This article is about the 2001 film starring Angelina Jolie. For the 2018 film starring Alicia Vikander, seeTomb Raider (film). For the character, seeLara Croft.
Lara Croft: Tomb Raider is a 2001actionadventure film based on theTomb Raider video game series featuring the characterLara Croft, portrayed byAngelina Jolie. An international co-production between the United States, Canada, United Kingdom, Japan and Germany, it was directed bySimon West and revolves around Lara Croft trying to obtain ancient artifacts in competition with the Illuminati.
AdventurerLara Croft defeats a robot in an Egyptian tomb, revealed to be a training exercise arena in her family manor, where she lives with her technical assistant Bryce and butler Hillary. InVenice, as the first phase of aplanetary alignment begins, theIlluminati search for a key to rejoin halves of a mysterious artifact, "the Triangle," which must be completed by the final phase, asolar eclipse. Manfred Powell assures the cabal that the artifact is almost ready, but has no real idea of its location.
Lara's father Lord Richard Croft, long missing and presumed dead, appears to her in a dream. Lara awakens to a mysterious ticking, and finds a strange clock hidden inside the manor. On her way to consult a friend of her father's, Wilson, Lara crosses paths with Alex West, an American associate and fellow adventurer. Lara shows Wilson the clock, and he puts her in touch with Powell. Lara shows Powell photographs of the clock, which he claims not to recognize.
That night, armed commandos invade the house and steal the clock, bringing it to Powell. The next morning, a prearranged letter from Lara's father arrives, explaining that the clock is the key to retrieving the halves of the Triangle of Light, an ancient object with the power to control time. After misuse of its power destroyed an entire city, the Triangle was separated: one half was hidden in a tomb atAngkorCambodia, and the other in the ruined city located atUkok Plateau, Siberia. Her father tasks her to find and destroy both pieces before the Illuminati can exploit the Triangle's power.
InCambodia, Lara finds Powell, who has hired West, and his commandos already at the temple. West solves part of the temple's puzzle, and Powell prepares to insert the clock at the moment of alignment. Lara, realizing they made a mistake, finds the correct keyhole; with only seconds left, Lara persuades Powell to throw her the clock. She unlocks the first piece of the Triangle, and the statues of the temple come to life and attack the intruders. West, Powell, and his remaining men flee with the clock, leaving Lara to defeat an enormous six-armed guardian statue. She escapes with the first piece; recovering at a Buddhist monastery, she arranges a meeting with Powell.
In Venice, Powell proposes a partnership to find the Triangle, and informs Lara that her father was a member of the Illuminati, and offers to use the Triangle's power to resurrect him; though reluctant, she agrees to join forces. Lara and Bryce travel with Powell, West, and the leader of the Illuminati to Siberia. Entering the tomb, they discover a giantorrery, which activates as the alignment nears completion. Lara retrieves the second half of the Triangle, and Powell kills the Illuminati's leader to restore the Triangle himself, but the halves will not fuse. Realizing Lara knows the solution, Powell kills West to persuade her to complete the Triangle to restore West's and her father's lives. Lara complies, but seizes the Triangle herself.
In a "crossing" of time, Lara faces her father, who urges her to destroy the Triangle for good rather than save his life. Returning to the tomb, Lara manipulates time to save West and stab Powell, and destroys the Triangle. The tomb begins to collapse, and all flee but the wounded Powell, who reveals to Lara that he murdered her father. After a hand-to-hand fight, she kills Powell, retrieves her father's pocket watch, and escapes the tomb.
Back in her manor, Lara visits her father's memorial and finds that Bryce has reprogrammed the robot, and Hillary presents her with her pistols, which she takes with a smile.
Tomb Raider went through many drafts and several writers, which resulted in production delays. In 1998, writer Brent V. Friedman, who had co-writtenMortal Kombat Annihilation the year before, penned an unproducedTomb Raider script. Producer and screenwriterSteven E. de Souza, who wrote and directed the 1994 video game filmStreet Fighter, penned an early draft of theTomb Raider script in 1999, which was rejected by Paramount. The final draft of the script was attributed to five writers, including director Simon West. West reverted to the original writers after he replacedStephen Herek as director.[5]
Lara Croft was financed throughTele München Gruppe (TMG), a Germantax shelter. The tax law of Germany allowed investors to take an instant tax deduction even on non-German productions and even if the film has not gone into production. By selling them the copyright for $94 million and then buying it back for $83.8 million,Paramount Pictures made $10.2 million. The copyright was then sold again to Lombard Bank, a British investment group and a further $12 million was made. However, to qualify for Section 48 tax relief, the production must include some UK filming and British actors, which was acceptable for a film partially set in the United Kingdom. Presales to distributors in Japan, Britain, France, Germany, Italy and Spain made a further $65 million.Showtime paid $6.8 million for premium cable television rights. In total, $94 million was put together.[6]
The casting of Jolie was controversial among many fans of theTomb Raider series, with complaints about an American actress being hired to play a British character; others cited Jolie's tattoos and well-publicized controversial personal life.[9] Director Simon West dismissed these concerns and said, in reference to Jolie's penchant for sexual knife play, "it was always Angelina. I mean, Lara sleeps with knives and doesn't take shit from anybody. That's [Angelina] down to a tee."[9] Jolie wore a padded bra to increase her bust size when playing Lara. As she explained toNY Rock in June 2001: "C'mon, I'm not so flat chested to begin with. When I wear a tight T-shirt, I look a certain way. So it wasn't like we had to completely change me. You know, we just had to enhance me a little. I'm a 36C. Lara, she's a 36D. And in the game, she's a double D, so we took her down some. But we did give her a bit of padding there. For me, it was simply one size. So it was like having a padded bra. But no, I am not flat chested anyway. So we still made it Lara Croft, but we didn't go to any extremes. And Lara doesn't apologize for herself, and for having that, you know, recognizable shape. So I'm not going to apologize for her either."[10][11]
The film marked the feature film debut of television actorChris Barrie, known for his role of Arnold Rimmer in theBBC science fiction comedy seriesRed Dwarf. English actorDaniel Craig adopts an American accent for the role of Alex West whilst Jolie takes on an English accent.[12] Jon Voight, Angelina Jolie's father, plays Richard Croft, Lara's father in the film.
Principal photography forLara Croft: Tomb Raider took place from July 30 to November 30, 2000. Portions of the film were shot on location at theTa Prohm temple, located inAngkor,Siem Reap Province, Cambodia. The film was the first major motion picture to be shot in Cambodia sinceLord Jim in 1964, following the country's occupation by theKhmer Rouge regime.[13] In addition to on-location shooting, a majority of the film's production also took place on the007 Stage atPinewood Studios.[14]Hatfield House in Hertfordshire was used as Croft's home in the film.[15]
Simon West's first director's cut of the film was 130 minutes long, before it went through re-shoots some time later after principal photography was finished. West was removed from working on the film in post-production, however he did return to work on re-shoots. EditorStuart Baird was brought in by Paramount to re-edit the film. Baird was promised the job of directingStar Trek: Nemesis by Paramount in exchange for re-editing original 130-minute cut of this film and John Woo's original 210-minute cut ofMission: Impossible 2.
Due to post-production taking longer than expected, some major effects were left unfinished by the time the film was released in theaters. Baird re-edited the film down to 88 minutes. One of the bigger cuts on the film was changing the original score. Originally,Nathan McCree was hired to compose the score, as he had composed the music for the first three Tomb Raider games. Greg Hale Jones started to work on the score with Peter Afterman in November 2000, after production was finished, andDanny Elfman composed the main theme for the film. Jones later said how once West was fired from the film, his score and Elfman's theme were shelved.Michael Kamen was then hired and submitted demos, and composed a full score which was rejected once the film was re-edited by Baird.Graeme Revell was then brought in and he had to compose sixty minutes of music inside ten days.Jerry Goldsmith was also attached to score the film, but he couldn't due to health problems at the time.[16][17][18][19]
Despite the fact that a large amount of the film was cut, only four deleted scenes, seven minutes long in total, were included as extras on the film's DVD and Blu-Ray releases. Trailers for the film showed more deleted scenes. In July 2001, Simon West stated that he had prepared alternate version of the film for a DVD release which would include deleted scenes, but this version was never released. Angelina Jolie's nude scenes were also cut out for a PG-13 rating.
Some of the earlier scripts for the film included more scenes focusing on Lara's sex appeal, like Lara flashing her breasts to some villains as a distraction (Steven E. de Souza's February 1999 script), using her breasts to crush a giant millipede (Mike Werb &Michael Colleary's November 1999 script). Jolie later stated that she was disappointed with how Lara's sexual appeal was scaled down, and how she thought Lara wasn't sexy enough in the final film.[20][21][22][23][24]
Lara Croft: Tomb Raider is a 2001 soundtrack album to the film. The various artists soundtrack was released June 15, 2001. The Score was later released on June 25, 2001. The film also featured the songs "Lila" byVas, "Inhaler" byCraig Armstrong, and a Piano rendition of "Largo" fromJohann Sebastian Bach'sHarpsichord Concerto no. 5 performed by Hae-won Chang. These were not featured on the soundtrack.
Graeme Revell composed the soundtrack in less than two weeks,[27] following failed attempts by other composers.[28]
The CD was released throughElektra Entertainment. As noted by Revell, the tracks were mislabeled after failed attempts to stop the pressings. For example, the opening track includes both the Main Titles and Lara Croft at Home cues together. The resulting score caused the composer himself to issue an apology "for the poor listening experience" through his website.[28] The track list was later revised.[29]
Lara Croft: Tomb Raider was released onDVD andVHS on November 13, 2001; aBlu-ray release followed on June 3, 2008. A 4K UHD Blu-ray release followed on February 27, 2018.[30]
On the North Americanvideo rental charts, the film grossed$38.5 million in DVD rental revenue, as of December 2001[update].[31] In the United Kingdom, it was watched by7 million viewers on television in 2004, making it the year's sixth most-watched film (and third most-watched British film) on television.[32]
The film grossed a total of $131,168,070 domestically and $274,703,340 worldwide.[3] Adjusted for inflation,Lara Croft: Tomb Raider remains the second highest grossing live-action adaptation of a video game at the domestic box office.[39]
Lara Croft: Tomb Raider received generally negative reviews from critics.[40] On review aggregatorRotten Tomatoes, 20% of 163 critic reviews are positive for the film, and the average rating of 4/10. The site's consensus is "Angelina Jolie is perfect for the role of Lara Croft, but even she can't save the movie from a senseless plot and action sequences with no emotional impact."[41]Metacritic assigned the film a weighted average score of 33 out of 100, based on reviews from 31 critics, indicating "generally unfavorable" reviews.[42] Audiences surveyed byCinemaScore gave the film a grade B on scale of A to F.[43]
IGN gave the film the lowest out of all the scores, a 0.0 ("Disaster") rating, condemning everything from character performances to the ending.[44] Todd McCarthy ofVariety said "[the film] has the distinction of being a major motion picture that’s far less imaginative, and quite a bit more stupid, than the interactive game it’s based on." McCarthy praises Jolie but says "everything else about this frenetic production is flat and unexciting."[45][46]A positive review came fromRoger Ebert, who awarded the film three out of four stars and said,"'Lara Croft Tomb Raider' elevates goofiness to an art form. Here is a movie so monumentally silly, yet so wondrous to look at, that only a churl could find fault."[47]
In 2018, IGN reported that the film was "generally regarded as one of the better video game adaptations".[37] In 2021,British GQ listedLara Croft: Tomb Raider as one of the "only video game adaptations worth watching".[48] In 2023,The Vulture also commented that the film was "one of the select few times a big-budget video-game movie has actually worked."[49]
Director Simon West would comment a decade after its release that the creation ofLara Croft was influenced by a film market that "wasn't used to women leading summer blockbusters".[56] This factor influenced his decision to castAngelina Jolie who was not well known at the time,[citation needed] and not the studio's first choice (in contrast toCatherine Zeta-Jones,Ashley Judd, andJennifer Lopez).[56] West said that his decision to cast Jolie lay in the fact that "there hadn't been a female lead of an action-adventure film that had carried a film [by herself recently], and Angelina wasn't as big as some of the other actresses that were up for the part, who'd done bigger films and had a longer track record and bigger box-office grosses... Some of their [images] were safer than Angelina's, whose was quite dangerous. She had all sorts of thing written about her—some obviously not true. She was a young woman experimenting."[56]
WhileLara Croft's box office totals were the highest for a female-led action film at the time, and the film inspired theme park rides and led to a sequel, West stated in 2018 that "at the time, the studio was incredibly nervous at what the outcome could have been. I'm surprised it's taken so long [for other female-fronted action stories to rise up], because I thought that two or three years after, there'd be 10 other movies like it cashing in on its success ...[b]ut it's amazing how things work so slowly. But finallyThe Hunger Games andWonder Woman have caught up!"[56]
Jolie returned in the sequelLara Croft: Tomb Raider – The Cradle of Life. While it was viewed as a critical improvement over its predecessor,[57] it did not repeat its financial success, grossing $160 million.[58]
GK Films first acquired the rights to reboot the film in 2011.[59] In April 2016, MGM and GK Films announced a reboot of the film starringAlicia Vikander as Lara Croft withRoar Uthaug directing.[60][61] It was released March 16, 2018.
^David Hughes - Tales From Development Hell: The Greatest Movies Never Made, Page 231, Interviews with De Souza and Revell; "de Souza alleges that West went 'many, many millions over budget and two months over schedule, so the minute he turned in his interminable 130-minute cut, Paramount showed him the door. They didn’t even let him in the editing room.' Whether or not this is true — West was later invited back to direct minor reshoots in London, and provides director's commentary for the DVD — Paramount brought in Stuart Baird [...] to re-cut the entire movie. 'Stuart Baird has an executive producer credit on the movie,' notes de Souza, 'but all he did was re-cut the movie down to eighty-eight minutes (plus generous head and tail credits).' The studio also rejected the original music score by Michael Kamen (The X-Men), commissioning Pitch Black composer Graeme Revell to produce a new soundtrack — sixty minutes of music — in the space of ten days. [...] So rushed were the final stages of post production, that several major effects shots appeared incomplete by the time the film hit theatres."
^David Hughes - Tales From Development Hell: The Greatest Movies Never Made? - Chapter 12; Tomb Raider Chronicles - Why making the leap to the big screen was the toughest challenge Lara Croft had ever faced, Pages 211-235