| Led Zeppelin II | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 22 October 1969 (1969-10-22) | |||
| Recorded | April–August 1969 | |||
| Genre | ||||
| Length | 40:44[a] | |||
| Label | Atlantic | |||
| Producer | ||||
| Led Zeppelin chronology | ||||
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| Singles from Led Zeppelin II | ||||
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Led Zeppelin II is the second studio album by the Englishrock bandLed Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom byAtlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriterJimmy Page, and it was also Led Zeppelin's first album on whichEddie Kramer served as engineer.
The album exhibited the band's evolving musical style of blues-derived material and their guitarriff-based sound. It has been described as the band's heaviest album.[2] Six of the nine songs were written by the band, while the other three were reinterpretations ofChicago blues songs byWillie Dixon andHowlin' Wolf. One single, "Whole Lotta Love", was released outside of the UK (the band would release no UK singles during their career),[3] and peaked as a top-ten single in over a dozen markets around the world.
Led Zeppelin II was a commercial success, and was the band's first album to reach number one on charts in the UK and the US. The album's cover designer David Juniper was nominated for aGrammy Award for Best Recording Package in 1970. On 15 November 1999, the album was certified12× Platinum by theRecording Industry Association of America (RIAA) for sales reaching 12 million copies in the US. Since its release, various writers and music critics have citedLed Zeppelin II as one of the greatest and most influential albums of all time.
Led Zeppelin II was conceived during a busy period of Led Zeppelin's career from January through August 1969, when they completed four European and three Americanconcert tours.[4] Each song was separately recorded, mixed and produced at various studios in the UK and North America. The album was written on tour, during periods of a couple of hours in between concerts, a studio was booked and the recording process begun, necessarily resulting in spontaneity and urgency, which is reflected in the sound.[4] Several songs resulted from improvisation while touring and were recorded mostly live in the studio.[5]
Recording sessions for the album took place at a wide variety of studios in the UK and US, includingOlympic andMorgan Studios in London, England;A&M, Quantum,Sunset, Mirror Sound and Mystic Studios in Los Angeles;Ardent Studios inMemphis, Tennessee;A&R, Juggy Sound, Groove and Mayfair Studios in New York City; and R&D Studios.[6] Some of these were ill-equipped, leading to one Vancouver studio, which had an 8-track set-up without even proper headphone facilities,[7] being credited as "a hut".[8][9] A more favourable set-up was Mystic Studios inHollywood,Los Angeles with Chris Huston engineering.[7]
Lead singerRobert Plant later complained that the writing, recording, and mixing sessions were done in many different locations, and criticised the writing and recording process.[10] "Thank You", "The Lemon Song" and "Moby Dick" were overdubbed during the tour, while themixing of "Whole Lotta Love" and "Heartbreaker" was also done on tour. Page later stated, "In other words, some of the material came out of rehearsing for the next tour and getting new material together."[11]
Page and Kramer spent two days mixing the album at A&R Studios,[12] and the album's production was entirely credited to Jimmy Page, withEddie Kramer engineering.[7] Kramer was quoted as saying, "The famousWhole Lotta Love mix, where everything is going bananas, is a combination of Jimmy and myself just flying around on a small console twiddling every knob known to man."[7] Kramer later gave great credit to Page for the sound that was achieved, despite the inconsistent conditions in which it was recorded: "We cut some of the tracks in some of the most bizarre studios you can imagine ... but in the end it sounded bloody marvellous ... there was one guy in charge and that was Mr. Page."[12]
The finished tracks reflect the evolving sound of the band and their live performances.[13][14] Plant had his first songwriting credits onLed Zeppelin II; he had been unable to have his contributions to the writing process credited for the first album because of a prior contract withCBS Records.[15]
"Whole Lotta Love" was built around a five-note Page riff. Parts of the lyrics were taken directly fromWillie Dixon's "You Need Love", which led to the group being sued for plagiarism, eventually settling out of court. The arrangement also resembles theSmall Faces track "You Need Loving".[16] With basic tracks recorded on Page's houseboat, the middle section of the song contained a variety of overdubbed instruments and vocals which were mixed live by Page and Kramer, making full use of stereo panning and other controls available on the desk. The song was edited down to a single in the US, where it became a top 5 hit. In the UK, a single release was cancelled; the group never issued any singles there during their active career together.[17] It was finally issued as a single in 1997.[18] A mainly instrumental version of the song was recorded byCCS and was used as the theme tune to the BBC TV showTop of the Pops, ensuring it was well known by virtually everyone in Britain.[19]
Led Zeppelin performed "Whole Lotta Love" at every gig from June 1969 onwards. It was the closing number of their live shows between 1970 and 1973, often extended to incorporate a rock'n'roll medley towards the end of the set. A different arrangement of the song was played for the Knebworth Fayre concerts in 1979. It was the last song the group ever performed live with drummerJohn Bonham, on 7 July 1980. "Whole Lotta Love" has since been critically praised as one of the definitive heavy metal tracks, though the group have never considered themselves to fit that specific style.[19]
"What Is and What Should Never Be" was primarily written by Plant. It features a variety of dynamics during the track, along with flanged vocals and wide-panned stereo guitars.[19]
"The Lemon Song" was a re-arrangement ofHowlin' Wolf's "Killing Floor", which had become a regular part of the group's live show during 1969. It was mostly recorded live and expanded to include new lyrics, including the sexually charged phrase "squeeze my lemon" which was borrowed fromRobert Johnson's "Travelling Riverside Blues", which the band had played for the BBC radio showTop Gear broadcast on 29 June 1969.[19][20][21][22]
"Thank You" was written by Plant as a love song to his wife, Maureen. Page playedtwelve-string guitar and Jones playedHammond organ on the track.[19]
"Heartbreaker" was mostly written by Page as a showcase for his guitar skills, including an unaccompanied solo in the middle of the song. It quickly became a live favourite, being performed regularly from October 1969 onwards, and throughout the group's career.[19]
"Living Loving Maid (She's Just a Woman)" was purported to be written about agroupie the band encountered while touring the US. The group disliked the track, considering it to be little more than filler, and consequently it was never played live by the group. Plant performed the track live on his 1990 solo tour.[19]
"Ramble On" was written by Plant. The lyrics were inspired byJ. R. R. Tolkien, and similar themes appeared on subsequent Led Zeppelin albums. The track made good use of dynamics, moving from a quiet acoustic guitar in the opening, to a variety of overdubbed electric guitars towards the end.[23] It was never performed live by Led Zeppelin during their main career, but Plant has performed the song regularly on solo tours, and it was part of Page and Plant's live set in the mid-1990s. It was finally performed live for the first time by Led Zeppelin at theAhmet Ertegun Tribute Concert in 2007.[24]
"Moby Dick" was designed as a showcase for Bonham's drum solo. A previous drum showpiece featured a different arrangement called "Pat's Delight" (after his wife). Moby Dick is indrop D tuning and features a variety of drums and percussive instruments played with bare hands as well as drumsticks. It was a regular part of Led Zeppelin's live show, developing to include additional percussion and electronic drums.[23]
"Bring It On Home" was a cover of a Willie Dixon song originally performed bySonny Boy Williamson II. Led Zeppelin's arrangement includes a faster middle section in addition to the straightforward blues structure of the original. It was played live regularly throughout late 1969 and 1970.[23]
Thealbum sleeve design was from a poster by David Juniper, who was simply told by the band to come up with an interesting idea. Juniper was a fellow student of Page's at Sutton Art College in Surrey.[25]
Juniper's design was based on a photograph of theJagdstaffel 11 Division of theGerman Air Force during World War I, theFlying Circus led by theRed Baron. Juniper replaced four of the flyers' heads with photos of the band members, added facial hair and sunglasses to some of the flyers' faces or replaced some with the faces of other people. The blonde-haired woman is French actressDelphine Seyrig in her role as Marie-Madeleine in the filmMr. Freedom, a leftist anti-war satire byWilliam Klein. The cover also pictured the outline of a Zeppelin on a brown background (similar to the cover of the band'sfirst album), which gave the album its nickname "Brown Bomber".[26]
The album was released on 22 October 1969 onAtlantic Records, with advance orders of 400,000 copies.[27] The advertising campaign was built around the slogans 'Led Zeppelin – The Only Way to Fly' and 'Led Zeppelin II Now Flying'.[15] In the United States, some commercially duplicatedreel-to-reel copies ofLed Zeppelin II made byAmpex bore the titleLed Zeppelin II – The Only Way to Fly on their spine. Commercially,Led Zeppelin II was the band's first album to hit No. 1 in the US, knockingThe Beatles'Abbey Road (1969) twice from the top spot, where it remained for seven weeks.[15] By April 1970 it had registered three million American sales, whilst in Britain it enjoyed a 138-week residence on the LP chart, climbing to the top spot in February 1970.[15] Meanwhile, the album reached the top spot in 5 other national albums charts (including the Canadian, Australian and Spanish albums charts). In NovemberRitchie Yorke reported inBillboard that while the album had achieved "staggering" sales, as ahard rock record it was considered unsuitable for North AmericanTop 40 radio stations, who were "dreary and detached from the mainstream of contemporary rock music".[28]
The album also yielded Led Zeppelin's biggest hit, "Whole Lotta Love". This song reached No. 4 on theBillboard Hot 100 in January 1970, after Atlantic went against the group's wishes by releasing a shorter version on 45. The single'sB-side, "Living Loving Maid (She's Just a Woman)", also hit theBillboard chart, peaking at No. 65 in April 1970. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly, initially performing in clubs and ballrooms, then in larger auditoriums and eventually stadiums as their popularity grew.[29]
Led Zeppelin II was not well-received by contemporary music critics.John Mendelsohn wrote a negative review of the record forRolling Stone, in which he mocked the group's heavy sound and white blues, while writing that "until you've listened to the album eight hundred times, as I have, it seems as if it's just one especially heavy song extended over the space of two whole sides".[30] InThe Village Voice,Robert Christgau jokingly referred to the band as "the best of the wah-wahmannerist groups, so dirty they drool on demand", while complaining that "all the songs sound alike", before assigning the album a "B" grade.[31] He nonetheless conceded in 1970 that "Led Zeppelin simply out-heavied everyone" the previous year, "pitting Jimmy Page's repeated low-register fuzz riffs against the untiring freak intensity of Robert Plant's vocal. This trademark has only emerged clearly on the second album, and more and more I am coming to understand it as an artistic triumph."[32]
On 10 November 1969, the album was certifiedgold by theRecording Industry Association of America and in 1990 it was certified 5× platinum reflecting shipping of five million copies. By 14 November 1999,Led Zeppelin II had shipped twelve million copies and was certified 12× platinum by the RIAA.[33] The 2014 reissue of the album helped itself get back into theBillboard Top 10 when it got to No. 9.[34]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [35] |
| Blender |  [36] |
| Encyclopedia of Popular Music | [37] |
| Entertainment Weekly | A+[38] |
| MusicHound Rock | 4.5/5[39] |
| Q | [40] |
| The Rolling Stone Album Guide | [41] |
| Tom Hull – on the Web | B+[42] |
Led Zeppelin II has since been regarded as the quintessential hard rock and heavy metal album.[1]AllMusic editorStephen Thomas Erlewine said it "provided the blueprint for all the heavy metal bands that followed it".[13] While crediting the band for essentially inventing metal,Tom Hull said that, after the first album had declared their musical ambition, "the second honed it down to a singular entity, a sound", with subsequent albums expanding on it in "sophisticated, subtler, often quite intelligent" ways, but still indebted to "the basic dumbness" ofII – "dumb not in the sense of stupid but of non-speaking. Lyrics are there of course, but as an integral part of the music, a music better appropriated tactilely, through incoherent sensation, than intellectually, literarily."[43]
The album was described as a "brilliant if heavy-handed blues-rock offensive", by popular music scholar Ronald Zalkind.[44] According to Robert Santelli'sThe Big Book of Blues: A Biographical Encyclopedia (2001), Led Zeppelin "had already begun to move beyond its blues-rock influences, venturing into previously unexplored hard-rock territories".[45] Blues-derived songs like "Whole Lotta Love", "Heartbreaker", "The Lemon Song", "Moby Dick", and "Bring It On Home" have been seen as representing standards of the metal genre, where the guitar-based riff (rather than vocalchorus orverses) defines the song and provides the key hook.[17] Such arrangements and emphasis were at the time atypical in popular music.[13] Page's guitar solo in "Heartbreaker" was an influence on later renowned guitaristsEddie Van Halen, as inspiration for histwo-handed tapping technique, andSteve Vai.[46]
Since its initial critical reception,Led Zeppelin II has earned several accolades from music publications, being ranked on critics' "best album" lists. In 1989,Spin magazine ranked the album No. 5 on its list ofThe 25 Greatest Albums of All Time.[47] In 1990,CD Review ranked it sixth on their list of top 50 CDs for starting a "pop/rock" library; an accompanying blurb described the album as "white boy blues with a hard rock edge".[48] In 2000,Q magazine placedLed Zeppelin II at number 37 in its list of the100 Greatest British Albums Ever.[49] In 2003, the album was ranked number 75 onRolling Stone magazine's list ofthe 500 greatest albums of all time,[50] 79 in a 2012 revised list,[51] and 123 in a 2020 revised list.[52] The album was also included in the book1001 Albums You Must Hear Before You Die.[53]
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Grammy Award | United States | "Grammy Award for Best Recording Package"[54] | 1970 | Nominee |
| Guitarist | United Kingdom | "Top 50 Most Influential Guitar Albums of All Time Ever"[55] | 1994 | 3 |
| Mojo | United Kingdom | "The 100 Greatest Albums Ever Made"[56] | 1996 | 41 |
| Platendraaier | The Netherlands – Dutch | "Top 30 Albums of the 60s"[57] | 2015 | 11 |
| The Guitar | United States | "Album of the Millennium"[58] | 1999 | 6 |
| Rolling Stone | United States | "The 500 Greatest Albums of All Time"[52] | 2020 | 123 |
| Q | United Kingdom | "100 Greatest Albums Ever"[59] | 2003 | 37 |
| Rock Hard | Germany | "The 500 Greatest Rock & Metal Albums of All Time"[60] | 2005 | 318 |
| Robert Dimery | United States | "1001 Albums You Must Hear Before You Die"[61] | 2006 | * |
| Classic Rock | United Kingdom | "100 Greatest British Rock Album Ever"[62] | 2006 | 8 |
| Rock and Roll Hall of Fame | United States | "The Definitive 200: Top 200 Albums of All-Time"[63] | 2007 | 47 |
| Q | United Kingdom | "50 Years of Great British Music (1960s)"[64] | 2008 | * |
(*) designates unordered lists.
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 95/100[65] |
| Review scores | |
| Source | Rating |
| The Austin Chronicle | [66] |
| Consequence of Sound | A−[67] |
| Pitchfork | 10/10[68] |
| Q | [69] |
| Rolling Stone |  [70] |
Along with the group'sself-titled debut album and their third album,Led Zeppelin III, the album was remastered and reissued on 2 June 2014. The reissue comes in six formats: a standard CD edition, a deluxe two-CD edition, a standard LP version, a deluxe two-LP version, a super deluxe two-CD plus two-LP version with a hardback book, and as high-resolution, 24-bit/96k digital downloads. The deluxe and super deluxe editions feature bonus material containing alternative takes, backing tracks and the previously unreleased instrumental, "La La".[71] The reissue was released with an altered colour version of the original album's artwork as its bonus disc's cover.[72]
The reissue was met with widespread critical acclaim. AtMetacritic, which assigns anormalised rating out of 100 to reviews from mainstream publications, the album received anaverage score of 95, based on 10 reviews.[65]Pitchfork journalist Mark Richardson said, "the reissue sounds as thrilling as ever",[68] while Julian Marszalek ofThe Quietus noted the bonus disc's "intriguing insight" into the original record's creation.[73] InRolling Stone,David Fricke wrote, "the alternate takes highlight Robert Plant's ripening vocal poise and, in a rough mix of 'Ramble On', the decisive, melodic force of John Paul Jones' bass and John Bonham's drumming."[70] "As a two-disc set",Consequence of Sound's Michael Madden wrote, "this reissue is both a reminder of the original album's wallop and a closer look at the alchemy of a band increasingly attuned to ideas of progression."[67] Raoul Hernandez fromThe Austin Chronicle was more critical of the bonus disc, finding it to be "the thinnest of extras" offered by the reissue program.[66]
All tracks written byJimmy Page andRobert Plant, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Whole Lotta Love" | 5:33 | |
| 2. | "What Is and What Should Never Be" | 4:47 | |
| 3. | "The Lemon Song" ([note 1]) |
| 6:20 |
| 4. | "Thank You" | 3:50[a] | |
| Total length: | 20:30 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Heartbreaker" |
| 4:15 |
| 2. | "Living Loving Maid (She's Just a Woman)" ([note 2]) | 2:40 | |
| 3. | "Ramble On" | 4:35 | |
| 4. | "Moby Dick" |
| 4:25 |
| 5. | "Bring It On Home" |
| 4:19 |
| Total length: | 20:1440:44 | ||
Notes
| No. | Title | Writer(s) | Recording Date | Length |
|---|---|---|---|---|
| 1. | "Whole Lotta Love" (Roughmix withvocal) |
| 16 April 1969 | 5:38 |
| 2. | "What Is and What Should Never Be" (Rough mix with vocal) | 19 April 1969 | 4:33 | |
| 3. | "Thank You" (Backing track) | 25 June 1969 | 4:21 | |
| 4. | "Heartbreaker" (Rough mix with vocal) |
| 21 May 1969 | 4:24 |
| 5. | "Living Loving Maid (She's Just a Woman)" (Backing track) | 25 June 1969 | 3:08 | |
| 6. | "Ramble On" (Rough mix with vocal) | 1 June 1969 | 4:43 | |
| 7. | "Moby Dick" (Backing track) |
| 6 May 1969 | 1:37 |
| 8. | "La La" (Intro/Outro Rough mix) | 14 April 1969 | 4:07 | |
| Total length: | 32:39 | |||
Led Zeppelin[75]
Production
Digitally remastered editions
Weekly charts[edit]Original release
2014 reissue
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Argentina (CAPIF)[104] | Gold | 30,000^ |
| Australia (ARIA)[105] | 4× Platinum | 280,000^ |
| Austria (IFPI Austria)[106] | Gold | 25,000* |
| Canada (Music Canada)[107] | 9× Platinum | 900,000^ |
| France (SNEP)[108] | 2× Gold | 200,000* |
| Germany (BVMI)[109] | Platinum | 500,000^ |
| Italy (FIMI)[110] sales since 2009 | Platinum | 100,000* |
| Spain (PROMUSICAE)[111] | Gold | 50,000^ |
| Sweden (GLF)[112] | Gold | 25,000[113] |
| United Kingdom (BPI)[114] | 4× Platinum | 1,200,000^ |
| United States (RIAA)[33] | 12× Platinum | 12,000,000^ |
* Sales figures based on certification alone. | ||
Citations
Sources
