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Liberty Films

From Wikipedia, the free encyclopedia
Defunct American motion picture company co-owned by Frank Capra and Samuel J. Briskin
Liberty Films Inc.
Company typeIndependent
IndustryFilm
FoundedApril 1945
FounderFrank Capra
Samuel J. Briskin
Defunct1951
SuccessorsLibrary:
Paramount Pictures (It's a Wonderful Life)
Universal Television (State of the Union)
HeadquartersCalifornia, United States
Key people
Frank Capra
Samuel J. Briskin
William Wyler
George Stevens
ProductsFilms
OwnerIndependent (1945–1947)
Paramount Pictures (1947–1951)

Liberty Films was an independent motion picture production company founded inCalifornia byFrank Capra andSamuel J. Briskin in April 1945.[1] It produced only two films, the Christmas classicIt's a Wonderful Life (1946), originally released byRKO Radio Pictures, and the film version of the hit playState of the Union (1948), originally released byMetro-Goldwyn-Mayer.[N 1] Liberty Films' logo was theLiberty Bell ringing loudly.

History

[edit]

Capra had made two previous attempts at independent production. He formed Frank Capra Productions in 1939 and producedMeet John Doe, but dissolved it when he joined theU.S. Army Signal Corps in December 1941. Later duringWorld War II he unsuccessfully sought a production partnership with directorLeo McCarey.

All four eventual partners in Liberty Pictures had spent most ofWorld War II as officers making motion pictures for the Army Signal Corps, and were hesitant to return to working under the Hollywoodstudio system.[2] Capra explained his dissatisfaction in an article for theNew York Times:

Had the motion picture been a product which demanded uniformity as its ultimate goal, the results would have been highly satisfactory. But unfortunately it was, and is, a combination of mechanical perfection and creative endeavor. And in applying the mass-production yardstick to both the mechanics and creative side of film-making, the latter became molded into a pattern. The efforts and achievements of the individual producers and directors had to meet with the approval of each studio's chief executive.… Producers and directors working under him found that instead of creating as they pleased, letting their own imagination and artistry have full rein, with the public the final judge of the worth and merit of their efforts, they were of necessity obliged to make pictures for the approval of the one man at the top. Thus the creative side of film-making, from the selection of the story, the writers who would put it into script form, the casting of the players, the designing of their costumes and the sets which provided their backgrounds, the direction, the cutting and editing of the final film was tailored (consciously or unconsciously) to the tastes of the studio's head man.[3]

Briskin had been production chief atColumbia Pictures, where Capra had worked since 1927. Within months of Liberty's incorporation, directorsWilliam Wyler andGeorge Stevens became partners.[4]

Liberty wascapitalized at $1,000,000, and it had a standing bank credit of $3,500,000, for which the four owners were individually and collectively responsible.[5] The ownership was divided unequally among the partners: 32 percent to Capra as president and organizer, 18 percent to Briskin, 25 percent each to Wyler and Stevens. But their voting rights were equal.[6] By dissolving Liberty a few years hence, as the partners planned, they would pay only a 25%capital gains tax on the profits instead of the 90%income tax they would pay on their high salaries at a studio.[7][8]

Production schedule

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Liberty contracted in August 1945 to produce nine features for distribution by RKO,[9] three each from the three producer-directors, who were each expected to deliver one picture per year. The production offices of Liberty Films were housed at RKO Studios.

The company announced in November 1945 that its first production would beJames Stewart inIt's a Wonderful Life, produced and directed by Capra.[10] Capra's next pictures were to be adaptations ofJessamyn West's novelThe Friendly Persuasion andAlfred Noyes' novelNo Other Man.[11] William Wyler planned to direct an adaptation ofStendhal'sThe Red and the Black.[12]George Stevens was announced to produce and directOne Big Happy Family, written byJoseph Fields.[13]

The film rights to the playState of the Union were acquired in late 1946, with an intended release before the presidential election in 1948.[14] To obtainSpencer Tracy for the lead role, when he was under contract to Metro-Goldwyn-Mayer, Liberty Films agreed to pay for use of MGM's production facilities to make the picture, and to pay MGM's parent company a percentage distribution fee.[15]

Fate of studio

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Liberty's first release,It's a Wonderful Life, in December 1946, was a financial failure. Although it was in the top 7% of that year's films as ranked by box officegross, it was unable to recoup its high production cost of $2.3 million,[16] much less show a profit.

The partners sought a major studio to buy Liberty Films before bankforeclosure, although Wyler and Stevens were "violently opposed" to the idea at first;[17]Paramount Pictures bought the company in May 1947.[18] The four partners were given a total of $3,450,000 in Paramount stock, and Capra, Wyler, and Stevens were given five-picture contracts at Paramount.[19]

In the purchase, Paramount acquired Liberty's interest in three movies:It's a Wonderful Life,I Remember Mama (which George Stevens was filming at RKO),[N 2] andState of the Union (not yet filmed). The multi-picture deal at Paramount resulted in Capra directingRiding High andHere Comes the Groom; Stevens directingA Place in the Sun,Something to Live For, andShane; and Wyler directingThe Heiress,Detective Story,Carrie,Roman Holiday, andThe Desperate Hours.[20]

The company was finally dissolved in April 1951. Capra later wrote that the creation of Liberty Films was to "(1) influence the course of Hollywood films, (2) make four former Army officers independently rich, and (3) virtually prove fatal to my professional career."[21]

Film library

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It's a Wonderful Life

[edit]

Incorporated into its pre-1950 catalog, Paramount sold the rights to the film toU.M. & M. TV Corporation in 1955, along with numerous of its short subjects. These were later sold toNational Telefilm Associates, and in turn becameRepublic Pictures, which was sold to Paramount's then-owner, Viacom, in 1999 - hence Paramount (via Melange Pictures) now once again ownsIt's a Wonderful Life.

State of the Union

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While selling the 1946 film, Paramount continued to ownState of the Union for another three years, untilMCA acquired most of Paramount's pre-1950 theatrical sound features in 1958 and formedEMKA, Ltd. to hold the copyright. Since MCA bought the US branch ofDecca Records, which then ownedUniversal Studios, in 1962, this explains whyNBCUniversal (via EMKA) owns the rights toState... today.

Filmography

[edit]

References

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Notes

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  1. ^In later years, Capra bought the film and re-released it himself, so current prints do not showLeo the Lion roaring at the beginning.
  2. ^I Remember Mama was an RKO production; Liberty Films' financial interest came from leasing Stevens' services as director.

Citations

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  1. ^"Screen News",The New York Times, April 27, 1945, p. 22. A third incorporator was attorney David Tannenbaum.
  2. ^"William Wyler and His Screen Philosophy",The New York Times, Nov. 17, 1946, p. 77. Frank Capra,The Name Above the Title, W.H. Allen, 1972, p. 372.ISBN 0-491-00349-8.
  3. ^Frank Capra, "Breaking Hollywood's 'Pattern of Sameness'",The New York Times, May 5, 1946, p. SM10.
  4. ^"Wyler Set to Join New Film Concern",The New York Times, July 6, 1945, p. 8. "News of the Screen",The New York Times, Feb. 20, 1946, p. 35.
  5. ^"Unrest in Hollywood",The New York Times, June 30, 1946, p. X1. "Massey Is Signed for O'Neill Movie",The New York Times, Jan. 7, 1947, p. 33.
  6. ^Capra,The Name Above the Title, p. 373.
  7. ^"The Price of Liberty",Time, May 26, 1947.
  8. ^Top US Marginal Income Tax Rates, 1913–2003Archived 2011-04-29 at theWayback Machine.
  9. ^"Liberty to Make Pictures for RKO",The New York Times, August 23, 1945, p. 18.
  10. ^"Stewart Due Back in 1st Liberty Film",The New York Times, Nov. 5, 1945, p. 13. Liberty had earlier announced that its first picture would beIt Happened on Fifth Avenue; it was filmed byAllied Artists instead.
  11. ^"Metro to Resume 'Thin Man' Series",The New York Times, April 8, 1946, p. 37. "Mystery Role Set for Joseph Pevney",The New York Times, April 10, 1946, p. 37.
  12. ^"Two Studios Vying for Stendahl Book",The New York Times, Oct. 31, 1946, p. 22.
  13. ^Hedda Hopper (column),The Washington Post, Feb. 27, 1946, p. 3. Hopper reported on Feb. 27, 1947, that Stevens had postponedFamily until next winter; it was never made.
  14. ^"By Way of Report",The New York Times, Dec. 29, 1946, p. 43.
  15. ^Metro to Release 'State of the Union'",The New York Times, March 31, 1947, p. 19.
  16. ^"The Price of Liberty",Time, May 26, 1947.
  17. ^Capra,The Name Above the Title, p. 387.
  18. ^"Paramount Deal With Liberty Set",The New York Times, May 17, 1947, p. 9.
  19. ^"Hollywood Replies",The New York Times, May 25, 1947, p. X5.
  20. ^Dick, Bernard F. "Engulfed: the death of Paramount Pictures and the birth of corporate Hollywood" (p. 155).The University of Kentucky,Lexington, KY (2001).ISBN 0-8131-2202-3.
  21. ^Capra,The Name Above the Title, p. 372.

External links

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Why We Fight series
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