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Lippert Pictures

From Wikipedia, the free encyclopedia
American film production and distribution company

Lippert Pictures was an American film production and distribution company controlled byRobert L. Lippert.[1]

History

[edit]

Robert L. Lippert (1909–1976) was a successful exhibitor, owning a chain of movie theaters in California and Oregon. He was frustrated that the Hollywood studios concentrated on making big, expensive pictures that commanded premium rental fees. He felt there was a market for smaller, cheaper feature films intended for neighborhood theaters in smaller situations.

He called his new production company Action Pictures, and his first film,Wildfire: The Story of a Horse (1945) was an outdoor adventure filmed in then-novelCinecolor. Reception was encouraging enough for the ambitious Lippert to expand his operations. In 1946 he joined forces with independent producerEdward Finney to createScreen Guild Productions.

Lippert's timing was excellent. By 1946 most of the Hollywood studios had abandoned low-budget productions and were making fewer films, leaving scores of actors and technicians underemployed. Lippert came to their rescue, offering them jobs at comparatively low salaries. Thus many of Lippert's features boasted familiar, famous-name casts:Veronica Lake,Zachary Scott,Buster Keaton,George Reeves,Ralph Byrd,Adele Jergens,Jean Parker,Vincent Price,Stuart Erwin,Don "Red" Barry,Robert Alda,Wally Vernon,Anne Gwynne,Jean Porter,Tom Neal,Russell Hayden, and other "star" names with marquee value.

Lippert also called upon certain character actors to play incidental roles in his films:Reed Hadley,Margia Dean, Mara Lynn, Jack Reitzen,Michael Whalen, andPhil Arnold among them. The most prolific wasSid Melton, almost always playing wisecracking cab drivers, sad-sack soldiers, or streetwise characters. Melton was even given a leading role, in the comedy featureStop That Cab (1951).

In February 1949 Lippert reorganized Screen Guild and renamed it Lippert Pictures. The studio received surprisingly good notices for a series of dramatic features written bySamuel Fuller; the westernI Shot Jesse James, the historical taleThe Baron of Arizona, and the military dramaThe Steel Helmet[2][3][4] won special praise.

ProducersBoris Morros andWilliam LeBaron teamed to produce a new version ofVictor Herbert'sBabes in Toyland, planning to release it through Screen Guild. Along with the screen rights, they inherited the1934 movie version starringLaurel and Hardy. The remake was never filmed, so Lippert took over the Laurel and Hardy version (retitling itMarch of the Wooden Soldiers) and reissued it in 1950.[5]

In the early 1950s, Lippert struck an American distribution deal forExclusive Films of Britain. The success of this company, subsequently renamed Hammer Films, boosted Lippert's fortunes until the British outfit left him to begin signing deals with Americanmajor studios.

In 1956 Lippert signed a deal with20th Century-Fox to produce films under the nameRegal Films, oftenwesterns orhorror pictures, for Fox to distribute.

See also

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References

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  1. ^Davis p.84
  2. ^The Films of Samuel Fuller – Wesleyan University Press
  3. ^American New Wave Cinema, A History (Part One)
  4. ^Eclipse Series 5: The First Films of Samuel Fuller|The Criterion Collection
  5. ^MacGillivray, Scott,Laurel and Hardy: From the Forties Forward, iUniverse, 2009, p. 185.ISBN 978-1-4401-7239-7.

Bibliography

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  • Davis, Blair.The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. Rutgers University Press, 2012.
  • MacGillivray, Scott.Laurel and Hardy: From the Forties Forward. iUniverse, 2009.
  • McGee, Mark Thomas.Talk's Cheap, Action's Expensive - the Films of Robert L. Lippert. BearManor Media, 2014.
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