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| Other names | Fight Network Radio |
|---|---|
| Genre | Sports talk |
| Running time | 60 minutes(until Fall 2000) 120 minutes(Fall 2000–October 2017) 180 minutes(special post-WrestleMania editions) |
| Country of origin | Canada |
| Language | English |
| Home station |
|
| Syndicates | See#Fight Network Radio(July 2006 – January 2009) |
| Starring | "Notorious T.I.D." Chris Tidwell(1997–1999) "Big Daddy" Donnie DaSilva(1997–2000) "Gentleman"Jeff Marek(1997–2003) Trish Stratus(1999) Dan "The Mouth" Lovranski(2000–2017) Jason Agnew(2003–2017) |
| Created by | Jeff Marek |
| Produced by | George Stroumboulopoulos(1997-1998) Dan Lovranski(1998–2000) Jason Agnew(1999–2003) John Pollock(2005–2017) |
| Edited by | John Pollock(2003–2005) |
| Recording studio | Toronto, Ontario |
| Original release | May 10, 1997 – October 29, 2017 |
| No. of series | ~20 years |
| No. of episodes | ~1040 LAW episodes numerous Spinoff Series episodes |
| Audio format | Monaural sound(May 1997 – January 2009, October 2011 – October 2017) Stereophonic sound(January 2009 – October 2011) |
| Ending theme | "I Fought the Law" byGreen Day |
| Website | www |
| Podcast | http://fightnetwork.com/static/xml/itunes_law.rss |
Live Audio Wrestling (also known asThe LAW) was a Canadiansports radio talk show hosted by "The Mouth" Dan Lovranski and Jason Agnew. The program primarily focused on news and events related toprofessional wrestling (such asWWE) andmixed martial arts.
First premiering in May 1997 as an internet radio show,LAW later shifted to conventional radio on several stations in theToronto area, and moved toCHUM-AM in 2011. Due to the show's popularity,TSN'sOff the Record has featured past and current co-hosts of the radio program as guest panelists over the years.[citation needed]
Live Audio Wrestling announced its cancellation on October 30, 2017, due to cutbacks followingAnthem Sports & Entertainment's acquisition ofTNA Wrestling, which impactedThe LAW's syndicator,Fight Network Radio. Most of its segments and spin-off shows have since migrated to a new website, known as "Post Wrestling".
Live Audio Wrestling premiered on May 23, 1997 as an internet radio show throughVirtually Canadian, withFaarooq as its first guest. The show aired online for a year and a half before moving toCJCL,The Fan 590—however, it was still only broadcast online, since the show was broadcast as replacement programming due toNBA policies prohibiting the station's online feed from airingToronto Raptors games. In an effort to secure studio time, the show was taped early in the morning. Due to popular demand and listener support,The LAW soon became part ofThe Fan's normal lineup, airing in the early afternoon on Saturdays.[4]
The show later expanded to include a two-hour late-night program on Sunday nights from 1:00 to 3:00 a.m., later moved to Saturdays at 11:00 p.m. in late 1999, while the afternoon edition moved to 5:00 p.m.[5] In February 1999,Dave Meltzer of theWrestling Observer Newsletter began a weekly segment during the program.[6]
The LAW aired on The Fan 590 until September 2000 when it moved to rival stationCFYI Talk 640 as a companion to the station's recently acquired radio broadcasts ofToronto Maple Leafs games.[citation needed] The evening broadcast was moved from Saturdays to Sundays.[citation needed] In April 2001, the afternoon edition ofThe LAW was dropped during the station's re-launch under the Mojo Radio format, whileThe LAW remained on the station through 2006[citation needed]
In January 2005,Fight Network purchased a majority stake inThe LAW, and in February of that same year announced that they had secured an agreement withBroadcast News for nationalsyndicated the program throughFight Network Radio.[citation needed] Affiliates of the group (aside from its flagship Toronto stations) included:CKSTVancouver,CFRNEdmonton,CFGOOttawa,CHMJVancouver, andCJOBWinnipeg.[citation needed]
In July 2006,The LAW moved toCFRB and retained its 11pm time-slot.[citation needed] In the Fall 2006,LAW announced that the show would eventually begin to air insimulcast onFight Network, though nothing came of it.[citation needed]
The show is ranked No. 1 in the demographic of male, on talk radio in theToronto market, in its time slot. In April 2006, The Bureau of Broadcast Measurement released their spring ratings with The LAW ranking No. 1 among Males 25 - 49 on Sunday nights with an 18.7 share and also scoring a 17.8 share among Males 18 – 34.[citation needed]
Starting in the winter of 2007, John Pollock began to host an extended, online edition ofThe LAW calledLive Audio Xtra. The segment is available to those who listen to the archived edition of the show onThe LAW website, as an add-on to the original radio production.[citation needed] Shortly after its launch, Dan Lovranski began to co-host the segment, answering e-mail questions.[citation needed] Starting with the January 20th 2008 edition,Live Audio Xtra began to take call-in questions from listeners who were unable to get on the air during the radio portion of the program.[citation needed] This segment of the show was discontinued for a brief period of time, but returned toThe LAW in 2011.[citation needed]
The LAW aired its final edition on CFRB on January 11, 2009, moving to theSirius Satellite Radio channelHardcore Sports Radio (later known asThe Score Satellite Radio), maintaining its Sunday night timeslot, and still being produced from CFRB's studios.[citation needed] After the closure of The Score Satellite Radio in August 2011,The LAW briefly became a podcast on the Fight Network website; using the same format as the radio versions but without call-in segments.[citation needed]
On October 9, 2011,The LAW moved toCHUM AM; while the program maintained its traditional 11:00 p.m. timeslot, it is preempted bySunday Night Football during theNFL season.[7]
The LAW began airing on CHUM's sister stationCFTE in Vancouver on September 9, 2012.The LAW currently does not air on any otherTSN Radio station.
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On the morning of October 30, 2017, the LAW issued a statement:
Effective immediately, Live Audio Wrestling (The LAW) is being placed on a short hiatus. The program will be relaunched with a new format in the coming weeks. Stay tuned!
The announcement came fourteen hours after the October 29 edition ofThe LAW was made available for podcasting. The host's initial plan for the next week involved a returning John Pollock reviewing Impact'sBound For Glory 2017, andUFC 217.[8]
It was reported on the Wrestling Observer / Figure Four Online website in Dave Meltzer's October 30 Daily Update that;
Very sorry to report that Live Audio Wrestling has been canceled and John Pollock and Jason Agnew were let go by The Fight Network. It's sad that the Impact acquisition has devastated Anthem's television network, first losingRobin Black and now Pollock, who is the total real deal as a reporter. I've been doing that show every weekend for 19 years and have enjoyed it greatly. John, Jason and Dan Lovranski have been great to work with and I wish the best to all of them
On the October 31 edition ofWrestling Observer Radio, Meltzer stated "The amount of money that they're (Anthem) losing on Impact, has led to them doing cuts on the Fight Network" and "All the particulars (Presenters) that were on the show you know, are going to be gone." He went on to speculate that The LAW may be turned into an "Impact promotional show".[9][10]
Many of the LAW hosts including those from the associated podcasts received overwhelming support from their fans on Twitter, including Jason Agnew,[11] John Pollock,[12] Wai Ting,[13] Braden Herrington,[14] "Bartender" Dave,[15] Brian Mann,[16] and Nate Milton,[17] while Chris Charlton,[18] WH Park,[19] Martian Bushby,[20] and Richard Benson[21] publicly thanked The LAW & John Pollock for their opportunities with"Japanese Audio Wrestling" and"British Audio Wrestling" respectively. Oli Court of"British Audio Wrestling" hinted "it's not the end of anything just yet!"[22] and Jojo Remy of"Japanese Audio Wrestling" stated "Not sure what this means for my show. I’ll continue to be a strong presence at Voices of Wrestling."[23]
Starting with the day after the shutdown of the LAW, John Pollock and Wai Ting continued to post audio reviews ofRaw andSmackDown, under the temporary titles ofJohn Pollock and Wai Ting Review Raw andJohn Pollock and Wai Ting Review SmackDown, respectively. On their first episode as independent podcasters, both hosts (Pollock had been one of Fight Network's longest-tenured employees, and, at the time of their release, one of the few remaining full-time journalists) discussed the news of being released from Fight Network (also stating that Dan "The Mouth" Lovranski and Jason Agnew were released), thanking their fans for all the support they received, their plans for their "future endeavours", alongside the review ofRaw.[24]
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In January 2018, Impact Wrestling announced that a new show with theLive Audio Wrestling name will air as part of itsTwitch channel, as a video podcast hosted byJeremy Borash.[citation needed] The new show was officially announced on April 3, 2018 asSunday Night's Main Event, and was set to air the following Sunday; immediately followingWrestlemania 34. However, owing to Borash's departure in April 2018, the show never aired.[citation needed]
The spiritual successor ofLive Audio Wrestling in its original form, titled "POST Wrestling" (the name is an abbreviation of "Pollock Offsets Ting"), was announced on December 15, 2017, and launched on December 24, 2017. It owned in its entirety by John Pollock and Wai Ting, and launched with their annual Christmas show that they had been doing from their days on the LAW.[citation needed]Two temporary podcasts done by the duo were folded under the Post Wrestling banner, becomingRewind-a-Raw andRewind-a-SmackDown, while other LAW podcasts would eventually be relaunched.
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Former co-hosts of the show include:
Former co-hosts of the spinoff series shows include:
^ List of presenters only until time of hiatus, for full list of former presenters and spinoff series shows see below.
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Over the years, there have been several radio shows and podcasts that have complemented the LAW. Since the shutdown of the LAW, these shows were also put on hiatus, with many of them migrating to Post Wrestling upon the latter's launch in December 2017.
As a spinoff ofReview-A-Wai, John Pollock and Wai Ting also review each week's edition ofWWE Raw in a separate podcast series. As withReview-A-Wai, each episode John Pollock and Wai Ting run down the previous episode ofWWE Raw and end by reading listener feedback. The first episode ofReview-A-Raw was posted on July 6, 2010. For a time in 2011,Review-A-Raw was available as a live podcast, airing over the internet viaStickam immediately followingWWE Raw, but it reverted to a taped format over technical issues resulting in one or both hosts being knocked off of the air.
As announced during a liveReview-A-Wai podcast held immediately prior toWrestleMania 31, theReview-A-Raw name expanded to also encompass a television series broadcast on Fight Network, with John Pollock and Wai Ting as co-hosts. The televised version ofReview-A-Raw is effectively a televised recording session of the podcast, with the actualWWE Raw review content identical in both versions. However, some segments have been modified to suit the television audience, such as the omission of listener feedback and a shorter banter portion at the start of the show that more directly relates to the co-hosts' positions at Fight Network. As both the podcast and televised shows are produced in the same sitting, there may be segments omitted from the televised portion; a selection of segments from the podcast version may be, at their discretion, posted to the Fight Network's YouTube page asReview-A-Raw Extra; the firstReview-A-Raw Extra segment was dedicated to a contest selecting the televised series' theme music. As the podcast version takes precedence, the television edition of the show is likely to be pre-empted in the event of other Fight Network commitments by either host; this first occurred on July 5, 2016, where Jason Agnew would host an audio-only edition in lieu of the televised show, due to John and Wai coveringUFC 200 for Fight Network. The final "podcast-only" episode ofReview-A-Raw was posted March 31, 2015, with the first episode of the televised series aired on Fight Network on April 7, 2015.
In January 2016, John Pollock and Wai Ting also produced an additional televised segment,Raw in 3 Minutes, co-branded with Fight Network'sFight News Now branding; both the full televised version andRaw in 3 Minutes is available from theLive Audio Wrestling YouTube channel. In mid-2017,Review-A-Raw was made into a web-only video series alongsideReview-a-SmackDown, ending the run ofRaw in 3 Minutes.
The last episode ofReview-a-Raw was posted on October 23, 2017. Following the shutdown of the LAW a week later, John Pollock and Wai Ting continued to post audio reviews ofRaw under the temporary title ofJohn Pollock and Wai Ting Review Raw. The full-time replacement forReview-a-Raw under the Post Wrestling banner,Rewind-a-Raw, launched on December 25, 2017.
On selected weeks with a live episode ofWWE SmackDown, a third LAW podcast starring John Pollock and Wai Ting is also available for download on Wednesdays. LikeReview-A-Raw andReview-An-Impact,Review-A-SmackDown reviews the previous episode ofWWE SmackDown, ending with listener feedback. The first episode ofReview-A-SmackDown was posted on August 31, 2011, with Jason Agnew filling in for Wai Ting; the first episode with Wai Ting was posted on December 1, 2011. Up until the secondWWE brand extension,Review-A-SmackDown would be produced only on a show-by-show basis, and not every live episode ofWWE SmackDown would be reviewed.
Review-A-SmackDown would become a weekly podcast with the second WWE brand extension, complementingReview-A-Raw. UnlikeReview-A-Raw, however,Review-A-SmackDown is intended to remain an audio-only podcast, and not a show that is meant to air on Fight Network. The first regular episode ofReview-A-SmackDown was posted on July 19, 2016, covering theWWE draft that kicked off the second WWE brand extension.
For a brief time in 2017,Review-a-Smackdown was also made available as a web video, under the same format asReview-a-Raw. The last episode ofReview-a-Smackdown was posted on October 25, 2017. Following the shutdown of the LAW later that week, John Pollock and Wai Ting continued to post audio reviews ofSmackDown under the temporary title ofJohn Pollock and Wai Ting Review SmackDown. The full-time replacement ofReview-a-SmackDown, under the Post Wrestling banner,Rewind-a-SmackDown, launched on December 27, 2017.
whtsNXT (pronounced as "what's next") is a podcast hosted by Jason Agnew and technical producer Braden Herrington, focusing onNXT, while incorporating elements fromBite Network Radio. The name was chosen to not only reflect the product being reviewed (a show based on developmental wrestling), but also the fact that this was Braden's first foray into radio broadcasting (having joined shortly after the LAW debuted on TSN Radio as one of his first industry jobs), and a turning point in Agnew's television career (having leftBite TV since the LAW debuted on TSN Radio, leaving him with no permanent work in television aside fromSplatalot). It is seen as continuing in the "rite of passage" of LAW hosts moving up the ranks (Dan Lovranski, Jason Agnew, John Pollock, and Wai Ting were all, at one point, technical producers on The LAW), with the veteran Agnew guiding the rookie Braden, akin toNXT itself. The first episode was posted on October 7, 2013 as an addition to the LAW's podcast, but thereafter was separately posted on Thursdays thereafter.
"Bartender" Dave debuted on the January 21st 2016 edition of "whtsNXT" alongside Jason Agnew, he has since become a regular guest host on the show. Since Takeover's moved to Saturdays on the same weekend as theWWE's Big 4 events, Takeover reviews have been added onto the end of The LAW podcast under the title of "whtsNXTra". Also since 2017 whtsNXT has chosen to skip the review of the post-Takeover NXT episodes, stating there's no point in reviewing a review show.
The last episode ofwhtsNXT was posted on October 26, 2017. A spiritual successor under the Post Wrestling banner, titledupNXT and hosted by Braden Herrington and Davie Portman, was launched on March 22, 2018.
"Review-A-Wai" is a weekly review podcast starring John Pollock and Wai Ting, which was originally presented immediately following the archived episode of the LAW and was later made available separately. The first episode was posted on September 13, 2009.
The two primarily review older wrestling pay-per-view events from the mid to late 1990s, but have since branched out to other media relating to wrestling and mixed martial arts. Notably, in a homage to an early"Ask-a-Wai" episode where John and Wai reviewed a wrestling-related pornographic film, the second and third anniversary shows had John and Wai review a wrestling-related pornographic film; the visible discomfort of Wai reviewing the film has led them to discontinue reviewing wrestling-related pornographic films. Reviews of classic events often contain audio clips from the show(s) they are reviewing; at the end of the show, John and Wai also respond to listener feedback after the review. On occasion, they air relevant clips from previous interviews conducted with various wrestling personalities and/or interview people involved with the event being reviewed, including clips from past"Live Audio Wrestling" shows. Each episode also ends with a piece of music specifically selected by one of the co-hosts, often relating to the show being reviewed.
On occasion, when either co-host is unavailable, a substitute co-host has joined the other co-host; most notably,Arda Ocal has been a guest reviewer on"Review-A-Wai" on several occasions during the years that the LAW and"Aftermath" (The Score Television Network's wrestling analysis show, co-hosted by Arda Ocal) were promoted together. Damian Abraham has also been a frequent guest reviewer, especially if the review contains a punk rock element.
The show ceased to be an add-on to the archived episode of the LAW in 2010 when the"Review-A-Wai" portion became as long as the archived episode of the LAW itself."Review-A-Wai" was moved to a Wednesday release schedule following its second anniversary show, and later to late Tuesdays following the debut of"whtsNXT" so as to avoid multiple LAW podcasts being released on the same day. With the launch of"Review-A-SmackDown" as a regular weekly series,"Review-A-Wai" became a biweekly series posted on Fridays, alternating with"Bauer & Pollock". Following the end of"Bauer & Pollock","Review-A-Wai" will continue to be a biweekly series on Fridays alternating with"Keep It 2000".
The final episode ofReview-a-Wai was posted on October 19, 2017, with an announced episode that would have aired had the LAW not been shut down. The first episode of the spiritual successor ofReview-a-Wai under the Post Wrestling banner,Rewind-a-Wai, launched with the review intended for the announced episode.
Japanese Audio Wrestling is a monthly podcast hosted by Chris Charlton and WH Park, both having previously contributed to various LAW-related shows and podcasts, focusing in on Japanese wrestling. The first episode was posted on August 1, 2012. New host Jojo Remy joined the show on the January 6th, 2017, replacing the leaving pair of Chris Charlton & WH Park. From the 2017 April 3 edition WH Park has made a number of returning guest appearances.
Although put on hiatus with the shutdown of the LAW in October 2017, as part of the launch of Post Wrestling, it was announced thatJapanese Audio Wrestling would continue under the Post Wrestling banner with a new name, with no specified timeframe for a relaunch.
Related toJapanese Audio Wrestling is the LAW's daily coverage of theG1 Climax tournament each year, with John Pollock recapping most days of the tournament and Chris Charlton and WH Park recapping the remaining days of the tournament.
The MMA Report with John Pollock is a radio show hosted by John Pollock onTSN Radio, first airing on July 5, 2012. It airs Friday at midnight on TSN Radio (though the show itself is available as a podcast on the LAW podcast feed one day before), and is touted as "the third hour" of the LAW as repeats of the show air immediately after the LAW on weeks without anUltimate Fighting Championship pay-per-view (whenThe UFC Post Fight Show airs in its place instead). As with the LAW, it is also broadcast in the Vancouver market (formerlyCFTE and presentlyCKST) since 2013.
The show is also considered to be a spiritual successor toFight Network Radio, due to John Pollock's past and present connections.
In December 2016, Brian Mann and Nate Milton return with a new podcast,Keep It 2000(billed as "A Podcast On A Pole"). They embark on the worst decision of their lives – fully chronicling everyWCW Nitro from the year 2000. Often considered the worst time period for any major wrestling promotion, these 52 episodes could prove to be the thing that finally breaks these podcasting brothers apart.
The final episode ofKeep it 2000 as a LAW podcast was posted on October 14, 2017. As part of the Post Wrestling launch in December 2017, it was announced thatKeep it 2000 would continue under the Post Wrestling umbrella; the first episode ofKeep it 2000 under the Post Wrestling umbrella was posted on January 25, 2018.
British Audio Wrestling is a British Wrestling focused podcast launched by Martin Bushby and Oli Court, with the first episode posted on January 6, 2017. The pair were joined by Richard Benson of The Indy Corner from Episode 2 onwards. The show focuses in on UK promotions "Progress Wrestling", "Revolution Pro Wrestling", "Fight Club: PRO" & "Over The Top Wrestling" and also covers "ITV World of Sport Wrestling" & the "WWE United Kingdom Championship Tournament".
The final episode ofBritish Audio Wrestling was posted on October 17, 2017. As part of the Post Wrestling launch in December 2017, it was announced thatBritish Audio Wrestling would continue under the Post Wrestling umbrella under a new name, later revealed to be theBritish Wrestling Experience. The first episode of theBritish Wrestling Experience launched on January 18, 2018.
Bauer & Pollock is a co-production betweenLive Audio Wrestling andMajor League Wrestling, where John Pollock andCourt Bauer discuss the business of professional wrestling and mixed martial arts. Although initially designed to be a biweekly series, it was moved to a weekly format soon after, available on both the MLW and LAW podcast feeds. The show was originally posted on Fridays, but was moved to late Wednesdays to avoid having multiple LAW podcasts being posted on the same day. With the launch ofReview-A-SmackDown as a weekly series,Bauer & Pollock became a biweekly series posted on Fridays, alternating withReview-A-Wai. After a lengthy hiatus on 12 January 12, 2017, "The Final Edition" of Bauer & Pollock was uploaded. The reason behind the decision to end Bauer & Pollock was the large workloads of each host and inability to find a common free day to do the podcast.[25] On March 17, 2017, Court & John returned for a "One-Off" special, continuing to do almost one show every month since.[26]
Ask-A-Wai was an add-on to the end of each LAW broadcast starting in September 2008, and starred John Pollock and Wai Ting, then call screener on the LAW. It was taped immediately followingLive Audio Xtra, and was a general discussion podcast and generally unrelated to wrestling. In late 2009, Jason Agnew joined Ask-A-Wai as a co-host, though retaining the same format as before.
Ask-A-Wai ended with the move of the LAW from CFRB toHardcore Sports Radio, though theAsk-A-Wai format would be succeeded with theBite Network Radio podcast.Bite Network Radio itself would be hosted by Jason Agnew and John Pollock, retaining the format ofAsk-A-Wai, and occasionally featuring Wai Ting and other members from their circle of friends. LikeAsk-A-Wai,Bite Network Radio was taped immediately following the LAW.
Bite Network Radio ended with the move of the LAW toTSN Radio, as the studios at TSN could no longer accommodate all of the regular hosts. ThoughThe Late Shift, a radio show hosted by Jason Agnew on CFRB, is touted as the spiritual successor of Bite Network Radio, it follows a different format and has no formal association to the LAW.
| Genre | Sports talk |
|---|---|
| Running time | 60, 90 or 120 minutes(dependent on host stations other programming commitments) |
| Country of origin | Canada |
| Language | English |
| Home station | CHUM(December 2011–present) |
| Starring | John Pollock(2011–present) Jason Agnew(2011–present) |
| Created by | Jason Agnew, John Pollock |
| Produced by | John Pollock(2011–present) |
| Recording studio | Toronto, Ontario |
| Original release | December 10, 2011 – present |
| No. of episodes | 10(as of June 24, 2012) |
| Audio format | Monaural sound(December 2011–present) |
| Sponsored by | Live Audio Wrestling |
| Website | http://www.liveaudiowrestling.com |
| Podcast | http://lawradio.podbean.com |
Starting in 2011 withUFC 140, The LAW started to present aUFC post fight show on TSN Radio 1050. The show airs after the conclusion of the most recentUltimate Fighting Championship event and provides results and opinions from callers andMMA journalists. Though originally branded as a LAW show, since the launch ofThe MMA Report the show has used the latter show's branding.
Each Saturday (some episodes may be delayed to Sunday), former WWE writerBrian Mann and frequent LAW contributor Nate Milton review the previous edition ofImpact Wrestling.
Originally hosted by John Pollock and Wai Ting as a counterpart toReview-a-Raw, the first episode ofReview-An-Impact was posted on November 5, 2010. Since September 2011, Nate Milton (nicknamed "The Godfather, TNAte" in the LAW community) has been featured in a recurring segment onReview-An-Impact where he provides separate analysis of the episode; this was often in the form of an interview with one of the co-hosts. In the event that either host was unavailable, Nate takes on the role of co-host for the entire podcast in place of the segment. In late 2014, due to Wai Ting's other commitments, Nate Milton became a co-host on a more full-time basis, though the arrangement lasted for only a few weeks due to the termination ofImpact Wrestling on Spike TV; Wai Ting's final episode of Review-An-Impact was on October 23, 2014.
With the relaunch ofImpact Wrestling onDestination America,Review-An-Impact was revamped with Brian Mann as the lead host, initially with John Pollock as co-host in the pilot episode on January 8, 2015, and with Nate Milton as co-host on a full-time basis on the following episode. Due to being the first "all-American podcast" in the LAW family, and with neither co-host hosting another LAW podcast,Review-An-Impact also expanded their scope to include their commentary on general wrestling news, diversity issues in professional wrestling, pop culture (largely as a result of Brian later joiningYahoo! Movies), and politics in general.
With the declining relevance of TNA in North American professional wrestling in 2015 (and the impending end of the TNA/Destination America partnership),Live Audio Wrestling decided to terminate coverage of TNA following the2015 Bound for Glory event; the final regular episode ofReview-an-Impact (an episode dedicated to counting down the "Top 10 moments inImpact Wrestling history") aired on October 3, 2015.
Billed as "the realest show about being fake",Keep it 100 is a podcast that serves as a spiritual successor toReview-An-Impact, hosted by Brian Mann and Nate Milton. The idea behind the show came from the viewer feedback segments fromReview-an-Impact, where general questions regarding the co-hosts' opinions started to dominate the discourse as opposed to feedback related to episodes of the episodes ofImpact Wrestling being reviewed. WithLive Audio Wrestling deciding to terminate coverage of TNA, it was agreed that the viewer feedback segment would effectively be expanded to cover the entire show.
The concept of this podcast, where the co-hosts must answer every question asked of them with absolute truth, was largely inspired by the segment of the same name onThe Nightly Show with Larry Wilmore. Similar to its predecessor, topics covered by the show are primarily focused on general wrestling news, diversity in professional wrestling, wrestling as it relates to pop culture, with a slight nod to politics. The first episode aired on October 9, 2015.
Due to the hosts' other commitments,Keep It 100 aired for only seven weeks as a weekly series, though various special shows have been posted on an irregular basis, including those dedicated to covering TNA special events.
"Review-A-Merica" was a one-off podcast covering the2012 United States presidential election from the perspective of two Canadians (John and Wai).
In 2016, Brian and Nate revived the"Review-A-Merica" podcast for a series of shows covering the2016 United States presidential election from a "wrestling with democracy" perspective.
TheAsk-A-Wai name would later be reused for a video podcast series featuring John Pollock and Wai Ting in late 2011, as a complement toReview-A-Wai, where John Pollock and Wai Ting answered questions submitted byReview-A-Wai fans regarding pro wrestling and mixed martial arts. Though originally filmed in the "Review-A-Wai studios" atFight Network, later entries were filmed in various locations in and around downtown Toronto. A short-lived revival ofAsk-A-Wai was also posted as a YouTube series on theLive Audio Wrestling YouTube channel in 2015, it ended in May 2016.
TheAsk-A-Wai name would be used following the shutdown of the LAW, as a monthly audio podcast forPatreon supporters of Post Wrestling.
In 2016, a separate show,CWCeen, was added to the end ofwhtsNXT, covering theWWE Cruiserweight Classic. This show was hosted by Braden Herrington and Wai Ting, and includes banter on their common love of hip-hop, as well as the fact that Braden Herrington had joined Fight Network after leaving TSN Radio.
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Awards are given over the course of two episodes: the Best of episode, typically the last episode of the year under consideration or the first episode of the following year, and the Worst of episode, awarded the first week without a pay-per-view event after the Best of episode. Each host of the show nominates a pick in each category, and may also name"ties" (&) and"honourable mentions" (h/m) in each category.
Both Wai Ting and Braden Herrington have officially joined the other three hosts to hand out their Best of Awards & Worst of Awards. Ting in both 2012 and 2013, & Herrington in both 2014 and 2016.
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This award is given to the wrestler or mixed martial artist who is the most natural at cutting promos or otherwise conversing on the microphone.
This award is given to the wrestling or mixed martial arts announcer, whether play-by-play or colour commentary.
This award is given to the best performer in the world of wrestling that does not participate in matches, such as managers and valets.
This award is given to the wrestler or fighter who has improved the most in terms of their skills development.
This award is given to the wrestler or fighter who has maintained their form after a long absence from wrestling or fighting.
This award is given to the best character or character trait in wrestling or mixed martial arts. First awarded in 2008 as a last-minute addition to the list of awards.
This award is given to the best wrestling match of the year.
This award is given to the best protracted storyline, typically between wrestlers, but the award is not strictly restricted to wrestling.
This award is given to the best individual moment or plot device (typically in professional wrestling, though noteworthy mixed martial arts events may also be nominated) in the past year.
Originally there was a single award covering both wrestling and mixed martial arts pay-per-view events. In 2010, this category was split to two separate awards for wrestling events and mixed martial arts events.
In 2014 the wrestling event category expanded to includeNetwork Events and was no longer restricted to just pay-per-view events.
In 2011 the mixed martial arts event category expanded to includeFight Cards and was no longer restricted to just pay-per-view events.
This award is given to the best wrestling or mixed martial arts organization in the past year.
Jason Agnew did not make a pick for 2011, as he did not watchThe Ultimate Fighter: Team Bisping vs. Team Miller, which he otherwise felt as the best TV show.
This award is given to the best book relating to wrestling or mixed martial arts. Jason Agnew does not normally give an award due to his commitments for other shows precluding him from reading too many candidates. In 2016 no award was given for "Best Book".
This award is given to the best compilation or documentary on wrestling or mixed martial arts in the past year which have been released on DVD. Originally "Best DVD" until 2015 when this category was expanded to include non in-ring programing.
This award is given to the best single match on a mixed martial arts card in the past year.
This award was only given in 2008 to the best individual wrestling or mixed martial arts moment in the past year.
This award was only given in 2009 due to the use of guest hosts forWWE Raw.
This award is given to the best interview segment that aired on the LAW or an associated podcast in the past year. It was first awarded in 2010.
This award is given to the biggest news story in wrestling or mixed martial arts in the past year. It was first awarded in 2014.
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Additional Best & Worst of picks may also be given by other members of the LAW's associated podcasts, picks from these restricted in scope to the wrestling, but are otherwise identical in scope. As of January 2017 other LAW associated hosts include;Wai Ting;Braden Herrington;Brain Mann;Nate Milton;Chris Charlton;WH Park;"Bartender" Dave;Martin Bushby; &Oli Court.
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This award was only awarded in 2015.
This award is given to the call-up from NXT who transitions Best to the Main Roster (Raw/SmackDown). It was first awarded in 2016.
'In 2015 Braden awarded every match involving Baron Corbon "Worst Match of the Year", felling every match was equally terrible.
In 2015 both Jason & Braden felt there was no "Worst Takeover Event" of 2015.
This award was only awarded in 2015.
This award is given to the call-up from NXT who transitions Worst to the Main Roster (Raw/SmackDown). It was first awarded in 2016.
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