| Mad Max Beyond Thunderdome | |
|---|---|
 Theatrical release poster byRichard Amsel | |
| Directed by | |
| Written by |
|
| Based on | Characters by
|
| Produced by | George Miller |
| Starring | |
| Cinematography | Dean Semler |
| Edited by | Richard Francis-Bruce |
| Music by | Maurice Jarre |
Production company | |
| Distributed by | Warner Bros.[1] (throughRoadshow Film Distributors) |
Release date |
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Running time | 107 minutes[2] |
| Country | Australia |
| Language | English |
| Budget | $10 million[3] |
| Box office | $36 million (rentals)[4] |
Mad Max Beyond Thunderdome (also known asMad Max 3) is a 1985 Australianpost-apocalypticdystopianaction film directed byGeorge Miller andGeorge Ogilvie and written byTerry Hayes and Miller.[5] It is the third installment in theMad Max franchise and the sequel toMad Max 2 (1981). It is the only film in the franchise to be rated PG-13 by theMPAA. The film starsMel Gibson (in his final performance as"Mad Max" Rockatansky) andTina Turner.Billboard later listed Turner's performance in the film as the 68th best performance of a musician in a box-office film.[6]
Mad Max Beyond Thunderdome was released in Australia on 10 July 1985. The film received positive reviews from critics. A fourth film,Mad Max: Fury Road, was released in 2015, starringTom Hardy as Max.
The world is apost-apocalyptic wasteland caused byecocide and a nuclear war over resources.[a] InMainland Australia,Max Rockatansky crosses the desert in a carriage pulled by a team of camels. The airborne bandit Jedediah and his young son attack him and steal his vehicle and animals. Max follows Jedediah's trail to a trading post called "Bartertown". Initially refused entry because he has nothing to trade, he impresses the local officials with his toughness, and the founder and ruler of the town, Aunty Entity, offers to resupply him if he completes a task.
Bartertown's energy comes from "Underworld," a subterraneanrefinery that turns pig feces intomethane. The refinery is run by Master, a dwarf who rides around on Blaster, his giant bodyguard. "Master Blaster" has begun to challenge Aunty for control of Bartertown; Aunty wants Max to kill Blaster so she can subvert Master to her will.
Max infiltrates Underworld to size up Master Blaster and befriends Pig Killer, a convict sentenced to work there for slaughtering apig to feed his children. When Master Blaster learns his newly-acquired vehicle belonged to Max, he forces Max to disarm its booby-trap. In doing so, Max sets off his alarm and discovers that Blaster is hypersensitive to high-pitched noises.
By law, conflicts in Bartertown are resolved by a fight to the death in Thunderdome, agladiatorial arena. Max publicly accuses Master of stealing his vehicle, and a battle is scheduled against Blaster. Blaster dominates until Max blows awhistle, which makes Blaster grab his head in pain. Max knocks Blaster's helmet off and prepares to kill him, but relents upon seeing that Blaster has an intellectual disability. Max reveals Aunty's plot and Master threatens to shut down the refinery, so Aunty has Blaster killed. She is then able to terrorize Master into keeping the refinery running.
For breaking a deal, Max plays "Bust a Deal, Spin the Wheel" where he lands on "Gulag". Max is bound, placed on a horse, and sent into the Wasteland. When the horse collapses from exhaustion, Max frees himself and continues on foot until he also collapses.
Warrior girl Savannah Nix finds Max near death and heals him. Her home "Planet Erf" is anoasis populated by a primitive tribe of teenagers and children. The children are descended from survivors of a crashedQantasBoeing 747, some of whom left to seek help and never returned. They believe Max is the pilot, "Captain Walker", come to fix the aeroplane and fly them to the fabled "Tomorrow-morrow Land". Max denies he is Walker and insists there is no longer any civilisation like that in their stories. Disillusioned, some teenagers and children led by Savannah want to attempt the journey to Bartertown, but Max stops them and has them tied up, saying everyone should go on living in the oasis.
During the night, the separatists escape. Max agrees to bring them back, taking some members of the tribe along. However, both parties are in bad shape by the time he catches up. Out of supplies, Max is forced to lead the contingent back to Bartertown.
The combined group sneaks into Underworld. With Pig Killer's help, the combined group frees Master and escapes in a modified truck along train tracks, destroying the refinery and most of Bartertown in the process. Aunty orders her forces to pursue and retrieve Master. Max and his group do their best to fight off the attackers. They come across Jedediah and his son, whom Max coerces into providing a ride in their aeroplane. With the approach of Aunty's army shortening the runway, Max gets in his vehicle which a child stole from their pursuers and crashes it into the oncoming attackers to create an opening so the plane can take off. Injured and alone, Max is spared by an impressed Aunty who leaves to rebuild Bartertown.
Jedediah flies Master, Pig Killer, and the separatists to the sand-covered ruins ofSydney. Years later, they have established a community with other wanderers. While they attempt to rediscover the knowledge of the pre-apocalyptic world, each night Savannah recites the story of their journey and they light up the city as a beacon for Max or any other travellers to follow. Meanwhile, Max wanders in the Wasteland alone.
The rest of the cast were listed under these categories in the end credits:
Beyond Thunderdome was the firstMad Max film made without producerByron Kennedy, who had been killed in a helicopter crash in 1983.[9] DirectorGeorge Miller was hesitant to continue without his producing partner, saying later: "I was reluctant to go ahead. And then there was a sort of need to – let's do something just to get over the shock and grief of all of that."[10] There is a title card at the end of film before the credits roll that reads: "...for Byron".[11]
Miller co-directed the film withGeorge Ogilvie, with whom he had worked on the 1983television miniseriesThe Dismissal. About this decision, he said: "I had a lot on my plate. I asked my friend George Ogilvie, who was working on the mini-series, 'Could you come and help me?' But I don't remember the experience because I was doing it to just... You know, I was grieving."[12] For the film, Miller and Ogilvie employed a group workshopping rehearsal technique that they had developed.[13]
Exterior location filming took place primarily in the mining town ofCoober Pedy, though the set for Bartertown was built at an old brickworks (theBrickpit) atHomebush Bay in Sydney's western suburbs, and the children's camp was in theBlue Mountains.[13][14] According to cinematographerDean Semler, "Mad Max Beyond Thunderdome proved far more challenging thanMad Max 2. We were dealing with more varied environments than before and it was essential that each of the worlds created for the film have a distinctly different look."[15]
It was the most expensive Australian film at the time.[16]
Themusical score forBeyond Thunderdome was composed byMaurice Jarre, replacingBrian May, who composed the music for the first two films in the series.[17] The film also contains two songs performed byTina Turner: "One of the Living", which plays over the opening titles, and "We Don't Need Another Hero (Thunderdome)", which plays over the end credits.[18][19]
"We Don't Need Another Hero (Thunderdome)" reached #1 in Canada, #2 in the US, and #3 on the British single charts. "One of the Living" was rerecorded for single release, and it reached #15 in both Canada and the US, but only #55 in Britain. At the28th Annual Grammy Awards, "One of the Living" won the award forBest Female Rock Vocal Performance.
Asoundtrack album was released byCapitol Records in 1985. It included Turner's songs alongside an instrumental version of "We Don't Need Another Hero (Thunderdome)" on Side 1, and some of Jarre's music on Side 2. A double CD containing only Jarre's original music was issued in 2010 on Tadlow Music/Silva Screen Records.[20]
Although the film's budget was larger than that of its predecessors, its box office yield was only moderate in comparison.[13] It grossed A$4,272,802 at the Australian box office,[21] less than whatMad Max made and less than half of whatMad Max 2 made.
In the United States and Canada, the film grossed $36 million,[22] generatingtheatrical rentals of $18 million. Outside of the U.S. (including Australia), it earned a similar amount, giving it worldwide rentals of $36 million.[4]
Reaction to the film was positive. On thereview aggregator websiteRotten Tomatoes, 80% of 59 critics' reviews are positive, with an average rating of 6.5/10. The website's consensus reads: "Beyond Thunderdome deepens theMad Max character without sacrificing the amazing vehicle choreography and stunts that made the originals memorable."[23]Metacritic, which uses aweighted average, assigned the film a score of 71 out of 100, based on 18 critics, indicating "generally favorable" reviews.[24]
Critics disagreed over whether they considered the film to be the highest or lowest point of theMad Max trilogy. Most criticism focused on the children in the second half of the film, whom many found too similar to theLost Boys from the story ofPeter Pan.[25] Robert C. Cumbow ofSlant Magazine identified "whole ideas, themes and characterizations" adopted fromRiddley Walker, a 1980 post-apocalyptic novel byRussell Hoban.[26]
On the other hand, there was much praise for the concept of the titular Thunderdome, whichRoger Ebert of theChicago Sun-Times called "the first really original movie idea about how to stage a fight since we got the first karate movies" and "one of the great creative action scenes in the movies".[27] Ebert awarded the film four out of four stars and later placed it on his list of the ten best films of 1985.[28]Variety wrote that the film "opens strong" and has good acting from Gibson, Turner, and the children.[29]
Some fans of the series have criticised the film for being "Hollywood-ized" and having a lighter tone than its predecessors.[30][31][32]
| Year | Association | Category | Nominated work | Result | Ref. |
|---|---|---|---|---|---|
| 1985 | Golden Globe Award | Best Original Song | "We Don't Need Another Hero" | Nominated | [33] |
| 1986 | Grammy Award | Best Female Rock Vocal Performance | "One of the Living" | Won | [34] |
| 1986 | Saturn Award | Best Science Fiction Film | Nominated | [35] | |
| Best Director | George Miller | Nominated | |||
| Best Writing | George Miller andTerry Hayes | Nominated | |||
| Best Costume Design | Norma Moriceau | Nominated | |||
| 1986 | NAACP Image Award | Outstanding Actress in a Motion Picture | Tina Turner | Won | [36] |
As with the previous installments of theMad Max series,Beyond Thunderdome has influenced popular culture in numerous ways. Of particular note is the widespread use of the term "thunderdome" to describe a contest in which the loser suffers a great hardship.[37]
American filmmakerChris Weitz has cited the film as an influence.[38]
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