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Membranophone

From Wikipedia, the free encyclopedia
Membranophone
Class of musical instruments

Amembranophone is anymusical instrument which produces sound primarily by way of avibrating stretched membrane. It is one of the four main divisions of instruments in the originalHornbostel-Sachs scheme ofmusical instrument classification.

According toSachs,

The sound is produced by a membrane ["skin" or "head"] stretched over an opening. Most, but not all, membranophones are generally called drums. They are classified according to material, if it's single or double headed, shape, skin(s), skin fastening, playing positions, and manner of playing.[1]

Hornbostel–Sachs

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TheHornbostel–Sachs scheme ofmusical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced:

  • 21: by hitting the drumskin with a hand or object (most common form, including thetimpani andsnare drum)
  • 22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of achordophone as well)
  • 23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is thebodhran)
  • 24: by modifying sounds through a vibrating membrane (unusual form, including thekazoo)[2]

Length and breadth

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Membranophones can also be divided into small divisions based on length and breadth of sound production:[3]

Mirlitons, as the kazoo in the picture, are a special class of membranophone, and is the only class that does not consist of true drums
  • Tubular drums include a wide range of drum shapes all conforming to a "tube" shape, or generally, having a depth greater than the radius of the membrane. The Hornbostel-Sachs Classification defines 8 subcategories of tubular drums:Cylindrical,Barrel-Shaped,Double-Conical,Hourglass-Shaped,Conical,Goblet-Shaped,Cylindro-Conical, andVase-Shaped drums.[4]
  • Mirlitons,Kazoos andSwazzles vibrate in sympathy with sounds travelling across a membrane. These are the only membranophones that are not truly drums.

SIL International maintains a classification system based largely on shape:[5]

  • Cylindrical drums are straight-sided, and generally two-headed. A buzzing, percussive string is sometimes used. Examples include thebass drum and the Iraniandohol.
  • Conical drums are sloped on the sides, and are usually one-headed. Examples include the Indiantabla and the Venezuelanchimbangueles.
Atimpani is a kind ofkettle drum
Acuica is a kind offriction drum
  • Barrel drums are normally one-headed, and may be open at the bottom. They bulge in the middle. Examples include theDhak from eastern parts of India,bendre, made by theMossi of Burkina Faso out of a largecalabash, and thetrong chau of Vietnam.
  • Hourglass drums (orwaisted drums) arehourglass-shaped and generally two-headed. The drumheads are laced onto the body, and the laces may be squeezed during performance to alter the drum's pitch. Examples include folk drums in India (like thedamaru) and much of Africa, as well as sometalking drums.
  • Goblet drums (orchalice drums) are one-headed andgoblet shaped, and are usually open at the bottom. Examples include the Egyptiandarbuka, West-Africandjembe, and the Arabdarabukka.
  • Footed drums are single-headed and are held above the ground by feet. The space between the drum and the ground provides extra resonance. Examples include a range of East African and Polynesian drums.
  • Long drums are a diverse category, characterized by extreme length. Examples include the single-headed hollow tree trunk drums of Africa and the ornately carved and dyedgufalo of the Nuna in Burkina Faso.
  • Kettle drums (orpot drums orvessel drums) are frequently played in pairs, and have a vessel or pot body, are one-headed and usually tuned to a specific note. Examples include thetimpani and theIndian tabla.
  • Frame drums are composed of one or more membranes stretched across a frame. Examples include thetambourine andbodhrán.
  • Friction drums produce sound throughfriction, such as by rubbing a hand or object against the drumskin. Examples include the Braziliancuica and the Spanishzambomba.
  • Mirlitons,Kazoos andSwazzles produce sound by blowing air across a membrane.

Traditional classifications

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The traditional classification of Indian instruments include two categories of percussion.[6]

  • Ghan: Percussion without membranes, such as chimes, bells and gongs
  • Avanaddh: Percussion with membranes, such as drums with skin heads

Other categories

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See also:List of Caribbean membranophones

Thepredrum category consists of simple drum-like percussion instruments. These include theground drum, which, in its most common §—Form, consists of an animal skin stretched over a hole in the ground, and thepot drum, made from a simplepot.[7]

Water drums are also sometimes treated as a distinct category of membranophone. Common inNative American music and themusic of Africa, water drums are characterized by a unique sound caused by filling the drum with some amount of water.[8]

Thetalking drum is an important category of West African membranophone, characterized by the use of varying tones to "talk". Talking drums are used to communicate across distances.[9]

Military drums orwar drums are drums in various forms that have been used in the military.

See also

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References

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  1. ^Sachs, Curt (1940).The History of Musical Instruments, p.459. W. W. Nortan & Company, Inc.ISBN 0-393-02068-1
  2. ^"Glossary#Membranophone".Essentials of Music. Archived fromthe original on January 19, 2007. RetrievedJanuary 22, 2007.
  3. ^Catherine Schmidt-Jones."Classifying Musical Instruments: Membranophones".Connexions. Archived fromthe original on July 23, 2011. RetrievedJanuary 22, 2007.
  4. ^"Revision of the Hornbostel-Sachs Classification of Musical Instruments by the MIMO Consortium"(PDF). July 8, 2011. pp. 8–10.
  5. ^"534m Membranophones".SIL. Archived fromthe original on July 10, 2006. RetrievedJanuary 4, 2007.
  6. ^David Courtney (2006)."Indian Musical Instruments".Chandra and David's Indian Musical Instruments. RetrievedFebruary 4, 2007.
  7. ^Virginia Tech Department of Music."Modern Instruments and their Families: Symphonic Classifications in Western Music".Music Dictionary. RetrievedJanuary 22, 2007.
  8. ^Claire King."Tuning the Water Drum".From Cradleboard to Motherboard. Archived fromthe original on September 28, 2007. RetrievedJanuary 22, 2007.
  9. ^"Drum Telegraphy".TIME. 21 September 1942. Archived fromthe original on September 30, 2007. Retrieved7 November 2006.
21. Struck
211.Directly
212. Shaken
22. Plucked
  • 221. Frame
  • 222. Comb
23.Friction
24. Singing
25. Unclassified
Attachment of membrane(s) to body/bodies:
  • 256. Glued
  • 257. Nailed
  • 258. Laced
  • 259. Ringed
1.Idiophone
(list)
11.Struck
  • 111. Directly
    • 111.1. Concussion
    • 111.2. Percussion
  • 112. Indirectly
    • 112.1. Shaken/rattle
    • 112.2. Scraped/rasp
12.Plucked
  • 121. Frame
  • 122. Comb
    • 122.1. Lace (Mbira)
    • 122.2. Cut out
13.Friction
14.Blown
  • 141. Stick
  • 142. Plaque
2.Membran-
ophone

(list)
21. Struck
22. Plucked
23. Friction
  • 231. Stick
  • 232. Cord
  • 233. Hand
24. Singing
  • 241. Free
  • 242. Tube/vessel
3.
Chordophone
(list)
31. Simple
/zither
32.
Composite
4.Aerophone
(list)
41. Free
  • 411. Displacement
  • 412. Interruptive
    • 412.1. Idiophonic/reed
      • 412.11. Concussive
      • 412.12. Percussive
      • 412.13.Free reed
      • 412.14. Band/Ribbon
    • 412.2. Non-idiophonic
      • 412.21. Rotating
      • 412.21. Whirling
  • 413. Plosive
42.
Non-free
5.
Electrophone
(list)
International
Other
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