Kirsty MacColl | |
|---|---|
 MacColl in 1995 | |
| Background information | |
| Born | Kirsty Anna MacColl (1959-10-10)10 October 1959 Croydon, England |
| Died | 18 December 2000(2000-12-18) (aged 41) Cozumel,Quintana Roo, Mexico |
| Genres | |
| Occupations |
|
| Works | Kirsty MacColl discography |
| Years active | 1978–2000 |
| Labels | |
Spouse | [1] |
| Website | kirstymaccoll |
Kirsty Anna MacColl (/məˈkɔːl/,mə-KAWL; 10 October 1959 – 18 December 2000) was a British singer and songwriter. The daughter of folk singerEwan MacColl, she recorded several pop hits in the 1980s and 1990s, including "There's a Guy Works Down the Chip Shop Swears He's Elvis" and cover versions ofBilly Bragg's "A New England" andthe Kinks' "Days". She also sang on a number of recordings produced by her husbandSteve Lillywhite, most notably "Fairytale of New York" bythe Pogues. Her first single, "They Don't Know", would have chart success a few years later when covered byTracey Ullman. Her death in 2000 led to the "Justice for Kirsty" campaign.
Kirsty Anna MacColl was born inCroydon,Surrey (now inSouth London),[2][3] the daughter offolk singerEwan MacColl (1915–1989) and dancer Jean Newlove (1923–2017). Her father was born in England toScottish parents. MacColl and her older brother, Hamish MacColl, grew up with their mother inSelsdon, inCroydon, where she attended Park Hill Primary School, Monks Hill High School and John Newnham High School, making appearances in school plays. At the time of her birth, and since 1956, her father was also in a relationship with folk singer, multi-instrumentalist and songwriterPeggy Seeger (a relationship that would continue until his death in 1989), and already had a son with Seeger.
She came to notice whenChiswick Records released an EP by localpunk rock band the Drug Addix (originally called Tooting Fruities) with MacColl on backing vocals (The Drug Addix Make A Record) under the pseudonym Mandy Doubt (1978).Stiff Records executives were not impressed with the band, but liked her and subsequently signed her to a solo deal.[4]
Her debut solo single "They Don't Know", released in 1979, peaked at number two on the Music Week airplay chart.[5][6] However, a distributors' strike prevented copies of the single getting intorecord stores, and the single consequently failed to appear on theUK Singles Chart.
MacColl recorded a follow-up single, "You Caught Me Out", but felt she lacked Stiff Records's full backing, and left the label shortly before the song was to be released. The single was pulled, and only a few "white label" promo copies of the single are known to exist.
MacColl moved toPolydor Records in 1981. She had a number 14 UK hit with "There's a Guy Works Down the Chip Shop Swears He's Elvis",[7] from her critically acclaimed debut albumDesperate Character. In 1983, Polydor dropped her just as she had completed recording the songs for a planned second album (to be calledReal) which used more synthesizers and had new wave-styled tracks. She returned to Stiff, where pop singles such as "Terry" and "He's on the Beach" were unsuccessful, but a cover ofBilly Bragg's "A New England" in 1985 reached number 7 on the UK charts. This included two extra verses specially written for her by Bragg. Also around this time, MacColl wrote and performed the theme song "London Girls" forChannel 4's short-lived sitcomDream Stuffing (1984).
In the United States, MacColl was perhaps best known as the writer of "They Don't Know".Tracey Ullman's recording of the song was aBillboard Top Ten hit.[8] Ullman's version reached No. 8 on the USHot 100 in April 1984[9] (and did even better in the UK, hitting No. 2 in September 1983).[10] MacColl also sang back-up on the track, providing the "Baay-byy" because it was too high a pitch for Ullman.[11] It was played over the closing credits of Ullman's HBO showTracey Takes On... in 1996. Ullman also recorded three more of MacColl's songs, "You Broke My Heart In 17 Places" and "You Caught Me Out", as the title tracks of her first and second albums respectively, and "Terry" which was released as a single in 1985.
In 1986, MacColl contributed backing vocals forthe Smiths song "Ask".[12] She contributed backing vocals to theSimple Minds 1984 album,Sparkle in the Rain. Her vocals can be heard on the tracks "Speed Your Love to Me" and "Street Hassle".[13]
When Stiff Records went bankrupt in 1986, MacColl was left unable to record in her own right, as no record company bought her contract from theofficial receiver. However, she had regular session work as a backing vocalist, and she frequently sang on records produced or engineered by her husband,Steve Lillywhite, including tracks forThe Rolling Stones on theDirty Work album,Robert Plant,the Smiths,Alison Moyet,Shriekback,Simple Minds,Talking Heads,Big Country,Anni-Frid Lyngstad (ofABBA) andthe Wonder Stuff, among others. She appeared in the videos "Welcome to the Cheap Seats" for the Wonder Stuff and "(Nothing But) Flowers" for Talking Heads (along withJohnny Marr, ex-member ofthe Smiths). MacColl also set the track sequencing forU2's acclaimed breakthrough albumThe Joshua Tree, for which Lillywhite provided mixes.[14]
MacColl re-emerged in the British charts in December 1987, reaching number 2 withthe Pogues on "Fairytale of New York", singing a duet withShane MacGowan. This led to her accompanying the Pogues on their British and European tour in 1988, an experience which she said helped her temporarily overcome herstage fright.[15] In March 1989, MacColl sang backing vocals on theHappy Mondays'Hallelujah EP.
After the contract issue was resolved, MacColl returned to recording as a solo artist and received critical acclaim upon the release ofKite (LP) in 1989. The album was widely praised by critics, and featured collaborations withDavid Gilmour andJohnny Marr. MacColl's lyrics addressed life inMargaret Thatcher's Britain and addressed the vagaries of love in "Don't Come the Cowboy with Me Sonny Jim!". AlthoughKite contained many original compositions, MacColl's biggest chart success from the album was the cover ofthe Kinks' song "Days", which gave her a UK top 20 hit in July 1989. A bonus track on the CD version ofKite was a cover ofthe Smiths song "You Just Haven't Earned It Yet, Baby".
During this time, MacColl featured on the British TV sketch comedyFrench and Saunders, appearing as herself, singing songs including "15 Minutes" and "Don't Come the Cowboy with Me Sonny Jim!" (fromKite), "Still Life" (the B-side of the "Days" single), "Girls on Bikes" (a reworking of B-side "Am I Right?") and, with comedy duo Raw Sex, theFrank andNancy Sinatra hit "Somethin' Stupid". She continued to write and record, releasing the albumElectric Landlady in 1991. The album's title was coined byJohnny Marr as a play on theJimi Hendrix album titleElectric Ladyland. It included her most successful chart hit in North America, "Walking Down Madison", co-written with Marr and a top 30 hit in the UK. Despite the song's U.S. chart success,Landlady was not a hit for Virgin Records and in 1992, when Virgin was sold to EMI, MacColl was dropped from the label.
MacColl releasedTitanic Days, informed by her failing marriage with Lillywhite,[16] in 1993, butZTT Records had agreed only to release the album as a "one-off" and declined to sign her to a contract. The album included "Soho Square", an original composition set in London. After MacColl's death a memorial bench was placed inSoho Square inscribed with a lyric from the song where fans could pay their respects.[17] In 1995, she released two new singles on Virgin, "Caroline" and a cover ofLou Reed's "Perfect Day" (a duet withEvan Dando), together with the "best of" compilationGalore.
Galore became MacColl's only album to reach the top 10 in theUK Albums Chart, but neither of the new singles, nor a re-released "Days", made the Top 40. MacColl did not record again for several years; her frustration with the music business was exacerbated by a lengthy case of writer's block. MacColl herself admitted that she was ready to give up her music career and become an English teacher in South America.[citation needed]
In 1998, the albumWhat Do Pretty Girls Do? was released, containingBBC Radio 1 live sessions (featuringBilly Bragg on two songs) that were broadcast between 1989 and 1995.
After several trips to Cuba and Brazil, MacColl recorded theworld music-inspired (particularly Cuban and other Latin American forms)Tropical Brainstorm, which was released in 2000 to critical acclaim. It included the song "In These Shoes?", which garnered airplay in the U.S., was covered byBette Midler and featured in the HBO showSex and the City. After MacColl's death it was adopted byCatherine Tate as the theme tune for herBBC programmeThe Catherine Tate Show,[12] and featured on the soundtrack to filmKinky Boots.
However, despite the relative success ofTropical Brainstorm, MacColl had been dropped byV2 Records prior to her death.
MacColl featured regularly in the third series of theFrench and Saunders Show, a comedy show on the BBC. Unlike other guests on the show, she was not part of any of the sketches but sang her songs whilst performing as in a music video. She also made regular appearances onJools Holland's TV shows, also on the BBC, singing during the 1995Hootenanny a rendition of "Miss Otis Regrets" with the Pipes and Drums of theIrish Guards.
MacColl appeared in the 1991 Channel 4 historic musical fantasyThe Ghosts of Oxford Street asKitty Fisher, performing "Fairytale of New York" opposite Shane MacGowan as the Duke of York.
Her last television concert was recorded in Glasgow on 14 March 2000 and was broadcast by BBC, in December 2001, asKirsty MacColl: The Boxed Set.[18][19]
In 2000, after she participated in the presentation of a radio programme for theBBC in Cuba,[20] MacColl took a holiday inCozumel, Mexico, with her sons and her boyfriend, musician James Knight. On 18 December 2000, she and her sons went diving at the Chankanaab reef, part of the National Marine Park of Cozumel, in a designated diving area where watercraft were restricted from entering. With the group was a local veteran divemaster, Iván Díaz. As the group was surfacing from a dive, a powerboat moving at high speed entered the restricted area. MacColl saw the boat coming before her sons did. Louis, aged 13 at the time, was not in its path, but Jamie, then aged 15, was. She was able to push him out of the way (he sustained minor head and rib injuries), but she was struck by the powerboat, which ran over her. MacColl suffered severe chest and head injuries and died instantly, at the age of 41.[21]
MacColl's body was repatriated to the United Kingdom and was cremated after a funeral service atMortlake Crematorium inKew.[22] A memorial service for MacColl was held on 20 January 2001.[23][24][25]
The powerboat involved in the collision was controlled by Guillermo González Nova, multimillionaire president of theComercial Mexicana supermarket chain, who was on board with members of his family. The boat was owned byCarlos González Nova, brother of Guillermo and founder of Comercial Mexicana. An employee of Guillermo González Nova, boathand José Cen Yam, said he was in control of the boat at the time of the incident.[26][27] Eyewitnesses said that Cen Yam was not at the controls and that the boat was travelling much faster than the speed of oneknot that González Nova said.
Cen Yam was found guilty ofculpable homicide and sentenced to two years and ten months in prison. He was allowed under Mexican law to pay apunitive fine of 1,034pesos (about €63, £61 or US$90) in lieu of the prison sentence. He was also ordered to pay approximately US$2,150 in restitution to MacColl's family, an amount based on his wages. People who said they spoke to Cen Yam after the killing said he received money for taking the blame.[27][28]
MacColl's family launched the Justice for Kirsty campaign in response to the events surrounding her death. Among the group's efforts:
On 20 August 2009, Carlos González Nova died at 92 of natural causes.[32] In December of that year, the Justice for Kirsty Campaign Committee issued a statement announcing that the campaign was being terminated since it "was successful in achieving most of its aims" and "it is unlikely that any more could be achieved". The campaign's remaining funds were to be divided between two charities,Casa Alianza México andCuba Music Solidarity, a gesture of which, the statement read, "Kirsty would have approved".[33]
In 2001, a bench was placed by the southern entrance to London'sSoho Square as a memorial to her, after a lyric from one of her most poignant songs: "One day I'll be waiting there / No empty bench in Soho Square". Every year on the Sunday nearest to MacColl's birthday, 10 October, fans from all over the world hold a gathering at the bench to pay tribute to her and sing her songs.[34]
MacColl was honoured in 2002 with a memorial concert in London at theRoyal Festival Hall, featuring a number of musicians who had worked with her or been influenced by her. A similar memorial concert took place on her birthday (10 October 2010) at theO2 Shepherd's Bush Empire, to support her favourite charity, The Music Fund for Cuba.[35]
MacColl continues to receive media exposure; in 2004,Kirsty MacColl: The One and Only, a biography of MacColl by Karen O'Brien, was published. A retrospective three-CD set spanning her full career,From Croydon to Cuba, was released in 2005.Titanic Days was re-released in 2005 as a deluxe 2-CD set, andKite andElectric Landlady were also remastered and rereleased with additional tracks. Her first album,Desperate Character, was given its first CD issue in 2012 on the Salvo label. On 7 August 2005,The Best of Kirsty MacColl, a single-disc compilation that included a "new" single, "Sun on the Water", made its debut on the UK album charts at number 17, climbing to No. 12 a week later.
MacColl's collaboration with the Pogues, "Fairytale of New York", remains a Christmas favourite. In 2004, 2005 and 2006, it was voted favourite Christmas song in a poll by music video channelVH1.[36] The song was re-released in the UK in December 2005, with proceeds being split between the Justice for Kirsty Campaign and charities for the homeless. The re-release reached number 3 on the UK charts, and spent five weeks in the top 75 over the Christmas and New Year period. It reached the top 10 for the third time in its history in 2006, peaking at number 6, and charted again in December 2007. The song has also made the Top 20 in subsequent years, and has now spent more time in the top 20 than any other song.[citation needed] With the exception of the 2005 and 2012 re-releases, the seasonal re-charting in the 21st century is due to download sales, and not due to further releases (download sales counting toward the singles chart since 2005). A 7" single was produced in 2012 to mark the 25th anniversary of its original appearance (Rhino Records WEA400), backed with an instrumental version.
In 2023, a plaque was unveiled at her former home inEaling, West London, by her son Louis. MacColl lived at the address from 1985 until her death.[37]
Following the death of Shane MacGowan on 30 November 2023, "Fairytale of New York" went to No. 1 inIreland onSpotify.[38] On 13 December 2023, The Pogues reissued the song as a charity 7-inch single in tribute to MacGowan and to benefit the Dublin Simon Community, an organisation fighting homelessness.[39]
In January 2024, abest-of compilation of MacColl's music was released by Demon Records, titledKirsty MacColl: Free World – The Best Of Kirsty MacColl 1979–2000. Described as the first-ever best-of compilation of MacColl's music released on vinyl, it was released as two limited-edition yellow LPs.[40]
| Award | Year | Nominee(s) | Category | Result | Ref. |
|---|---|---|---|---|---|
| Ivor Novello Awards | 1992 | "Walking Down Madison" | Best Contemporary Song | Nominated | [41] |
| 1995 | "Dear John" | Most Performed Work | Nominated | [42] |
...she toured Ireland and suffered from stage fright...
