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Masked villain

From Wikipedia, the free encyclopedia
Character type
The Hooded Terror in the Pearl White serialThe House of Hate, which defined the "masked mystery villain" type
Darth Vader, the masked villain fromStar Wars

Amasked villain, also seen asmasked mystery villain,[1][2] is astock character ingenre fiction. It was developed and popularized in movie serials, beginning with The Hooded Terror inThe House of Hate, (1918) the first fully-costumed mystery villain of the movies, and frequently used in theadventurestories ofpulp magazines and sound-eramovie serials in the early twentieth century,[3][4] as well as postmodernhorror films[5] where the character "hides in order to claim unsuspecting victims".[6] They can also appear incrime fiction to add to the atmosphere ofsuspense andsuspicion. It is used to engage the readers or viewers by keeping them guessing just as the characters are,[3] and suspension by drawing on thefear of the unknown.[7]: 135  The "Mask" need not be literal (although it often is), referring more to thesubterfuge involved.

The masked villain originated in early 20th-century French literature and cinema. Key early examples include Zigomar, created by Léon Sazie in 1909, a masked criminal who led the "Gang of Z" and inspired three films directed byVictorin Jasset:Zigomar, roi des voleurs,Zigomar contre Nick Carter andZigomar, peau d'anguille.[8] Another major figure isFantômas, created byMarcel Allain andPierre Souvestre in 1911, a master of disguise who became a cultural icon through five silent serials directed byLouis Feuillade:Fantômas (1913),Juve contre Fantômas (1913),Le Mort Qui Tue (1913),Fantômas contre Fantômas (1914), andLe Faux Magistrat (1914).[9][10]

They are the often mainantagonist of thestory, often acting behind the scenes withhenchmen confronting theprotagonists directly.[3] Usually, the protagonists must discover thevillain's true identity before they can be defeated.[11] Often, the villain will turn out to be either one of the protagonists themselves, or a significantsupporting character. Theauthor may give theviewer orreader clues, with manyred herrings, as to the villain's identity - sometime as the characters find them and sometimes for theaudience alone. However, the identity is not usually revealed to theaudience before it is revealed to thecharacters of the story.[11]

Examples

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Serials

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The following villains were not actually "masked" but remained hidden from view:

Television

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Films

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References

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  1. ^Van Hise, James (1990).Serial Adventures.Pioneer Books. p. 46.ISBN 9781556982361.
  2. ^abLupoff, Richard A.; Thompson, Don, eds. (1970).All in color for a dime.Arlington House. p. 92.ISBN 9780870000621.
  3. ^abcBrasch, Ilka (October 12, 2018)."4. Detectives, Traces, and Repetition in The Exploits of Elaine".Film Serials and the American Cinema, 1910-1940. Amsterdam University Press. pp. 145–182.doi:10.1515/9789048537808-005.ISBN 9789048537808.S2CID 239227958 – via www.degruyter.com.
  4. ^Brasch, I., & Mayer, R. (2016). Modernity management: 1920s cinema, mass culture and the film serial. Screen, 57(3), 302-315.
  5. ^abHeller-Nicholas, Alexandra (2019).Masks in Horror Cinema: Eyes Without Faces.University of Wales Press. pp. 52, 68, ?.ISBN 978-1-78683-496-6.
  6. ^Jess-Cooke, Carolyn (2009).Film Sequels: Theory and Practice from Hollywood to Bollywood. Edingburgh:Edinburgh University Press. p. 56.ISBN 978-0-7486-2603-8.
  7. ^abcdefghijCline, William C. (2000).Serials-ly Speaking: Essays on Cliffhangers.McFarland.ISBN 9780786409181.
  8. ^Gaycken, Oliver (2015-05-01).Devices of Curiosity: Early Cinema and Popular Science. Oxford University Press.ISBN 978-0-19-027325-5.
  9. ^Gaycken, Oliver (2015-05-01).Devices of Curiosity: Early Cinema and Popular Science. Oxford University Press.ISBN 978-0-19-027325-5.
  10. ^Kehr, Dave (2010-09-17)."When Fantômas Held All of Paris in His Criminal Thrall".The New York Times.ISSN 0362-4331. Retrieved2025-04-28.
  11. ^abBah, Aisha (2018)."Cultural Transgression and Subversion: The Abject Slasher Subgenre".The Mall.2 (1):72–83. Retrieved2021-04-19.
  12. ^abBenson, Michael (2000).Vintage Science Fiction Films, 1896-1949.McFarland.ISBN 9780786409365.
  13. ^Milligan, Cindy Ann (2015).Sonic Vocality: A Theory on the Use of Voice in Character Portrayal (PhD). Georgia State University. p. 5. RetrievedMay 10, 2021.
  14. ^Rutherford, Paul (1994). "The Cannes Lions, Etc. (1984-92)".The New Icons? - The Art of Television Advertising.University of Toronto Press. p. 142.ISBN 0-8020-2928-0.
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