Lush | |
|---|---|
 Lush performing inRennes, France, 1990 | |
| Background information | |
| Origin | London, England |
| Genres | |
| Years active |
|
| Labels | |
| Past members | |
Lush were an Englishrock band formed inLondon in 1987. The original line-up consisted ofMiki Berenyi (vocals, guitar),Emma Anderson (vocals, guitar), Steve Rippon (bass guitar) andChris Acland (drums).Phil King replaced Rippon in 1991. They were one of the first bands to have been described with the "shoegazing" label. Following the death of Acland, the group disbanded in 1996.
The group reunited for a short time between 2015 and 2016 with Berenyi, Anderson, King andJustin Welch. They toured and recorded an EP of new material.[1][2]
The band was formed in 1987 in London, initially named the Baby Machines (after a line in theSiouxsie and the Banshees song "Arabian Knights"),[3] with a line-up ofMeriel Barham (vocals), Anderson (guitar, vocals), Berenyi (guitar, vocals), Steve Rippon (bass guitar) andChris Acland (drums).[4][5] Their influences were diverse; they were inspired byCocteau Twins,My Bloody Valentine,Siouxsie and the Banshees,the Beach Boys,the Byrds and thegarage rock scene of theNuggets series.[6]
Anderson and Berenyi had been school friends, having known each other since the early 1980s, and together published theAlphabet Soup fanzine.[7] In 1986, Anderson joined the Rover Girls as bass guitarist and Berenyi joined the Bugs, also as a bass guitar player. Neither band lasted long, and in 1987, they joined Barham and Acland in the Baby Machines.[4] Rippon joined shortly thereafter and the band members decided on a change of name to Lush, making their live debut atthe Camden Falcon on 6 March 1988.[4][7] Barham left the band and later joinedPale Saints. Berenyi then took over on lead vocal.[4]
Anderson said of the band's beginnings, "We were kind of punk rock in one way. We did think, 'Well, if they can do it, why the fuck can't we?' Basically, our idea was to have extremely loud guitars with much weaker vocals. And, really, the vocals were weaker due to nervousness – we'd always be going 'Turn them down! Turn them down!'" Berenyi said, "We started by writing crappyriot grrrl anthems... which was probably charming in a juvenile way. But there was a very rapid shift from the minute we started to write for records. The music, the lyrics became much more thoughtful and expressive, more important, really. I remember that change beginning when Emma wrote Thoughtforms, it certainly made me think I needed to get my act together."[8]
In 1989, the band signed to4AD Records and released their first recording,Scar, a six-track mini-album. Critical praise forScar and a popular live show established Lush as one of the most written-about groups of the late 1980s/early 1990s UK indie scene. Anderson told Everett True inMelody Maker, "I remember when I couldn't play, I wasn't in a band, didn't know anyone else who could play, and now we've got a record out on 4AD. I sometimes find it impossible to come to terms with what's happening."[7]
Not long after, the British music press tagged them with the "shoegazing" label. The following year, theEPsMad Love (produced byRobin Guthrie ofCocteau Twins) andSweetness and Light (produced byTim Friese-Greene) were released.[9] All three releases were eventually combined into theGala compilation album, which was produced mainly for the US and Japanese markets. The band recorded a live session forJohn Peel'sBBC Radio 1 show in 1990 and contributed acover version of "Chirpy Chirpy Cheep Cheep" later that year to the anti-poll tax albumAlvin Lives (In Leeds).[4]
The band's profile was raised by extensive touring, including an appearance at theGlastonbury Festival in June 1990 and tours of Japan in late 1990 and the US (withRide) in the spring of 1991.[4][10] Preceded by theBlack Spring EP issued in October 1991, Lush's first full-length album of completely new material,Spooky, was released in January 1992. Again produced by Guthrie,Spooky featured a sound very similar to Guthrie's band Cocteau Twins, withwalls of sound and a great deal ofguitar effects. Reviews were mixed and critics of the album held that Guthrie's production brought the sound away from the band's original creative vision, although it sold well, reaching No. 7 in theUK Albums Chart.[4] The album was preceded by the band's firstUK top 40 single, "For Love",[4] which was partly re-recorded and remixed by Mark Freegard. He also produced the single's B-sides: the original recording of "Starlust",Wire cover "Outdoor Miner" and the only Lush track with lead vocals by Anderson, "Astronaut".Gil Norton remixed "Superblast!" for the Japanese single release.
Rippon left the band after recording the "For Love" EP to concentrate on writing, though his bookCold Turkey Sandwich — a fictionalised chronicle of his time touring — was rejected by publishers. He was replaced byPhil King.[8] During the summer of 1992, Lush toured America as part of the second edition of theLollapalooza festival.[4] Lush were added to the roster by Lollapalooza organiserPerry Farrell, theJane's Addiction/Porno for Pyros frontman, who personally requested Lush.[5]
Lush approachedBob Mould to produce their second album. The band stated that Mould was too busy to produce them, but Mould said in aSpin article that he backed out because "I kept picking the wrong girl's songs... I had to get out before I broke up the band!"[4] The band found completingSplit frustrating. It was recorded byMike Hedges atRockfield Studios in Wales. Then Hedges along with the band went to mix the recordings, first atAbbey Road Studios, and then at Hedges' studio in Domfront, France. However, neither the band norIvo Watts-Russell of their label4AD were satisfied with the sound; eventuallyAlan Moulder was hired to remix it.[11][12][13] Unusually, the band released two EPs from the album ("Hypocrite" and "Desire Lines") both on the same day (30 May 1994).[12] Neither single broke into the UK Top 40. Released on 13 June 1994,Split was less successful thanSpooky.[citation needed]
The band concentrated on the American market, on the advice of their management, but failed to make a breakthrough. A third EP from "Split", planned for release in the autumn of 1994, was to have featured "Lovelife" as the lead track along with a version of "The Childcatcher" recorded during the "Split" sessions; but the release was shelved by management. This first version of "The Childcatcher" was released three times: on theSecret Tracks 2 free cassette included in the May 1994 issue ofSelect magazine, on the 4AD compilationAll Virgos Are Mad and as part of the double 7" compilation EPFrom Greer to Eternity, issued onFierce Panda Records later that year. They suffered further setbacks when tours of Japan and the UK were cancelled.[4] They decided to break from their manager, Howard Gough, and begin work on a new album. However, the new management also prioritised achieving success in America.[14]
Lovelife, the band's fourth album, was released in March 1996. It was produced by Pete Bartlett, the band's live engineer.Lovelife represented a change in production, with less reliance on heavy guitar effects. It became the biggest seller of their career, possibly as it was more in step with the contemporaryBritpop style.[15]Lovelife included the hit singles "Single Girl", "Ladykillers" and "500 (Shake Baby Shake)", and also featured a guest appearance byJarvis Cocker ofPulp duetting with Berenyi on the song "Ciao!".[9]
Instead of capitalising on their success in the UK, the band's management sent them on an ill-conceived American tour with theGin Blossoms.[16][17] With the band members feeling pressured and tired, Anderson discussed leaving. She stated she could not make anotherLovelife but would rather make a smaller, more personal album. The other band members were amenable to this idea, with Berenyi, in particular, being keen to keep the band together.[14][18][17]
In September 1996, the band played their last performance, prior to reuniting, in Japan.[19] A month later, tragedy struck the band when drummer Acland died by hanging himself in his parents' garden on 17 October. The band effectively went on an extended hiatus, officially announcing their break-up on 23 February 1998.[4][5][14][17]
Berenyi went on to work as a production editor at two major magazine publishers.[18] In 1998, Anderson formed a new group,Sing-Sing, with singer Lisa O'Neill. Sing-Sing released two full-length albums, but in January 2008, announced they were disbanding. Anderson lived inHastings and has held various jobs in the music business in management, PR, accountancy and at a booking agency. King played bass forthe Jesus and Mary Chain and also worked forUncut magazine as a picture researcher.[20]
In September 2015, the music press suggested a reunion might be planned after Anderson posted a cryptic "7 day." message on social media and an official band website appeared.[21][22] On 28 September, Lush announced their reunion on theirFacebook page.[1] The reunited band consisted of Anderson, Berenyi and King with the addition ofJustin Welch (Elastica) on drums, an old friend of Chris Acland's.[1]
We wish it could have been sooner but, for many years, it was just too painful to contemplate without Chris, and then all kinds of life-changing commitments made it impossible. Now, at last, the three of us are in the right place at the right time to play music together again.[1]
To celebrate their return, 4AD released a limited red vinyl double LP of their compilationCiao! Best of Lush on 7 November 2015, followed on 11 December byChorus, a CD-only, 5-disc box set containing almost all of their released material along with a selection of rarities, radio sessions and demos.[23] ForRecord Store Day 2016, 4AD released a limited edition 5-LP colour vinyl box set titledOrigami, comprisingGala (clear vinyl),Spooky (silver vinyl),Split (red vinyl),Lovelife (pink vinyl) and the first vinyl release of the Canadian version ofTopolino (yellow vinyl), with revised artwork by Chris Bigg. The UK/European version was packaged in a white cardboard "pizza box" emblazoned with three different Lush logos from 1990, 1994 and 1996.
Lush also announced a show at theRoundhouse in London on 6 May 2016,[24] and later added a second date, 7 May 2016, after the first show sold out in six hours.[25] They alluded to further dates in North America,[26] confirmed on 19 January 2016 when their first North American tour in 20 years was announced.[27]
On 15 April 2016, the band announced the release of theBlind Spot EP, the band's first new material since 1996.[28] It was produced byJim Abbiss andLadytron memberDaniel Hunt. On 18 October 2016, the band announced the departure of bassist King on their official website. On 15 November 2016, Lush issued a statement announcing that Michael Conroy ofModern English would play bass for the final show at Manchester Academy, and confirming the band would split after the show.[29]
It's been a fantastic year for Lush. We received an incredible reception to ourBlind Spot EP and the three beautiful career-spanning 4AD releases, sold out two Roundhouse shows, toured North America with great success and had a ball at our European festival appearances. It's been wonderful to revisit our old music and to create new material. However, it is now time for us to return to our families and homes, and bring our time together as a band to a close. We offer heartfelt thanks to all our fans – this reunion would never have happened without your overwhelming support and dedication.[29]
In September 2018, the formation of a new band, Piroshka, was announced; a quartet composed of Berenyi, Welch, Conroy and formerMoose member K.J. "Moose" McKillop.[30] Their debut album,Brickbat, was released byBella Union on 15 February 2019.[31] A second album,Love Drips and Gathers, followed on 23 July 2021.
Lovelife was one of the albums jointly listened to by followers of#TimsTwitterListeningParty with accompanying written commentary in the form of tweets by Berenyi on 14 May 2020, during theCOVID-19 pandemic.[32]
On 29 September 2022, Berenyi's memoirFingers Crossed, which included her account of Lush's story, was published by Nine Eight Books.[33] Berenyi promoted the book with live author talks as well as a set of performances in 2023 under the name Miki Berenyi Trio opening forGang of Four.[34]
On 11 August 2023, 4AD released new vinyl pressings ofSpooky,Split andLovelife.[35]
On 20 October 2023, Anderson's debut solo albumPearlies was released bySonic Cathedral.[36]
On 4 April 2025, Miki Berenyi Trio released an album titledTripla through Bella Union.[37]
| Title | Album details | Peak chart positions | |||||
|---|---|---|---|---|---|---|---|
| UK [38] | UK Indie [39][40] | AUS [41] | NL [42] | SWE [43] | US [44] | ||
| Spooky |
| 7 | 13 | – | 68 | – | – |
| Split |
| 19 | 12 | – | – | – | 195 |
| Lovelife |
| 8 | 14 | 100 | – | 41 | 189 |
| Title | Album details | Peak chart positions | |||||
|---|---|---|---|---|---|---|---|
| UK [38] | UK Indie [39][40] | AUS [45] | NL [46] | SWE [47] | US [44] | ||
| Scar |
| – | 3 | – | – | – | – |
| Title | Album details |
|---|---|
| Gala |
|
| Cookie |
|
| Topolino |
|
| Ciao! Best of Lush |
|
| Chorus |
|
| Origami |
|
| Title | Details | Peak chart positions | Album | |
|---|---|---|---|---|
| UK [38] | US Alt. [44] | |||
| Mad Love |
| 55 | – | Non-album single |
| Sweetness and Light |
| 47 | 4 | Gala |
| "De-Luxe" |
| – | 14 | |
| Black Spring |
| – | – | Spooky |
| "Nothing Natural" |
| 43 | 22 | |
| "For Love" |
| 35 | 9 | |
| "Superblast!" |
| – | – | |
| "Hypocrite" |
| 52 | – | Split |
| "Desire Lines" |
| 63 | – | |
| "Single Girl" |
| 21 | – | Lovelife |
| "Ladykillers" |
| 22 | 18 | |
| "500 (Shake Baby Shake)" |
| 21 | – | |
| Blind Spot |
| –[b] | – | Non-album singles |
| Live at KCRW – Morning Becomes Eclectic |
| – | – | |
Non-album tracks:[48]
| International | |
|---|---|
| National | |
| Artists | |