. Originally the Snaggletooth design included a swastika on one of the helmet's spikes. This was painted out on later re-releases of the albums on CD.
On 21 September 2007, Petagno announced that "there will be no more "HEADS" from my hand", citing irreconcilable differences between himself and the band's current management, Singerman Entertainment. Petagno stated:
It has been a long, exciting and industrious journey, full of art and intuition, difference in repetition, and creative innovation. I feel I accomplished something unique in Metal history over the last 31 years by breathing life again and again into a figment of my own imagination, an image or better an entity which has taken on a life of its own, which I actually believe goes beyond the music it was created to represent. I'm damn proud of that!
In reply, Lemmy stated:
As many of you know, we have been working with Joe Petagno for 31 years. We always treated Joe fairly, and I would like to stress that at no time did my manager demand what Joe thinks he demanded — it is all a colossal misunderstanding. We have always loved his artwork, obviously, and if he now decides to stop working with us, we have no choice but to use someone else. However ... if he will not discuss this personally and try to work things out, I think it's a great tragedy. If Joe continues with us, no one would be more delighted than me. If it's goodbye, Joe, I wish you well, but I hope, even at this stage, to be reconciled and continue our association.[129]
Motörhead are well known in theprofessional wrestling world for performing wrestlerTriple H's entrance music, "The Game", which he has used as hisentrance music since January 2001.[130] In addition to the song playing whenever Triple H appears on WWE programming such asRaw orSmackDown, and at other pay-per-view wrestling events, the band have performed the song live for him atWrestleMania X-Seven andWrestleMania 21. Their song "Rock Out" was also used as the theme song of the WWE pay-per-viewUnforgiven in 2008. Motörhead also provided the entrance music for Triple H'sfactionEvolution, entitled "Line in the Sand".[130] "The Game" was released on both the American version of theHammered andWWF The Music, Vol. 5 albums, and "Line in the Sand" was released on theWWE ThemeAddict: The Music, Vol. 6 album. Motörhead have since performed a third entrance track for Triple H, entitled "King of Kings", which made its debut atWrestleMania 22 in April 2006.[130] Triple H has also introduced the band in concert.[130] Lemmy inspired Triple H's facial hair, and Triple H spoke at Lemmy's funeral.[131]
Motorhead also covered Metallica's "Enter Sandman" for theECW Extreme Music album, released in 1998.[citation needed]
1987:Eat the Rich: soundtrack includes "Nothing Up My Sleeve", "Built for Speed", "Orgasmatron", "Doctor Rock", "On the Road (live)", "Eat the Rich" and "Bess" – New Line Home Entertainment. Halfway through shooting, the idea of gradually replacing the members of the ballroom band with Motörhead was hit upon. At first there are no Motörhead personnel, then Phil Campbell appears, followed by Würzel and Phil Taylor. The scene involving Lemmy riding a motorcycle is played by a femalestunt double as Lemmy was on tour with Motörhead in America at the time the scene had to be shot.
^The umlaut aboveo is a stylistic choice, not orthographical (seemetal umlaut).
^About the shortened show on 1 September 2015 at Emo's in Austin, Texas: after having played the two first songs ("Damage Case" and "Stay Clean"), Kilmister returned to the stage after he cut short the third one, "Metropolis." «You're one of the best gigs that I've ever played. And I would love to play for you. But I can't,» Kilmister said, adding that he feared collapse. «Please accept my apologies.»[90][91]
^Shortened shows: on 27 August 2015 at The Complex inSalt Lake City, Utah;[94] on 1 September 2015 at Emo's in Austin, Texas.[90]
^Cancelled shows: on 28 August 2015 at Riot Fest inDenver, Colorado (show drop off at the last minute due to Lemmy's breathing issues[95]);[94] on 2 September 2015 at the Aztec Theatre in San Antonio, Texas; on 4 September 2015 at The Bomb Factory in Dallas, Texas; on 5 September 2015 at the House of Blues in Houston, Texas.[90][93]
^abcdefghijklmnopBurridge, AlanIllustrated Collector's Guide to Motorhead Published: 1995, Collector's Guide PublishingISBN0-9695736-2-6. Used for the line-up numbers as listed in albums in band members section as well as information on recordings and performances.
^"The Young Ones – Bambi".Transcription of the "Young Ones" episode "Bambi" as it aired on American MTV in the mid-'80s. Archived fromthe original on 9 March 2007. Retrieved10 February 2007.
^"Motorblog: September 2007".Joe Petagno – Lemmy's Statement. Alan Burridge blog archive. 27 September 2007.Archived from the original on 8 July 2011. Retrieved9 April 2009.
