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Loren Kruger

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South African academic
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Loren Kruger is aSouth African academic who taught at theUniversity of Chicago from 1986 to 2024 and has written extensively ontheatre,comparative literature, andurban studies.

Education

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Loren Kruger
CitizenshipSouth Africa/ United States
Websitehttps://english.uchicago.edu/people/loren-kruger

Loren Kruger obtained Bachelors degrees in English and mathematics from theUniversity of Cape Town, and she worked in a teaching role at theUniversity of Johannesburg in 1980. She received a PhD incomparative literature fromCornell University where she was a teaching assistant from 1981 to 1986. Kruger completed independent studies in Paris at the Institut d'études théâtrales ofSorbonne Nouvelle University and the Institut für Theaterwissenschaft at theFree University of Berlin.

Career

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Loren Kruger's studies have focused on literature, theatre, and performing arts in various languages includingAfrikaans,French,German,Spanish, andZulu. She joined theUniversity of Chicago in 1986. Before she departed in 2024, she held appointments in comparative literature, English, and theatre and performance studies, as well as affiliations in cinema and media studies, African studies and urban studies.[1] She was the editor ofTheatre Journal from 1996 to 1999 and contributing editor ofTheatre Research International in 2002 and 2003. She is an active member of theInternational Federation for Theatre Research and the International Brecht Society.

Awards:Post-Imperial Brecht: Politics and Performance, East and South (Cambridge University Press, 2004) won the Scaglione Prize for Comparative Literary Study awarded by theModern Language Association in 2005,[2]

"On the Tragedy of the Commoner," an article on adaptations of classicaltragedy byanti-apartheid andpost-apartheid South African stages, won the Philadelphia Constantinidis Prize from the Comparative Drama Association.[3][4]

Books

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Kruger's first book,The National Stage: Theatre and Cultural Legitimation in England, France, and America, was published by theUniversity of Chicago Press in 1992. It examines the role of theatre institutions in the creation of national publics, and describes national theaters in Central Europe that helped to facilitate the establishment of nation states.[5][6] In 2004,Cambridge University Press published her book,Post-Imperial Brecht: Politics and Performance, South and East, which discussesBertolt Brecht, links between theGlobal South and theSoviet empire, andCold War-era imperialism.[7] It won the Scaglione Prize for Comparative Literary Study from theModern Language Association.[8][9][10][11] In 2013, Kruger's book examining theapartheid history, turbulent culture, odd-shaped districts ofJohannesburg was published byOxford University Press,Imagining the Edgy City: Writing, Performing and Building Johannesburg. The termedgy city describes both the physical geography of speculative urban development and the nervousness of citizens amid urban turbulence.[12][13][14][15]

Kruger's books and articles on theatre in South Africa,The Drama of South Africa (1999), and the updatedCentury of South African Theatre (2019),[16][17][18] are considered the most historically comprehensive study of this topic.[19]

Translations

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  • Beyond theInternationale: Revolutionary Writing byEugene Pottier,[20] a selection of songs, speeches and On the Tragedy of the Commoner," by the author ofL'Internationale, also includes translations of adaptions ofL'Internationale, his most famous song, in languages from Afrikaans to Zulu, via German, Spanish, and Yiddish among others,
  • the translation and edition of German and English manuscripts of the autobiography ofLeontine Sagan, the director of the filmMädchen in Uniform.[21][22] published asLights and Shadows: the Autobiography of Leontine Sagan by Wits University Press in Johannesburg.
  • The Institutions of Art, essays by the literary historians Peter Bürger and Christa Bürger, translated from German and published by the University of Nebraska Press
  • Theatre and the Crossroads of Culture byPatrice Pavis, translated from French and published by Routledge Press.

Books

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Translations

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  • Pottier, Eugène (2024). Kruger, Loren (ed.).Beyond the Internationale: Revolutionary Writing. Translated by Kruger, Loren. Chicago: Charles H. Kerr.[20]
  • The Institutions of Art by Peter Bürger and Christa Bürger. Lincoln, NE: University of Nebraska Press, 1992
  • Theatre at the Crossroads of Culture by Patrice Pavis. London: Routledge, 1991
  • Lights and Shadows: the Autobiography ofLeontine Sagan. Edited from Sagan's English and German manuscripts with an introduction by Loren Kruger. Johannesburg: Wits University Press, 1996

References

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  1. ^"Loren Kruger | Department of English Language and Literature".english.uchicago.edu. Retrieved2024-07-22.
  2. ^MLA Prie Winners by year[1]
  3. ^ab"Aldo and Jeanne Scaglione Prize for Comparative Literary Studies..."Modern Language Association. Retrieved2024-07-22.
  4. ^"Conference Awards – 46th Comparative Drama Conference, April 4–6, 2024 Orlando, Florida". Retrieved2024-08-09.
  5. ^National Theatre in Northern and Eastern Europe. Cambridge University Press. 1991.
  6. ^Kruger, Loren (2008). Wilmer, S.E. (ed.).National Theatres in a Changing Europe: "The National Stage and the Nationalized House in Modern Europe. New York: Palgrave-Macmillan. pp. 34–48.ISBN 9780230521094.
  7. ^Horn, Peter. "Post-Imperial Brecht by Loren Kruger".Monatshefte.95 (2):312–313.
  8. ^abCole, Catherine M. (May 2006)."Post-Imperial Brecht: Politics and Performance, East and South".Theatre Survey.47 (1):121–123.doi:10.1017/S0040557406260095.ISSN 1475-4533.
  9. ^abTatlow, Antony (June 2005)."Post-imperial Brecht: Politics and Performance, East and South (review)".Modern Drama.48 (2):444–448.doi:10.1353/mdr.2005.0038.ISSN 1712-5286.
  10. ^abMüller-Schöll, Nikolaus (March 2006)."Post-Imperial Brecht. Politics and Performance, East and South. By Loren Kruger. Cambridge: Cambridge University Press, 2004. Pp. xiv + 399 + illus. £55; 39.95 Hb".Theatre Research International.31 (1):101–102.doi:10.1017/S0307883305211914.ISSN 1474-0672.
  11. ^abHorn, Peter (2006)."Post-Imperial Brecht: Politics and Performance, East and South by Loren Kruger".Monatshefte.98 (2):312–13.doi:10.3368/m.XCVIII.2.312.
  12. ^abSiegenthaler (2015)."On the Edge of Scrutinizing and Reproducing Urban Imaginations of Johannesburg".Research in African Literatures.46 (1): 179.doi:10.2979/reseafrilite.46.1.179.
  13. ^abFrench, Gervase (November 2014)."Bibliography of urban history 2014".Urban History.41 (4):732–780.doi:10.1017/S0963926814000455.ISSN 0963-9268.
  14. ^abWest-Pavlov, Russell (2014-11-02)."Imagining the Edgy City: Writing, Performing, and Building Johannesburg".Journal of Southern African Studies.40 (6):1372–1374.doi:10.1080/03057070.2014.967592.ISSN 0305-7070.
  15. ^abBlumberg, Marcia. 2014-12. Review ofImagining the Edgy City by Loren Kruger (Oxford University Press, 2013),Modern Drama 57 (4): 538–40
  16. ^abRavengai, Samuel (2021-11-02)."A century of South African theatre: by Loren Kruger, London, Bloomsbury Methuen Drama, pp. 273, 2020, Hardback".Critical Arts.35 (5–6):263–266.doi:10.1080/02560046.2021.1957963.ISSN 0256-0046.
  17. ^abHauptfleisch, Temple (2020-04-11)."A Century of South African Theatre".Critical Stages/Scènes critiques. Retrieved2024-07-22.
  18. ^abCima, Gibson (2021)."Loren Kruger: A Century of South African Theatre".Modern Drama.64 (1):117–119.doi:10.3138/md.64.1.br3 – via Project Muse.
  19. ^Ravengai, Samuel (2021). "A Century of South African Theatre by Loren Kruger".Critical Arts.35 (2):263–66.
  20. ^abBuhle, Paul (2024)."Recovering Eugène Pottier: The Internationale and its Communist Lyricist".Against the Current (232).
  21. ^Sagan, Leontime (1996). Kruger, Loren (ed.).Lights and Shadows: The Autobiography of Leontine Sagan. Johannesburg: Wits University Press. pp. vii–viii.ISBN 9781868142880.
  22. ^Sagan, Leontine (2010). Eckhardt, Michael (ed.).Leontine Sagan, Licht und Schatten. Schauspielerin und Regisseurin auf vier Kontinenten [Lights and Shadows: The Autobiography of Leontine Sagan – the title of the original English-language edition by Loren Kruger] (in German). Berlin: Hentrich & Hentrich.ISBN 978-3-941450-12-7.
  23. ^Koren-Deutsch, Ilona S.Theatre Journal 45, no. 3 (1993): 399–401.doi:10.2307/3208375.
  24. ^"Lewis on Kruger, 'The Drama of South Africa: Plays, Pageants and Publics Since 1910' | H-Net".networks.h-net.org. Retrieved2024-08-13.[2]
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