 Cover of issue #1 | |
| Editor | Michael J. Weldon |
|---|---|
| Categories | Film |
| Frequency | Quarterly |
| Founded | 1980 |
| Final issue | 2006 |
| Country | United States |
| Based in | New York City |
| Language | English |
| Website | http://psychotronic.com/ |
Psychotronic Video was an Americanfilm magazine founded bypublisher/editor Michael J. Weldon in 1980 inNew York City, covering what he dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release:horror,exploitation,action,science fiction, and movies that used to play indrive-ins or inner citygrindhouses."[1] It was published through 2006. Most of the magazine's hundreds of reviews were written by Weldon himself. Other contributors provided career histories/interviews withcultfilmmakers and actors such asRadley Metzger,Larry Cohen,Jack Hill,William Rotsler,David Carradine,Sid Haig,Karen Black, andTimothy Carey. Regular features included "Record Reviews" by Art Black, "Spare Parts" (covering fanzines and comics) by Dale Ashmun, and "Never To Be Forgotten", anobituary column.
The magazine spawned two books that, likeDanny Peary'sCult Movies trilogy, helped establish a foundation for critical analysis of low-budget genre movies.[2][3]
Michael J. Weldon began writing about film in 1979 while working at the Cleveland record store The Drome, which had some connection withPere Ubu lead singer David Thomas and other who published apunk rock zine calledCle. They asked Weldon to write a column about horror TV-movies.[4][5] After moving toNew York City that same year,[4] he founded aphotocopied weeklyfanzine in 1980[1][6][3] entitledPsychotronic TV.[2] It was relaunched by Weldon under its more commonly known name in 1989, as anoffset quarterly magazine. Both versions covered what Weldon dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release:horror,exploitation,action,science fiction, and movies that used to play indrive-ins or inner citygrindhouses."[1] Weldon coined the term after being inspired byThe Psychotronic Man (1980), alow budget science fiction film,[7] and said, "To me it was a perfect word to make people think of what I mostly was writing about—'psycho' for the horror movies and 'tronic' for the science fiction."[4]
Most of the magazine's hundreds of reviews were written by Weldon himself. Other contributors provided career histories/interviews withcultfilmmakers and actors such asRadley Metzger,Larry Cohen,Jack Hill,William Rotsler,David Carradine,Sid Haig,Karen Black, andTimothy Carey. Regular features included "Record Reviews" by Art Black, "Spare Parts" (covering fanzines and comics) by Dale Ashmun, and "Never To Be Forgotten", anobituary column by Weldon that covered the deaths of writers, directors, television and film actors, rock stars, comic book artists, lawyers, and anybody else that Weldon felt was related to the overallPsychotronic universe.
In December 2006, Weldon announced that he was ceasing publication ofPsychotronic Video "after 18 years and 41 issues." Citing increasingly expensive printing costs and dubious business practices from distributors as his main source of concern, he noted that, "It was a struggle to self-publish in the 80s and 90s but now it's nearly impossible."[8]
In an interview conducted byThe Augusta Chronicle in November 2012, Weldon said he had no interest in writing or publishing any additional books or magazines devoted to genre films, and was concentrating on running a store in downtownAugusta, Georgia named "Psychotronic", which specializes in collectibles such as vinyl records, movie posters and old comic books.[9]
Before the Georgia store, Weldon had a store called Psychotronic in New York City'sEast Village.[10][6] After it closed he opened one onChincoteague Island, Virginia, where he then lived by 2006,[8] running it for 13 years.[9] Sometime during this, he also worked as a disc jockey at the local radio stationWCTG-FM.[8]
Prior to the appearance of the second version of the magazine,Ballantine Books publishedThe Psychotronic Encyclopedia of Film (1983), an 815-page compilation of mini-reviews of over 3,000 cult films.[11] The book was written by Weldon with editorial assistance from Charles Beesley,Fangoria'sBob Martin, and Akira Fitton. Theforeword byChristopher Cerf credited the success of the original fanzine as direct inspiration for the publication of the book. A second book was scheduled to be published by a company called Pharos in the fall of 1992, but it did not come out.[6] In 1996,St. Martin's Press published Weidon's 672-pageThe Psychotronic Video Guide to Film.
The magazine spawned two books that, likeDanny Peary'sCult Movies trilogy, helped establish a foundation for critical analysis of low-budget genre movies. As theAustin Film Society wrote,
There is what we might consider the Danny Peary faction. ... Peary lionized a particular kind of "cult" criticism in his multiple volumes of theCult Movies books. Never dismissive, Peary celebrates these films for their unique qualities and their advocacy of outsider voices ... and the books are essential reading for anyone interested in what lies just outside the bounds of the canon. And then there is Michael Weldon. Springing from the same post-war junk pile that birthed the bandThe Cramps, Weldon's aesthetic is that of the unapologetic connoisseur of the sublime aspects of trash culture. ... ThePsychotronic track of "cult" movie appreciation is responsible for many of today’s predominant attitudes about these films. Never snobbish or dismissive, Weldon sees Bela Lugosi and Vampira ... as prophets of the trash punk aesthetic.[2]
Pulitzer Prize winnerColson Whitehead wrote that,
Weldon's book was proof that even the most unlikely idea had a chance. If these movies existed, then surely whatever measly story was bubbling in my brain was not so preposterous. The psychotronic movie's disregard formimesis, its sociopathic understanding of human interaction, its indifferent acting, and its laughable sets were a kind of ritualized mediocrity. The filmmakers were so inept in their portrayal of any kind of recognizable reality that their creations became a form of grubby science fiction, documentaries about an alternative planet."[3]
Entertainment Weekly in 1991 said "the banner that fell with the demise of the B-movie house has been picked up by video, and Weldon leads the crusade. ... In its 10 issues to date,Psychotronic Video has become something of a university without walls. The video reviews range from forgotten classics to garage-made shorts, the obits note the passing of cult faves, interviews take on the likes of Clive Barker and James Coburn, and letters present an ongoing scholarly dialogue. ... Weldon's own expertise has led to stints as a host of psychotronic-film festivals here and abroad."[6]
Weldon, originally fromCleveland, Ohio,[12] was born around 1952.[6] His father, Bill Weldon, aCleveland Press employee, was an amateur variety performer and pop-culture historian.[12]
In the 1980s in New York City, Weldon met and married his wife Mia, then a dress designer.[6][9][13]
Weldon was the drummer for theproto-punk bandMirrors during their original existence (early to mid-1970s) and their later studio sessions (1986–1988).[14][15][16][17]
His project grew from a weekly Xerox, which he assembled in his East Village apartment, into an encyclopedia that was eight hundred pages long and covered more than three thousand films, fromAbbott and Costello Go to Mars toZotz!
The 39-year-old editor cultivated his democratic approach in Cleveland's long-gone movie palaces and drew inspiration from a former TV-horror-movie host named Ghoulardi. In 1980, after moving to New York, Weldon started a weekly guide to trashy TV fare, and in 1983 Ballantine published the Encyclopedia (a second volume is due next fall from Pharos).
Michael and Mia Weldon, who recently moved from Chincoteague, Va., opened Psychotronic video at 859½ Broad St. on Nov. 19.
Michael Weldon'sPsychotronic Encyclopedia of Film (1983), andVideo Guide to Film (1996) contain reviews of hundreds of genre films – whether it'sBlaxploitation,Roger Corman orkung fuwestern movies, his books contain a truly staggering amount of trivia and obsessive attention to detail. His guides have gained a cult following themselves, even garnering praise from celebrities such asJohn Waters,Clive Barker andQuentin Tarantino.
...my father, Bill Weldon (1920-2006), Oklahoma born WWII vet magician, ventriloquist, hypnotist, magic and vaudeville historian.... I was the rhythm guitarist of a 60s suburban high school band (River's Edge) you never heard of and the minimal original drummer of an early 70s band (Mirrors) who at least made some recordings and had publicity photos.