List of chords

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Code	Chord type
Major	Major chord
Minor	Minor chord
Augmented	Augmented chord
Diminished	Diminished chord
Indeterminate	Indeterminate chord
Predominant	Predominant chord
Suspended	Suspended chord
M3+b5	Major third, flat five
Just	Just intonation
Bitonal	Bitonal chord
Atonal	Atonal chord

Code

Chord type

Major

Minor

Augmented

Diminished

Indeterminate

Predominant

Suspended

M3+b5

Major third, flat five

Just

Just intonation

Bitonal

Bitonal chord

Atonal

Atonal chord

List of musical chords
Name	Chord on C	Sound	# ofp.c.-Forte #	p.c. #s	Quality
Augmented chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis>1 } }$	Play^ⓘ	3-12	0 4 8	Augmented
Augmented eleventh chord^[1]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d fis>1 } }$	Play^ⓘ	6-34B	0 4 7 t 2 6	Major
Augmented major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b>1 } }$	Play^ⓘ	4-19B	0 4 8 e	Augmented
Augmented seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes>1 } }$	Play^ⓘ	4-24	0 4 8 t	Augmented
Augmented sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ais>1^\markup { "Italian" } } }$ ${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e fis ais>1^\markup { "French" } } }$ ${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g ais>1^\markup { "German" } } }$		3-8A 4-25 4-27B	0 4 t 0 4 6 t 0 4 7 t	Predominant
Diminished chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges>1 } }$	Play^ⓘ	3-10	0 3 6	Diminished
Diminished major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges b>1 } }$	Play^ⓘ	4-18A	0 3 6 e	Diminished
Diminished seventh chord (leading-tone andsecondary chord)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges beses>1 } }$	Play^ⓘ	4-28	0 3 6 9	Diminished
Dominant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <g' b d> } }$	Play^ⓘ	3-11B	0 4 7	Major
Dominant eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f>1 } }$	Play^ⓘ	6-33B	0 4 7 t 2 5	Major
Dominant minor ninth	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des>1 } }$	Play^ⓘ	5-31A	0 4 7 t 1	Major
Dominant ninth	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d>1 } }$	Play^ⓘ	5-34	0 4 7 t 2	Major
Dominant parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g b d>2 <e g b> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Dominant seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes>1 } }$	Play^ⓘ	4-27B	0 4 7 t	Major
Dominant seventh flat five chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes>1 } }$	Play^ⓘ	4-25	0 4 6 t	Diminished
Dominant seventh sharp nine /Hendrix chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes dis>1 } }$	Play^ⓘ	5-32B	0 4 7 t 3	Major
Dominant thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f a>1 } }$	Play^ⓘ	7-35	0 4 7 t 2 5 9	Major
Dream chord	${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g c! cis d>1 } }$	Play^ⓘ	4-6	0 5 6 7	Just
Elektra chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e b' des f aes>1 } }$	Play^ⓘ	5-32B	0 7 9 1 4	Bitonal
Farben chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 <e a>1 } \new Staff { \clef bass \time 4/4 <c, gis' b>1 } >> } }$	Play^ⓘ	5-Z17	0 8 e 4 9	Atonal
Half-diminished seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges bes>1 } }$	Play^ⓘ	4-27A	0 3 6 t	Diminished
Harmonic seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g beseh c>1 } }$	Play^ⓘ	4-27B	0 4 7 t	Major
Leading-tone triad	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g c>2 <d f b> } }$	Play^ⓘ	3-10	0 3 6	Diminished
Lydian chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b fis'>1 } }$	Play^ⓘ	5-20B	0 4 7 e 6	Major
Magic chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e f a bes d e g a>1 } }$	Play^ⓘ	8	0 1 5 6 t 0 3 5	Just
Major chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$	Play^ⓘ	3-11B	0 4 7	Major
Major added-second chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c d e g>1 } }$		4-24	0 2 4 7	Major
Major eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d f>1 } }$	Play^ⓘ	6-Z25	0 4 7 e 2 5	Major
Major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b>1 } }$	Play^ⓘ	4-20	0 4 7 e	Major
Major seventh sharp eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b fis'>1 } }$	Play^ⓘ	5-30B	0 4 8 e 6	Augmented
Major sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a>1 } }$	Play^ⓘ	4-26	0 4 7 9	Major
Major sixth ninth chord ("6 add 9",^[2] Nine six,^[3] 6/9)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a d>1 } }$	Play^ⓘ	5-35	0 4 7 9 2	Major
Major ninth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d>1 } }$	Play^ⓘ	5-27A	0 4 7 e 2	Major
Major thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d fis a>1 } }$	Play^ⓘ	7-35	0 4 7 e 2 5 9	Major
Mediant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <e g b> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Minor chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g>1 } }$	Play^ⓘ	3-11A	0 3 7	Minor
Minor added-second chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c d es g>1 } }$		4-20	0 2 3 7	Minor
Minor eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f>1 } }$	Play^ⓘ	6-32	0 3 7 t 2 5	Minor
Minor major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g b>1 } }$	Play^ⓘ	4-19A	0 3 7 e	Minor
Minor ninth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d>1 } }$	Play^ⓘ	5-27B	0 3 7 t 2	Minor
Minor seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes>1 } }$	Play^ⓘ	4-26	0 3 7 t	Minor
Minor sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a>1 } }$	Play^ⓘ	4-27A	0 3 7 9	Minor
Minor sixth ninth chord (6/9)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a d>1 } }$	Play^ⓘ	5-29B	0 3 7 9 2	Minor
Minor thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f a>1 } }$	Play^ⓘ	7-35	0 3 7 t 2 5 9	Minor
Mystic chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c fis bes e a d>1 } }$	Play^ⓘ	6-34A	0 6 t 4 9 2	Atonal
Neapolitan chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f aes des>1 } }$	Play^ⓘ	3-11B	1 5 8	Major
Ninth augmented fifth chord^[2]^[4]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes d>1 } }$	Play^ⓘ	5-33	0 4 8 t 2	Augmented
Ninth flat fifth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes d>1 } }$	Play^ⓘ	5-33	0 4 6 t 2	M3+b5
Northern lights chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <cis d! aes' c! es fis g! bes ces f! a!>1 } }$	Play^ⓘ	11-1	1 2 8 0 3 6 7 t e 4 7	Atonal
"Ode-to-Napoleon" hexachord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c des e f gis a>1 } }$	Play^ⓘ	6-20	0 1 4 5 8 9	Atonal
Petrushka chord	$\new PianoStaff << \new Staff = "up" \relative c'' { \time 3/4 s2. } \new Staff = "down" \relative c' { \time 3/4 \voiceOne \repeat tremolo 12 { { \change Staff = "up" \voiceTwo <e g c>32 } { \change Staff = "down" \voiceOne <cis fis ais>32 } } } >>$	Play^ⓘ	6-30B	0 1 4 6 7 t	Bitonal
Power chord P5	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c g' c>1 } }$	Play^ⓘ	2-5	0 7	Indeterminate
Psalms chord	${ \override Score.TimeSignature #'stencil = ##f { \new PianoStaff << \new Staff { \clef treble <g' e'' g'' b''>8 } \new Staff { \clef bass <e, g, b, g>8 } >> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Secondary dominant	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 c2 b c1 } \new Voice \relative c' { \stemDown fis2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 g g1 } \new Voice \relative c { \stemDown d2_\markup { \translate #'(-3.5 . 0) { "C: V/V" \hspace #0.6 "V" \hspace #5 "I" } } g c,1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-11B	0 4 7	Major
Secondary leading-tone chord	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 a2 g g1 } \new Voice \relative c' { \stemDown es2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 c2 b c1 } \new Voice \relative c { \stemDown fis2_\markup { \translate #'(-5 . 0) { \concat { "C: vii" \raise #0.6 \small "o7" "/V" \hspace #1 "V" \hspace #4 "I" } } } g c,1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-10	0 3 6	Diminished
Secondary supertonic chord	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 g2 fis g1 } \new Voice \relative c' { \stemDown c2 c d1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 a b1 } \new Voice \relative c { \stemDown a2_\markup { \translate #'(-4 . 0) { \concat { "C: ii" \raise #0.5 \small "7" "/V" \hspace #1 "V" \raise #1 \small "7" "/V" \hspace #1.5 "V" } } } d g1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-11A	0 3 7	Minor
Seven six chord^[5]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a bes>1 } }$	Play^ⓘ	5-25B	0 4 7 9 t	Major
Seventh suspension four chord^[6]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g bes>1 } }$	Play^ⓘ	4-23	0 5 7 t	Suspended
So What chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 \hide Staff.TimeSignature <d g b>1 } \new Staff { \clef bass \time 4/4 \hide Staff.TimeSignature <e, a>1 } >> } }$	Play^ⓘ	5-35	0 5 t 3 7	Bitonal
Suspended chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g>1 } }$	Play^ⓘ	3-9	0 5 7	Suspended
Subdominant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <f a c> } }$	Play^ⓘ	3-11B	0 4 7	Major
Subdominant parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f a c>2 <d f a> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Submediant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Subtonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <bes d f> } }$	Play^ⓘ	3-11B	0 4 7	Major
Supertonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <d f a> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Thirteenth flat ninth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des a'>1 } }$	Play^ⓘ	6-27	0 4 7 t 1x 9^[7]	Major
Thirteenth flat ninth flat fifth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes des a'>1 } }$	Play^ⓘ	6-Z49	0 4 6 t 1x 9^[7]	M3+b5
Tonic counter parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <b e g> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Tonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$	Play^ⓘ	3-11B	0 4 7	Major
Tonic parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$	Play^ⓘ	3-11A	0 3 7	Minor
Tristan chord	${ \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \relative c' { \clef treble \key c \major \time 4/4 <dis gis>1 } >> \new Staff << \relative c { \clef bass \key c \major \time 4/4 <f b>1 } >> >> }$	Play^ⓘ	4-27A	0 3 6 t	Predominant
Viennese trichord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c des ges>2 <c fis g!> } }$	Play^ⓘ	3-5A 3-5B	0 1 6 0 6 7	Atonal

List of musical chords

Name

Chord on C

Sound

# ofp.c.-Forte #

p.c. #s

Quality

Augmented chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis>1 } }$

Play^ⓘ

3-12

0 4 8

Augmented

Augmented eleventh chord^[1]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d fis>1 } }$

Play^ⓘ

6-34B

0 4 7 t 2 6

Major

Augmented major seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b>1 } }$

Play^ⓘ

4-19B

0 4 8 e

Augmented

Augmented seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes>1 } }$

Play^ⓘ

4-24

0 4 8 t

Augmented

Augmented sixth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ais>1^\markup { "Italian" } } }$

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e fis ais>1^\markup { "French" } } }$

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g ais>1^\markup { "German" } } }$

3-8A
4-25
4-27B

0 4 t
0 4 6 t
0 4 7 t

Predominant

Diminished chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges>1 } }$

Play^ⓘ

3-10

0 3 6

Diminished

Diminished major seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges b>1 } }$

Play^ⓘ

4-18A

0 3 6 e

Diminished

Diminished seventh chord (leading-tone andsecondary chord)

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges beses>1 } }$

Play^ⓘ

4-28

0 3 6 9

Diminished

Dominant

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <g' b d> } }$

Play^ⓘ

3-11B

0 4 7

Major

Dominant eleventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f>1 } }$

Play^ⓘ

6-33B

0 4 7 t 2 5

Major

Dominant minor ninth

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des>1 } }$

Play^ⓘ

5-31A

0 4 7 t 1

Major

Dominant ninth

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d>1 } }$

Play^ⓘ

5-34

0 4 7 t 2

Major

Dominant parallel

${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g b d>2 <e g b> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Dominant seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes>1 } }$

Play^ⓘ

4-27B

0 4 7 t

Major

Dominant seventh flat five chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes>1 } }$

Play^ⓘ

4-25

0 4 6 t

Diminished

Dominant seventh sharp nine /Hendrix chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes dis>1 } }$

Play^ⓘ

5-32B

0 4 7 t 3

Major

Dominant thirteenth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f a>1 } }$

Play^ⓘ

7-35

0 4 7 t 2 5 9

Major

Dream chord

${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g c! cis d>1 } }$

Play^ⓘ

4-6

0 5 6 7

Just

Elektra chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e b' des f aes>1 } }$

Play^ⓘ

5-32B

0 7 9 1 4

Bitonal

Farben chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 <e a>1 } \new Staff { \clef bass \time 4/4 <c, gis' b>1 } >> } }$

Play^ⓘ

5-Z17

0 8 e 4 9

Atonal

Half-diminished seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges bes>1 } }$

Play^ⓘ

4-27A

0 3 6 t

Diminished

Harmonic seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g beseh c>1 } }$

Play^ⓘ

4-27B

0 4 7 t

Major

Leading-tone triad

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g c>2 <d f b> } }$

Play^ⓘ

3-10

0 3 6

Diminished

Lydian chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b fis'>1 } }$

Play^ⓘ

5-20B

0 4 7 e 6

Major

Magic chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e f a bes d e g a>1 } }$

Play^ⓘ

0 1 5 6 t 0 3 5

Just

Major chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$

Play^ⓘ

3-11B

0 4 7

Major

Major added-second chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c d e g>1 } }$

4-24

0 2 4 7

Major

Major eleventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d f>1 } }$

Play^ⓘ

6-Z25

0 4 7 e 2 5

Major

Major seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b>1 } }$

Play^ⓘ

4-20

0 4 7 e

Major

Major seventh sharp eleventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b fis'>1 } }$

Play^ⓘ

5-30B

0 4 8 e 6

Augmented

Major sixth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a>1 } }$

Play^ⓘ

4-26

0 4 7 9

Major

Major sixth ninth chord ("6 add 9",^[2] Nine six,^[3] 6/9)

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a d>1 } }$

Play^ⓘ

5-35

0 4 7 9 2

Major

Major ninth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d>1 } }$

Play^ⓘ

5-27A

0 4 7 e 2

Major

Major thirteenth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d fis a>1 } }$

Play^ⓘ

7-35

0 4 7 e 2 5 9

Major

Mediant

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <e g b> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Minor chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g>1 } }$

Play^ⓘ

3-11A

0 3 7

Minor

Minor added-second chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c d es g>1 } }$

4-20

0 2 3 7

Minor

Minor eleventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f>1 } }$

Play^ⓘ

6-32

0 3 7 t 2 5

Minor

Minor major seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g b>1 } }$

Play^ⓘ

4-19A

0 3 7 e

Minor

Minor ninth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d>1 } }$

Play^ⓘ

5-27B

0 3 7 t 2

Minor

Minor seventh chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes>1 } }$

Play^ⓘ

4-26

0 3 7 t

Minor

Minor sixth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a>1 } }$

Play^ⓘ

4-27A

0 3 7 9

Minor

Minor sixth ninth chord (6/9)

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a d>1 } }$

Play^ⓘ

5-29B

0 3 7 9 2

Minor

Minor thirteenth chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f a>1 } }$

Play^ⓘ

7-35

0 3 7 t 2 5 9

Minor

Mystic chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c fis bes e a d>1 } }$

Play^ⓘ

6-34A

0 6 t 4 9 2

Atonal

Neapolitan chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f aes des>1 } }$

Play^ⓘ

3-11B

1 5 8

Major

Ninth augmented fifth chord^[2]^[4]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes d>1 } }$

Play^ⓘ

5-33

0 4 8 t 2

Augmented

Ninth flat fifth chord^[2]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes d>1 } }$

Play^ⓘ

5-33

0 4 6 t 2

M3+b5

Northern lights chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <cis d! aes' c! es fis g! bes ces f! a!>1 } }$

Play^ⓘ

11-1

1 2 8 0 3 6 7 t e 4 7

Atonal

"Ode-to-Napoleon" hexachord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c des e f gis a>1 } }$

Play^ⓘ

6-20

0 1 4 5 8 9

Atonal

Petrushka chord

$\new PianoStaff << \new Staff = "up" \relative c'' { \time 3/4 s2. } \new Staff = "down" \relative c' { \time 3/4 \voiceOne \repeat tremolo 12 { { \change Staff = "up" \voiceTwo <e g c>32 } { \change Staff = "down" \voiceOne <cis fis ais>32 } } } >>$

Play^ⓘ

6-30B

0 1 4 6 7 t

Bitonal

Power chord
P5

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c g' c>1 } }$

Play^ⓘ

2-5

0 7

Indeterminate

Psalms chord

${ \override Score.TimeSignature #'stencil = ##f { \new PianoStaff << \new Staff { \clef treble <g' e'' g'' b''>8 } \new Staff { \clef bass <e, g, b, g>8 } >> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Secondary dominant

${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 c2 b c1 } \new Voice \relative c' { \stemDown fis2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 g g1 } \new Voice \relative c { \stemDown d2_\markup { \translate #'(-3.5 . 0) { "C: V/V" \hspace #0.6 "V" \hspace #5 "I" } } g c,1 \bar "||" } >> >> }$

Play^ⓘ

3-11B

0 4 7

Major

Secondary leading-tone chord

${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 a2 g g1 } \new Voice \relative c' { \stemDown es2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 c2 b c1 } \new Voice \relative c { \stemDown fis2_\markup { \translate #'(-5 . 0) { \concat { "C: vii" \raise #0.6 \small "o7" "/V" \hspace #1 "V" \hspace #4 "I" } } } g c,1 \bar "||" } >> >> }$

Play^ⓘ

3-10

0 3 6

Diminished

Secondary supertonic chord

${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 g2 fis g1 } \new Voice \relative c' { \stemDown c2 c d1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 a b1 } \new Voice \relative c { \stemDown a2_\markup { \translate #'(-4 . 0) { \concat { "C: ii" \raise #0.5 \small "7" "/V" \hspace #1 "V" \raise #1 \small "7" "/V" \hspace #1.5 "V" } } } d g1 \bar "||" } >> >> }$

Play^ⓘ

3-11A

0 3 7

Minor

Seven six chord^[5]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a bes>1 } }$

Play^ⓘ

5-25B

0 4 7 9 t

Major

Seventh suspension four chord^[6]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g bes>1 } }$

Play^ⓘ

4-23

0 5 7 t

Suspended

So What chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 \hide Staff.TimeSignature <d g b>1 } \new Staff { \clef bass \time 4/4 \hide Staff.TimeSignature <e, a>1 } >> } }$

Play^ⓘ

5-35

0 5 t 3 7

Bitonal

Suspended chord

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g>1 } }$

Play^ⓘ

3-9

0 5 7

Suspended

Subdominant

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <f a c> } }$

Play^ⓘ

3-11B

0 4 7

Major

Subdominant parallel

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f a c>2 <d f a> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Submediant

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Subtonic

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <bes d f> } }$

Play^ⓘ

3-11B

0 4 7

Major

Supertonic

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <d f a> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Thirteenth flat ninth chord^[2]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des a'>1 } }$

Play^ⓘ

6-27

0 4 7 t 1x 9^[7]

Major

Thirteenth flat ninth flat fifth chord^[2]

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes des a'>1 } }$

Play^ⓘ

6-Z49

0 4 6 t 1x 9^[7]

M3+b5

Tonic counter parallel

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <b e g> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Tonic

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$

Play^ⓘ

3-11B

0 4 7

Major

Tonic parallel

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$

Play^ⓘ

3-11A

0 3 7

Minor

Tristan chord

${ \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \relative c' { \clef treble \key c \major \time 4/4 <dis gis>1 } >> \new Staff << \relative c { \clef bass \key c \major \time 4/4 <f b>1 } >> >> }$