Lionel Trilling | |
|---|---|
![]() | |
| Born | Lionel Mordechai Trilling (1905-07-04)July 4, 1905 New York City, US |
| Died | November 5, 1975(1975-11-05) (aged 70) New York City, US |
| Alma mater | Columbia University |
| Occupation(s) | Literary critic,professor |
| Years active | 1931–1975 |
| Employer | Columbia University |
| Known for | Literary criticism |
| Notable work | The Liberal Imagination (1950) |
| Spouse | |
| Children | James Trilling |
| Relatives | Billy Cross (nephew) |
| Website | Official website |
Lionel Mordecai Trilling (July 4, 1905 – November 5, 1975) was an Americanliterary critic, short story writer, essayist, and teacher. One of the leading U.S. critics of the 20th century,[1] he analyzed the contemporary cultural, social, and political implications of literature. He and his wife,Diana Trilling (née Rubin), were members of theNew York Intellectuals and contributors to thePartisan Review.
Lionel Mordecai Trilling was born inQueens, New York, the son of Fannie (née Cohen), who was from London, and David Trilling, a tailor fromBialystok in Poland.[2] His family wasJewish. In 1921, he graduated fromDeWitt Clinton High School, and, at age 16, enteredColumbia University, beginning a lifelong association with the university. He joined theBoar's Head Society and wrote for theMorningside literary journal.[3] In 1925, he graduated from Columbia College, and in 1926 he earned a master's degree at the university (his master's essay was titledTheodore Edward Hook: his life and work). He then taught at theUniversity of Wisconsin–Madison and atHunter College.
In 1929, he married Diana Rubin, and the two began a lifelong literary partnership. In 1932, he returned to Columbia to pursue his doctoral degree in English literature and to teach literature. He earned his doctorate in 1938 with a dissertation aboutMatthew Arnold that he later published. He was promoted to assistant professor the next year, becoming Columbia's first tenured Jewish professor in its English department.[4] He was promoted to full professor in 1948.
Trilling became the George Edward Woodberry Professor of Literature and Criticism in 1965. He was a popular instructor and for 30 years taught Columbia's Colloquium on Important Books, a course about the relationship between literature and cultural history, withJacques Barzun. His students includedLucien Carr,Jack Kerouac,Donald M. Friedman,[5]Allen Ginsberg,Eugene Goodheart,Steven Marcus,John Hollander,Richard Howard,Cynthia Ozick,Carolyn Gold Heilbrun,George Stade,David Lehman,Leon Wieseltier,Louis Menand, Robert Leonard Moore,[6] andNorman Podhoretz.
Trilling was the George Eastman Visiting Professor at theUniversity of Oxford from 1963 to 1965 and Charles Eliot Norton Professor of Poetry atHarvard University for academic year 1969–70. In 1972, theNational Endowment for the Humanities selected him to deliver the firstJefferson Lecture in the Humanities, described as "the highest honor the federal government confers for distinguished intellectual achievement in the humanities."[7] Trilling was a senior Fellow of the Kenyon School of English and subsequently a senior Fellow of theIndiana School of Letters. He held honorary degrees fromTrinity College,Harvard University, andCase Western Reserve University and memberships in theAmerican Academy of Arts and Sciences and theAmerican Academy of Arts and Letters. He also served on the boards ofThe Kenyon Review andPartisan Review.[8]
Trilling, a longtime heavy smoker, died of pancreatic cancer in 1975.[8] He was survived by his wife and son, James Trilling, an art historian who served as a curator at theGeorge Washington University Museum and Textile Museum.[9] His nephewBilly Cross is a musician residing in Denmark.[10]
In 1937, Trilling joined the recently revived magazinePartisan Review, aMarxist but anti-Stalinist journal founded byWilliam Philips andPhilip Rahv in 1934.[11]
ThePartisan Review was associated with the New York Intellectuals—Trilling,Diana Trilling,Lionel Abel,Hannah Arendt,William Barrett,Daniel Bell,Saul Bellow,Richard Thomas Chase,F. W. Dupee,Leslie Fiedler,Paul Goodman,Clement Greenberg,Elizabeth Hardwick,Irving Howe,Alfred Kazin,Hilton Kramer,Steven Marcus,Mary McCarthy,Dwight Macdonald, William Phillips,Norman Podhoretz,Harold Rosenberg,Isaac Rosenfeld,Delmore Schwartz, andSusan Sontag—who emphasized the influence of history and culture on authors and literature. The New York Intellectuals distanced themselves from theNew Critics.
In his preface to the essay collectionBeyond Culture (1965), Trilling defended the New York Intellectuals: "As a group, it is busy and vivacious about ideas, and, even more, about attitudes. Its assiduity constitutes an authority. The structure of our society is such that a class of this kind is bound by organic filaments to groups less culturally fluent that are susceptible to its influence."
Trilling wrote one novel,The Middle of the Journey (1947), about an affluent Communist couple's encounter with a Communist defector. (Trilling later acknowledged that the character was inspired by his Columbia College compatriot and contemporaryWhittaker Chambers.[12][13]) His short stories include "The Other Margaret". Otherwise, he wrote essays and reviews in which he reflected on literature's ability to challenge the morality and conventions of the culture. CriticDavid Daiches wrote, "Mr. Trilling likes to move out and consider the implications, the relevance for culture, for civilization, for the thinking man today, of each particular literary phenomenon which he contemplates, and this expansion of the context gives him both his moments of his greatest perceptions, and his moments of disconcerting generalization."
Trilling published two complex studies of authorsMatthew Arnold (1939) andE. M. Forster (1943), both written in response to a concern with "the tradition of humanistic thought and the intellectual middle class which believes it continues this tradition."[14] His first collection of essays,The Liberal Imagination, was published in 1950, followed by the collectionsThe Opposing Self (1955), focusing on the conflict between self-definition and the influence of culture,Freud and the Crisis of Our Culture (1955),A Gathering of Fugitives (1956), andBeyond Culture (1965), a collection of essays on modern literary and cultural attitudes toward selfhood. InSincerity and Authenticity (1972), he explores the ideas of the moral self in post-Enlightenment Western civilization. He wrote the introduction toThe Selected Letters of John Keats (1951), in which he defendedKeats's notion ofnegative capability, as well as the introduction, "George Orwell and the Politics of Truth," to the 1952 reissue of Orwell'sHomage to Catalonia.
In 2008,Columbia University Press published an unfinished novel Trilling abandoned in the late 1940s. Scholar Geraldine Murphy discovered it among Trilling's papers archived atColumbia University.[15]The Journey Abandoned: The Unfinished Novel is set in the 1930s and has a young protagonist, Vincent Hammell, who seeks to write a biography of an older poet, Jorris Buxton. Buxton's character is loosely based on the 19th-centuryRomantic poetWalter Savage Landor.[15] Writer and criticCynthia Ozick praised the novel's "skillful narrative" and "complex characters", writing, "The Journey Abandoned is a crowded gallery of carefully delineated portraits whose innerness is divulged partly through dialogue but far more extensively in passages of cannily analyzed insight."[16]
Trilling's politics have been strongly debated and, like much else in his thought, may be described as "complex." An oft-quoted summary of Trilling's politics is that he wished to:[17]
[Remind] people who prided themselves on being liberals that liberalism was ... a political position which affirmed the value of individual existence in all its variousness, complexity, and difficulty.
Trilling wrote, "Ideology is not the product of thought; it is the habit or the ritual of showing respect for certain formulas to which, for various reasons having to do with emotional safety, we have very strong ties and of whose meaning and consequences in actuality we have no clear understanding."[18]
Politically, Trilling was a noted member of theanti-Stalinist left, a position he maintained to the end of his life.[19][20]
In his earlier years, Trilling wrote for and in the liberal tradition, explicitly rejecting conservatism; from the preface to his 1950 essayThe Liberal Imagination (emphasis added to the much-quoted last line):
In the United States at this time Liberalism is not only the dominant but even the sole intellectual tradition. For it is the plain fact that nowadays there are no conservative or reactionary ideas in general circulation. This does not mean, of course, that there is no impulse to conservatism or to reaction. Such impulses are certainly very strong, perhaps even stronger than most of us know. But the conservative impulse and the reactionary impulse do not, with some isolated and some ecclesiastical exceptions, express themselves in ideas but only in action or inirritable mental gestures which seek to resemble ideas.
Some, both conservative and liberal, argue that Trilling's views became steadily more conservative over time. Trilling has been embraced as sympathetic toneoconservatism byneoconservatives (such asNorman Podhoretz, the former editor ofCommentary). But this embrace was unrequited; Trilling criticized theNew Left (as he had theOld Left) but did not embrace neoconservativism.
Diana Trilling claimed that neoconservatives were mistaken in thinking that Trilling shared their views. "I am of the firmest belief that he would never have become a neoconservative", she wrote in her memoir of their marriage, "The Beginning of the Journey", adding, "nothing in his thought supports the sectarianism of the neoconservative."[21]
The extent to which Trilling may be identified with neoconservativism continues to be debated.[22][page needed]
Trilling has alternatively been characterized as solidly moderate, as evidenced by many statements, ranging from the title of his novel,The Middle of the Journey, to a central passage from the novel:[23]
An absolute freedom from responsibility—that much of a child none of us can be. An absolute responsibility—that much of a divine or metaphysical essence none of us is.
Along the same lines, in reply to a taunt byRichard Sennett, "You have no position; you are always in between," Trilling replied, "Between is the only honest place to be."[24][page needed]
Fiction
Nonfiction and essays
Prefaces, afterwords, and commentaries
{{cite book}}:ISBN / Date incompatibility (help){{cite book}}:ISBN / Date incompatibility (help)