Klaus Modick was born inOldenburg and completed his secondary education at the Altes Gymnasium there in 1971. He then attendedHamburg University, where he read German, History and Educational Theory, completing his teaching qualification in 1977. Modick then took a doctorate in 1980, with a thesis on the German-Jewish novelist and playwrightLion Feuchtwanger.[1]
Modick spent five years as an advertising copywriter and worked as a part-time lecturer in German literature in the higher education sector before becoming a freelance writer and translator in 1984.[2]
In 1984 he married an American citizen he met during one of his frequent visits to Crete and they have two daughters. Modick has said that he feels a special affinity with Crete and its people and in 2003 he published the novelDer kretische Gast, set in 1943 during theGerman occupation of Crete.[2][3]
From 1986 to 1992 Modick wrote a monthly column on paperbacks forDie Zeit and from 1997 to 2002 forDie Tageszeitung. He has held a number of guest lectureships in Germany, the US and Japan (see below). He is a member ofPEN Centre Germany and has received numerousawards.
Modick returned to live in Oldenburg in 2000 after spending several years abroad, including a year in Rome and another in Paris and 'three to four years' in the USA.[3]
From 2000 to 2003 he was a member of the literary commission of the Lower Saxony Ministry for Science and the Arts, having previously received a number of awards from this body.[4]
Modick is also an essayist and literary critic and has published several volumes of non-fiction writings includingDas Stellen der Schrift,Milder Rausch andEin Bild und tausend Worte.
Many of Modick's novels are concerned with German–American themes, for example,Die Schatten der Ideen, which tells the story of a German historian who emigrates to the US in 1935 and later finds himself swept up in the witch-hunts of theMcCarthy Era. Other exile-themed novels includeSunset, which tells of the friendship betweenBertolt Brecht andLion Feuchtwanger whilst in Los Angeles in the early 1940s.Sunset was nominated in 2011 for theGerman Book Prize and theWilhelm Raabe Literature Prize.[5]
Despite his high reputation in the German-speaking world and prolific output, Modick was not translated into English until 2020, when his novellaMoos, translated by David Herman, was published under the titleMoss by Bellevue Literary Press, New York, NY. A number of his works have English titles, reflecting the time Modick spent in the US.
Modick's 2015 novelKonzert ohne Dichter, which tells of the difficult relationship between artistHeinrich Vogeler and poetRainer Maria Rilke in 1905, became an almost immediate bestseller on publication.
Modick has enjoyed great critical acclaim in the German-speaking world.
Ein Bild und tausend Worte. Die Entstehungsgeschichte von "Konzert ohne Dichter" und andere Essays, Kiepenheuer & Witsch, Köln 2016,ISBN978-3-462-04926-8
David-Christopher Assmann & Eva Geulen:Zur gesellschaftlichen Lage der Literatur (mit einer Fallstudie zu Klaus Modick), in: WestEnd. Neue Zeitschrift für Sozialforschung 9 (2012), Vol. 2, pp. 18–46.
Dirk Frank:Narrative Gedankenspiele. Der metafiktionale Roman zwischen Modernismus und Postmodernismus. Wiesbaden 2001.
Sabine Jambon:Moos, Störfall und abruptes Ende, Düsseldorf 1999
Von Lust und Last literarischen Schreibens. Ein Blick in die Werkstatt deutscher Scriftsteller. Klaus Modick and Helmut Mörchen, Eichborn 2001ISBN978-3-8218-0888-8
Helmut Mörchen:Klaus Modick – ein Gegenwartsautor, den man kennen sollte. Neue Gesellschaft/Frankfurter Volume 5/2011.
Harry Nutt:Tiefbohrungen ins Blaue. Über den Schriftsteller Klaus Modick. Merkur 11/1988.
Janina Richts:Inszenierungen von Autor-Kritiker-Verhältnissen in der deutschsprachigen Gegenwartsliteratur. München 2009.
Ralf Schnell:Geschichte der deutschsprachigen Literatur seit 1945. Stuttgart 2005.
Bernd Stenzig:Rilke und Vogeler: Irreführungen in Klaus Modicks "Konzert ohne Dichter". Karl-Robert Schütze, Berlin 2015,ISBN978-3-928589-31-4
Hubert Winkels:Postmoderne leicht gemacht – Klaus Modick und die Rückkehr der Familie. In: Hubert Winkels:Kann man Bücher lieben? Köln 2010.
Dieter Wrobel:Postmodernes Chaos – Chaotische Postmoderne. Eine Studie zu Analogien zwischen Chaostheorie und deutschsprachiger Prosa der Postmoderne. Bielefeld 1998.
^abTruschke, Jan-Hendrik Baade, Karin Benecke, Danica von Bloh, Piet Julius, Jehal Noman, Michael Opasinski, Key Riebau, Erik Siegel, Sarah Tölle, Olga."Wie auf Flügeln – der Schriftsteller Klaus Modick".www.literaturatlas.de. Retrieved7 February 2017.{{cite web}}: CS1 maint: multiple names: authors list (link)