Moacir Santos | |
|---|---|
 | |
| Background information | |
| Born | (1926-07-26)July 26, 1926 Flores do Pajeú,Pernambuco,Brazil |
| Died | August 6, 2006(2006-08-06) (aged 80) Pasadena, California, United States |
| Genres | Latin Jazz,Bossa Nova,MPB |
| Instrument(s) | saxophone,banjo,guitar,mandolin,piano |
| Labels | Forma,Blue Note,Universal, Adventure Music |
Moacir Santos (26 July 1926 – 6 August 2006)[1] was a Brazilian composer, multi-instrumentalist and music educator. Musicians such asBaden Powell,Bola Sete andWilson das Neves studied under him. As a composer, Santos worked withNara Leão,Roberto Menescal,Sérgio Mendes andLynda Laurence, among others.[2][3] His music was highly respected by musicians in Brazil and the United States, despite never achieving wider recognition.[4][5]
Mark Levine,Anat Cohen, and Muiza Adnet have all released albums consisting entirely of Santos' music.
Moacir Santos was born in Flores do Pajeú,Pernambuco in 1926. His mother died when he was two years old, and as his father had already left the family, he was taken in by another family.[1] He grew up in poverty but his adoptive family assisted him with attending school and music lessons.[1][4] By age 14, he could play the saxophone, banjo, guitar and mandolin.[1] As a teenager, he played in the band of the Military Police of Paraíba and later became the band's conductor.[6] He eventually ran away from home, becoming an itinerant musician moving around Pernambuco looking for employment and even, for a time, working in a travelling circus.[7][1][4]
By the 1950s, Santos was living inRio de Janeiro and worked forRádio Nacional as a composer.[4][7] Recognising the artistic value of popular music, Santos began to studybig-band composers, taking lessons fromHans-Joachim Koelreutter.[7] Ultimately, he would become the radio station's music director. During the 1950s and 1960s, Santos privately taught a number of youngBossa Nova musicians such asNara Leão,Baden Powell,Carlos Lyra andRoberto Menescal.[1]
In 1965, Santos released the albumCoisas (translating to "things" in Portuguese) on the Forma record label.[4] The album was a fusion of Afro-Brazilian rhythms and the sounds of big-band jazz. Although at the time the album did not garner much attention, it has gone on to receive praise with theNew York Times describing it as "one of the great accomplishments of modern Brazilian music".[1] Larry Blumenfeld, inThe Village Voice, wrote that the album represented "the best of Brazilian jazz".[4]
After composing a number of scores for Brazilian films throughout the 1960s, Santos had the opportunity to move to the United States.[6] In 1967, Santos and his wife, Cleonice, moved toPasadena, California, with the intent of breaking into the film industry.[4][6][1] He continued to give music lessons from his home, through which he metHorace Silver.[6] Most of his work inHollywood was uncredited, withFinal Justice being his only film credit.[1]
Santos recorded three albums forBlue Note in the 1970s. His 1972 release,Maestro, was nominated for aGrammy award.[1] Santos, however, did not receive the wider acclaim he sought and continued to write and teach music in Southern California.[4]
In 2001, fellow Brazilians Zé Nogueira and Mario Adnet arranged sessions to re-record some of Santos' compositions.[1] These recordings would form the 2004 albumOuro Negro which featured performances fromMilton Nascimento,Joao Donato andGilberto Gil.[5][1] The album revived Santos' reputation in Brazil and around the world.[1] His final album,Choros & Alegria, was released in 2005. It was made up entirely of new material and featured a performance fromWynton Marsalis.[5]
In 2006, Santos died due to complications from an earlier stroke at an assisted living facility inPasadena, California.[4] Shortly before dying, Santos was awarded the Shell Music and Premio Tim awards.[8]
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