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Lucas Samaras

From Wikipedia, the free encyclopedia
Greek-American artist (1936–2024)
Lucas Samaras
Λουκάς Σαμαράς
Self-portrait,Photo-Transformation, Polaroid SX-70 print, 1973,Getty Museum
Born(1936-09-14)September 14, 1936
DiedMarch 7, 2024(2024-03-07) (aged 87)
EducationRutgers University
Known forPhotography,sculpture,printmaking

Lucas Samaras (Greek:Λουκάς Σαμαράς; September 14, 1936 – March 7, 2024) was a Greek-born American photographer, sculptor, and painter.[1]

Early life and education

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Samaras was born inKastoria, Greece on September 14, 1936.[2] He studied atRutgers University and befriendedAllan Kaprow. Samaras participated as actor in Kaprow'sHappenings while studying acting withStella Adler.[3] Samaras posed forGeorge Segal's plaster sculptures.[4]Claes Oldenburg, in whoseHappenings he also participated, later referred to Samaras as one of the "Fluxus at Rutgers University" which also included Kaprow, Segal,George Brecht,Robert Whitman,Robert Watts,Geoffrey Hendricks, andRoy Lichtenstein.[citation needed]

Eventually Samaras found success as a visual artist and moved out of his parents' home after his 1961 exhibit “The Art of Assemblage” was shown in theMuseum of Modern Art. Samaras stayed in New York and his dismantled bedroom was reinstalled in theGreen Gallery. Samaras ever only hung his own art and that ofChuck Close in his New York apartment.[5]

Interior design

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Samaras constructed room environments that contained elements from his own personal history.[6]

Self-portraits

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His "Auto-Interviews" were a series of text works that were "self-investigatory" interviews.[7] The primary subject of his photographic work is his own self-image, generally distorted and mutilated. He worked withmulti-mediacollages, and by manipulating the wet dyes inPolaroid photographic film to create what he calls "Photo-Transformations". Of the diverse nature and output of his body of workNew York Times arts journalistGrace Glueck said in 1996 that "There appears to be not one Lucas Samaras, but several artists of that name”.[8]

Samaras was represented byPace Gallery from 1965.[9] He represented Greece at the53rd Venice Biennale in 2009 with the multi-installation "PARAXENA" in the Greek Pavilion in theGiardini.[10] Samaras' sculptureStiff Box 12 has been outside theUniversity of Michigan Museum of Art since 1997.[11] He was the subject of several portraits byChuck Close, in media including painting,daguerreotype, andtapestry.[12]

Samaras died of complications from a fall in New York City on March 7, 2024, at the age of 87.[13]

References

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Lucas Samaras in 1982
  1. ^"Lucas Samaras (American, born Greece, 1936) (Getty Museum)".The J. Paul Getty in Los Angeles. Retrieved2021-08-09.
  2. ^Samaras, Lucas, 1936
  3. ^M.H. Miller (20 February 2025)."Inside the Sky-High New York Apartment That Became an Artist's Entire World Photographs by Andrew Moore". NYTimes.
  4. ^Stiles, p. 290.
  5. ^M.H. Miller (20 February 2025)."Inside the Sky-High New York Apartment That Became an Artist's Entire World Photographs by Andrew Moore". NYTimes.
  6. ^Id.
  7. ^See Stiles, p. 349, for "Another Autointerview," 1971.
  8. ^"Lucas Samaras, Artist Whose Unclassifiable Works Evoked Strange Psychologies, Dies at 87". 7 March 2024.
  9. ^LUCAS SAMARAS: Filthy Artist, Not a Prince.032c, December 1, 2009.
  10. ^"Lucas Samaras at the 53rd International Art Exhibition la Biennale di Venezia / E-flux". Archived fromthe original on 2009-05-31. Retrieved2009-06-04.
  11. ^"Exchange: Stiff Box 12".exchange.umma.umich.edu. Retrieved2020-09-25.
  12. ^"Archived copy"(PDF). Archived fromthe original(PDF) on 2011-09-27. Retrieved2011-04-27.{{cite web}}: CS1 maint: archived copy as title (link) Stone, Nick. Chuck Close: Lucas (press release). Retrieved 4-27-2011.
  13. ^Kennedy, Randy (2024-03-07)."Lucas Samaras, Artist Who Was His Own Canvas, Dies at 87".The New York Times.ISSN 0362-4331. Retrieved2024-03-07.

General references

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  • Kristine Stiles and Peter Selz, editors.Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, 1996.
  • Jo Applin, '"Materialized Secrets": Samaras, Hesse and the Small Scale Box',Object, no. 4, 2002

Further reading

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  • Goysdotter, Moa (2013).Impure Vision: American Staged Art Photography of the 1970s. Lund: Nordic Academic Press.ISBN 9789187351006.

External links

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