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Melinoë

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Ancient Greek chthonic goddess
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Melinoë (/mɪˈlɪn/;Ancient Greek:Μηλινόη,romanizedMēlinóēpronounced[mɛːlinóɛː]) is achthonic goddess invoked in one of theOrphic Hymns (2nd or 3rd centuries AD?), and represented as a bringer of nightmares and madness. In the hymn, Melinoë has characteristics that seem similar toHecate and theErinyes,[1] and Melinoë's name is sometimes thought to be anepithet of Hecate.[2] The name "Melinoë" also appears on a metal tablet in association withPersephone.[3]

Name

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Melinoë may derive from Greekmēlinos (μήλινος), "having the colour ofquince", frommēlon (μῆλον), "tree fruit". The fruit's yellowish-green colour evoked the pallor of illness or death for the Greeks.[4]

Orphic Hymn

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Orphic Hymn 71 is addressed to Melinoë, and describes her as follows (in the translation byApostolos Athanassakis and Benjamin M. Wolkow):

I call upon Melinoë, saffron-cloaked nymph of the earth,
whom revered Persephone bore by the mouth of the Kokytos river
upon the sacred bed ofKronian Zeus.
In the guise of Plouton Zeus tricked Persephone and through wiley plots bedded her;
a two-bodied specter sprang forth from Persephone's fury.
This specter drives mortals to madness with her airy apparitions
as she appears in weird shapes and strange forms,
now plain to the eye, now shadowy, now shining in the darkness—
all this in unnerving attacks in the gloom of night.
O goddess, O queen of those below, I beseech you
to banish the soul's frenzy to the ends of the earth,
show to the initiates a kindly and holy face.[5]

Birth

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Melinoë is the daughter of Persephone and was fathered by Zeus,[6] who tricked her via "wily plots" by taking the form of Hades, indicating that in the hymn Persephone is already married to Hades.[7] This is paralleled with another Orphic myth, the birth ofZagreus, who was conceived when Zeus, disguised as a serpent, deceived and mated with Persephone.[7] Melinoë is born at the mouth of theCocytus, one of the rivers of theunderworld, where theChthonicHermes is stationed in his role aspsychopomp.[8] In the Orphic tradition, the Cocytus is one of four underworld rivers.[9]

Although some Greek myths deal with themes of incest, in Orphic genealogies lines of kinship express theological andcosmogonical concepts, not the realities of human family relations.[10] The ancient Greeknymphē in the first line can mean "nymph", but also "bride" or "young woman".[4] Thus Melinoë is described as such not in order to be designated as a divinity of lower status, but rather as a young woman of marriageable age; the same word is applied to Hecate andTethys (aTitaness) in their own Orphic hymns.[11] As an underworld "queen"(Basileia, Βασιλεία), Melinoë is at least partiallysyncretized with Persephone herself.[12]

Attributes and functions

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Melinoë is described in the invocation of theOrphic Hymn asκροκόπεπλος (krokopeplos), "clad in saffron" (seepeplos), an epithet also used forEos, the personification of dawn.[13] In the hymns, only two goddesses are described askrokopeplos, Melinoë and Hecate.[14]

Melinoë's connections to Hecate and Hermes suggest that she exercised her power in the realm of the soul's passage, and in that function may be compared to the torchbearerEubuleus in themysteries.[15] According to the hymn about her, Melinoë bringsnight terrors to mortals by manifesting in strange forms, "now plain to the eye, now shadowy, now shining in the darkness", and can drive mortals insane.[16]

Inscriptions

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Bronze tablet (3rd century AD) from Pergamon invoking Melinoë along with Persephone and Leucophryne; the three goddesses pictured are labeled as Dione, Phoebe, and Nyche

Melinoë appears on a bronze tablet for use in the kind of private ritual usually known as"magic". The style ofGreek letters on the tablet, which was discovered atPergamon, dates it to the first half of the 3rd century AD. The use ofbronze was probably intended to drive away malevolent spirits and to protect the practitioner. The construction of the tablet suggests that it was used fordivination. It is triangular in shape, with a hole in the center, presumably for suspending it over a surface.

The content of the triangular tablet reiterates triplicity. It depicts three crowned goddesses, each with her head pointing at an angle and her feet pointing toward the center. The name of the goddess appears above her head:Dione (ΔΙⲰΝΗ),Phoebe (ΦΟΙΒΙΗ), and the obscure Nyche (ΝΥΧΙΗ).Amibousa, a word referring to the phases of the moon, is written under each goddess's feet. Densely inscribed spells frame each goddess: the inscriptions around Dione and Nyche arevoces magicae, incantatory syllables ("magic words") that are mostly untranslatable. Melinoë appears in a triple invocation that is part of the inscription around Phoebe:O Persephone, O Melinoë, O Leucophryne. Esoteric symbols are inscribed on the edges of the triangle.[17]

In popular culture

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Melinoë is the protagonist of the video gameHades II, developed and published bySupergiant Games.[18][19][20] In the game, Melinoë is the Princess of the Underworld and sister ofZagreus, theprotagonist of thefirst game. She seeks to defeatChronos with help fromHecate, theOlympian gods, and other figures from Greek mythology.[21][22][23]

Notes

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  1. ^Edmonds, pp. 84–85.
  2. ^Ivana Petrovic,Von den Toren des Hades zu den Hallen des Olymp (Brill, 2007), p. 94; W. Schmid and O. Stählin,Geschichte der griechischen Literatur (C.H. Beck, 1924, 1981), vol. 2, pt. 2, p. 982;W.H. Roscher,Ausführliches Lexikon der griechischen und römischen Mythologie (Leipzig: Teubner, 1890–94), vol. 2, pt. 2, p. 16.
  3. ^Edmonds, p. 100 n. 58;Athanassakis and Wolkow,p. 195.
  4. ^abMorand,p. 127 n. 116,p. 182, citing H. Bannert,RE, s.v. Melinoe, p. 135.
  5. ^Athanassakis and Wolkow,p. 57. For the Greek text, see Hermann,pp. 340–1; Morand, p. 27.
  6. ^Melinoë is often regarded as being the daughter of Zeus as is explained in the hymn's mentioning that Melinoë has traits from Zeus.
  7. ^abAthanassakis and Wolkow,p. 196.
  8. ^Orphic Hymn to Melinoë (71), 2 (Athanassakis & Wolkow,p. 57); Morand,p. 182.
  9. ^In other mythological traditions, it had been regarded as a branch of theStyx; Morand,p. 182.
  10. ^Morand, pp. 184–185.
  11. ^Athanassakis and Wolkow, p.195
  12. ^Morand,p. 185.
  13. ^In theIliad (8.1 and 19.1), the dawn goddessEos iskrokopeplos; Eva Parisinou, "Brightness Personified: Light and Divine Image in Ancient Greece," inPersonification In The Greek World: From Antiquity To Byzantium (Ashgate, 2005), p. 34.
  14. ^Morand, pp.127,182; Pierre Brulé,La fille d'Athènes: la religion des filles à Athènes à l'époque classique (CNRS, 1987), p. 242.
  15. ^Morand, pp.182,185.
  16. ^Orphic Hymn to Melinoe, ll.6–8, trans. Athanassakis and Wolkow,p. 57
  17. ^Morand,p. 185ff.
  18. ^Peters, Jay (December 8, 2022)."Hades is getting a sequel".The Verge.Archived from the original on December 9, 2022. RetrievedDecember 8, 2022.
  19. ^"'Hades II' promises witchy vibes and a new immortal protagonist".Engadget. December 8, 2022.Archived from the original on December 9, 2022. RetrievedDecember 9, 2022.
  20. ^Park, Morgan (December 9, 2022)."Supergiant announces Hades 2 at The Game Awards".PC Gamer.Archived from the original on December 9, 2022. RetrievedDecember 9, 2022.
  21. ^Gonzalez, Elijah (April 19, 2024)."Through its Excellent First Few Hours, Hades II Entirely Justifies the Sequel Treatment".Paste. RetrievedApril 19, 2024.
  22. ^Diaz, Ana (May 7, 2024)."Hades 2 is all about witches and feminine power".Polygon.Archived from the original on May 7, 2024. RetrievedMay 8, 2024.
  23. ^Faulkner, Cheri (May 6, 2024)."Hades 2 review – a flawless expansion of a near-perfect roguelike".PCGamesN. RetrievedMay 6, 2024.

References

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  • Athanassakis, Apostolos N.; Wolkow, Benjamin M. (2013).The Orphic Hymns. Johns Hopkins University Press.ISBN 978-1421408828.
  • Edmonds, Radcliffe G., "Orphic Mythology", inA Companion to Greek Mythology, edited by Ken Dowden and Niall Livingstone. Wiley-Blackwell; 1 edition (January 28, 2014).ISBN 978-1118785164.
  • Hermann, G.,Orphica, Leipzig, C. Fritsch, 1805.Internet Archive.
  • Morand, Anne-France (2001).Études sur les Hymnes Orphiques Brill (in French). Brill.ISBN 978-9004120303.

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