| Maria Full of Grace | |
|---|---|
 Theatrical release poster | |
| Directed by | Joshua Marston |
| Written by | Joshua Marston |
| Produced by | Paul S. Mezey |
| Starring | Catalina Sandino Moreno Yenny Paola Vega John Álex Toro Guilied Lopez Patricia Rae |
| Cinematography | Jim Denault |
| Edited by | Anne McCabe Lee Percy |
| Music by | Leonardo Heiblum Jacobo Lieberman |
Production companies | HBO Films Journeyman Pictures |
| Distributed by | Tayrona Entertainment Group (Colombia) Fine Line Features (United States) |
Release dates |
|
Running time | 101 minutes |
| Countries | Colombia United States |
| Language | Spanish |
| Budget | $3.2 million[1] |
| Box office | $12.6 million[2] |
Maria Full of Grace (Spanish title:María, llena eres de gracia, lit., "Maria, you are full of grace") is a 2004 Spanish-languagedrama film written and directed byJoshua Marston. The film was a US-Colombia co-production. The story follows a Colombian girl who becomes a drug mule for a trafficking ring. Lead actressCatalina Sandino Moreno won Best Actress at theBerlin Film Festival, and was nominated for theAcademy Award for Best Actress in the77th Academy Awards.
Seventeen-year-oldColombian girl Maria Álvarez works insweatshop-like conditions at a flower plantation. Her income helps support her family, including an unemployed sister who is a single mother, but after unjust treatment from her boss, she quits her job de-thorning roses, despite her family's vehement disapproval. Shortly thereafter, Maria discovers she is pregnant by her boyfriend, and he suggests marriage, but she declines because she does not feel she loves him, although he loves her. On her way toBogotá to find a new job, she is offered a position as adrug mule. Desperate, she accepts the risky offer, and swallows 62 wrapped pellets of drugs, and flies toNew York City with her friend Blanca, who has also been recruited as a drug mule.
Maria is almost caught by U.S. customs who are suspicious after finding Maria's $800 in cash and wanting to make a surprise visit to a sister she "hasn't seen in years", but not knowing anywhere else to go if she isn't home. She tells them that the father of her child paid for her plane ticket. She avoids beingX-rayed due to her pregnancy, and is released. The traffickers collect Maria, Blanca, and Lucy, another more experienced mule that Maria had befriended during her recruitment. The mules are held in a motel room until they pass all the drug pellets. Lucy falls ill when a drug pellet apparently ruptures inside her. Unknown to the traffickers, Maria witnesses them carrying Lucy out of the hotel room, and she sees blood stains in the bathtub. She comes to the conclusion that the traffickers cut her open to retrieve the other drug pellets inside her body. Scared, Maria convinces Blanca to escape with her while the traffickers are gone. They leave with the drugs they have passed.
Maria has nowhere to sleep, and goes to Lucy's sister's house, but doesn't reveal to the sister that Lucy is dead. Blanca soon joins her there. Eventually the sister unexpectedly hears of their involvement in her sister's death and throws them out. Blanca and Maria make an agreement to return the drugs to the traffickers and receive their money. Maria uses some of her drug money to send Lucy's body home toColombia for a proper burial. Maria and Blanca are ready to board the plane back to Colombia when Maria decides to stay in the United States. Blanca returns home without Maria.
Writer and director Joshua Marston was inspired to write the film after a conversation he had with a real-lifedrug mule who transported illegal drugs inside her body.[3] He first attempted to write a script about thedrug war, but decided to abandon a more polemical, broader approach in favor of a more personal one.[4][5] For research, he interviewed prisoners, flower plantation workers in Colombia, U.S. Customs inspectors, and Colombian immigrants living inQueens, New York.[3][5] When Marston showed his finished script to potential producers, they resisted his decision to shoot the film in Spanish and suggested big-name actresses likePenélope Cruz orJennifer Lopez for Maria.[4] Marston gave the script to producer Paul Mezey, who loved it and took it to HBO. Marston said, "HBO told Paul to just make it. In Spanish. With a first-time filmmaker. With an unknown cast. I think I owe my first-born child to HBO."[4][6]
I didn’t want to do the sort of story we’ve seen before about drug trafficking. I didn’t want to tell the story from the point of view of the cop, or theDEA agent, or thedrug lord. I wanted to turn that story on its head and tell it from the point of view of the little person, the person who’s normally demonized and criminalized. That’s part of the ideology of the drug war, to render things in black and white, and to say the person who [smuggles drugs] is a bad person who needs to be put in jail, and that the solution to all this is to beef upthe border and hire more customs agents and build moreprison cells.
Marston considered about 800 actresses to play Maria; with weeks to go before filming, Colombian actress Catalina Sandino Moreno sent in an audition tape and won the role, her first screen credit.[7] As preparation, Sandino Moreno worked on a flower plantation for two weeks.[5]
The character of Don Fernando is played by Orlando Tobón, who is known as the "Mayor of Little Colombia" in Queens.[3] The character is based on Tobón’s real-life work as a counselor and middleman for Colombian immigrants in need.[8][9][10] Tobón is also credited as an associated producer on the film.[3]
Filming was planned to take place in Colombia, but was prevented due to several bombings prior to the country’s2002 presidential election.[3]Venezuela was considered as an alternate option until an attempted coup d’état erupted, so filming eventually took place in theEcuadorian village of Amaguaña.[3] The film shot for 20 days in Ecuador, with asecond unit in Colombia, and 20 days in New York.[4]
To ease the process of making a bilingual film, Marston encouraged the actors toimprovise: "[During rehearsals] I gave all the actors half the script for 24 hours and then took it back from them. I didn’t want them to know how it ended. I took it back so that three weeks later, when we started improvising, we could improvise loosely based on what was written, so they wouldn’t be stuck on the words. We would arrive at a location and start improvising and do three or four improvs based on a rough memory of what happened in the scene. Then we would open the script and reread what I had written, turn to a blank page, pass a pen around in a circle and rewrite the scene together. So partly the structure of the scene would change, but more frequently the actual word choice would change. This was so [the actors] would have a certain sense of ownership over the way their characters spoke."[4]
In the film, Sandino Moreno swallowed real pellets, though they were not latex and contained an easily digestible sugar-like substance.[11]
Maria Full of Grace was first shown on 18 January 2004 at theSundance Film Festival in theUnited States. On 11 February 2004, it was shown at theBerlin Film Festival. It premiered inColombia on 2 April 2004. The film was originally going to premiere on HBO, but the film’s success at Sundance, as well as the success of Latina filmReal Women Have Curves,[3] promptedFine Line Features to release the film theatrically.[7] The film had a limited release on 16 July 2004,[4] before going wide in the United States on 6 August 2004.[2]
The film was critically acclaimed. It garnered a 97% approval rating on the aggregator siteRotten Tomatoes, based on 146 reviews, and an average rating of 8/10. The website's critical consensus states, "In a striking debut, Moreno carries the movie and puts a human face on the drug trade".[12] OnMetacritic, the film has a weighted average score of 87 out of 100, based on 39 critics, indicating "universal acclaim".[13]
According toDesson Thomson fromThe Washington Post, "Catalina Sandino Moreno is a Colombian Mona Lisa, a delicate, unforgettable force majeure. Add to her luminous demeanor a story that rips fleshy holes through your heart and you've got yourself a stunner of a film".[14]Roger Ebert awarded the film 3 and a half stars out of 4 and said, "Like[Ken] Loach, Marston has made a film that understands and accepts poverty without feeling the need to romanticize or exaggerate it. Also like Loach, he shows us how evil things happen because of economic systems, not because villains gnash their teeth and hog the screen. Hollywood simplifies the world for moviegoers by pretending evil is generated by individuals, not institutions; kill the bad guy, and the problem is solved."[9]
Writing forRolling Stone,Peter Travers gave the film 3 out of 4 stars, praising Moreno's performance, the screenplay, and Marston's direction, saying: "Remember the name Catalina Sandino Moreno. The heartfelt and harrowing performance she gives here should put her in line for a heap of year-end awards."[15]
The film was nominated to theGolden Bear at the54th Berlin Film Festival.[16]
The film had originally been selected by Colombia to be its official choice forBest International Feature at the77th Academy Awards. However, it was rejected because it was considered to be not Colombian enough; the filmEl Rey was submitted instead.[17]
Its total worldwide gross stands at $12,594,630 ($6,529,624 at the American box office, and $6,065,006 from other territories).[2]
