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Martinho da Vila (born February 12, 1938) is a Brazilian singer-songwriter, composer, and percussionist, who is widely considered to be a pioneer ofsamba andMPB.
Martinho da Vila debuted at the III Festival of Record, in 1967, when he entered the competition with the song "Menina Moça". The following year, during the fourth edition of the Festival of Record, Da Vila found success with the song "Casa de Bamba,". His debut album, released in 1969, entitledMartinho da Vila, became a commercial success, which, in addition to "Casa de Bamba", produced the singles "O Pequeno Burguês," "Quem é do Mar não enjoa" and "Pra que Dinheiro" among other gems such as" Brasil Mulato", "Amor pra que Nasceu" and "Tom Maior".
Da Vila soon became one of the best selling artists in Brazil. He was the second samba recording artist to sell more than one million copies, with the CDTá Delícia,Tá Gostoso released in 1995 andAgepê, which in 1984 sold a million and a half copies with his Brazilian Mix album.
At the closing ceremony of the2016 Rio Olympics, Martinho performed onstage in the Maracanã Stadium, singing "Carinhoso [br]" with his three daughters and granddaughter.[1]
Da Vila has received several accolades throughout his career, among which are Carioca Citizen (for citizens of Rio de Janeiro), Citizen Benefactor of the state of Rio de Janeiro, Commander of the official degree in Republic and the Order of Cultural Merit, for his contribution to Brazilian culture. In his musical career, in 1991, Martinho won the Shell Award for Brazilian Popular Music. In 2014, he was nominated to theLatin Grammy for BestSamba /Pagode Album. In 2021, da Vila was one of the recipients of theLatin Grammy Lifetime Achievement Award,[2] and his albumRio: Só Vendo a Vista was nominated in the same ceremony in theBest Samba/Pagode Album category.[3]
His collaboration with the GRESUnidos de Vila Isabel, began in 1965. Before that, he performed frequently alongside the Aprendizes da Boca do Mato samba school. Since joining Vila Isabel, he has written dozens of songs for the school. He wrote the samba “Kizomba: A Festa da Raça”, which won the Special Group title in 1988.
After a 17-year hiatus, in 2010, Martinho won the sambas enredo contest, providing the school’s theme -Noel Rosa, another composer of Vila Isabel, to celebrate his centenary. Martinho had said that would be his last samba enredo. In 2013, when Martinho turned 75, his son Tonico da Vila took Vila Isabel to the title with the theme “A Vila Canta o Brasil, Celeiro do Mundo. Água no Feijão, que Chegou Mais Um”.
2006 –Martinho José Ferreira – Ao Vivo na Suíça – (MZA/Universal Music) (recording-shows atMontreux Jazz Festival, inSwitzerland, nellin 1988, 2000 and 2006)
2007 –Martinho da Vila do Brasil e do Mundo (MZA / Universal Music)
1. Bocskay, Stephen (2017). "Undesired Presences: Samba, Improvisation, and Afro-Politics in 1970s Brazil". Latin American Research Review. 52 (1): 64–78.
2. Bocskay, Stephen (2012). Voices of Samba: Music and The Brazilian Racial Imaginary (1955-1988) (Doctorate). Providence, Rhode Island: Brown University.