Liz Phair | |
|---|---|
 Phair performing live in 2018 | |
| Background information | |
| Also known as | Girly-Sound |
| Born | Elizabeth Clark Phair (1967-04-17)April 17, 1967 (age 58) New Haven, Connecticut, U.S. |
| Origin | Chicago, Illinois, U.S. |
| Genres | |
| Occupations |
|
| Instruments |
|
| Years active | 1990–present |
| Labels | |
Elizabeth Clark Phair (born April 17, 1967) is an American singer-songwriter and musician.[1] Born inNew Haven, Connecticut, Phair was raised primarily in theChicago area. After graduating fromOberlin College in 1990, she attempted to start a musical career inSan Francisco; however, she returned to her home in Chicago, where she began self-releasing audio cassettes under the nameGirly-Sound.[2] The tapes led to a recording contract with the independent record labelMatador Records.
Phair's 1993 debut studio album,Exile in Guyville, was released to acclaim; it has been ranked byRolling Stone as one of the500 Greatest Albums of All Time. Phair followed this with her second album,Whip-Smart (1994), which earned her aGrammy Award nomination for Best Female Rock Vocal Performance, andWhitechocolatespaceegg (1998). Ten years after the release of her debut, Phair's fourth album,Liz Phair (2003), released onCapitol Records, moved towardspop rock, earning her a mainstream audience but alienating critics; the single "Why Can't I?" peaked at number 32 on theBillboard Hot 100.[3]
After the release of her fifth album,Somebody's Miracle (2005), Phair left Capitol and released her sixth albumFunstyle independently in 2010. In 2018, it was announced that Matador Records would be releasing a retrospective set for Phair's debut albumExile in Guyville, which includes remastered recordings from her original Girly Sound demo tapes. Phair released her seventh studio album,Soberish, in 2021. As of 2011, Phair had sold over three million records worldwide.[4]
Phair was born inNew Haven, Connecticut,[5] on April 17, 1967.[6] She wasadopted at birth by Nancy, a historian andmuseologist,[7] and John Phair, later anAIDS researcher and head of infectious diseases atNorthwestern Memorial Hospital;[8] her mother later worked as aprofessor at theArt Institute of Chicago.[9][10] She has one older brother, also adopted.[11] On being adopted, Phair has said: "My parents were very responsible ... They were perfect about it ... I've never tried to find [my biological] parents. My friend who was adopted from the same home requested information and got back a four-page letter about her (the friend's) mother's life. She said it was jaw-dropping."[11] Phair was raised as a Christian.[12]
Phair spent her early life inCincinnati until age nine, when her family relocated to theChicago suburb ofWinnetka, Illinois.[13] She graduated fromNew Trier High School in 1985. During high school, Phair was involved in student government,yearbook, and thecross country team, and tookAP Studio Art her senior year, among other advanced-level classes.[14] She attendedOberlin College inOberlin,Ohio, where she graduated in 1990 with aB.A. in art history.[15][7]
Phair's entry into the music industry began when she met guitaristChris Brokaw, a member of the bandCome. Brokaw was dating one of Phair's friends, and stayed at their loft inSoMa one weekend. After living inSan Francisco for a year, Phair went broke and returned toIllinois, moving back in to her family's home.[16] There, she began writing lyrics and playing guitar, recording songs on afour-track tape recorder in her bedroom.[16] She used the nameGirly-Sound on these recordings.[17] She became part of the alternative music scene in Chicago and became friends withMaterial Issue andUrge Overkill, two of Chicago's upstart bands to go national in the early 1990s, as well asBrad Wood and John Henderson, head of Feel Good All Over, an independent label in Chicago.[5]
After asking Wood what the "coolest" indie label was, Phair called upGerard Cosloy, co-president ofMatador Records, in 1992 and she asked him if he would put out her record. Coincidentally, Cosloy had just read a review of Girly Sound inChemical Imbalance that very day and told Phair to send him a tape. Phair sent him a tape of six Girly Sound songs. Cosloy recalls: "The songs were amazing. It was a fairly primitive recording, especially compared to the resulting album. The songs were really smart, really funny, and really harrowing, sometimes all at the same time. ... I liked it a lot and played it for everybody else. We usually don't sign people we haven't met, or heard other records by, or seen as performers. But I had a hunch, and I called her back and said O.K."
Cosloy offered a $3,000 advance, and Phair began working on a single, which turned into the 18 songs ofExile in Guyville.
Exile in Guyville was produced by Phair and Brad Wood, and released in 1993.[17] The album received uniformly excellent reviews. The album received significant critical acclaim for its blunt, honest lyrics and for the music itself, a hybrid ofindie rock andlo-fi, and established Phair's penchant for exploring sexually explicit lyrics. By contrast, her trademark low,vibrato-less monotone voice[18] gave many of her songs a slightly detached, almost deadpan character.
The release of Phair's second album received substantial media attention and an advertising blitz.Whip-Smart debuted at No. 27 in 1994 and "Supernova," the first single, became a Top 10 modern rock hit, and the video was frequently featured onMTV. Phair also landed the cover ofRolling Stone with the headline "A Rock Star Is Born." The album received positive reviews, although not as acclaimed as the debut, but was certifiedGold (shipments of at least 500,000 units). It ultimately did not sell as well as expected, as it was hoped the album would introduce Phair to a wider, more mainstream audience. FollowingWhip-Smart, Phair releasedJuvenilia, a collection of some early Girly Sound tracks and several B-sides, including her cover of the 1980 song byThe Vapors, "Turning Japanese."
In 1994, Phair made several live television and radio appearances in an effort to promoteExile in Guyville andWhip-Smart; she appeared onLate Show With David Letterman performing "Never Said" and "Supernova", and onThe Tonight Show with Jay Leno performing an acoustic version of "Whip-Smart". She also performed "Alice Springs" live onGood Morning America.
She also appeared on the MTV alternative rock show120 Minutes performing "Never Said", "6'1", "Cinco de Mayo" and "Supernova" live at various times during 1994 and early 1995.
Phair's third album,Whitechocolatespaceegg, was released in 1998 after some delays, which included a disagreement about content; at one point, Matador rejected the album as submitted, and asked Phair to write a few additional radio-friendly songs for the set.[19] The album displayed a more mature Phair, and reflected some of the ways marriage and motherhood affected her. While the single "Polyester Bride" received some airplay, and the album received many positive reviews, it was no more successful commercially than her previous records. To promote the record, Phair joinedLilith Fair. Phair performed on the main stage along with acts likeSarah McLachlan,Emmylou Harris,Sheryl Crow andMissy Elliott. She also opened forAlanis Morissette on her 1999Junkie Tour.[20]
Phair portrayed the role of office manager Brynn Allen oppositeRobin Tunney in the 2002 filmCherish.[21][22]
Phair provided backing vocals on the 2003Sheryl Crow single "Soak Up the Sun".[23] In 2003, Phair released herself-titled fourth album on her new label,Capitol Records. It departed from Phair's earlierlo-fi sound for more polished pop production and songwriting.[24] Phair said she wanted to earn more money from her work,[25] and hiredthe Matrix, who had produced songs by pop acts includingAvril Lavigne, to create some songs, including the singles "Extraordinary" and "Why Can't I?"[26]Liz Phair debuted at No. 27 on theBillboard 200. "Why Can't I?" entered theAdult Top 40 andHot Adult Contemporary charts, and its music video placed Phair in heavy rotation onVH1 for the first time. It received mixed reviews, including negative reviews from theNew York Times andPitchfork, who accused Phair ofselling out and mimicking younger artists.[27][28] In 2019, thePitchfork critic Matt LeMay apologized for his review, saying he had failed to appreciate Phair's willingness to "try on different masks".[29]
Somebody's Miracle, Phair's fifth album and final with Capitol Records, was released in 2005. It returned to a rock sound.[30] The album received mixed reviews, with Amy Phillips ofPitchfork writing: "Now this is a terrible Liz Phair record.Somebody's Miracle is mostly generic pap that any number of next-big-has-beens could have cranked out, a useless piece of plastic poking a pointy heel in the eye of the carcass of the artist Liz once was."[31] Phillips also suggested it was worse than her largely critically derided previous album.[31] A review published byMSNBC found the album "less blatantly commercial [than her previous], but still smooth, reflecting her increasing shift toward a clearer sound".[32]
In 2006, she performed one her songs at the end of an episode of TV seriesCharmed (season 8, episode 8).
Phair signed withDave Matthews' labelATO Records in early 2008 and re-releasedExile in Guyville on June 24, 2008,[33] on CD, vinyl, and in digital format, featuring three songs from the original recording sessions, "Ant in Alaska," "Say You," and an untitled instrumental, and also a documentary DVD, "Guyville Redux." "[34]
In May 2009, Phair released a new song, "Faith and Tenderness," sold exclusively atBanana Republic on a compilation disc featuring other artists.[35] Also in 2009, Phair began working as a television composer, following an invitation by her childhood friendMike Kelley to score the show he was creating for CBS,Swingtown, given it was based on the life in their hometown. For the task, Phair decided to bring in Doc Dauer, producer of a children's album about bodily functions,The Body Rocks, where Phair performed after being brought in byPete Yorn, and Dauer's creative partnerEvan Frankfort.[36] She followed it by creating the theme song forNBC'sThe Weber Show, and working for the CW'sThe 100, the USA Network showIn Plain Sight and the CW reboot of90210, for which she won the 2009 ASCAP award for Top Television Composer.[37]
On July 3, 2010, Phair's official website announced a surprise link to download her new albumFunstyle, which she released independently after parting ways with Capitol Records and ATO.[38] The song "Bollywood" was available to stream from the site for a limited time, before Phair took it down.
A note from Phair to her fans posted on her official website explained why the songs were problematic:
How To Like It.
You were never supposed to hear these songs. These songs lost me my management, my record deal and a lot of nights of sleep.
Yes, I rapped one of them. Im as surprised as you are. But here is the thing you need to know about these songs and the ones coming next: These are all me. Love them, or hate them, but dont mistake them for anything other than an entirely personal, un-tethered-from-the-machine, free for all view of the world, refracted through my own crazy lens.
This is my journey. Ill keep sending you postcards.
— Liz
Phair revealed in an interview with theWall Street Journal that the falling out with her record label, ATO, occurred after a change in management. She explained, "The people who were still there didn't like, or didn't know what to do with, the music I was making, so we just stalled out and I asked to leave."[39]
Phair went on tour to promote the album, playing many songs fromGuyville andWhip-Smart, along with songs from the rest of her repertoire. The Funstyle Tour ran from October 2010 to March 2011. The tour's last show took place at theSXSW festival in Austin, Texas.
In 2012, she co-wrote and performed the song "Dotted Line" withA. R. Rahman for the filmPeople Like Us. "The song 'Dotted Line' I wrote with A. R. Rahman forAlex Kurtzman's film 'Welcome To People'," she said in an interview. "Both amazing. 'Welcome To People' is a truly powerful film. Very proud of being part of it."[40]
The dystopian holiday song "Ho Ho Ho" was released by Phair in late 2014.[41] In 2014, Capitol released a greatest hits compilation of Phair's work entitledIcon.
In spring of 2016, Phair performed as the opening act forThe Smashing Pumpkins on theirIn Plainsong tour.[42]
In late 2015 and mid-2016, Phair stated on her Twitter that she intended to release two albums by the end of 2016.[43][44] It was confirmed via Twitter that Phair was working on a double album, produced by fellow singer-songwriterRyan Adams in his PAX-AM recording studio.[45] Phair's project with Adams did not proceed. When multiple women publicly disclosed accusations of abuse against Adams in 2019, a Twitter user asked Phair for a comment about Adams, to which she replied, "My experience was nowhere near as personally involving, but yes the record ended and the similarities are upsetting."[46]
In 2018, it was announced that Phair's former label, Matador, would be releasing a 25th-anniversary retrospective set for her debut album,Exile in Guyville. The set, titledGirly Sound to Guyville, included remasters of Phair's 1991 demo tapes recorded under the monikerGirly-Sound from the original sources, and was released May 4, 2018.[47] In support of this retrospective, Phair embarked on two North American tours — theGirly Sound to Guyville Tour and theAmps on the Lawn Tour. Phair continued to tour through the summer of 2019.
In April 2019, Phair announced onInstagram that she had been working on new studio material withBrad Wood, who producedExile in Guyville,Whip-Smart, and parts ofwhitechocolatespaceegg.[48] On October 8, 2019, Phair shared "Good Side," a song from these sessions. Her seventh album,Soberish, with Wood as producer, was later announced for release in 2021.[49]
In April 2020, the release of a cover version of "Hanging on the Telephone" by Phair with former friend and collaboratorJim Ellison ofMaterial Issue was announced. Recorded before Ellison's death in 1996, the song, originally released byThe Nerves in 1976 and also covered byBlondie, was to be released along with a documentary entitledOut of Time: The Material Issue Story. Phair and Ellison previously teamed in the 1990s on covers of "Turning Japanese" and "The Tra La La Song (One Banana, Two Banana)".[50]
In February 2021, Phair announced she had signed a contract with newly re-formedChrysalis Records to issue her albumSoberish later in the year.[51] The album was released that June, produced by Brad Wood. It garnered some of Phair's strongest reviews sinceGuyville.Pitchfork called the album "a solid, sharply written record of sturdy, enjoyable songs that gradually unfold to reveal new depths of feeling."[52] InRolling Stone, Jon Dolan wrote thatSoberish "brings to mind the glory ofGuyville and its 1994 follow-up,Whip-Smart, without feeling at all like self-conscious recapitulation."[53] A review by El Hunt in theNME stated that "Soberish serves as a reminder of Liz Phair's brilliance after years of underestimation. Far from simply drawing on her most critically acclaimed albums, it draws on the whole lot, and finds newness within."[54]
Phair was due to tour later in 2021 as part ofAlanis Morissette's rescheduled 2020 tour, but canceled for undisclosed reasons. She did end up touring in the fall of 2023 for the 30th anniversary ofExile in Guyville, where she would perform the album in its entirety alongside several other fan favorites.
In August 2024, Phair officially announced a publishing deal withWarner Chappell Music.[55]
In 1994, Phair began dating film editor Jim Staskauskas.[56][57] The couple married on March 11, 1995;[58] their son James Nicholas Staskauskas was born on December 21, 1996.[59]
In 2001, Phair and Staskauskas divorced,[47] after which Phair sold her home in Chicago'sLincoln Park neighborhood and relocated toLos Angeles, California.[60] As of 2018, Phair resides inManhattan Beach, California.[47]
She identifies as a feminist,[61] andExile in Guyville has been said to capture "the voice ofthird-wave feminism."[62]
An April 2018 profile byBillboard revealed that Phair had signed a two-book publishing deal withRandom House.[47]Horror Stories, the first of two planned memoirs, saw release on October 8, 2019.[63][64] Reviews ofHorror Stories were generally favorable with several reviewers noting Phair's skills as a writer and her stark honesty in the book.[65][66][67]
Her second memoir will be calledFairy Tales.[68][69]
| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 1993 | Spin's Readers' Poll Awards | Album of the Year | Exile in Guyville | Won |
| 1995 | Grammy Awards | Best Female Rock Vocal Performance | "Supernova" | Nominated |
| 1996 | "Don't Have Time" | Nominated | ||
| 1999 | Online Music Awards | Best Alternative Fansite[70] | — | Nominated |
| 2003 | BDSCertified Spin Awards | 100,000 Spins[71] | "Why Can't I?" | Won |
| 2004 | Groovevolt Music and Fashion Awards | Best Rock Album - Female[72] | Liz Phair | Nominated |
| 2005 | BMI Pop Awards | Most Performed Work | "Why Can't I?" | Won |
| ASCAP Pop Music Awards | Won | |||
| 2009 | Top Television Composer | "90210" | Won | |
| 2014 | "Super Fun Night" | Won | ||
| 2018 | Rober Awards Music Poll | Best Reissue | Girly-Sound To Guyville | Nominated |
| 2019 | A2IM Libera Awards | Nominated |
Phair, 43, ... Her 1993 debut, "Exile In Guyville," her shambling, monotone-voiced, ...
{{cite web}}: CS1 maint: archived copy as title (link)
