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Moriz Rosenthal (17 December 1862 – 3 September 1946) was aPolish pianist and composer. He was an outstanding pupil ofFranz Liszt[1] and a friend and colleague of some of the greatest musicians of his age, includingJohannes Brahms,Johann Strauss,Anton Rubinstein,Hans von Bülow,Camille Saint-Saëns,Jules Massenet andIsaac Albéniz.
Rosenthal was born inLemberg,Austrian Empire into aJewish family, where his father was professor at the chief academy. At eight years of age he commenced his piano studies under Galoth (1869–1872).
In 1872, Rosenthal became a pupil ofKarol Mikuli,Chopin's pupil and editor, who trained him along more academic lines atLviv Conservatory. At the age of twelve he became a pupil ofRafael Joseffy in Vienna. His debut occurred in Vienna in 1876. He had immediate success and after a tour of Romania he was made Court Pianist of Romania when he was fourteen years of age. From 1878 to 1879 he studied with Liszt at Weimar and Rome. He was associated with the great Hungarian master until 1886, when Liszt died in Bayreuth. Having the conviction that a well-rounded classical education was necessary in his work as an interpreter, he studied at the Staats Gymnasium in Vienna and at the University, where he was a pupil in philosophy under Von Zimmerman andFranz Brentano and in esthetics underEduard Hanslick. His virtuosity guided by a probing intellect was nonpareil. In 1912 he was made Kammervirtuoso for the Emperor of Austria.
As Liszt's pupil, Rosenthal made appearances inSt. Petersburg,Paris, and elsewhere. His general education, however, was not neglected, and in 1880 Rosenthal qualified to take thephilosophical course at theUniversity of Vienna. Six years later he resumed his career with the piano, achieving brilliant success inLeipzig, and inBoston, where he made his U.S. debut in 1888,[2] and subsequently inEngland in 1895. He taught at theCurtis Institute of Music from 1926-1928. From 1939, he taught in his own piano school inNew York City, where he died in 1946.
Rosenthal recorded around three hours' worth of music between 1928 and 1942, for Columbia, Edison, Ultraphon, EMI, and RCA Victor. Several of the discs are often regarded as among the finest piano recordings from his time.[4] In addition to 78-rpm records, a number ofAmerican Piano Company (Ampico)piano rolls also exist.
Rosenthal's usually malicious wit was legendary. When he heardVladimir Horowitz blaze through the octave passages ofTchaikovsky'sFirst Piano Concerto at his Vienna debut, he remarked: "He is an Octavian, but not Caesar." In similar vein, after hearingIgnacy Jan Paderewski, whose reputation had preceded him, Rosenthal said: "Yes, he plays well, I suppose, but he's no Paderewski".[5] A colleague once played Rosenthal's arrangement ofChopin'sMinute Waltz in thirds at a recital, after which Rosenthal thanked the pianist "for the most enjoyable quarter of an hour of my life". Towards the end of his life Rosenthal lived at the Great Northern Hotel in New York, which he referred to as "more Northern than Great".[6]
His pupils includedCharles Rosen,Robert Goldsand, andJorge Bolet. An anthology of Rosenthal's autobiographical writings was published asMoriz Rosenthal: In Word and Music (ed. Mark Mitchell,Allan Evans. Indiana University Press, 2006), which also contains a CD of representative and unpublished recordings.
Rosenthal, Moriz - Pianist, Philadelphia. Born, Lember, Poland, 1862. Studied at Lemberg conservatory, later under Rafael Joseffy and Franz Liszt.
