| Mongol | |
|---|---|
 American theatrical release poster | |
| Directed by | Sergei Bodrov |
| Written by |
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| Produced by |
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| Starring | |
| Cinematography | |
| Edited by | |
| Music by | Tuomas Kantelinen |
Production companies |
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| Distributed by |
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Release dates |
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Running time | 125 minutes[1] |
| Countries |
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| Languages | |
| Budget | $18 million[3] |
| Box office | $26.5 million[3] |
Mongol (Монгол), also known asMongol: The Rise of Genghis Khan in the United States andMongol: The Rise to Power of Genghis Khan in the United Kingdom, is a 2007periodepic film directed bySergei Bodrov, about the early life ofTemüjin, who later came to be known asGenghis Khan. The storyline was conceived from ascreenplay written by Bodrov and Arif Aliev. It was produced by Bodrov, Sergei Selyanov, and Anton Melnik and starsTadanobu Asano,Sun Honglei, andChuluuny Khulan in the main roles.Mongol explores abduction,kinship, and the repercussions of war.[4]
The film was a co-production of companies in Russia, Germany and Kazakhstan. Filming took place mainly in thePeople's Republic of China, principally inInner Mongolia (theMongolautonomous region), and inKazakhstan. Shooting began in September 2005, and was completed in November 2006. After an initial screening at the Russian Film Festival inVyborg on 10 August 2007,Mongol was released in Russia on 20 September 2007. It saw a limited release in the United States on 6 June 2008 grossing $5.7 million in domestic ticket sales. It additionally earned nearly $21 million in sales through international release for a combined $26.5 million in gross revenue. The film was a minor financial success after its theatrical run, and was generally met with positive critical reviews. The film was nominated for the 2007Academy Award for Best Foreign Language Film as a submission from Kazakhstan.[5]
The film was intended to be the first part of atrilogy about Genghis Khan, and initial work on the second part began in 2008.[6] The trilogy project was apparently shelved, but in July 2013, during a visit to the annualNaadam Festival inUlan Bator, Bodrov told the press that the production of the sequel had started, and that it may be shot inMongolia,[7] as had been the intention forMongol, before local protests, fearing that the film would not correctly portray the Mongolian people and their national hero, Genghis Khan, caused the shooting to move to Inner Mongolia and Kazakhstan.[8]
In 1192,Temüjin, a prisoner in theTangut kingdom, recounts his story through a series offlashbacks.
Embarking on an expedition 20 years earlier (1172), nine-year-old Temüjin is accompanied by his fatherYesügei to select a girl as his future wife. He meets and choosesBörte, against his father's wishes. On their way home, Yesügei is poisoned by an enemy tribe; in his final moments, he tells his son that he is nowKhan. However, Targutai, Yesügei's lieutenant, proclaims himself as Khan and is about to kill his young rival. Prevented from doing so bythe boy's mother, Targutai lets him go and vows to kill him as soon as he becomes an adult.
After falling through a frozen lake, Temüjin is rescued byJamukha. The two quickly become friends and take an oath asblood brothers. Targutai later captures him, but he escapes under the cover of night and roams the countryside.
Years later (1186), Temüjin is once again apprehended by Targutai. He escapes a second time, finding Börte and presenting her to his family. Later that night, they are attacked by theMerkit tribe. While being chased on horseback, Temüjin is shot with an arrow but survives. Börte, however, is kidnapped and taken to the Merkit camp.[4]
Temüjin goes to Jamukha—who is now his tribe's Khan—and seeks his help in rescuing his wife. Jamukha agrees, and after a year, they launch an attack on the Merkits and are successful. One night, while celebrating their victory, Temüjin demonstrates his generosity by allowing his troops to take an equal share of theplunder. Two of Jamukha's men see this as a stark contrast to their Khan's behavior and desert him the next morning by following their new master. Jamukha chases him down and demands that he give his men back, to which he refused. This act, aggravated by the inadvertent killing of his biological brother by one of Temüjin's men, leaves Jamukha (with Targutai as an ally) no choice but to declare war on him. Outnumbered, Temüjin's warriors are quickly massacred though they take many of Jamukha's men with them. Sparing his blood brother, Jamukha decides to sell him into slavery.[4]
Temüjin is sold to a Tangut nobleman despite the dire warning given to him by aBuddhist monk acting as his adviser, who senses the great potential the warrior carries and his future role in subjugating the Tangut State. While he is imprisoned, the monk pleads with him to spare his monastery when he will destroy the kingdom sometime in the future. In exchange for delivering a bone fragment to Börte indicating that he is still alive, Temüjin agrees. The monk succeeds in delivering the bone and the message at the cost of his life. Börte infiltrates the Tangut border town disguised as a merchant'sconcubine and the two escape.
Temüjin pledges to unify all of the Mongol tribes and imposes three basic laws for them to abide to: never kill women and children, always honor your promises and repay your debts, andnever betray your Khan. Subsequently, (1196), he gathers an army and engages Jamukha, who has an even larger force. During the battle, a thunderstorm arises on the steppe, terrifying Jamhukha's and Temujin's armies, who cower in fear. However Temujin does not cower, and when his army sees him riding unafraid they are inspired to also be fearless and charge Jamukha's helpless and cowering army, which surrenders immediately. Temüjin allows Jamukha to live and brings the latter's army under his banner. Targutai is killed by his own soldiers and his body is presented to the Khan as a way of appeasing him, but they are executed for disobeying the law.
A postscript indicates that by 1206, Temüjin was designated the Khan of all theMongols—Genghis Khan of the Great Steppe. He would later go on to invade and conquer the Tangut kingdom by 1227, fulfilling the monk's prophecy, but spared the monastery, honoring his debt to the monk.[4]
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The premise ofMongol is the story of Genghis Khan, the Mongol leader who founded theMongol Empire, which ruled expansive areas ofEurasia. The film depicts the early life of Temüjin, not as an evil war-mongering brute, but rather an inspiring visionary leader. Director Bodrov noted that "Russians lived under Mongolian rule for around 200 years" and that "Genghis Khan was portrayed as a monster". During the 1990s, Bodrov read a book by Russian historianLev Gumilev entitledThe Legend of the Black Arrow, which offered a more disciplined view of the Mongol leader and influenced Bodrov to create a film project about the warrior.
Bodrov spent several years researching the aspects of his story, discovering that Temüjin was an orphan, a slave and a combatant whom everyone tried to kill. He found difficulty in preparing the screenplay for the film due to the fact that no contemporary Mongol biography existed. The only Mongol history from the era isThe Secret History of Mongols, written for the Mongol royal family some time after Genghis Khan's death in AD 1227. Author Gumilev had used the work as a historical reference and a work of significant literature. Casting for the film took place worldwide, including Mongolia, China, Russia, and in Los Angeles. Speaking on the choice of Tadanobu Asano to portray Temüjin, Bodrov commented that although it might have seemed odd to cast a Japanese actor in the role, he explained that the Mongol ruler was seen by many Japanese as one of their own. Bodrov said, "The Japanese had a very famous ancient warrior who disappeared [Minamoto no Yoshitsune], and they think he went to Mongolia and became Genghis Khan. He's a national hero, Genghis Khan. Mongolians can claim he's Mongolian, but the Japanese, they think they know who he is." Bodrov felt casting actor Sun Honglei as Jamukha was a perfect mix of "gravity and humor" for the role. Describing the character interaction between Asano and Honglei, he noted "They're completely different people, Temüjin and Jamukha, but they have a strong relationship, strong feelings between them." Aside from the Chinese and Japanese actors for those roles, the rest of the cast were Mongolian. It marked the first time a tale of Genghis Khan would be acted by Asians, this in contrast to such Hollywood and European attempts like the 1956 movie flopThe Conqueror and the 1965 filmGenghis Khan withOmar Sharif.
The film was initially intended to be shot inMongolia, but the plans caused much protest in the country, as many Mongolians feared that it would not correctly portray their people and their national hero.[8] As a consequence, shooting was moved to the Chinese autonomous regionInner Mongolia and toKazakhstan.
Filming began in 2005, lasting 25 weeks and taking place in China, Mongolia, and Kazakhstan. Production designer Dashi Namdakov helped to recreate the pastoral lifestyle of the nomadic tribesmen. Namdakov is originally from a Russian region which borders Mongolia and is home to many ethnic Mongols. Bodrov remarked, "Dashi has the Mongol culture in his bones and knows how to approach this material." To help create some of the horse-mounted stunt sequences, Bodrov called upon seasoned stuntmen from Kazakhstan and Kyrgyzstan, whom he was familiar with from the production ofNomad. Describing some of the stunt work, Bodrov claimed: "Not a single horse was hurt on this film. There's a line in the movie, when young Jamukha tells Temüjin, 'For Mongol, horse is more important than woman.' And that's how it is with the Kazakh and Kyrgyz stunt people. They took very good care of the horses and were very conscientious." Bodrov collaborated on the film with editorsZach Staenberg andValdís Óskarsdóttir.
Mongol was first released in Russia and Ukraine on 20 September 2007.[9] The film then premiered in cinemas in Turkey on 14 March 2008. Between April and December 2008,Mongol was released in various countries throughout the Middle East, Europe and Africa.[9] France, Algeria, Monaco, Morocco and Tunisia shared a release date of 9 April 2008. In the United States and the United Kingdom, the film was released on 6 June 2008. In 2009, certain Asian Pacific countries such as Singapore and Malaysia saw release dates for the film.[9] Within Latin America, Argentina saw a release for the film on 11 March, while Colombia began screenings on 9 April. The film grossed $20,821,749 in non-US box office totals.[9]
In the United States, the film premiered in cinemas on 6 June 2008. During its opening weekend, the film opened in 22nd place grossing $135,326 in business showing at five locations.[3] The film's revenue dropped by 17% in its second week of release, earning $112,212. For that particular weekend, the film fell to 25th place screening in five theaters. During the film's final release week in theaters,Mongol opened in a distant 80th place with $11,503 in revenue.[10] The film went on to top out domestically at $5,705,761 in total ticket sales through a 14-week theatrical run. Internationally, the film took in an additional $20,821,749 in box office business for a combined worldwide total of $26,527,510.[3] For 2008 as a whole, the film would cumulatively rank at a box office performance position of 167.[11]
Following its cinematic release in theaters, theRegion 1 Codewidescreen edition of the film was released onDVD in the United States on 14 October 2008. Special features for the DVD include scene selections, subtitles in English and Spanish, and subtitles in English for the hearing-impaired.[12]
The widescreen high-definitionBlu-ray Disc version of the film was also released on 14 October 2008. Special features include; scene selections and subtitles in English and Spanish.[13] A supplemental viewing option for the film in the media format ofvideo on demand is currently available too.[14]
Among mainstream critics in the U.S., the film received mostly positive reviews.Rotten Tomatoes reported that 86% of 102 sampled critics gave the film a positive review, with an average score of 7.10 out of 10. The site's critics' consensus reads: "The sweepingMongol mixes romance, family drama, and enough flesh-ripping battle scenes to make sense of Ghenghis Khan's legendary stature."[15] AtMetacritic, which assigns aweighted average out of 100 to critics' reviews, the film received a score of 74 based on 27 reviews, indicating "Generally favorable reviews".[16] However, the film was criticized in Mongolia for factual errors and historical inaccuracies.[17]
Claudia Puig ofUSA Today said the film "has a visceral energy with powerful battle sequences and also scenes of striking and serene physical beauty." Noting a flaw, she did comment thatMongol might have included "one battle too many." Although overall, she concluded the film was "an exotic saga that compels, moves and envelops us with its grand and captivating story."[18]
| "Centered on the rise of Genghis Khan, the film is an enthralling tale, in the style of a David Lean saga, with similarly gorgeous cinematography. It combines a sprawling adventure saga with romance, family drama and riveting action sequences." |
| —Claudia Puig, writing inUSA Today[18] |
Jonathan Kiefer, writing in theSacramento News & Review, said "At once sweeping and intimately confidential, with durably magnetic performances by Japan's Asano Tadanobu as the adored warlord and China's Honglei Sun as Jamukha, his blood brother and eventual enemy,Mongol, a 2007 Best Foreign Language Film Oscar nominee, has to be by far the best action epic of 12th- and 13th-century Asian nomads you'll see". He emphatically believed Bodrov's film was "both ancient and authentic." He added that it was "commendably unhurried, and the scope swells up in a way that feels organic to a character-driven story".[19]
Walter Addiego, writing for theSan Francisco Chronicle, said that the film offers "everything you would want from an imposing historical drama: furious battles between mass armies, unquenchable love between husband and wife, blood brothers who become deadly enemies, and many episodes of betrayal and treachery". Concerning cinematography, he believed the film included "plenty of haunting landscapes, gorgeously photographed by Sergei Trofimov on location in China, Kazakhstan and Mongolia, along with the sort of warfare scenes that define epics".[20]
Writing forThe Boston Globe,Wesley Morris said thatMongol "actually works as an old-fashioned production - one with breathtaking mohawks, a scary yoking, one daring escape, hottish sex, ice, snow, braying sheep, blood oaths, dehydrating dunes, throat singing, a nighttime urination, kidnapping, charged reunions, and relatively authentic entertainment values."[21]
Writing for theChicago Sun-Times, film criticRoger Ebert called the film a "visual spectacle, it is all but overwhelming, putting to shame some of the recent historical epics from Hollywood." Summing up, Ebert wrote "The nuances of an ancient and ingeniously developed culture are passed over, and it cannot be denied thatMongol is relentlessly entertaining as an action picture."[22]
| "Mongol is a ferocious film, blood-soaked, pausing occasionally for passionate romance and more frequently for torture." |
| —Roger Ebert, writing for theChicago Sun-Times[22] |
A. O. Scott ofThe New York Times stated thatMongol was a "big, ponderous epic, its beautifully composed landscape shots punctuated by thundering hooves and bloody, slow-motion battle sequences."[23] Scott approved of how the film encompassed "rich ethnographic detail and enough dramatic intrigue to sustain a viewer's interest through the slower stretches."[23]
Similarly,Joe Morgenstern wrote inThe Wall Street Journal that the film consisted of battle scenes which were as "notable for their clarity as their intensity; we can follow the strategies, get a sense of who's losing and who's winning. The physical production is sumptuous." Morgenstern affirmed thatMongol was "an austere epic that turns the stuff of pulp adventure into a persuasive take on ancient history."[24]
Lisa Schwarzbaum, writing forEntertainment Weekly, lauded the visual qualities of the film, remarking howMongol "contrasts images of sweeping landscape and propulsive battle with potent scenes of emotional intimacy", while also referring to its "quite grand, quite exotic, David Lean-style epic" resemblance.[25]
Author Tom Hoskyns ofThe Independent described the film as being "very thin plot-wise." Hoskyns commended the "desolate landscapes and seasonal variations", but he was not excited about the repetitious nature of the story showing the "hero getting repeatedly captured and escaping."[26]
Joshua Rothkopf ofTime Out said thatMongol was a "Russian-produced dud." He said that it included "ridiculous dialogue and Neanderthal motivations" as well as bearing "little relation to the raw, immediate work of his countrymates—like Andrei Tarkovsky, whose epicAndrei Rublev really gives you a sense of the dirt and desperation."[27]
The film was nominated and won several awards in 2007–09. Various critics included the film on their lists of the top 10 best films of 2008. Mike Russell ofThe Oregonian named it the fifth-best film of 2008,[28] Lawrence Toppman ofThe Charlotte Observer named it the eighth-best film of 2008,[28] and V.A. Musetto of theNew York Post also named it the eighth-best film of 2008.[28]
| Award | Category | Nominee | Result |
|---|---|---|---|
| 80th Academy Awards[29] | Best Foreign Language Film | Nominated | |
| 2007Asia Pacific Screen Awards[30] | Best Achievement in Cinematography | Sergey Trofimov | Nominated |
| 2nd Asian Film Awards[31] | Best Supporting Actor | Sun Honglei | Won |
| Broadcast Film Critics Association Awards 2008[32] | Best Foreign Language Film | Nominated | |
| European Film Awards 2008[33][34] | Best Cinematographer | Sergey Trofimov, Rogier Stoffers | Nominated |
| Best European Film | Sergey Bodrov | Nominated | |
| 6thGolden Eagle Awards[35] | Best Costume Design | Karin Lohr | Won |
| Best Sound Design | Stephan Konken | Won | |
| 2009 40thNAACP Image Awards[36] | Outstanding Foreign Motion Picture | Nominated | |
| Las Vegas Film Critics Society Awards 2008[37] | Best Foreign Language Film | Won | |
| 2008National Board of Review of Motion Pictures Awards[38] | Best Foreign Language Film | Won | |
| 2008Nika Awards[39] | Best Cinematography | Sergey Trofimov, Rogier Stoffers | Won |
| Best Costume Design | Karin Lohr | Won | |
| Best Director | Sergey Bodrov | Won | |
| Best Film | Won | ||
| Best Production Design | Dashi Namdakov, Yelena Zhukova | Won | |
| Best Sound | Stephan Konken | Won |
The Great Khan (Великий Хан) had been the provisional title[40] for the second installment of Bodrov's planned trilogy on the life of Temüjin,Genghis Khan. The Mongolian pop singer,Amarkhuu Borkhuu, was offered a role, but declined.[41] The trilogy project was eventually put on the shelf, but in July 2013, during a visit to the annualNaadam Festival inUlan Bator and at later dates, Bodrov told the press that the production of the sequel had started again. Several placeholder pages notwithstanding[42][43], as of Nov 2025 there have been no set reports or credible release dates announced.
The soundtrack forMongol, was released in the United States by theVarèse Sarabande music label on 29 July 2008.[44] The score for the film was composed byTuomas Kantelinen, with additional music orchestrated by the Mongolian folk rock bandAltan Urag.[45]
| Mongol: Original Motion Picture Soundtrack | |
|---|---|
| Film score by | |
| Released | 07/29/2008 |
| Length | 43:39 |
| Label | Varèse Sarabande |
| No. | Title | Length |
|---|---|---|
| 1. | "Beginning" | 4:35 |
| 2. | "At the Fireplace: Composed and Performed by Altan Urag" | 0:48 |
| 3. | "Blood Brothers" | 1:08 |
| 4. | "Chase 1: Composed and Performed by Altan Urag" | 0:51 |
| 5. | "Fighting Boys" | 0:53 |
| 6. | "Temüjin's Escape" | 2:03 |
| 7. | "Funeral and Robbery: Composed and Performed by Altan Urag" | 2:30 |
| 8. | "Together Now" | 1:52 |
| 9. | "Love Theme" | 1:25 |
| 10. | "Chase 2: Composed and Performed by Altan Urag" | 1:36 |
| 11. | "Cold Winter" | 2:30 |
| 12. | "Merkit Territory" | 1:53 |
| 13. | "Attack" | 0:44 |
| 14. | "Martial Rage" | 1:12 |
| 15. | "Jamukha is Following" | 1:30 |
| 16. | "Slavery" | 1:48 |
| 17. | "Long Journey" | 0:49 |
| 18. | "Destiny" | 1:49 |
| 19. | "Joy in Mongolia: Composed and Performed by Altan Urag" | 3:07 |
| 20. | "Final Battle, Showing Strength" | 2:15 |
| 21. | "Final Battle, Tactical Order" | 0:36 |
| 22. | "Final Battle, The First Attachment" | 1:21 |
| 23. | "Final Battle, Death by Arrows" | 1:55 |
| 24. | "Tengri's Help" | 0:57 |
| 25. | "Victory to Khan" | 1:36 |
| 26. | "No Mercy" | 1:56 |
| Total length: | 43:39 | |
