Michael Arceneaux (born April 12, 1984) is an American writer. He is the author of three essay collections:I Can't Date Jesus (2018, aNew York Times bestselling book),I Don't Want to Die Poor (2020), andI Finally Bought Some Jordans (2024).
Michael Joseph Arceneaux was born April 12, 1984,[1][2] inHouston, Texas, to a working-class Black family from Louisiana.[3] His mother, a registered nurse,[4] was a devoutCatholic, and Arceneaux was raised in the church, even briefly considering thepriesthood.[5]
Arceneaux, from theHiram Clarke community, attendedMadison High School in Houston.[6] With a combination of scholarships and student loans,[7] he enrolled atHoward University,[3] where he majored in broadcast journalism and wrote for campus newspaperThe Hilltop.[8] He graduated in 2007,[9] becoming the first man in his family to graduate from college.[7]
Arceneaux's first book, a collection of 17 humorous personal essays entitledI Can't Date Jesus: Love, Sex, Family, Race, and Other Reasons I’ve Put My Faith in Beyoncé, was published on July 24, 2018[14] fromAtria Books.[15] The book debuted at number 14 onThe New York Times best-seller list for paperback nonfiction.[16] It focuses on his early life as a young Black gay man growing up in a religious household in the southern United States.[17] The book's title arises in response to Arceneaux'sCatholic upbringing and its implications for him as a gay man, particularly the idea that even if being gay was not a choice, he should not act on it.[18] Finding that theological debates on the subject did not tend to prove fruitful, Arceneaux decided, "Easier to just clarify, 'I plan to have sex, so I can't date Jesus.'"[5] Arceneaux completed the manuscript in 2011, but the search for an agent delayed the book's publication. Ultimately he signed with Jim McCarthy, who had originally declined his query but Arceneaux persisted, sending him more essays to read and McCarthy changed his mind.[3]
Reviewers have compared Arceneaux's essay collection to the work ofRoxane Gay,[14]David Sedaris,[19] andSamantha Irby.[13] InVogue, Chloe Schama and Bridget Read noted Arceneaux's "hysterically funny, vulnerable" style, calling the collection "a triumph of self-exploration, tinged with but not overburdened by his reckoning with our current political moment...The result is a piece of personal and cultural storytelling that is as fun as it is illuminating."[20]
