Linda Dégh (18 March 1918 – 19 August 2014) was afolklorist and professor ofFolklore &Ethnomusicology atIndiana University, USA.
Dégh was born inBudapest,Hungary and is well known as a folklorist for her work withlegends, identity, and both rural and urban communities in Europe and North America. In 2004, as professor emerita at Indiana University, she was awarded the AFS Lifetime Scholarly Achievement Award.[1] Dégh also served as president of theAmerican Folklore Society in 1982.[2]
Dégh was born in Budapest, Hungary, on March 18, 1920 and died in Indiana on August 19, 2014. She was married toAndrew Vázsonyi (1906–1986) for 28 years.[3]
Linda Dégh earned her degree fromPéter Pázmány University, in Hungary. After graduating, she began teaching atEötvös Loránd University in the folklore department. In 1965, she began teaching at theFolklore Institute of Indiana University, Bloomington and by 1982, Dégh had become a Distinguished Professor of Folklore and Ethnomusicology at Indiana University.[4]
While teaching, Dégh founded the journalIndiana Folklore in 1968, which she edited until the journal folded. The journal continued publication until 1980 and was the official journal of theHoosier Folklore Society.[5]: 26–27, 37 She would also serve as president for the Hoosier Folklore Society in 1967 and 1968.[5]: 30
Dégh became a Fellow of the American Folklore Society in 1971.[3] Folklorists are chosen as Fellows of the American Folklore Society for "their outstanding contributions to the field."[6] In 1982, Dégh was the president of the American Folklore Society and in 2004, she was honored by the Society for her work as a folklorist with the Lifetime Scholarly Achievement Award.[1][2]
Dégh published 18 books and wrote over 200 articles and essays.[3] She is well known for her work with legends and for applying the concept ofostention to the study of contemporary legends. In 1983, she and Andrew Vázsonyi wrote "Does the Word 'Dog' Bite? Ostensive Action: A Means of Legend Telling" and argue that legends can be acted out as well as told. Building on the semiotic work of Ivo Osolsobě,Umberto Eco,Ludwig Wittgenstein andBertrand Russell, they proposed five theoretically possible forms of ostention in folklore: ostention, pseudo-ostention, quasi-ostention, false ostention, and proto-ostention.[7]