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Leopoldo Alas

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In thisSpanish name, the first or paternal surname is García-Alas and the second or maternal family name is Ureña.
Leopoldo Alas "Clarín"
Born
Leopoldo Enrique García-Alas y Ureña

(1852-04-25)25 April 1852
Zamora, Spain
Died13 June 1901(1901-06-13) (aged 49)
Oviedo, Spain
Pen nameClarín
OccupationNovelist, short story writer, journalist, critic, professor

Leopoldo Enrique García-Alas y Ureña (25 April 1852 – 13 June 1901), also known asClarín, was aSpanishrealist novelist and journalist born inZamora. His inflammatory articles, known aspaliques (“chitchat”), as well as his advocacy ofliberalism and anti-clericalism, made him a formidable and controversial critical voice.[1] He died inOviedo.

Biography

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"Clarín" on the 200Pesetas 1980s banknote.

Alas was born in Zamora, fromAsturian parents who moved to that city. He spent his childhood living inLeón andGuadalajara, until he moved toOviedo (Asturias) in 1863. There he studied for theBachillerato (Secondary Education) and began his law studies. He lived inMadrid from 1871 to 1878, where he began his career as a journalist (adopting the pen-name "Clarín" in 1875) and he graduated with thethesisEl Derecho y la Moralidad (Law and Morality) in 1878. He taught inZaragoza from 1882 to 1883. In 1883 he returned to Oviedo to take up a position as professor of Roman law.

Above all, Clarín is the author ofLa Regenta, his masterpiece and one of the best novels of the 19th century. It is a long work, similar toFlaubert'sMadame Bovary, one of its influences. Other influences includedNaturalism andKrausism, a philosophical current which promoted the cultural and ethical regeneration of Spain.

La Regenta is special for its great wealth of characters and secondary stories, while the main character's description is left slightly unfocused and vague. On the other hand, the downfall of the provincial lady has a place amidst two very diverse suitors: the most handsome man in the city and the cathedral's priest. The depiction of this priest is a key part of the book.

For the description of the provincial atmosphere and the city's collective life,Clarín used techniques such as the internalmonologue or the free indirect style, which makes the story be narrated by the characters themselves and allows the reader to witness and experience their intimacy.

In 1890, he published a new novel,Su único hijo. Even though most critics consider it as a lesser novel in comparison withLa Regenta, it is equal to the former in the skill with which the technical resources are used.Su único hijo was originally meant to be the introduction to a trilogy, but aside from an outline and a few fragments of the two sequels,Su único hijo was Clarín's last full-length novel.

Apart from these works,Clarín is also the author of magnificent stories and of a large number of journalistic articles. He also wrote an essay, "La Literatura en 1881" (1882), in collaboration withArmando Palacio Valdés.

Leopoldo Alas remains a rather enigmatic figure in the Spanish literary world, leaving a legacy that encouraged the search for God andhumanism simultaneously. This aberrant confluence has facilitated the presence of various interpretations regarding the author's writings, most noticeably of his masterpiece,La Regenta.

Works

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Fiction

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  • La Regenta (The Regent's Wife) (1884–85) [Novel]
  • Su único hijo (His Only Son) (1890) [Novel]
  • Doña Berta (1892)
  • ¡Adiós, Cordera! (1892)
  • Cuentos morales (Moral Stories) (1896)
  • El gallo de Sócrates (Socrates' Rooster) (1900)

Essays

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  • "Solos de saxofon alto 1er" (1881)
  • "La literatura en 1881" (1882)
  • "Sermón perdido" (1885)
  • "Nueva campaña" (1887)
  • "Ensayos y revistas" (1892)
  • "Palique" (1894)

References

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  1. ^Vieira, Estela (2012).Interiors and Narrative: The Spatial Poetics of Machado de Assis, Eça de Queirós, and Leopoldo Alas. Bucknell University Press. p. 27.

External links

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