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| Maachis | |
|---|---|
![]() Poster | |
| Directed by | Gulzar |
| Written by | Gulzar |
| Produced by | R. V. Pandit |
| Starring | Chandrachur Singh Tabu Om Puri Jimmy Sheirgill |
| Cinematography | Manmohan Singh |
| Edited by | M. Ravi & Sadanand Shetty |
| Music by | Vishal Bhardwaj |
| Distributed by | Eros Entertainment |
Release date |
|
Running time | 168 minutes |
| Country | India |
| Language | Hindi |
| Budget | ₹20 million[1] |
| Box office | est.₹63.6 million[1] |
Maachis (transl. Matchsticks) is a 1996 Indian Hindi-languageperiodpolitical thriller film written and directed byGulzar. The film starsChandrachur Singh,Om Puri,Tabu, andJimmy Sheirgill. The film is set against the backdrop of theSikh insurgency inPunjab during the 1980s. The plot delves into the personal and political turmoil faced by individuals caught in violence and explores themes of state repression,vengeance, and theradicalization of youth.[2]
The film was released on 25 October 1996.Maachis received critical acclaim for its direction, story, screenplay, dialogue, and music. The film emerged as a commercial success at the box-office, grossing ₹6.19 crore against a production budget of ₹2 crore.
At the44th National Film Awards,Maachis won 2 awards –Best Popular Film Providing Wholesome Entertainment andBest Actress (Tabu). At the42nd Filmfare Awards, the film received 10 nominations, includingBest Film,Best Director (Gulzar),Best Actress (Tabu), andBest Supporting Actor (Puri), and won 4 awards, includingBest Male Debut (Chandrachur) andR. D. Burman Award (Bhardwaj).
The story is set during the mid-to-late 1980s inPunjab, India, a period marked by violentinsurgency triggered byOperation Blue Star, the assassination of Prime MinisterIndira Gandhi, and the subsequent1984 Sikh Massacre. The narrative unfolds through a series of intense flashbacks.
Jaswant Singh Randhawa and his sister, Veerendar "Veeran," live peacefully with their elderly mother, Biji, in a rural village. Kripal Singh, Jaswant’s childhood friend and Veeran’s fiancé, lives nearby with his grandfather. Their tranquil existence is shattered when Assistant Commissioner of Police Khurana and Inspector Vohra arrive in search of Jimmy, who is accused of attempting to murder a member of theIndian Parliament, Kedar Nath.
When interrogated, Jaswant plays a prank by leading the police to his puppy, Jimmy. Infuriated by his defiance, Khurana and Vohra take Jaswant into custody. Kripal desperately searches for Jaswant, visiting several police stations but finding no trace of him. After 15 days, Jaswant returns home, severely beaten and scarred from brutal police torture, all for a harmless prank.
Kripal, outraged by the police brutality, seeks help through legal channels but finds no justice. Frustrated, he decides to track down his cousin Jeetay, who is connected to militant groups. Kripal’s search leads him to a highway restaurant (dhabha), where he encounters Sanatan, a militant who had planted a bomb on a bus. Kripal asks for Sanatan's help, and Sanatan reluctantly agrees, allowing Kripal to travel with him, a "Commander," and other militants in a truck loaded with bombs.
Once they arrive at the militant hideout, Kripal explains his situation. The Commander reveals that he killed Jeetay for being a police informant. Despite Kripal’s plea for assistance, the Commander rebukes him, stating that they are not professional killers and that if Kripal wants justice, he must take matters into his own hands by killing Khurana by himself.
Kripal gradually earns the trust and respect of the militant group. Sanatan explains that Kripal's fight is not about nationalism or religion, but about defending fundamental civil rights and resisting a corrupt system that victimizes the innocent and devalues ordinary citizens. It is revealed that Sanatan himself is a survivor of the communal violence during thePartition of India in 1947 and lost most of his family in the 1984 anti-Sikh riots. He asserts that the ruling class manipulates society by dividing it along religious lines for political gain.
Kripal trains with the group and plans the assassination of Khurana. After a year of preparation, he successfully kills Khurana in a crowded marketplace. Horrified by his actions, Kripal visits Jaswant and Veeran one last time before going into hiding, but both are appalled at what he has done. When Kripal returns to the hideout, he finds it deserted. After staying undercover for a while, he is contacted by a group member who signals that he should prepare for a move. The Commander escorts him to a new hiding place inHimachal Pradesh and informs him that the police have connected him to Khurana’s murder, tracing it back to the incident involving Jaswant.
As Kripal settles into life on the run, he realizes there is no returning to normalcy. He finds solace in the militant group, which is preparing for a new mission and awaiting the arrival of a missile specialist. Kripal briefly considers applying for a local job, but Sanatan warns him that he is now branded a high-profile terrorist by the media, a convenient target for police looking for promotions. One of the group members, Kuldip, narrowly escapes a police encounter while transporting explosives and is left shaken. Desperate to escape, he begs Sanatan for permission to return home, promising to emigrate toCanada. Reluctantly, Sanatan agrees. However, unbeknownst to the group, Kuldip is killed by a bomb hidden in his backpack as he heads home.
Kripal also learns that one of his comrades, Jaimal Singh, is the same Jimmy the police had been hunting all along. Soon after, the group's awaited missile specialist arrives, and to Kripal's shock, it is none other than his fiancée, Veerendar "Veeran" Kaur. The two finally speak privately, and Kripal is devastated to learn that after Khurana's assassination, Jaswant was taken in for questioning, brutally beaten, and ultimately driven to commit suicide while in jail. Their mother died shortly after hearing the news, leaving Veeran alone. Subjected to daily harassment by Inspector Vohra, Veeran decided to follow Kripal’s path and reunite with him in the militant cause. As they spend more time together, Kripal and Veeran begin to rekindle their relationship.
Veeran quickly becomes an integral part of the group, bringing a sense of normalcy and the simple pleasures of daily life to the otherwise hardened outlaws. She forms close friendships with the group members, particularly Sanatan and Wazir. The group's next mission is to assassinate MP Kedar Nath, who survived Jimmy's previous assassination attempt, during his visit to a local Sikh shrine. In the midst of their stay together, Kripal and Veeran decide to marry in secret. Unbeknownst to Kripal, Veeran quietly takes hiscyanide pill, a last-resort measure carried by each member in case of capture.
While scouting the Sikh shrine for surveillance, Kripal unexpectedly spots Inspector Vohra, overseeing security for Kedar Nath's visit. Kripal tracks Vohra to his residence but is caught in the act of attempting to kill him and arrested. One of the group's members witnesses Kripal entering Vohra's residence. Based on the fact that Kripal did not take his cyanide pill, Sanatan becomes convinced that Kripal has betrayed them to the police. He accuses Veeran of helping Kripal and orders her to be placed under house arrest. On the day of the mission, Sanatan orders the group to proceed and instructs Wazir to kill Veeran. However, Veeran manages to escape and slain Wazir.
Meanwhile, Jaimal and Sanatan begin the mission. Jaimal is killed as he stops Kedar Nath's motorcade on a bridge, but Sanatan succeeds in firing the missile and blowing up Kedar Nath's car. Now, on the run, Sanathan is hunted not by the police but by Veeran herself. In a final confrontation deep in the woods, Veeran kills Sanatan.
Veeran, still unrecognized as part of the militant group, visits Kripal in prison. During a seemingly innocent embrace, she discreetly passes him the cyanide pill. The film concludes with Kripal lying peacefully dead in his prison cell, having taken the cyanide. At the same time, Veeran is shown sitting upright in the back of a moving pickup tractor, blood streaming from her nose, indicating that she has taken the cyanide pill, too.
Maachis was originally scheduled to be released on October 18, 1996, but its release was delayed by a week to 25 October 1996.
Maachis was banned inMalaysia by the censor board on grounds that "it may hurt religious sentiments."[4]
Part of the song "Chhod Aaye Hum" is inspired, without credits, by the Oscar-winner composerNicola Piovani's main theme of the Italian filmCaro diario, directed byNanni Moretti.
| Award[a] | Date of ceremony[b] | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Filmfare Awards | 23 February 1997 | Best Film | Maachis | Nominated | [5] [6] [7] |
| Best Director | Gulzar | Nominated | |||
| Best Story | Won | ||||
| Best Dialogue | Won | ||||
| Best Actress | Tabu | Nominated | |||
| Best Supporting Actor | Om Puri | Nominated | |||
| Best Male Debut | Chandrachur Singh | Won | |||
| Best Music Director | Vishal Bhardwaj | Nominated | |||
| R. D. Burman Award | Won | ||||
| Best Lyricist | Gulzar (for "Chappa Chappa") | Nominated | |||
| Best Male Playback Singer | Hariharan andSuresh Wadkar (for "Chappa Chappa") | Nominated | |||
| National Film Awards | 15 July 1997 | Best Popular Film Providing Wholesome Entertainment | Producer:R. V. Pandit Director:Gulzar | Won | [8] |
| Best Actress | Tabu | Won | |||
| Screen Awards | 1997 | Best Story | Gulzar | Won | [9] |
| Best Dialogue | Won | ||||
| Best Male Debut | Chandrachur Singh | Won | |||
| Best Sound Recording | Narinder Singh | Won |
| Maachis | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 8 June 1996 | |||
| Genre | Feature film soundtrack | |||
| Length | 43:55 | |||
| Label | PAN Music | |||
| Vishal Bhardwaj chronology | ||||
| ||||
The score and soundtrack forMaachis were composed byVishal Bhardwaj, with lyrics written byGulzar. The soundtrack album includes several background score pieces from the film, complementing its intense narrative and themes.[10]
The song "Chhod Aaye Hum" marked the debut of singerKK as a playback singer in Hindi cinema.[11]
All lyrics are written byGulzar; all music is composed byVishal Bhardwaj.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Chhod Aaye Hum" | Hariharan,Suresh Wadkar, Vinod Sehgal &KK | 05:15 |
| 2. | "Tum Gaye" | Lata Mangeshkar,Sanjeev Abhyankar | 04:54 |
| 3. | "Yaad Na Aaye" | Lata Mangeshkar | 06:29 |
| 4. | "Aey Hawaa" | Lata Mangeshkar | 06:29 |
| 5. | "Pani Pani Re" | Lata Mangeshkar | 05:09 |
| 6. | "Tum Gaye (Film Version)" | Hariharan | 04:55 |
| 7. | "Bhej Kahaar" | Lata Mangeshkar | 03:25 |
| 8. | "Chappa Chappa" | Hariharan, Suresh Wadkar | 04:27 |
| 9. | "Maachis Theme Opening" | Vishal Bhardwaj | 01:49 |
| 10. | "Maachis Theme Closing" | Vishal Bhardwaj | 02:57 |
| Total length: | 43:55 | ||