| Logan's Run | |
|---|---|
 Theatrical release poster by Charles Moll[1] | |
| Directed by | Michael Anderson |
| Screenplay by | David Zelag Goodman |
| Based on | Logan's Run 1967 novel byWilliam F. Nolan George Clayton Johnson |
| Produced by | Saul David |
| Starring | |
| Cinematography | Ernest Laszlo |
| Edited by | Bob Wyman |
| Music by | Jerry Goldsmith |
Production company | |
| Distributed by | United Artists |
Release date |
|
Running time | 119 minutes[2] |
| Country | United States |
| Language | English |
| Budget | $7–8 million[3][4] |
| Box office | $25 million (US)[3] |
Logan's Run is a 1976 Americanscience fictionaction film[5] directed byMichael Anderson and starringMichael York,Jenny Agutter,Richard Jordan,Roscoe Lee Browne,Farrah Fawcett, andPeter Ustinov. The screenplay byDavid Zelag Goodman is based on the 1967 novelLogan's Run byWilliam F. Nolan andGeorge Clayton Johnson. It depicts a future society, on the surface autopia, but soon revealed as adystopia in which the population and the consumption of resources are maintained in equilibrium by killing everyone who reaches the age of 30. The story follows the actions of Logan 5, a "Sandman" who has terminated others who have attempted to escape death and is now faced with termination himself.
Produced byMetro-Goldwyn-Mayer, the film uses only the novel's two basic premises: that everyone must die at a set age, and that Logan and his companion Jessica attempt to escape while being chased by another Sandman named Francis. After aborted attempts to adapt the novel, story changes were made, including raising the age of "last day" from 21 to 30 and introducing the idea of "Carrousel" [sic] for eliminating 30-year-olds. Its filming was marked by special-effects challenges in depicting Carrousel and innovative use ofholograms and wide-angle lenses.
The film won aSpecial Academy Award for its visual effects and sixSaturn Awards, includingBest Science Fiction Film. Aspin-off TV series aired in 1977–1978 onCBS for 14 episodes.
In theyear of the city 2274, the remnants of human civilization live in a sealed city beneath a cluster ofgeodesic domes, a utopia run by computer. The citizens live ahedonistic lifestyle, but when they turn 30 must enter the "Carrousel", a public ritual that destroys their bodies, under the pretense they would be "Renewed" or reborn. Each person has embedded in their hand a "life-clock" crystal that changes color as they age, up to their "Last Day". Residents who attempt to flee the city are known as "Runners", and the team of huntsmen known as "Sandmen" are tasked to pursue and terminate them.
Sandmen Logan 5 and Francis 7 attend a Carrousel ceremony until they are called to terminate a nearby Runner. Logan finds a pendant symbol among the Runner's possessions. That evening, Logan meets with Jessica 6, a young woman wearing the same symbol.
Logan learns from the computer that the symbol is anankh and related to a place called "Sanctuary", which the Runners appear to be seeking. There are 1,056 Runners not accounted for. The computer orders Logan to find the Sanctuary and destroy it, but must keep this mission secret from the other Sandmen. The computer changes the color of Logan's crystal to flashing red, essentially cutting his life span by four years and close to Last Day, but it does not respond when Logan questions whether he would get his years restored afterward.
Logan tells Jessica he intends to be a Runner. In the Cathedral Plaza area, after they confront some hostile youths, Logan tries to help an escaping woman Runner there, but she is killed by Francis, who now considers Logan an enemy. After unsuccessfully trying facialcosmetic surgery, and evading Francis in asex club, Logan and Jessica meet the underground group, who direct them towards the city gate. Near the surface, they encounter and defeat Box, a robot who was originally designed to capture and freeze marine life for city food, but has since frozen any Runners who have made it that far.
Logan and Jessica escape the city, discovering that out of the computer's influence their crystals are now clear-colored. They enter the abandoned overgrown city that was onceWashington, D.C. In the ruins of theUnited States Senate chamber, they encounter an elderly man living with many cats. The man shares what he knows about his life, including that he had biological parents. Logan realizes that Sanctuary does not physically exist, only the idea and concept to give people hope exists.
Francis has followed them; he and Logan fight until Francis is mortally wounded. Logan, Jessica and the old man head back to the dome city, but the old man stays outside, while the two re-enter through the underwater tunnels. They shout at the people to stop entering the Carrousel but no one listens to them, and the two are subsequently captured. The computer overloads after scanning Logan's brain multiple times and only getting the message "there is no Sanctuary". Logan is freed and shoots the computer; the whole facility self-destructs and falls violently, causing everyone to panic and flee. Once outside, the people gather round anartificial waterfall pool and meet the old man.
Lara Lindsay played the woman runner and was the uncredited voice of the city computer.[6]Gary Morgan played Billy, the leader of a group of kids called the Cubs.[7] Michelle Stacy played Mary 2, the little girl in the Cubs.[7]
MGM's early attempts to adapt the book led todevelopment hell.[8] ProducerGeorge Pal's attempt was troubled in 1969 by competing views of what the film's story should be, including the possibility of incorporating symbolism of real-life issues, in comparison to screenwriterRichard Maibaum's vision.[9]
Rewriting Maibaum's screenplay would have taken between two and three months, and the budget would have had to have been reassessed. Pal became concerned the delays would cause the film to miss the wave of success science fiction was enjoying with2001: A Space Odyssey andPlanet of the Apes in 1968.[9]
American International Pictures offered to buy Pal's projects, includingLogan's Run, for $200,000, but MGM declined, only willing to accept a minimum of $350,000.[8] Pal left the project to produceDoc Savage: The Man of Bronze (1975) forWarner Bros.
Saul David assumed responsibility in 1974, withSoylent Green author Stanley R. Greenberg assigned to write. Greenberg devised the idea of Carrousel, but afterwards dropped off the project.[8]David Zelag Goodman wrote a nearly completely new screenplay, raising the age of death from 21 to 30 to allow for more actors to be considered for casting.[8]
York, Agutter, andWilliam Devane were cast in the lead roles, with Devane announced to play an "elite" Sandman in May 1975.[10] Devane withdrew from the project and replacedRoy Thinnes inAlfred Hitchcock's 1976 filmFamily Plot.[11]
Stepping in for Devane wasRichard Jordan, best known for his performances inLawman (1971),Chato's Land (1972),Rooster Cogburn (1975) and the 1976 TV mini-seriesCaptains and the Kings. York had previously appeared inCabaret (1972),The Three Musketeers (1973) andMurder on the Orient Express (1974), while Agutter was best known forThe Railway Children (1970) andWalkabout (1971).[12] York and Agutter were 33 and 23 respectively, casting made justifiable by Goodman raising the age of death to 30.[8]
In September 1975, it was announcedPeter Ustinov would play "the last man alive in Washington, D.C." in the film.[13]Farrah Fawcett has a small role, but her rising celebrity in television earned her a prominent credit (as Farrah Fawcett-Majors).[14]
Special effects artistsL. B. Abbott andGlen Robinson regarded Carrousel as the most difficult part of the film to portray, requiring hidden wires to depict the levitation.[15] For the scene in which Logan is interrogated by the Deep Sleep central computer, it was decided that genuineholograms would be the most convincing and Saul David said that a new hologram effect should be created.[15] The robot character Box was portrayed by placing actorRoscoe Lee Browne in a robot costume.[16]Rainbow tape had just been invented and was used on the models for the city scenes. It gave a futuristic effect.
The filmmakers also made use of wide-angle lenses not generally available.[15] It became the first film to useDolby Stereo on70 mm prints.[17] Nine entiresound stages were used at MGM inCulver City, California, hosting a miniature city among the largest of its kind built to date.[18]
Producers saved $3 million by finding readily available locations in numerous Dallas buildings, including the Apparel Mart atDallas Market Center (The Great Hall), Oz Restaurant and Nightclub (The Love Shop) and Pegasus Place (Sandman headquarters), theFort Worth Water Gardens, and theHyatt Regency Hotel in Houston.[15] The Sewage Disposal Plant inEl Segundo, California was used for the underground escape sequences.[19]
Post-production took eight months, including completion of thescore.[20] The score was composed and conducted byJerry Goldsmith, with orchestrations by Arthur Morton. The score "adheres to two distinct sound palettes: strings, keyboards and abstract electronics only for cues inside the City and full orchestra for outside".[21] The first release of portions of the score was on LP released in 1976 by MGM Records.[22] The complete expanded and newly remixed score was issued on CD in January 2002 byFilm Score Monthly.[22]
The film was previewed for test audiences prior to its release. A few sequences were edited or shortened as a result. These included a longer sequence in the ice cave, where Box asked Logan and Jessica to pose for his ice sculpture. This was cut due to extensive nudity so that the film could receive a PG rating (PG-13 did not exist yet) and for length.[23] Other scenes were removed, including a sequence where Francis hunts down a runner by himself at the beginning of the film. Other sequences were trimmed to include a "... knock-down, drag-out fight" scene between Jessica and Holly 13.[24] Some of these scenes are featured as extras in the 1998 DVD release. Other scenes survive in the shooting script, but the footage appears lost.[12] At the end of the process, the budget had escalated from the projected $3 million to $9 million, an expensive film for 1976[20] (equivalent to $49.7 million now).[25] It was noted for being the most expensive MGM film made in 10 years, with most of the budget going to the sets.[26]
Logan's Run exploresutopian anddystopian themes, with the idea that characters willingly die instead of reaching advanced ages, reflecting the idea that "utopias require its participants to give something up in order to create harmony and uniformity".[27] Common dystopian themes include an evil ruling authority, the confiscation of children from parents,[28] life in a city, and the idea ofhuman overpopulation, in this case, causing the protagonists to leave the urban environment.[29]
Prominent concepts in the film are "the dangers ofhedonism, youth worship, and, particularly, the dangers of government-sponsoredeuthanasia".[30] The hedonism is primarily conveyed in the form of sensuality and "images of sexual abandon".[31] Aside from sexual freedom, the pursuit of pleasure is also reflected in how this was envisioned in the 1970s, includingminiskirts, little career, relaxed gyms, andFarrah Fawcett's "shag" haircut.[32] Author Barna William Donovan argues this serves to criticize many social developments underway in the 1970s, targeting the "Me generation".[33] Writer Robert Tinnell hypothesizes the design of the city, reminiscent of a shopping mall, is also suggestive of "anticonsumerist sentiment".[30] The film may ultimately serve as a warning against overthrowing older generations, aimed at young viewers following the counterculture movements in the 1960s.[31]
Another interpretation is thatindividualism, the "freedom tolive andbe", is curbed by "social mechanisms" telling citizens to have a good life for only a limited time.[34] Logan, originally part of an "artificial society" centered on "pleasure and spectacle", becomes "re-individualised" and defies a "conformist system".[35] Despite the reflections of the 1970s, Donovan argues the film may also have relevance to the Internet age, with elements evocative of online dating.[33]
Writers have also examined the film's statements ongender and race. At one point in the film, Logan asks Jessica whether she prefers women after she expresses no romantic interest in him. His casual, non-judgmental tone indicateshomosexuality is no longer taboo in the film's futuristic society, a possible side-effect of sex no longer being related to childbearing.[36] Ultimately, author Bonnie Noonan believes the idea of returning to the concept of "beloved wife" is a sign that, in the story, women's liberation, and not technology, is at the root of the dystopia.[37]
Martin Kevorkian (Professor of English at the University of Texas at Austin) argued that Box, the character voiced by African-American actorRoscoe Lee Browne, could serve as a precursor toDarth Vader, voiced by African-American actorJames Earl Jones inStar Wars (1977), in "racializing cyberphobic primers available toGeneration X".[16]
In its first five days in theatres in 1976,Logan's Run grossed $2.5 million, a substantial sum at the time[38] (equivalent to $13.8 million now).[25] The film finished its run with a gross of $25 million in North America (equivalent to $138 million now),[25] and a solid performance in other territories.[20]
The film is credited with helping MGM recover from debt[20] and was a hit with young audiences in particular.[38]
The film received a generally mixed response.[20][23]Roger Ebert gave the film a three-star rating, calling the film a "vast, silly extravaganza", with a plot that's a "cross betweenArthur C. Clarke'sThe City and the Stars and elements ofPlanet of the Apes" and "that delivers a certain amount of fun".[39]Variety staff called the film "rewarding" in its escapism and intelligence.[40]
Vincent Canby ofThe New York Times was less positive:[23]
Just why and for what particular purpose Logan makes his run is anything but clear after you've sat through nearly two hours of this stuff.Logan's Run is less interested in logic than in gadgets and spectacle, but these are sometimes jazzily effective and even poetic. Had more attention been paid to the screenplay, the movie might have been a stunner.[41]
Gene Siskel of theChicago Tribune gave the film zero stars out of four, calling it "unquestionably the worst major motion picture I've seen this year". He described the technological gadgets as "lackluster" and the script "loaded with stupidities that had a preview audience laughing in derision". What he found "most contemptible is the way the film never justifies any of its characters' behavior. Jessica's subversive group doesn't do anything except hide in what looks like a boiler room. The main story of Logan's flight consists of a simple fistfight". He concluded, "Logan's Run is an artistic con job from beginning to end".[42]
New York was also negative, writing that the film was "yet another of those tiresome world-after-the-holocaust bits" and "hardly a hop for your money". However, the review complimented York and Agutter as "gifted".[43]
Charles Champlin of theLos Angeles Times was mixed, writing that "its visual razzle-dazzle ... propelsLogan's Run past some foolish concocting, indifferent acting, slow pacing and uncertain toning".[44]
In 2000, Ian Nathan wrote inEmpire that the film "can't escape its '70s origins", but contains "warnings about decadence, ageism, and allowing technology and science to run riot, done to a disco groove".[45] In his2015 Movie Guide,Leonard Maltin gave the film two stars, finding the first half "dazzling" and the second "dreary".[46] In 2015,Rolling Stone named it 27th among the 50 Best Sci-Fi Movies of the 1970s.[47] The film has a 58% approval rating onRotten Tomatoes, based on 36 reviews. The site's consensus reads: "Logan's Run overcomes its campier elements and undercooked plot with a bounty of rousing ideas and dashing sci-fi adventure".[48] OnMetacritic it has a score of 53% based on reviews from 9 critics, indicating "mixed or average" reviews.[49]
Inverse writer Ryan Britt argued in 2023 that the film is superior to the novel, which he notes won no awards and is not highly regarded by science fiction enthusiasts. He granted that the story's premise, which he attributes to speculation as to what the world might become if the youth of the late 1960s did, in fact, run it, "hasn't aged well". But the film streamlines the plot by limiting Logan's and Jessica's odyssey across North America and eliminating entirely their ultimate escape to Sanctuary, in orbit around Mars, in favor of their return to the city, where they tell everyone they can live past 30 and begin the process of reforming their society. "For this reason alone,Logan's Run will live on as a movie rather than a book", Britt concludes. "In writing the screenplay, what David Zelag Goodman understood was something Johnson and Nolan overlooked ... At some point, [the story] can't just be about running away."[50]
At theAcademy Awards, the film won aSpecial Academy Award for visual effects, tied with the 1976 remake ofKing Kong, indicating thatLogan's Run made its mark in visual and special effects for which few previous science fiction films had a sufficient budget.[51]Logan's Run was very popular at theSaturn Awards, winning the six awards, includingBest Science Fiction Film.[52] The film was also in competition for the Golden Prize at the10th Moscow International Film Festival.[53]
| Award | Date of ceremony | Category | Recipients | Result | Ref. |
|---|---|---|---|---|---|
| Academy Awards | March 28, 1977 | Best Art Direction | Dale Hennesy andRobert De Vestel | Nominated | [54] |
| Best Cinematography | Ernest Laszlo | Nominated | |||
| Special Achievement | L. B. Abbott,Glen Robinson andMatthew Yuricich | Won | |||
| Hugo Awards | September 2 – 5, 1977 | Best Dramatic Presentation | Michael Anderson | Nominated | [55] |
| Nebula Awards | April 30, 1977 | Best Script | David Zelag Goodman | Nominated | [56] |
| Saturn Award | January 15, 1977 | Best Science Fiction Film | Logan's Run | Won | [52][57] |
| Best Cinematography | Ernest Laszlo | Won | |||
| Best Art Direction | Dale Hennesy | Won | |||
| Best Set Decoration | Robert De Vestel | Won | |||
| Best Costumes | Bill Thomas | Won | |||
| Best Make-up | William J. Tuttle | Won |
Inspired by the film's success with young viewers,CBS andMGM Television paid Nolan $9 million to base a television series on the film. The resulting series,Logan's Run, starringGregory Harrison andHeather Menzies, began with Logan and Jessica escaping the domed city, then showed them encountering various obstacles in their quest to find Sanctuary. The series debuted in September 1977, and ran for 14 episodes before being cancelled.[58] MGM had also expressed interest in adapting Nolan's sequel novelLogan's World, but Saul David had opted to focus on the television series instead.[59]
Marvel Comics published a short-livedcomic book series in 1977, withGeorge Pérez drawing five issues between January and May 1977, with "acceptable" sales.[60] The comics adapted the film's story in five issues and briefly continued beyond but was ended when Marvel realized they only had the rights to adapt the movie and not to continue beyond. In his art, Pérez sought to follow the art direction of the film.[61] The book was cancelled after issue #7 in July 1977 on a cliffhanger.[62]
A possible remake of the film, or second adaptation of the novel, has beenunder development since the mid-1990s by producerJoel Silver andWarner Bros., which owns the filming rights.[63] Directors who have been attached to the remake since then includeSkip Woods,[64]Bryan Singer,[65]Joseph Kosinski,[66]Carl Erik Rinsch,[67]Nicolas Winding Refn[68] andSimon Kinberg.[69] Screenwriters attached to the film, who in some cases wrote a screenplay, includeEthan Gross and Paul Todisco,[65]Dan Harris,[70]Christopher McQuarrie,[71]Alex Garland,[67] Andrew Baldwin,[68]Ken Levine[72] andPeter Craig.[69] Various directors have stated that they wished to make a film adaptation that was closer to the novel than the original film had been; conversely, in 2015 the idea was floated to give the remake a female lead, based on the success of the female-driven dystopianHunger Games andDivergent film series.[73] In 2021, the blogGizmodo speculated that the remake project was dead for the foreseeable future, after Silver, who had spearheaded the project throughout, resigned from his own production company in 2019.[74]
In 2000,Roger Joseph Manning Jr. andBrian Reitzell released anelectronica album calledLogan's Sanctuary, conceived as the soundtrack for an imagined sequel toLogan's Run.[75][76]
Notes
The movie this time was Saul David's "Logan's Run", an immensely ambitious and expensive ($8 million) epic set 300 years from now
Utopias require its participants to give something up in order to create harmony and uniformity ... in Logan's Run they gave up old age ...
Bibliography
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