Mala Sinha | |
|---|---|
 Mala Sinha in 2013 | |
| Born | Alda Sinha (1936-11-11)11 November 1936 (age 89) |
| Occupation | Actress |
| Years active | 1946–2000 |
| Works | Full list |
| Spouse | |
| Children | Pratibha Sinha |
Mala Sinha (bornAlda Sinha; 11 November 1936) is a formerIndian actress who mainly worked inHindi, andBengali films. One of the most stylish, fashionable, glamorous star and dancing diva of her time. Regarding one of the most successful and legendary actress of all time. Initially starting her career with regional cinema, she went on to become a top leading actress inHindi cinema in the 1960s and early 1980s. She became a superstar with many blockbuster and superhit movies. She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of their times. Having received multiple accolades, Sinha received theFilmfare Lifetime Achievement Award in 2018.[1]
In a career spanning four decades, Mala Sinha rose to prominence with films likeGuru Dutt'sPyaasa (1957) andYash Chopra'sDhool Ka Phool (1959). Later, she starred in over hundred film productions includingPhir Subah Hogi (1958),Hariyali Aur Rasta,Anpadh (both 1962),Dil Tera Deewana (1962),Gumrah,Bahurani (both 1963),Himalay Ki God Mein (1965),Aasra (1966),Ankhen,Do Kaliyan (both 1968),Maryada (1971).[2]
Mala was constantly paired in roles oppositeUttam Kumar,Kishore Kumar,Dev Anand,Dharmendra,Raaj Kumar,Rajendra Kumar,Biswajeet,Manoj Kumar,Rajesh Khanna. She was the highest-paid actress from 1958 to 1965 withVyjayanthimala, second withVyjayanthimala from 1966 to 1967, then shared the second spot withSharmila Tagore from 1968 to 1971, third position withSadhana andNanda in 1972–73.[3]
Mala Sinha was born toChristianNepali parents after they immigrated toWest Bengal, India from theNepalese plains. Her father's name was Albert Sinha.
Mala's initial name was Alda and her friends at school in Calcutta (now Kolkata) used to tease her by calling herDalda (a brand of vegetable oil), so she changed her name to Baby Nazma on getting her first assignment as a child artiste. Later on, as an adult actor, she changed her name to Mala Sinha.[4] As a child, she learnt dancing and singing. Although she was an approved singer ofAll India Radio, she has never done playback singing in films. As a singer, she has done stage shows in many languages from 1947 to 1975.
Mala Sinha started her career as child artist in Bengali films –Jai Vaishno Devi followed byShri Krishan Leela,Jog Biyog andDhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his Bengali filmRoshanara (1952), her cinematic debut.
After acting in a couple of films in Calcutta, Mala Sinha went to Bombay for aBengali film. There she metGeeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to directorKidar Sharma. Sharma cast her as a heroine in hisRangeen Ratein. Her first Hindi film wasBadshah opposite Pradeep Kumar, then cameEkadashi, a mythological film oppositeTrilok Kapoor. Both films did not do well, but her lead role in Kishore Sahu'sHamlet, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films such asLai Batti (actor Balraj Sahni's only directorial venture),Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi's romance about forbidden love andPhir Subah Hogi, which was director Ramesh Saigal's adaptation of Dosteovsky'sCrime and Punishment established Mala Sinha's reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.
She used to sing forAll India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972'sLalkar.[5] In the 1950s, she had string of hits oppositePradeep Kumar such asFashion.,[6]Detective (1958) andDuniya Na Mane (1959). The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and directorGuru Dutt cast Mala Sinha in his filmPyaasa (1957) in a role originally intended forMadhubala. Mala Sinha performed in the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage, rather than a poor, unsuccessful poet; her impoverished lover (played by Guru Dutt) whom she ditches.Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.
AfterPyaasa, her major successes werePhir Subah Hogi (1958) andYash Chopra's directorial debutDhool Ka Phool, (1959) that elevated her into a major dramatic star.[7] She was part of many successful movies from 1958 to the early '60s such asParvarish (1958),Ujala,Main Nashe Main Hoon,Duniya Na Mane,Love Marriage (1959),Bewaqoof (1960),Maya (1961),Hariyali Aur Rasta,Dil Tera Deewana (1962),Anpadh andBombay Ka Chor (1962).
She consistently did lead roles in Bengali films throughout the 1950s to the 1970s. Her performance in films like Lookochoori (1958) oppositeKishore Kumar and Kelaghar (1959),Saathihaara and Shohorer Itikotha.
Sinha's career's best performances were inBahurani (1963),Gumrah,Gehra Daag,Apne Huye Paraye,Nayi Roshni andJahan Ara.[8] Apart from pairing withPradeep Kumar, her pairings oppositeRaaj Kumar,Rajendra Kumar,Biswajit andManoj Kumar in woman-oriented films were appreciated by audiences, with her work opposite Biswajit being the most popular. With Raaj Kumar, she gave box office hits likePhool Bane Angaare,Maryada andKarmayogi and oppositeManoj Kumar, gave commercial successes likeHariyali Aur Rasta,Apne Huye Paraye andHimalaya Ki God Mein. The hits withRajendra Kumar wereDevar Bhabhi,Dhool Ka Phool,Patang,Geet andLalkar.
WithBiswajit, her popular movies includeAasra,Night in London,Do Kaliyaan,Tamanna,Nai Roshni and critically acclaimed filmsPyar Ka Sapna,Paisa Ya Pyaar,Jaal andPhir Kab Milogi. She did ten films withBiswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.[9]
In her successful 1960s and 1970s roles, she was cast opposite her seniors likeKishore Kumar,Raj Kapoor,Dev Anand andPradeep Kumar, and the emerging stars from late 1950s likeShammi Kapoor,Rajendra Kumar andRaaj Kumar. She worked with many newcomers of her era includingManoj Kumar,Dharmendra,Rajesh Khanna,Sunil Dutt,Sanjay Khan,Jeetendra andAmitabh Bachchan. Her character's power was as much as the heroes and most of the time her roles were more powerful than the hero. In most of her films from the 1960s, she got first billing in the credits, even before the heroes, with the exceptions being those withKishore Kumar,Guru Dutt,Raj Kapoor,Dev Anand,Pradeep Kumar.
In 1966, Mala Sinha went to Nepal to act in a Nepali film calledMaitighar when theNepalifilm industry was still in its infancy. This was the only Nepali film she did in her career. The hero was an estate owner called Chidambar Prasad Lohani.[10]
Soon after, she married C. P. Lohani with the blessings of her parents. From the beginning, theirs was a long-distance marriage with Lohani based inKathmandu to look after his business and Mala Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.[2]
She has been a heroine in manyBengali films. In Bengali films, she has acted withKishore Kumar andUttam Kumar. Her last Bengali work as a female lead wasKabita (1977) which featured Ranjit Mullick andKamal Haasan; it was a super-hit at the box office. She is noted for her strong women-oriented roles in films such asDhool Ka Phool,Suhag Sindoor,Anpadh,Phir Subah Hogi,Hariyali Aur Rasta,Bahurani,Aasra,Do Kaliyaan,Gumrah,Ankhen,Baharen Phir Bhi Aayengi,Himalay Ki God Mein,Do Kaliyaan,Holi Aayi Re,Nai Roshni,Mere Huzoor,Kangan,Archana,Maryada amongst others.
Of her repertoire, she said in 2001, she was rather partial toJahan Ara (1964), a historical movie thatMeena Kumari passed on to her:
"Meena-ji turned down the role saying that she would not look the part whereas I would. Given my ignorance of Urdu, I was rather sceptical, but Meena-ji was convinced that I could do justice to the role. Playing Mumtaz Mahal's eldest daughter entailed gruelling Urdu classes and learning royal tehzeeb. It was hot on the grand sets erected at Ranjit Studio and the film hadMadan Mohan's haunting music. It was a film replete with lyrical moments."[2]
From 1974, she cut down on her assignments as the lead actress in Hindi films. She accepted strong character roles in films like36 Ghante (1974),Zindagi (1976),Karmayogi (1978),Be-Reham (1980),Harjaee (1981),Yeh Rishta Na Tootay (1981),Babu (1985) andKhel (1992), which were popular.
In the early 1990s, Madhuri Dixit was promoted as the "new Mala Sinha" in magazines. But, after 1994, she completely withdrew from the industry and has given very few public appearances. InDhool Ka Phool and B.R. Chopra'sGumrah, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen inZid (1994). Though Mala evinced as much interest in her daughter Pratibha's career as her father did in her career, she was unable to achieve the same success for her daughter.[11]
In 1978, during an income tax raid at Mala Sinha's house in Bombay, bundles of cash amounting to ₹ 12 lakh were recovered from a wall in her bathroom, which was a huge amount at the time. Initially, Mala Sinha reportedly told the tax officials that the money had been hidden in the bathroom wall by her father.[12] However, when she was produced before the court during the trial of the case, she reportedly stated that she had earned the money by working as an escort.[12][13] Mala Sinha is reported to have been scared of losing the money, and is said to have taken the drastic step of admitting to prostitution on the advice of her father and lawyer, Albert Sinha.[13] She made the shocking admission when the court asked her to prove that she had earned the money by fair means. She was allowed by the court to keep the money, but she is said to have lost the favour of her fans, resulting in the loss of many projects in the immediate aftermath. The bold admission is also said to have effectively ended her career that could carry on for many more years.[14]
Sinha married Nepali actor Chidambar Prasad Lohani ofKumaoniBrahmin ethnicity in 1966. The couple met when they worked together in the Nepali filmMaitighar (1966). Lohani had an estate agency business. After her marriage, she used to come and stay in Mumbai to shoot films while her husband stayed in Nepal running his business. She has one daughter from the marriage:Pratibha Sinha, who is a former Bollywood actress.[15][16] From the late 1990s, the couple and their daughter have been residing in a bungalow in Bandra, Mumbai.[17] Her mother lived in her house till her death in April 2017. Her daughter takes care of stray dogs and cats at Mala Sinha's home.[18]Her husband, Lohani, died in June 2024.[19]
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Dinesh Raheja ofRediff.com stated, "What is remarkable about Mala Sinha is that most of her 1960s hits were fuelled by her own star power as much as the heros'. When she acted opposite big stars, she made sure her role was as good as theirs."[20] In 2022, she was placed inOutlook India's "75 Best Bollywood Actresses" list.[21] Subhash K. Jha ofFirstpost noted, "Mala Sinha was always a daring diva. InDhool Ka Phool, she was the first unwed mother of Hindi cinema. InGumrah, she plays a wife who secretly carries on a relationship with the man she loved before marriage. Most of her roles were ahead of its time."[22] One of the highest paid actress of the 1960s, Sinha appeared inBox Office India's "Top Actresses" list five times, from 1962 to 1965 and 1968.[23]
| Year | Award | Category | Film | Result | Ref. |
|---|---|---|---|---|---|
| 1965 | Bengal Film Journalists' Association Awards | Best Actress (Hindi) | Jahan Ara | Won | [24] |
| 1967 | Himalay Ki God Mein | Won | |||
| 1960 | Filmfare Awards | Best Actress | Dhool Ka Phool | Nominated | [25] |
| 1964 | Bahurani | Nominated | |||
| 1965 | Jahan Ara | Nominated | [26] | ||
| 1966 | Himalay Ki God Mein | Nominated | [27] | ||
| 2018 | Lifetime Achievement Award | Herself | Won | [28] | |
| 2007 | Screen Awards | Lifetime Achievement Award | Herself | Won | [29] |
