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List of feminist comic books

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This is adynamic list and may never be able to satisfy particular standards for completeness. You can help byediting the page to add missing items, with references toreliable sources.
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This is a list offeministcomic books andgraphic novels.[2]

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  • Wimmin's Comix[52] anthology series founded by Trina Robbins that ran from 1972 to 1992.
  • Woman World byAminder Dhaliwal, a science fiction comic about the development of an all-woman civilization after men become extinct as a result of a birth defect.
  • Wonder Woman,DC Comics series. Iconic superheroine, originally symbolizing the 1940s liberated woman.[10][53][54][55]

Y

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See also

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References

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  1. ^"Alison Bechdel", MacArthur Fellows Program, September 17, 2014.
  2. ^A feminist is generally defined as advocating for or supporting the rights and equality of women; see"feminist".Oxford English Dictionary (3rd ed.).Oxford University Press. 2012.An advocate or supporter of the rights and equality of women. 1852:De Bow's Review ('Our attention has happened to fall upon Mrs. E. O. Smith, who is, we are informed, among the most moderate of the feminist reformers!')
  3. ^Diaz, Eric (2015-05-19)."Review: Marvel's A-FORCE #1".The Nerdist. Archived fromthe original on 2019-03-13. Retrieved2015-05-22.
  4. ^abcdefghijklmnopqrsGilley, Casey (June 2, 2014)."Reading List: A Field Guide to Fifteen Feminist Comics".comicbookresources.com. Comic Book Resources. RetrievedDecember 19, 2014.
  5. ^Lance Parkin (2013),Magic Words: The Extraordinary Life of Alan Moore, p. 9,ISBN 978-1781310779
  6. ^Abad-Santos, Alex (December 9, 2014)."Bitch Planet is the feminist comic book we've all been waiting for".Vox. RetrievedDecember 20, 2014.
  7. ^Thomases, Martha (December 19, 2014)."Martha Thomases: Gifting Comics".comicmix.com. ComicMix Pro Services. RetrievedDecember 20, 2014.
  8. ^Cantrell, Sarah (2012). "Feminist Subjectivity in Black Orchid," in Tara Prescott, Aaron Drucker (eds.),Feminism in the Worlds of Neil Gaiman: Essays on the Comics, Poetry and Prose, p.102.
  9. ^abSchodt, Frederik L. (1996).Dreamland Japan: Writings on Moderm Manga. Stone Bridge Press, Inc. p. [1].ISBN 9781880656235.
  10. ^abBerlatsky, Noah (August 13, 2013)."Some of the Greatest, Most Popular Comic Books Are Feminist".The Atlantic. Atlantic Monthly Group. RetrievedDecember 19, 2014.
  11. ^Arbeiter, Michael (October 2014)."9 Fascinating Facts About Captain Marvel, The Studio's First Super Heroine".Bustle. RetrievedDecember 20, 2014.
  12. ^Edgar, Sean (January 22, 2013)."Castle Waiting: Volume I".Paste. RetrievedDecember 20, 2014.
  13. ^"Graphic Novels: About Women. By Women".flashlightworthybooks.com. Flashlight Worthy. 2014. RetrievedDecember 19, 2014.
  14. ^Martin, Rachel R. (2012)."Speaking the Cacophony of Angels: Gaiman's Women and the Fracturing of Phallocentric Discourse". In Prescott, Tara; Drucker, Aaron (eds.).Feminism in the Worlds of Neil Gaiman. McFarland.ISBN 9780786466368. RetrievedDecember 20, 2014.
  15. ^Chase, Alicia (2013). "You Must Look at the Personal Clutter: Diaristic Indulgence, Adolescence, Feminist Autobiography," in Jane Tolmie (ed.),Drawing from Life: Memory and Subjectivity in Comic Art, University Press of Mississippi, p.225.
  16. ^abChute (2010), p.177.
  17. ^Constable, Liz (2002). "Consuming Realities: The Engendering of Invisible Violences in Posy Simmonds's 'Gemma Bovery' (1999)"],South Central Review, 19(4)–20(1), Winter 2002 – Spring 2003, pp. 63-84.JSTOR 3190136
  18. ^Watts, Andrew (November 2011)."Cracks in a cartoon landscape: Fragmenting memory in Posy Simmonds'Gemma Bovery",Essays in French Literature and Culture, 48, pp. 45–65: "In reflecting on which elements Simmonds adapts and appropriates from Madame Bovary, Constable identifies Gemma Bovery as a feminist satire structured around metaphors of food, consumption, and gendered violence."
  19. ^Munt, S. R. and Richards, R. (2020). Feminist Comics in an International Frame. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 4(1), 01. https://doi.org/10.20897/femenc/7905
  20. ^"Underground Comix Collection".Comix Joint. RetrievedDecember 20, 2014.
  21. ^Burns, Kate (2003). "Cartoons and comic books," in George Haggerty, Bonnie Zimmerman (eds.),Encyclopedia of Lesbian and Gay Histories and Cultures, Taylor & Francis, p.149.
  22. ^abWilliams, Paul (2010). "Questions of 'Contemporary Women's Comics,'" in Paul Williams, James Lyons (eds.),The Rise of the American Comics Artist, University Press of Mississippi, p.138.
  23. ^Sen, Jai (October 18, 2013)."Paige Braddock Changes the World Without Bending or Breaking It".The Clyde Fitch Report. Retrieved5 December 2019.
  24. ^Regan, Tim (December 11, 2014)."Meet the Local Illustrator of Lumberjanes, a Feminist, Fast-Growing Summer Camp Comic".Washington City Paper. Washington, D.C. RetrievedDecember 20, 2014.
  25. ^Klock, Geoff (2002).How to Read Superhero Comics and Why, A&C Black, p.8.
  26. ^White, Brett (July 9, 2014)."Marvel Women of the 70's: Ms. Marvel".marvel.com. Marvel. RetrievedDecember 23, 2014.
  27. ^Lynskey, Dorian (March 25, 2015)."Kapow! Attack of the feminist superheroes".The Guardian. RetrievedFebruary 6, 2016.
  28. ^Maggs, Sam."A Feminist Ranking of Female Superheroes".Marie Claire. RetrievedFebruary 6, 2016.
  29. ^Chute, Hillary L. (2014).Outside the Box: Interviews with Contemporary Cartoonists, University of Chicago Press, p.12.
  30. ^"Book Review: Nemi – Vol 3 – Author Lise Myhre",Horror News, 2010
  31. ^"The Herstory of Sense of Gender Award"(PDF).gender-sf.org. Japanese Association for Gender Fantasy & Science Fiction. August 2014. Archived fromthe original(PDF) on January 15, 2021. RetrievedDecember 23, 2014.
  32. ^Abel, Jessica (September 29, 2011)."Are your comics feminist?".jessicaabel.com. Jessica Abel. Archived fromthe original on December 22, 2014. RetrievedDecember 22, 2014.
  33. ^Díez Balda, María Antonia (2004)."La imagen de la mujer en el cómic: Cómic feminista, cómic futurista y de cienciaficción"(PDF).Asociación de mujeres investigadoras y tecnólogas. Dpto. Sociología y Antropología Social. Facultad de Ciencias Sociales. Univ. de Valencia. RetrievedDecember 22, 2014.
  34. ^Chute (2010), p.242.
  35. ^Pfeiffer, Elisabeth (January 11, 2013)."Interview with Jeremy Whitley of Princeless". Women Write About Comics. RetrievedDecember 20, 2014.
  36. ^"Comic Book: Priya's Shakti".priyashakti.com. Rattapallax. Archived fromthe original on December 20, 2014. RetrievedDecember 22, 2014.Led by Priya, her followers, both men and women, spread the message of women's equality across the Earth, and not to remain silent in the face of violence against women and injustice.
  37. ^Chowdhury, Jennifer (December 15, 2014)."India's Newest Heroine Breaks Rape-Talk Taboo with Comic Book". NBCNews.com.
  38. ^"Asian Women Giving Circle". Archived fromthe original on 7 January 2015. Retrieved29 December 2014.
  39. ^Ballou, Elizabeth (June 17, 2014)."'Rat Queens' Comic Allows Female Characters to Kick Some Butt...With Clothes On".Bustle. RetrievedDecember 20, 2014.
  40. ^Lehoczky, Etelka (September 22, 2014)."'Sally Heathcote' Rescues Women's Suffrage From The Doldrums".NPR.Archived from the original on November 22, 2023. RetrievedNovember 22, 2023.
  41. ^"Sesame But Different (LGBT)".Webtoon. 2021. Retrieved16 March 2021.
  42. ^"Lesbische Sichtbarkeit mit Poppy und Chia" [Lesbian visibility with Poppy and Chia].Mannschaft Magazin (in German). 25 December 2020. Retrieved16 March 2021.
  43. ^El Deeb, Sarah (November 20, 2014)."New Egypt comic artists push limits of expression".U-T San Diego. Associated Press. RetrievedDecember 20, 2014.
  44. ^Rosenberg, Alyssa (May 21, 2014)."She-Hulk is a feminist hero, not a male fantasy".Washington Post. RetrievedDecember 20, 2014.
  45. ^"Home".suffrajitsu.com.
  46. ^"Fiction Book Review: Tamara Drewe".Publishers Weekly. PWxyz. 2008. RetrievedDecember 23, 2014.
  47. ^Ho, Elizabeth (Summer 2011)."From 'Having it all' to 'Away from it all': Post-feminism and Tamara Drewe",College Literature, 38(3), pp. 45–65, p. 46: "Tamara Drew represents the experience of feminism as non-linear, consisting of sometimes overlapping, sometimes conflicting, histories."
  48. ^Imelda Whelehan, Esther Sonnet (1997), "Regendered Reading: Tank Girl and Postmodernist Intertextuality",Trash Aesthetics: Popular Culture and Its Audience, pp. 31–47,ISBN 978-0745312026
  49. ^Dueben, Alex (May 7, 2014)."Mariko and Jillian Tamaki Tell the Story of "This One Summer"".comicbookresources.com. Comic Book Resources. RetrievedDecember 20, 2014.
  50. ^Williams (2010), p.139.
  51. ^Smith, Amanda (2018). "A Graphic Revolution: Talking Poetry and Politics with Giannina Braschi".Chiricu. 2. No. 2.
  52. ^Young, Allison J. Kelaher (2005). "Comics," in James Thomas Sears (ed.),Youth, Education, and Sexualities: An International Encyclopedia, Volume 1, Greenwood Publishing Group, p.187.
  53. ^Lepore, Jill (December 5, 2014)."Wonder Woman: the feminist".Guardian. RetrievedDecember 20, 2014.
  54. ^Lincoln, Ross (December 17, 2014)."Five Favorites from the Comics and Cosplay Channel: From the Desk of Senior Editor Ross Lincoln".Escapist. Defy Media. RetrievedDecember 20, 2014.
  55. ^Knight, Gladys L. (2010).Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television, ABC-CLIO, p.304.
  56. ^"Y: The Last Man – The F-Word".www.thefword.org.uk. 18 July 2011. Retrieved2016-07-25.

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