Thisbiography of a living personneeds additionalcitations forverification. Please help by addingreliable sources.Contentious material about living persons that is unsourced orpoorly sourcedmust be removed immediately from the article and its talk page, especially if potentiallylibelous. Find sources: "Matt Haimovitz" – news ·newspapers ·books ·scholar ·JSTOR(February 2010) (Learn how and when to remove this message) |
Matt Haimovitz | |
|---|---|
מאט חיימוביץ | |
Matt Haimovitz photographed in Montréal, Quebec, Canada at the MBAM Bourgie Hall., 2017 | |
| Born | (1970-12-03)December 3, 1970 (age 54) Bat-Yam, Israel |
| Education | Juilliard School,Harvard University |
| Occupation | Cellist |
| Years active | 1984 - present |
| Employer(s) | Oxingale Productions, Inc; McGill University Schulich School of Music; Mannes New School of Music |
| Website | https://www.matthaimovitz.com/ |
Matt Haimovitz (Hebrew:מאט חיימוביץ; born December 3, 1970) is acellist based in the United States and Canada. Born in Israel, he grew up in the US from the age of five. He plays mainly a cello made byMatteo Goffriller in 1710.
Matt Haimovitz was born in the Israeli town of Bat Yam as son of Meir and Marlena Haimovitz, aJewish couple who moved to Israel fromRomania.[1] When he was 5 years old, the family settled inPalo Alto,California.
Haimovitz began to study the cello at the age of seven withIrene Sharp inCalifornia. At the age of nine, he switched teachers toGábor Reitő. When Haimovitz was twelve years old,Itzhak Perlman, who was impressed by his performances at a music camp inSanta Barbara, introduced him toLeonard Rose. In order for him to study with Rose at theJuilliard School, his family moved toNew York in 1983. Haimovitz attended high school atCollegiate School (New York City) on theUpper West Side.[2] Rose described Haimovitz as "probably the greatest talent I have ever taught", praising his "ravishingly beautiful tone" and "unusual sense of style and musical sensitivity".[citation needed]
In February 1985, Haimovitz joinedZubin Mehta and theIsrael Philharmonic Orchestra in a concert which was filmed and broadcast. This success was followed in 1986 by an American tour with Mehta and the Israel Philharmonic, as well as concerts with theNew York Philharmonic. In the same year Haimovitz was awarded anAvery Fisher Career Grant for exceptional musical achievement, the youngest musician to receive this award. Over the next decade, Haimovitz appeared with many of the major orchestras of North America, Europe and Asia, and worked with the most distinguished conductors. In 1987, at the age of 17, Haimovitz signed an exclusive recording contract withDeutsche Grammophon Gesellschaft, where several of his recordings of standard and non-standard repertoire won international awards.[3]
After graduating fromHarvard College in 1996, and with the termination of his contract with Deutsche Grammophon, Haimovitz became dissatisfied with the traditional career path of a modern classical musician. He began exploring non-standard classical and non-classical repertoire more intensively, and began a program of concerts in unusual venues.[4] A 2002 North American tour that attracted international attention saw Haimovitz performingBach's cello suites innight clubs,restaurants and other highly untraditional venues in a wide variety of towns and cities across the United States. This was followed in 2003 by Haimovitz'sAnthem tour, in which he brought a variety of American compositions to a similar variety of audiences, including his rendition ofJimi Hendrix's famous improvisational rendition of "The Star-Spangled Banner."
In 2000, Haimovitz founded his own record label,Oxingale with[5] composerLuna Pearl Woolf, which has releasedCD recordings of his own recital programs, as well as music performed by others. In 2010 this label expanded to include a music publishing branch, which features works commissioned, performed, and recorded by Haimovitz.[6]
"Shuffle. Play.Listen", his 2-disc collaboration with pianistChristopher O'Riley in 2011, was hailed for its innovation in mixing togetherBernard Hermann film scores,Janácek, andCocteau Twins. "The idea behind it is to blast away at any and all categories...",[7] wrote Richard Ginell of the L.A. Times.
From 1999 to 2004, Haimovitz was a faculty member at theUniversity of Massachusetts inAmherst, Massachusetts. Since 2004, he has taught at theSchulich School of Music ofMcGill University inMontreal as well as theDomaine Forget academy for the arts in ruralQuebec.
In June 2013, Haimovitz went on an international tour to Italy performing with the Palo Alto Chamber Orchestra. He also recordedPhilip Glass' Cello Concerto No. 2 withDennis Russell Davies and theCincinnati Symphony; the concerto is a reworking of the film score ''Naqoyqatsi''.[8]
From 2015 Oxingale andPENTATONE record label have joined forces and formed the PENTATONE Oxingale Series, re-releasing old albums - now also digitally available and distributed worldwide - and producing new ones. In 2015, Haimovitz released two recordings onPENTATONE using period instruments: the cello sonatas ofLudwig van Beethoven, with pianistChristopher O'Riley; and a second recording of Bach's cello suites (on Haimovitz's earlier traversal, recorded in 2000, he had used a modernized cello and bow).
| Release date | Album | Label |
|---|---|---|
| 1989 | Saint-Saens: Cello Concertos / Bruch: Kol Nidrei / Lalo: Concerto for Violoncello and Orchestra in D Minor | Deutsche Grammophon |
| 1990 | Haydn, C.P.E. Bach, Boccherini: Cello Concertos | Deutsche Grammophon |
| 1992 | Suites and Sonatas for Solo Cello - Reger: Suite in G major, Op. 131c/1; Crumb: Sonata; Britten: Suite No. 1, Op. 72; Ligeti: Sonata | Deutsche Grammophon |
| 1995 | Trios with Rob Wasserman | GRP Records |
| 1995 | The 20th Century Cello | Deutsche Grammophon |
| 1997 | The 20th Century Cello Volume 2 | Deutsche Grammophon |
| 1999 | Portes Ouvertes: The 20th Century Cello Volume 3 | Deutsche Grammophon |
| 1999 | Undertree | Oxingale Records |
| 2000 | Bach: 6 Suites for Cello Solo | Oxingale Records |
| 2001 | Lemons Descending | Oxingale Records |
| 2002 | The Rose Album | Oxingale Records |
| 2003 | Anthem | Oxingale Records |
| 2003 | Haydn: The Cello Concertos; Mozart: Cello Concerto | Transart Live |
| 2003 | Hyperstring Trilogy | Oxingale Records |
| 2004 | Please Welcome...Matt Haimovitz | Oxingale Records |
| 2004 | Epilogue | Oxingale Records |
| 2005 | Goulash! | Oxingale Records |
| 2006 | Mozart the Mason | Oxingale Records |
| 2006 | Apres Moi, le Deluge | Oxingale Records |
| 2007 | David Sanford & the Pittsburgh Collective: Live at the Knitting Factory | Oxingale Records |
| 2007 | After Reading Shakespeare | Oxingale Records |
| 2007 | VinylCello | Oxingale Records |
| 2008 | J.S. Bach Goldberg Variations | Oxingale Records |
| 2008 | Odd Couple | Oxingale Records |
| 2008 | And if the song be worth a smile | Pentatone |
| 2009 | Figment | Oxingale Records |
| 2010 | Meeting of the Spirits | Oxingale Records |
| 2011 | Shuffle.Play.Listen (In collaboration withChristopher O'Riley | Oxingale Records |
| 2011 | Matteo: 300 Years of Italian Cello | Oxingale Records |
| 2012 | Paul Moravec: Northern Lights Electric | BMOP/sound |
| 2012 | Laura Elise Schwendinger: Three Works | Albany Music Distribution |
| 2013 | Glass: Cello Concerto No. 2 "Naqoyqatsi" | Orange Mountain Music |
| 2013 | The Hours Begin to Sing | Pentatone |
| 2013 | AngelHeart | Oxingale Records |
| 2014 | Akoka: Reframing Oliver Messiaen's Quartet for the End of Time | Oxingale Records |
| 2015 | Beethoven, Period. | PENTATONE |
| 2015 | Orbit | PENTATONE |
| 2015 | J.S. Bach The Cello Suites According to Anna Magdalena | PENTATONE |
| 2016 | Shuffle.Play.Listen | PENTATONE |
| 2016 | Schubert Arpeggione Sonata & String Quintet | PENTATONE |
| 2016 | Ouvertures to Bach | PENTATONE |
| 2016 | Out of the Shadows | PENTATONE |
| 2017 | Akoka - Reframing Messiaen's Quartet for the End of Time | PENTATONE |
| 2017 | Meeting of the Spirits | PENTATONE |
| 2017 | Troika | PENTATONE |
| 2018 | PENTATONE OXINGALE SERIES ''MOZART DIVERTIMENTO & Preludes to Bach" | PENTATONE |
| 2018 | PENTATONE OXINGALE SERIES "Tippet Rise Opus 2017" | PENTATONE |
| 2018 | PENTATONE OXINGALE SERIES ''Isang Yun - Sunrise Falling" | PENTATONE |
| 2020 | MON AMI, Mon Amour - French Repertoire for Cello and Piano (withMari Kodama) | PENTATONE |
| 2021 | OXINGALE PRESENTS Primavera I: the wind | PENTATONE |
| 2022 | OXINGALE PRESENTS PRIMAVERA II: the rabbits | PENTATONE |
| 2022 | OXINGALE PRESENTS Primavera III: the vessel | PENTATONE |
| 2023 | De Hartmann: Cello Concerto | PENTATONE |
| 2024 | Thomas de Hartmann Rediscovered | PENTATONE |
| 2024 | Jacqueline (with Marnie Breckenridge / Luna Pearl Woolf) | PENTATONE |
| 2025 | Schnittke: Cello Concerto No. 1 | PENTATONE |
| 2025 | La Kobsa | PENTATONE |