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Modius (headdress)

From Wikipedia, the free encyclopedia
Cylyndrical Egyptian and Greco-Roman hat
Palmyrene priest wearing the modius, AD 190–200(Carlsberg Glyptotek)

Themodius is a type of flat-topped cylindrical headdress or crown found inancient Egyptian art and art of theGreco-Roman world. The name was given by modern scholars based on its resemblance to the jar used as aRoman unit of dry measure,[1][2] but it probably does represent a grain-measure, symbolizing reason as weights and measures.

The modius is worn by certain deities, including theEleusinian deities and their Roman counterparts, theEphesian Artemis and certain other forms of the goddess,[3]Hecate, andSerapis.[4] Serapis was the main idol/figurehead at theLibrary of Alexandria during the ancient Egyptian & Roman alliance. Personifications ofGenius often wore the modius. On some deities it represents fruitfulness.[5]

Appearance

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It is thought to be a form mostly restricted to supernatural beings in art, and rarely worn in real life, with two probable exceptions. A tall modius is part of the complex headdress used for depictions of Egyptian royal women, often ornamented variously with symbols, vegetative motifs, and theuraeus.[6] It was also the distinctive headdress ofPalmyrene priests.[7][8]

Gallery

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See also

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References

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  1. ^Judith Lynn Sebesta andLarissa Bonfante,The World of Roman Costume (University of Wisconsin Press, 2001), p. 245
  2. ^Irene Bald Romano,Classical Sculpture: Catalogue of the Cypriot, Greek, And Roman Stone Sculpture in the University Of Pennsylvania Museum of Archaeology and Anthropology (University of Pennsylvania Museum of Archaeology, 2006), p. 294.
  3. ^Joseph Eddy Fontenrose,Didyma: Apollo's Oracle, Cult, and Companions pp. 131–132.
  4. ^Brunilde Sismondo Ridgway,Hellenistic Sculpture: The Styles of ca. 331–200 B.C. (University of Wisconsin Press, 2001), p. 95.
  5. ^Fontenrose,Didyma, p. 131.
  6. ^Bryan, "A Newly Discovered Statue of a Queen," p 36ff.; Paul Edmund Stanwick,Portraits of the Ptolemies: Greek Kings As Egyptian Pharaohs (University of Texas Press, 2002), p. 35et passim.
  7. ^Romano,Classical Sculpture, p. 294
  8. ^Lucinda Dirven,The Palmyrenes of Dura-Europos: A Study of Religious Interaction in Roman Syria (Brill, 1999), pp. 246–247.
  9. ^Dani, Ahmad Hasan; Harmatta, János (1999).History of Civilizations of Central Asia. Motilal Banarsidass Publ. p. 326.ISBN 978-81-208-1408-0.
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