| Mary Poppins Returns | |
|---|---|
.png) Theatrical release poster | |
| Directed by | Rob Marshall |
| Screenplay by | David Magee |
| Story by |
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| Based on | Mary Poppins byP. L. Travers[1] |
| Produced by |
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| Starring | |
| Cinematography | Dion Beebe |
| Edited by | Wyatt Smith |
| Music by | Marc Shaiman |
Production companies |
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| Distributed by | Walt Disney Studios Motion Pictures |
Release dates |
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Running time | 131 minutes[2] |
| Country | United States |
| Language | English |
| Budget | $130 million[3] |
| Box office | $349.5 million[4] |
Mary Poppins Returns is a 2018 Americanmusicalfantasy comedy film directed byRob Marshall, with a screenplay written byDavid Magee and a story by Magee, Marshall, andJohn DeLuca. Loosely based on the book seriesMary Poppins byP. L. Travers,[1] the film is a sequel to the 1964 filmMary Poppins, and starsEmily Blunt asMary Poppins, with supporting roles fromLin-Manuel Miranda,Ben Whishaw,Emily Mortimer,Julie Walters,Dick Van Dyke,Angela Lansbury,Colin Firth,Meryl Streep, andDavid Warner in his final film appearance.[5] Set in London during theGreat Depression, the film sees Mary Poppins, the formernanny of Jane and Michael Banks, return to them in the wake of the death of Michael's wife.
Walt Disney Pictures announced the film in September 2015.[6] Marshall was hired later that month, and Blunt and Miranda were cast in February 2016.Principal photography lasted from February to July 2017, and took place atShepperton Studios in England.Mary Poppins Returns had its world premiere at theDolby Theatre in Hollywood on 29 November 2018, and was theatrically released in the United States on 19 December 2018.
The film grossed $349 million worldwide and received positive reviews from critics, who praised the performances of the cast (particularly those of Blunt and Miranda), direction, visuals, musical score, musical numbers, costume design, production values, visual effects (especially the animated segments), and sense of nostalgia, although some critics found it too derivative of its predecessor. It was chosen by both theNational Board of Review andAmerican Film Institute as one of the top ten films of 2018 and received numerous award nominations, including four at the76th Golden Globe Awards (including forBest Motion Picture – Musical or Comedy), nine at the24th Critics' Choice Awards, three at the72nd British Academy Film Awards, and aSAG Award nomination for Blunt at the25th Screen Actors Guild Awards. It also received fourOscar nominations forBest Original Score,Best Original Song ("The Place Where Lost Things Go"),Best Production Design, andBest Costume Design at the91st Academy Awards.
During theGreat Depression, Michael Banks lives in his London childhood home with his three children, John, Annabel and Georgie, his wife Kate having died a year earlier. Michael has taken a loan from his employer, the Fidelity Fiduciary Bank, and is three months behind on payments. Wilkins, the bank's corrupt new chairman, sends associates to warn him that his house will berepossessed if the loan is not repaid in full by Friday. Michael mourns Kate and expresses concern about raising his children without her ("A Conversation"). Michael and his sister Jane recall that their father left them shares in the bank that should cover the loan, and they search the house for theshare certificate. During the search, Michael finds his childhood kite and disposes of it.
The children visit a local park, and Georgie, who has found the kite, flies it.Mary Poppins descends from the sky with the kite in her hand. She takes the children home and announces that she will take charge of them as theirnanny. She draws a bath for the three children, leading to underwater adventures ("Can You Imagine That?").
Michael visits the bank seeking proof of his shares, but Wilkins denies that there are any records before covertly destroying the page from the official ledger. Annabel and John decide to sell their mother's 'priceless' bowl to pay off the debt. Georgie tries to stop them, and the bowl becomes damaged while the three fight over it. Jack, alamplighter and Bert's former apprentice, greets Mary Poppins and joins her and the children on a trip into the scene decorating the bowl. During their visit to theRoyal Doulton Music Hall ("A Cover is Not the Book"), Georgie is kidnapped by a talking wolf, weasel, and badger who are repossessing their belongings, and Annabel and John set out to rescue him. They do so successfully, fall off the edge of the bowl, and wake in their beds. Realizing they are hurting after the loss of their mother, Mary sings them a lullaby ("The Place Where Lost Things Go").
The children visit Mary Poppins's cousin Topsy, hoping to get the bowl mended ("Turning Turtle") and learn that it has little monetary value. They take Michael's briefcase to him at the bank, where they overhear Wilkins discussing the planned repossession of their house. Believing that he and his associates are the same animal gang who kidnapped him, Georgie interrupts the meeting. Michael is angry with the children for putting the house and his job at risk. Mary Poppins takes the children home, guided by Jack and his fellow lamplighters who teach the children theirrhyming slang ("Trip A Little Light Fantastic"). The children comfort a despairing Michael, and the four reconcile.
As midnight on Friday approaches, the Bankses prepare to move out of their house. While examining his old kite, Michael discovers that Georgie had used the missing share certificate to mend it. Jane and Michael rush to the bank while Mary Poppins and the children go with Jack and the lamplighters toBig Ben to 'turn back time'. After scaling the clock tower, they turn the clock back five minutes, giving Jane and Michael just enough time to reach the bank.
Wilkins, however, will not accept the certificate as part of it is still missing. Wilkins's elderly uncle and the bank's previous chairman, Mr. Dawes Jr., arrives anddismisses Wilkins on the spot for his corrupt business practices. He reveals that Michael has plenty of assets to cover the loan, namely the judiciously investedtuppence he had deposited with the bankmany years earlier.
The next day, the Bankses visit the park, where a fair is in full swing. They purchase balloons that carry them into the air, where they are joined by Jack and many others ("Nowhere to Go but Up"). On their return home, Mary Poppins announces that it is time for her to leave. Jane and Michael thank her as her umbrella carries her back up into the sky and away.
Besides the animated counterparts of the characters done by Firth, Swift, and Holdbrook-Smith, the rest of the voice roles consist of:
A sequel toMary Poppins had been gestating indevelopment hell since the first film's release in 1964.Walt Disney attempted to produce a sequel a year later but was rejected by the authorP. L. Travers, who dismissed Disney's first adaptation. In the late 1980s, the chairman ofWalt Disney Studios,Jeffrey Katzenberg, and the vice-president of live-action production, Martin Kaplan, approached Travers with the idea of a sequel set years after the first film, with the Banks children now as adults andJulie Andrews reprising her role as an older Mary Poppins. Travers again rejected the concept except for Andrews' return, suggesting a sequel set one year after the original film with Andrews reprising the role. That idea also did not come to fruition, however, because Travers would not go ahead without certain caveats that the company would not concede, including barring Poppins' clothing from being red.[3]
Travers' attempt to make a sequel to the first film with her involvement was not deterred. In the 1980s, she andBrian Sibley, a good friend whom she met in the 1970s, wrote ascreenplay for a sequel titledMary Poppins Comes Back, based on the parts from Travers' secondMary Poppins book unused in the 1964 film. Sibley then wrote a letter toRoy E. Disney about making the film, to which Disney contracted them to supply afilm treatment. According to Sibley, Travers wrote notes on his script ideas and though she rejected some of them, she liked some of them, including replacing Bert with his brother, an ice cream man in a park in Edwardian London who similarly served as Mary's friend and potential admirer. Four months later, however, casting issues emerged, as Andrews temporarily retired from making films and was not interested in reprising her role as Mary Poppins. It was tricky to find an actor to play Bert's brother, though an executive suggested that singerMichael Jackson was right for the part. The planned sequel was eventually cancelled because of a combination of issues: the casting problems and the fact that new executives took over the company.[18]
The 2004 release of the 40th Anniversary DVD of the original film contained a trivia track that stated, in regards to a possible sequel, "One day the wind may change again ...".[19] On 14 September 2015,Walt Disney Pictures presidentSean Bailey hadpitched a newMary Poppins film toRob Marshall,John DeLuca, andMarc Platt, as the team had producedInto the Woods for the studio the year prior. With approval from Travers' estate, Disney greenlit the project with the film taking place 25 years after the first[20] featuring a standalone narrative, based on the remaining seven books in theseries. Marshall was hired to direct, while DeLuca and Platt would serve as producers along with Marshall.David Magee was hired to write the script.[21]
On 18 February 2016,Emily Blunt entered negotiations to play the title role in the sequel.[7] On 24 February 2016,Lin-Manuel Miranda was cast in the film to play Jack, a lamplighter.[8] In April 2016, Disney confirmed that the film was in development and Blunt and Miranda's castings.[22] In May, Disney announced the film's title asMary Poppins Returns.[23] By July 2016,Meryl Streep had entered negotiations to join the cast to play cousin Topsy,[14] and would be officially cast in September.[24]Ben Whishaw was in negotiations to play the adult Michael Banks in August,[9] withEmily Mortimer cast as the adult Jane Banks,[10] andColin Firth joined the film as William Weatherall Wilkins, president of the Fidelity Fiduciary Bank in October.[13]
In February 2017,Angela Lansbury was cast to play the Balloon Lady.[25]Julie Andrews, who portrayed Poppins in the 1964 film, was approached to do a cameo (possibly as the Balloon Lady before the part was offered to Lansbury)[26] in the sequel but turned down the offer as she wanted it to be "Emily's show".[27]Dick Van Dyke, who portrayedBert and Mr. Dawes Sr. in the original film, returns in the sequel as the latter's son, Mr. Dawes Jr., replacingArthur Malet, who died in 2013.[28]Karen Dotrice, who played the young Jane Banks in the original, has acameo appearance in the film.[29]
Principal photography on the film began on 10 February 2017, atShepperton Studios inSurrey, England.[17] Eight soundstages were used to build practical sets for the film, including Cherry Tree Lane, and the enormous abandoned park, where a big part of the musical number, "Trip a Little Light Fantastic", was set.[30]
Scenes requiring green and blue screens for visual effects were first filmed on J and K Stages with physical set pieces for the cast to interact with, which were then swapped out in post-production with animation.[31] Unlike the first film, which was wholly shot within soundstages inHollywood, filming also took place on location, including outside theBank of England in March 2017, and outsideBuckingham Palace in April 2017.[32][33] Principal photography was wrapped by July 2017.[34]
The visual effects were provided byCinesite,Framestore,Luma Pictures,Pixomondo, theGovernment of Victoria with the assistance ofFilm Victoria (both inAustralia), and TPO VFX and supervised by Christian Irles, Christian Kaestner, Brendan Seals, Matthew Tinsley and Matt Johnson.[35] Like the original film, this film includes a sequence combining live action and traditional hand-drawn animation. According to Marshall, he asked for an animated/live-action sequence rather than employing modernCGI animation, feeling that it was vital to hold on the classic hand-drawn animation to protect the spirit of the original film.[36]
The animation sequence was developed and overall supervision was handled byJim Capobianco, with Ken Duncan supervising physical animation production at his studio inPasadena, California. Over 70 animation artists specializing in hand-drawn 2D animation fromWalt Disney Animation Studios,Pixar Animation Studios, and other animation studios were recruited for the sequence.[1] The animated drawings were created using pencil and paper and scanned onto the computer to be digitally inked and painted. Character designer James Woods and animatorJames Baxter also helped redesign the penguins from the first film. All of the hand-drawn animation was created by Duncan's animation studio, Duncan Studio, in Pasadena.[37]
The music and score for the film was composed byMarc Shaiman, with song lyrics written byScott Wittman and Shaiman.[38] The complete soundtrack album was released byWalt Disney Records on 7 December 2018.[38] Shaiman had heard about the film in 2014 and begged director Marshall to be allowed to write the songs for the film. Shaiman, in regards to working on the film, stated "Our love for the original movie overrode our fears, we re-embraced the thing we loved as children. There's no need for irony or snark. This is our love letter to the original".[39]
Mary Poppins Returns was originally scheduled to be released on 25 December 2018. However, in July 2018, it was moved up from its original release date to 19 December 2018.[40] Its release marks the longest interval between a live-action film and its sequel in cinematic history, at 54 years.[41]
On 22 November 2018, Disney released a special episode of20/20 onABC called "Mary Poppins Returns: Behind the Magic" which included an extended look of the film,[42] with advance tickets for the film going on sale along with the digital pre-order of the soundtrack and the release of two tracks off the soundtrack, "The Place Where Lost Things Go" and "Trip a Little Light Fantastic".[43]
Mary Poppins Returns was released byWalt Disney Studios Home Entertainment onUltra HD Blu-ray,Blu-ray andDVD on March 19, 2019.[44]
The film grossed $172 million in the United States and Canada, and $177.6 million in other territories, for a total worldwide gross of $349.5 million against a production budget of $130 million.[4]
In the United States and Canada, the film was projected to gross $49–51 million from 4,090 theatres over its first five days (including around $35 million in its first weekend) and a total of $75 million over its first week of release.[45] It made $4.8 million on its first day of release and $4.1 million on its second,[46] and went on to gross $23.5 million its opening weekend (a total of $32.3 million over its first five days), finishing below expectations, but second at the box office behind fellow newcomerAquaman. It then made $6.1 million on Monday and $11.5 million on Christmas Day for total week opening of $49.9 million.[47][48] In its second weekend, the film increased by 20.5% to $28.4 million, remaining in second, and in its third weekend made $15.9 million, finishing third behindAquaman and newcomerEscape Room.[49][50][51][52]
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OnRotten Tomatoes, the film holds an approval rating of 79% based on 379 reviews, with an average rating of 7.3/10. The website's critical consensus reads: "Mary Poppins Returns relies on the magic of its classic forebear to cast a familiar – but still solidly effective – family-friendly spell."[53] OnMetacritic, the film has a weighted average score of 66 out of 100, based on 54 critics, indicating "generally favorable reviews".[54] Audiences polled byCinemaScore gave the film an average grade of "A−" on an A+ to F scale, while those atPostTrak gave it an 84% overall positive score and a 62% "definite recommend".[47]
Peter Bradshaw ofThe Guardian gave the film 3 out of 5 stars, writing: "Emily Blunt is the magical nanny in this scarily accomplished clone-pastiche sequel, which starts terrifically and ends cloyingly – just like the original."[55] Geoffrey MacNab ofThe Independent wrote: "The nostalgia here could easily have been very cloying. Instead, it adds to the richness and mystery. In an era of superhero franchises where sequels to successful movies turn up almost instantly, Mary Poppins's return shows that sometimes it pays to wait. Half a century on, her allure hasn't faded at all."[56]Owen Gleiberman ofVariety deemed the film a "rapturous piece of nostalgia"; lauded Blunt's take on Mary Poppins and described her casting as "practically perfect"; and gave his praise to Marshall's direction, as well as the production design, musical score, songs, and the supporting cast (particularly Miranda, Whishaw, Firth, and Streep). He compared the film's quality and tone to that of 1960s musicals, and its nostalgia toStar Wars: The Force Awakens.[57] David Rooney ofThe Hollywood Reporter wrote: "Its old-fashioned, honest sentimentality plasters a smile across your face and plants a tear in your eye, often simultaneously." He lauded the work of Blunt (which he labelled as "preening vanity with unmistakable warmth") and the supporting cast, as well as the costumes, sets, musical score, and songs, referring to the music as the best sinceHairspray and "full of personality and humor, and reverential without being slavish in their adherence to the musical patterns of the first film".[58]
Brian Truitt ofUSA Today described the film as a "comforting nostalgia-fest" and "satisfaction in spit-spot fashion", and commended the performances of Blunt and Miranda, Marshall's knack for musical numbers, and Shaiman's "swinging delight" original score.[59]The Atlantic'sChristopher Orr remarked: "Mary Poppins Returns serves as a reminder that, for all its global scope and hegemonic ambition, Disney still has a little magic left up its sleeve." He called the film a "highly likable diversion", and praised it for balancing the familiar and the new. Orr also praised Blunt's version of Mary Poppins as "excellent", finding it "a little chillier and more austere", and "truer to the spirit of the heroine ofP. L. Travers's books".[60]Peter Travers ofRolling Stone gave the film three out of five stars and praised Blunt's portrayal of the title character. Despite feeling it did not live up to the original film, Travers nevertheless praised the sequel, remarking: "Mary Poppins Returns shows it has the power to leave you deliriously happy".[61]Time magazine'sStephanie Zacharek wrote that "Mary Poppins Returns honors the spirit of its predecessor". She also highlighted Blunt's interpretation of the title character (describing the performance as close to "Travers's original vision"), as well as the costumes, production values, and 2D animation sequences, but found Shaiman's and Wittman's songs to be one of the film's "weaker points".[62]
Will Gompertz of theBBC gave the film two out of five stars, stating: "It looks fantastic, the special effects are special, and a great deal of money has clearly been spent in the hope of making it supercalifragilisticexpialidocious. All of which is great. Except the movie – unlike the eponymous super nanny – never quite takes off."[63]Manohla Dargis ofThe New York Times wrote that "Mary Poppins Returns looks, feels and sounds like a sales pitch" and "ratchets up more than the family's existential stakes", but praised the "emotional rawness" of Whishaw's acting; she called Shaiman's and Wittman's songs "the gravest disappointment", stressing that "there's nothing here with comparable melodic or lyrical staying power" to theSherman Brothers' songs from the 1964 film.[64]Mick LaSalle of theSan Francisco Chronicle regarded the sequel as inferior to the original, feeling that the story did not deliver, and gave a mixed review regarding the songs: he described some of the songs as "forgettable", "indifferent", and "dreadful", but singled out others, such as "Lovely London Sky" and "The Place Where the Lost Things Go", as some of the best. LaSalle stated that "Mary Poppins Returns might have had a chance had the movie not tried to compete with the original in terms of scale. With 20 minutes of song and dance numbers cut, the movie really could have been better – not great, but better."[65]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| American Film Institute | January 4, 2019 | Top 10 Films of the Year | Mary Poppins Returns | Won | [66] |
| Academy Awards | February 24, 2019 | Best Costume Design | Sandy Powell[a] | Nominated | [67] |
| Best Original Score | Marc Shaiman | Nominated | |||
| Best Original Song | "The Place Where Lost Things Go" – Marc Shaiman andScott Wittman | Nominated | |||
| Best Production Design | John Myhre andGordon Sim | Nominated | |||
| Annie Awards | February 2, 2019 | Best Animated Special Production | Mary Poppins Returns | Won | [68] |
| Outstanding Achievement for Character Animation in a Live Action Production | Chris Sauve,James Baxter and Sandro Cleuzo | Won | |||
| Outstanding Achievement for Character Design in an Animated Feature Production | James Woods | Nominated | |||
| Outstanding Achievement for Production Design in an Animated Feature Production | Jeff Turley | Nominated | |||
| Outstanding Achievement for Storyboarding in an Animated Feature Production | Ovi Nedelcu | Nominated | |||
| Art Directors Guild Awards | February 2, 2019 | Excellence in Production Design for a Fantasy Film | John Myhre | Nominated | [69] |
| British Academy Film Awards | February 10, 2019 | Best Original Music | Marc Shaiman | Nominated | [70] |
| Best Production Design | John Myhre and Gordon Sim | Nominated | |||
| Best Costume Design | Sandy Powell | Nominated | |||
| Capri Hollywood International Film Festival | January 2, 2019 | Best Costume Design | Won | [71] | |
| Casting Society of America | January 31, 2019 | Feature Big Budget – Comedy | Bernard Telsey, Tiffany Little Canfield, Conrad Woolfe and Sarah Trevis | Nominated | [72] |
| Costume Designers Guild Awards | February 19, 2019 | Excellence in Period Film | Sandy Powell | Nominated | [73] |
| Critics' Choice Movie Awards | January 13, 2019 | Best Picture | Mary Poppins Returns | Nominated | [74] |
| Best Actress | Emily Blunt | Nominated | |||
| Best Production Design | John Myhre and Gordon Sim | Nominated | |||
| Best Costume Design | Sandy Powell | Nominated | |||
| Best Visual Effects | Mary Poppins Returns | Nominated | |||
| Best Actress in a Comedy | Emily Blunt | Nominated | |||
| Best Score | Marc Shaiman | Nominated | |||
| Best Song | "The Place Where Lost Things Go" | Nominated | |||
| "Trip a Little Light Fantastic" | Nominated | ||||
| Detroit Film Critics Society | December 3, 2018 | Best Use of Music | Mary Poppins Returns | Nominated | [75] |
| Georgia Film Critics Association | January 12, 2019 | Best Original Song | "The Place Where Lost Things Go" – Marc Shaiman and Scott Wittman | Nominated | [76] |
| "Trip a Little Light Fantastic" – Marc Shaiman and Scott Wittman | Nominated | ||||
| Golden Globe Awards | January 6, 2019 | Best Motion Picture – Musical or Comedy | Mary Poppins Returns | Nominated | [77] |
| Best Actor in a Motion Picture – Musical or Comedy | Lin-Manuel Miranda | Nominated | |||
| Best Actress in a Motion Picture – Musical or Comedy | Emily Blunt | Nominated | |||
| Best Original Score | Marc Shaiman | Nominated | |||
| Golden Reel Awards | February 17, 2019 | Outstanding Achievement in Sound Editing – Dialogue and ADR | Renée Tondelli, Heather Gross and Alexa Zimmerman | Nominated | [78] |
| Outstanding Achievement in Sound Editing – Musical | Jennifer L. Dunnington, Jim Bruening, Lewis Morison and Fiona Cruickshank | Nominated | |||
| Golden Trailer Awards | May 29, 2019 | Best Animation/Family TV Spot | Mary Poppins Returns ("Place") | Won | [79] |
| Best Billboard | Mary Poppins Returns ("The Grove Billboard") | Nominated | |||
| Best Home Ent Family/Animation | Mary Poppins Returns ("Be A Child") | Won | |||
| Best Motion Poster | Mary Poppins Returns ("Weather Responsive Motion Poster") | Won | |||
| Best Original Score TV Spot | Mary Poppins Returns ("Place") | Nominated | |||
| Grammy Awards | January 26, 2020 | Best Score Soundtrack For Visual Media | Marc Shaiman | Nominated | [80] |
| Guild of Music Supervisors Awards | February 13, 2019 | Best Music Supervision for Films Budgeted Over $25 Million | Michael Higham andPaul Gemignani | Nominated | [81] |
| Best Song Written and/or Recorded Created for a Film | "Trip a Little Light Fantastic" | Nominated | |||
| Heartland Film Festival | October 11 – 21, 2018 | Truly Moving Picture Award | Mary Poppins Returns | Won | [82] |
| Hollywood Music in Media Awards | November 14, 2018 | Original Score – Sci-Fi/Fantasy/Horror Film | Marc Shaiman | Nominated | [83] |
| Original Song – Sci-Fi/Fantasy/Horror Film | "The Place Where Lost Things Go" – Marc Shaiman and Scott Wittman | Nominated | |||
| "Trip a Little Light Fantastic" – Marc Shaiman and Scott Wittman | Nominated | ||||
| Humanitas Prize | February 8, 2019 | Family Feature Film | Mary Poppins Returns | Won | [84] |
| Kids' Choice Awards | March 22, 2019 | Favorite Movie | Nominated | [85] | |
| Favorite Movie Actress | Emily Blunt | Nominated | |||
| London Film Critics Circle | January 20, 2019 | British/Irish Actress of the Year | Nominated | [86] | |
| Make-Up Artists and Hair Stylists Guild | February 16, 2019 | Best Period and/or Character Make-Up | Peter Robb-King and Paula Price | Nominated | [87] |
| Best Period and/or Character Hair Styling | Nominated | ||||
| Movieguide Awards | February 8, 2019 | Best Movies for Families | Mary Poppins Returns | Nominated | [88] |
| National Board of Review | January 8, 2019 | Top Ten Films | Won | [89] | |
| Palm Springs International Film Festival | January 3, 2019 | Best Ensemble Performance | Won | [90] | |
| Satellite Awards | February 17, 2019 | Best Motion Picture, Comedy or Musical | Nominated | [91] | |
| Best Actor in a Motion Picture, Comedy or Musical | Lin-Manuel Miranda | Nominated | |||
| Best Actress in a Motion Picture, Comedy or Musical | Emily Blunt | Nominated | |||
| Best Original Song | "Can You Imagine That?" – Marc Shaiman and Scott Wittman | Nominated | |||
| Best Art Direction and Production Design | John Myhre | Won | |||
| Best Sound (Editing or Mixing) | Mary Poppins Returns | Nominated | |||
| Saturn Awards | September 13, 2019 | Best Fantasy Film | Nominated | [92] | |
| Best Actress | Emily Blunt | Nominated | |||
| Best Supporting Actor | Lin-Manuel Miranda | Nominated | |||
| Best Music | Marc Shaiman | Won | |||
| Best Production Design | John Myhre | Nominated | |||
| Best Costume Design | Sandy Powell | Nominated | |||
| Screen Actors Guild Awards | January 27, 2019 | Outstanding Performance by a Female Actor in a Leading Role | Emily Blunt | Nominated | [93] |
| Seattle Film Critics Society | December 17, 2018 | Best Costume Design | Sandy Powell | Nominated | [94] |
| Best Production Design | John Myhre and Gordon Sim | Nominated | |||
| Teen Choice Awards | August 11, 2019 | Choice Movie: Fantasy | Mary Poppins Returns | Nominated | [95] |
| Choice Movie: Fantasy Actor | Lin-Manuel Miranda | Nominated | |||
| Choice Movie: Fantasy Actress | Emily Blunt | Nominated | |||
| Washington D.C. Area Film Critics Association | December 3, 2018 | Best Production Design | John Myhre | Nominated | [96] |
By May 2023, Marshall stated that a third movie is in active development.[97]
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