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Maxime Du Camp

From Wikipedia, the free encyclopedia
French writer and photographer (1822–1894)

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Maxime Du Camp
Maxime Du Camp (between 1850 and 1870)
Born
Maxime Du Camp

(1822-02-08)8 February 1822
Paris, France
Died9 February 1894(1894-02-09) (aged 72)
Resting placeMontmartre Cemetery
NationalityFrench
Occupation(s)Writer and photographer
MovementRealism and Late Romanticism

Maxime Du Camp (8 February 1822 – 9 February 1894) was a French writer and photographer.

Bust of Maxime Du Camp.
Stele of Karnak, Egypt, about 1850. Photo taken by Du Camp

Biography

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Born in Paris, Du Camp was the son of a successful surgeon. After finishing college, he indulged in his strong desire for travel, thanks to his father's assets. Du Camp traveled in Europe and the East between 1844 and 1845, and again between 1849 and 1851 in company withGustave Flaubert. After his return, Du Camp wrote about his traveling experiences. Flaubert also wrote about his experiences with Maxime.[1][2][3]

In 1851, Du Camp became a founder of theRevue de Paris (suppressed in 1858), in which his friend Flaubert'sMadame Bovary was first published in serialised form in 1856, as well as a frequent contributor to theRevue des deux mondes. In 1853, he became an officer of theLegion of Honour. Serving as a volunteer withGaribaldi in his 1860conquest of the Kingdom of the Two Sicilies, Du Camp recounted his experiences inExpédition des deux Siciles (1861). In 1870 he was nominated for the senate, but his election was frustrated by the downfall of theEmpire. He was elected a member of theAcadémie française in 1880, mainly, it is said, on account of his history of theCommune, published under the title ofLes Convulsions de Paris (1878–1880).

Du Camp was an early amateur photographer who learned the craft fromGustave Le Gray shortly prior to departing on his 1849–1859 trip to Egypt.[4] His travel books were among the first to be illustrated with photographs.

Du Camp, the most famous traveller of his time, was the dedicatee of the final poem,Le Voyage, written in 1859, from Baudelaire'sLes Fleurs du Mal. Du Camp's 1855 poetry collection,Les Chants Modernes, includes a poem titledLe Voyageur. Baudelaire's original title forLe Voyage wasLes Voyageurs. The original title has obvious echoes of Du Camp’s poem.[5]

Maxime Du Camp died in 1894 and was buried in theCimetière de Montmartre in theMontmartre Quarter of Paris.

Works

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Expédition des Deux-Siciles, 1861
  • Chants modernes (1855)
  • Convictions (1858)

Works on travel:

  • Souvenirs et paysages d'orient (1848)
  • Egypte, Nubie, Palestine, Syrie (1852)

Works of art criticism:

  • Les Salons de 1857, 1859, 1861

Novels:

  • L'Homme au bracelet d'or (1862)
  • Une histoire d'amour (1889)

Literary studies:

Du Camp authored a valuable 6-volume book on the daily life of Paris,Paris, ses organes, ses fonctions, sa vie dans la seconde moitié du XIXe siècle (1869–1875).[8] He published several works on social questions, one of which, theAuteurs de mon temps, was to be kept sealed in the Bibliothèque Nationale until 1910. HisSouvenirs littéraires (2 vols., 1882–1883)[9] contain much information about contemporary writers, especially Gustave Flaubert, of whom Du Camp was an early and intimate friend. In 1878, he published an account of theParis Commune calledLes Convulsions de Paris, drawing from articles on the subject he had written for theRevue des deux mondes.[10]

References

[edit]
Wikisource has original works by or about:
Maxime Du Camp
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  1. ^Francine Du Plessix Gray (1995).Rage and Fire: A Life of Louise Colet—Pioneer, Feminist, Literary Star, Flaubert's Muse. Simon and Schuster. p. 192.ISBN 0-684-80453-0. Retrieved7 August 2010.
  2. ^Gustave Flaubert, Francis Steegmüller (1980).The Letters of Gustave Flaubert: 1830–1857. Harvard University Press. p. 112.ISBN 0-674-52636-8. Retrieved7 August 2010.
  3. ^Deborah Hayden (2003).Pox: genius, madness, and the mysteries of syphilis. Basic Books. p. 138.ISBN 0-465-02881-0. Retrieved7 August 2010.
  4. ^"Heilbrunn Timeline of Art History". Metropolitan Museum of Art. Retrieved31 March 2011.
  5. ^Alexandra Smith, University of Canterbury, New Zealand, Towards Poetics of Exile, Ars Interpres, No. 2
  6. ^Du Camp, Maxime (1890).Théophile Gautier. Les grands écrivains français. Paris: Hachette.
  7. ^"Review ofThéophile Gautier by Maxime Du Camp, translated by J. E. Gordon, preface by Andrew Lang".The Academy.44 (1121):362–363. 28 October 1893.
  8. ^Du Camp, Maxime.Paris, ses organes, ses fonctions, sa vie dans la seconde moitié du XIXe siècle (deuxième ed.). Paris: Hachette; 6 vols., 1873–1875{{cite book}}: CS1 maint: postscript (link)
  9. ^Du Camp, Maxime.Souvenirs littéraires. Paris: Hachette; 2 vols., 1882–1883{{cite book}}: CS1 maint: postscript (link)
  10. ^"Du Camp's 'Convulsions of Paris'". The Nation. 8 March 1878. pp. 210–211. Retrieved9 January 2023.

External links

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