Linda Lorelle Williams (December 18, 1946 – March 12, 2025) was an American professor offilm studies in the departments of Film Studies and Rhetoric atUniversity of California, Berkeley.
With respect to film genres, she argues that horror, melodrama, and pornography all fall into the category of "body genres", since they are each designed to elicit physical reactions on the part of viewers. Horror is designed to elicit spine-chilling, white-knuckled, eye-bulging terror (often through images of blood); melodramas are designed to elicit sympathy (often through images of tears); and pornography is designed to elicit sexual arousal (often through images of "money shots").[3] Williams believes that much pornographic expression, and the form that expression takes, is due to the distance between the audience and the actual performers, and so, she concludes, much of what pornography becomes is a type of compensation for the distance between viewer and viewed.[4]
Williams and her husband, Paul Fitzgerald, lived inLafayette, California, and had one son.[2] Williams died at home from complications of a stroke on March 12, 2025, at the age of 78.[2][5]
1989Katherine Singer Kovács Prize in Film, TV, and Video Studies for essayFetishism and the Visual Pleasure of Hard Core: Marx, Freud and the 'Money Shot'; and finalist for the best book in Cinema Studies: both the Jay Leyda Prize and the Kovacks Prize (forHard Core)
Figures of Desire: A Theory and Analysis of Surrealist Film, University of Illinois Press, 1981. Paperback edition: University of California Press, 1992,ISBN0-520-07896-9
Hard Core: Power, Pleasure and the Frenzy of the Visible (University of California Press, 1989). Expanded Paperback Edition: University of California Press, 1999,ISBN0-520-21943-0
Playing the Race Card: Melodramas of Black & White from Uncle Tom to O.J.Simpson, Princeton University Press, Paperback edition, 2002,ISBN0-691-10283-X
Revision: Essays in Feminist Film Criticism. Coedited with Mary Anne Doane and Patricia Mellencamp, American Film Institute Monograph Series Frederick Maryland: University Publications of America, 1984.[1]ISBN0890935866
Viewing Positions: Ways of Seeing Film. Edited. New Brunswick: Rutgers University Press, 1994.ISBN0-8135-2133-5
Reinventing Film Studies. Co-edited anthology with Christine Gledhill. London: Edward Arnold. New York: Oxford University Press, 2000.ISBN0-340-67723-6
Williams, Linda (Winter 1993). "A provoking agent: the pornography and performance art of Annie Sprinkle".Social Text.37 (37):117–133.doi:10.2307/466263.JSTOR466263.
Williams, Linda (Fall 2005). "'White Slavery' versus the Ethnography of 'Sexworkers': Women in Stag Films at the Kinsey Archive".The Moving Image.5 (2):107–134.doi:10.1353/mov.2005.0039.