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| Moscow Does Not Believe In Tears | |
|---|---|
 Theatrical release poster | |
| Directed by | Vladimir Menshov |
| Written by | Valentin Chernykh |
| Starring | Vera Alentova Irina Muravyova Raisa Ryazanova Aleksey Batalov |
| Cinematography | Igor Slabnevich |
| Edited by | Yelena Mikhailova |
| Music by | Sergey Nikitin |
Production company | |
Release date |
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Running time | 148 minutes |
| Country | Soviet Union |
| Language | Russian |
Moscow Does Not Believe in Tears (Russian:Москва слезам не верит,romanized: Moskva slezam ne verit) is a 1980 Soviet romantic comedy-drama film made byMosfilm.[1] It was written byValentin Chernykh and directed byVladimir Menshov. The leading roles were played byVera Alentova andAleksey Batalov. The film won theAcademy Award for Best Foreign Language Film in 1981.[2]
In 1958, three young women, Katerina, Lyudmila, and Antonina, live in Moscow in a workers'dormitory, having arrived from the provinces.
Katerina, serious and hardworking, works in a factory while studying at night to get admitted to a college. Antonina, a construction worker, dates her fellow co-worker Nikolay, a reserved but kind young man. Lyudmila, dynamic and vivacious, works in a bakery, but spends time in a university library in a search for the opportunity to marry up.
When Katerina is asked to house-sit for her well-to-do Moscow relatives, Lyudmila, flirty and impetuous, invites herself along and convinces Katerina to throw a dinner party as a ploy to meet successful men. At the party, Lyudmila talks with Sergei, a risingice hockey star, while Katerina meets Rudolf, a smooth talker who works as a cameraman for a national TV channel.
During Antonina and Nikolai's wedding, Lyudmila and Antonina learn that Katerina is pregnant. Rudolf refuses to marry Katerina and is not willing to help with finding an abortion clinic. His mother offers Katerina money, while telling her that they will not have her as a part of the family. Katerina rejects the money, telling her that she plans to have an abortion. In the next scene, her friends greet her with a newborn daughter, Aleksandra. The three friends and their guests celebrate the arrival of the baby in their dormitory room.
In the last scene of Part One, Katerina, exhausted, studies at night, with Aleksandra sleeping by her side. Going to bed, Katerina changes the alarm clock from 5:30am to 5:00am, and cries.
In 1978, Katerina is a newly appointed CEO of a large factory. She drives a car, a sign of privileged status in the Soviet Union, and lives with her teenage daughter in a nice apartment. She, Lyudmila and Antonina are still close. Lyudmila has divorced Sergei, who has quit playing hockey because of problems with alcohol; she works at a dry-cleaning and still looks for a bridegroom (preferably a general). Antonina is still married to Nikolai; with three teenage children, they are a loving and harmonious family. Katerina dates a married man, but her private life is not happy.
Returning home on a local train, Katerina meets Gosha, who starts a conversation with her after she notices his dirty shoes. Gosha is an intelligent tool-and-die maker in aresearch institute, where his instrument maintenance skills are an enormously valued help to his scientist coworkers. Katerina starts dating him, yet she does not tell him that she is a factory CEO as Gosha believes that a woman should not make more money than her husband.
As their romance progresses, Rudolf, who changed his westernized name for a now-fashionable Russified Rodion, but still works as a TV cameraman, unexpectedly reenters Katerina's life, and tells her he wants to meet his daughter. Katerina curtly tells him that she does not want to see him again, but he shows up uninvited at her apartment and tells Gosha and Aleksandra about the interview, revealing Katerina's executive position (and high salary) to Gosha. Gosha's pride is hurt, and he leaves the apartment. Unable to stop him, Katerina reveals to Aleksandra that Rudolf is her father.
Gosha disappears from Katerina's life, and she becomes frantic. A week later, Lyudmila, Antonina, and Nikolai come to her apartment to comfort her. Nikolai gathers what little information Katerina knows about Gosha (which does not even include his last name) and sets off in search. Nikolai finds Gosha drinking alone, still stung by Katerina's "betrayal". Nikolai convinces Gosha to return home, and, alone with Katerina and Aleksandra, Gosha asks for a dinner. As he eats, Katerina watches him, saying "I've been looking for you for such a long time." "Eight days", Gosha replies, to which Katerina, with tears in her eyes, repeats, "I've been looking for you for such a long time."
Moscow Does Not Believe in Tears is one of only four Russian films to have won the Academy Award for Best Foreign Language Film. The other three areWar and Peace (1966–1967),Dersu Uzala (1975) andBurnt by the Sun (1994).[3]
Over 93 million Soviet viewers saw the film in the cinema, making it one of the most successful films inSoviet history.[4][5] In 2021, a poll conducted byRussian Public Opinion Research Center voted it as the best Soviet film of all time among Russian viewers.[6]Moscow Does Not Believe in Tears has an approval rating of 40% onreview aggregator websiteRotten Tomatoes, based on 5 reviews, and an average rating of 4.8/10.[7]The film currently holds a rating of 8.1/10 onIMDb.[8]
Then-U.S. presidentRonald Reagan watched the film several times before his meetings withMikhail Gorbachev, the general secretary of theCommunist Party of the Soviet Union, in order to gain a better understanding of the "Russian soul".[9][10][11]
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Academy Awards | Best Foreign Language Film | Soviet Union | Won |
| Berlin International Film Festival | Golden Bear | Vladimir Menshov | Nominated |
| International | |
|---|---|
| National | |
