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The film career of actressMarlene Dietrich started withsilent films, as she made her film debut withThe Little Napoleon (1923).[1] She was propelled to international fame by directorJosef von Sternberg, who cast her as Lola-Lola inThe Blue Angel (1930). The film's commercial success brought her a contract withParamount Pictures in the United States.
Paramount sought to market Dietrich as a German answer toMetro-Goldwyn-Mayer's Swedish actressGreta Garbo. Her first American film,Morocco (1930), directed by Sternberg, earned Dietrich her onlyAcademy Award nomination. She would appear in several other films directed by Sternberg, includingDishonored (1931),Blonde Venus (1932) andShanghai Express (1932).
Dietrich and Sternberg's last two film collaborations,The Scarlet Empress (1934) andThe Devil Is a Woman (1935)—the most styled of their collaborations—were their least successful at the box office. Her first sound film without Sternberg was 1933'sThe Song of Songs, directed byRouben Mamoulian, although she and Sternberg would later work together another two times.
Without Sternberg, Dietrich—along withJoan Crawford,Mae West,Greta Garbo,Katharine Hepburn and others—was labeled "box office poison" after the filmKnight Without Armour (1937) proved abox office failure. In 1939, however, her stardom was revived when she played a cowboy saloon girl in the Western comedyDestry Rides Again oppositeJames Stewart, singing "See What the Boys in the Back Room Will Have".
While Dietrich arguably never fully regained her former screen glory, she continued performing in films, including appearances for such distinguished directors asBilly Wilder,Alfred Hitchcock andOrson Welles, in successful films that includedA Foreign Affair (1948),Stage Fright (1950),Witness for the Prosecution (1957),Touch of Evil (1958) andJudgment at Nuremberg (1961). Her final film appearance was as herself in the 1984documentaryMarlene.
In 1999, theAmerican Film Institute named Dietrich as the ninth-greatest female star of classic Hollywood cinema.
| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1919 | Im Schatten des Glücks | Unknown | Unconfirmed role | |
| 1923 | The Little Napoleon | Kathrin, a housemaid | [1] | |
| 1923 | Tragedy of Love | Lucy | ||
| 1923 | Man by the Wayside | Kramerstochter | ||
| 1924 | The Monk from Santarem | Unknown | ||
| 1924 | Leap Into Life | Mädchen am Strand | ||
| 1925 | Dancing Mad | Dance extra | ||
| 1926 | Manon Lescaut | Micheline | ||
| 1926 | Madame Wants No Children | Dancer | Uncredited | |
| 1927 | A Modern Dubarry | Kokotte | ||
| 1927 | The Imaginary Baron | Sophie | ||
| 1927 | Heads Up, Charley | Edmee Marchand | ||
| 1927 | His Greatest Bluff | Yvette | ||
| 1927 | Café Elektric | Erni | ||
| 1928 | Princess Olala | Chichotte de Gastone | ||
| 1929 | Dangers of the Engagement Period | Evelyne | ||
| 1929 | I Kiss Your Hand, Madame | Laurence Gerard (Lucille in the US) | ||
| 1929 | The Woman One Longs For | Stascha | ||
| 1929 | The Ship of Lost Souls | Ethel Marley |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1930 | The Blue Angel | Lola-Lola | Separate German and English versions were shot simultaneously. |
| 1930 | Morocco | Mademoiselle Amy Jolly | |
| 1931 | Dishonored | Marie Kolverer | |
| 1932 | Shanghai Express | Shanghai Lily | |
| 1932 | Blonde Venus | Helen Faraday | |
| 1933 | The Song of Songs | Lily Czepanek | |
| 1934 | The Scarlet Empress | Princess Sophia Frederica / Catherine II | |
| 1935 | The Devil Is a Woman | Concha Perez | |
| 1936 | I Loved a Soldier | Anna Sedlak | Unfinished film |
| 1936 | Desire | Madeleine de Aupre | |
| 1936 | The Garden of Allah | Domini Enfilden | Her first Technicolor film |
| 1937 | Knight Without Armour | Countess Alexandra Vladinoff | |
| 1937 | Angel | Maria Berker | |
| 1939 | Destry Rides Again | Frenchy | |
| 1940 | Seven Sinners | Bijou Blanche | |
| 1941 | The Flame of New Orleans | Countess Claire Ledoux | |
| 1941 | Manpower | Fay Duvall | |
| 1942 | The Lady Is Willing | Elizabeth Madden | |
| 1942 | The Spoilers | Cherry Malotte | |
| 1942 | Pittsburgh | Josey "Hunky" Winters | |
| 1944 | Kismet | Jamilla | |
| 1944 | Follow the Boys | Herself | |
| 1946 | Martin Roumagnac | Blanche Ferrand | |
| 1947 | Golden Earrings | Lydia | |
| 1948 | A Foreign Affair | Erika von Schlütow | |
| 1949 | Jigsaw | Herself | Uncreditedcameo |
| 1950 | Stage Fright | Charlotte Inwood | |
| 1951 | No Highway in the Sky | Monica Teasdale | |
| 1952 | Rancho Notorious | Altar Keane | |
| 1956 | Around the World in 80 Days | Saloon hostess | Cameo |
| 1956 | The Monte Carlo Story | Maria de Creveçoeur | |
| 1957 | Witness for the Prosecution | Christine Vole (Helm) / Cockney woman | |
| 1958 | Touch of Evil | Tanya | |
| 1961 | Judgment at Nuremberg | Frau Bertholt | |
| 1962 | Black Fox: The Rise and Fall of Adolf Hitler | Narrator | Voice |
| 1964 | Paris When It Sizzles | Herself | Uncredited cameo |
| 1978 | Just a Gigolo | Baroness von Semering | |
| 1984 | Marlene | Herself | Voice |
| Year | Title | Notes |
|---|---|---|
| 1928 | Die gluckliche Mutter | Dietrich biographerSteven Bach notes that the release of this film has not been verified. |
| 1935 | The Fashion Side of Hollywood | Promotional short film publicizing costumes designed byTravis Banton. |
| 1937 | Screen Snapshots Series 16, No. 7 | |
| 1943 | Show Business at War | |
| 1944 | Memo for Joe |
Complete list of television appearances (excluding news footage):