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| Author | Jonathan Mahler |
|---|---|
| Language | English |
| Genre | History |
| Set in | New York City |
| Published | 2005 |
| Publisher | Farrar, Straus and Giroux |
| Publication place | United States |
| Media type | |
| Pages | 368 |
| ISBN | 9781429931038 |
Ladies and Gentlemen, the Bronx Is Burning: 1977, Baseball, Politics, and the Battle for the Soul of a City is a book byJonathan Mahler that focuses on the year 1977 inNew York City. First published in 2005, it's described as 'a layered account', 'kaleidoscopic', 'a braided narrative', which weaves political, cultural, and sporting threads into one narrative. It was also the basis for the ESPN mini-seriesThe Bronx Is Burning.[1][2]
Part of the phrase surfaced in television media in 1972 as the title of an episode from theMan Alive documentary series co-produced byBBC Television andTime-Life Films.[3] EntitledThe Bronx Is Burning, the hour-long episode shadowed Engine Company 82 and Ladder Company 31 as they operated throughout the Bronx, chronicling the impact of austerity upon fire safety services in the borough.[3]
It was five years later in this same borough that Game 2 of the1977 World Series was played on October 12 atYankee Stadium.ABC cameras covering the game cut to a helicopter shot of the surrounding neighborhood where a large fire was shown raging out of control in Public School 3, a building occupying the block bordered by Melrose and Courtlandt Avenues and 157th and 158th Streets.[4] The following exchange occurred betweenABC announcersKeith Jackson andHoward Cosell:
Jackson: "That is a live picture, obviously a major fire in a large building in the south Bronx region of New York City. That's a live picture, and obviously the fire department in the Bronx have there, a problem. My goodness, that's a huge blaze."Cosell: "That's the very area where President Carter trod just a few days ago."[5]
About nine minutes later, viewers were again being shown the scene of the fire from the helicopter's camera:
Cosell: "That's a live shot again, of that fire in the south Bronx that Keith called to your attention just a few moments ago. Wonder how many alarms are involved? But as Keith said, the fire department really has its work cut out for it."[5]
Altogether the two men spoke about the fire on five separate occasions. Television viewers were repeatedly assured that no one had been hurt, but were told mistakenly that the site was a vacant apartment building.[4] According to theNew York Post, the words used by the two broadcasters during the game were later "spun by credulous journalists" into the now ubiquitous phrase "Ladies and gentlemen, the Bronx is burning" without either of the two announcers actually having phrased it that way.[6]
The book begins by telling of the fiscal andspiritual crisis, as Jonathan Mahler calls it, of the city in the mid-1970s. In political cartoons, New York had become a sinking ship, a zoo where the apes were employed as zookeepers, a naughty puppy swatted by a rolled-up newspaper. New York's finances were in need of attention. Less than halfway throughAbraham Beame's term as mayor, the city was "careering toward bankruptcy." And perhaps there were signs that the 'cultural axis' had tilted. In 1972,The Tonight Show Starring Johnny Carson had moved fromMidtown Manhattan toBurbank, California—the cultural equivalent of theBrooklyn Dodgers move to Los Angeles—andCarson would stick the boot in by sprinkling his monologues with reminders of the city's decline. "Some Martians landed inCentral Park today ... and were mugged."
The baseball thread of Mahler's book focuses on the New York Yankees. In the1976 World Series, theYankees had been beaten by theCincinnati Reds, but had won their first pennant since1964, and the fans were cheeringBilly Martin—back in New York after 18 years. At 47, "he had the look of a rather shopworn Mississippi riverboat gambler." Martin's cockiness, scrappiness, and hunger to win met with a positive response in theSouth Bronx. On November 29, 1976,Reggie Jackson joined the Yankees. Mahler compares Jackson not toJoe DiMaggio but to another Joe—Joe Namath: "Both were mini-skirt chasing bachelors, and had confidence to bring the city victory." All winter the papers filled with speculation about how Jackson andThurman Munson, the Yankees catcher and captain, were going to get along. Those who knew him described Munson as moody; his friendSparky Lyle didn't agree: "When you're moody, you're nice sometimes." Mahler looks at the new Yankee dynasty that was forming in '77:Mickey Rivers,Willie Randolph, Reggie ... and those close to Martin—Catfish Hunter,Lou Piniella,Graig Nettles.Fran Healy, the backup catcher, was Jackson's only friend on the team. Mahler looks at certain key games:
The cultural thread of Mahler's book focuses particularly on the impact ofRupert Murdoch. News of Murdoch's purchase of theNew York Post broke on November 20, 1976. In 1973, he'd gathered up theSan Antonio News and launched theNational Star as a "supermarket tabloid"; now the ailingPost was in his grip, and his eyes also turned toClay Felker'sNew York. Murdoch was an active presence in the newsroom according to Mahler's account, peering over reporters' shoulders and punching up the paper's headlines and copy. In March 1977 alone, The Post ran 21 items onFarrah Fawcett-Majors, a star ofCharlie's Angels; stories became shorter, pictures bigger, headlines louder.
Within the cultural thread, Mahler writes of the music of the time. "Now is the summer of ourdiscothèques" the journalistAnthony Haden-Guest had written inNew York magazine.Studio 54, the discothèque that defined an era of nightlife, had opened in April 1977.Paramount Pictures had just begun shootingSaturday Night Fever; by the end of the summer, disco would be America's second largest grossing entertainment business after professional sports. If discos like Studio 54 provided an escape from the ugliness, its punk analog, a bar onThe Bowery calledCBGB, embraced it, featuring acts such asTelevision,Blondie,Patti Smith, and theRamones. "Broken youth stumbling into the home of broken age," wrote Frank Rose in theVillage Voice.
In the midst of the various threads, Mahler writes of theSon of Sam murders and of theNew York City blackout of 1977, which took place on July 13–14, 1977. As a serial killer preyed on an alarmingly increasing number of victims while eluding a visibly shaken and financially strapped police force, a blanket of hot muggy weather descended on the city. Demand for electricity peaked in the middle of the afternoon when air conditioners were rumbling all over the city. That night, a majorblackout— "a total urban eclipse"—struck, and all five boroughs of New York City and most ofWestchester Countywere suddenly without power for several hours. The mass looting that ensued remains the only civil disturbance in the history of NYC to encompass all five boroughs simultaneously, and the 3776 arrests were the largestmass arrest in the city's history.
Mahler recounts the 1977 mayoral race, and the battle between three diverse candidates:
Koch took office on the first day of 1978.
Kirkus Reviews wrote: "With a nice touch for pop culture, Mahler paints an informed picture of a bright city in a dark hour."[7]
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