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Khamsa of Nizami

From Wikipedia, the free encyclopedia
Set of five poems by Nizami

Opening of a manuscript of Nizami'sKhamsa,British Library
Nizami Rug
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Nizami Ganjavi
TheKhamsa orPanj Ganj
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TheKhamsa (Persian:خمسه, 'Quintet' or 'Quinary', fromArabic) orPanj Ganj (Persian:پنج گنج, 'Five Treasures') is the main and best known work ofNizami Ganjavi.

Description

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TheKhamsa is in five longnarrative poems:

The first of these poems,Makhzan-ol-Asrâr, was influenced bySanai's (d. 1131) monumentalGarden of Truth. The four other poems are medieval romances. Khosrow and Shirin, Bahram-e Gur, andAlexander the Great, who all have episodes devoted to them inFerdowsi'sShahnameh,[1] appear again here at the center of three of four of Nezami's narrative poems. The adventure of the paired lovers, Layla and Majnun, is the subject of thesecond of his four romances, and derived from Arabic sources.[1] In all these cases, Nezami reworked the material from his sources in a substantial way.[1]

TheKhamsa was a popular subject for lavish manuscripts illustrated with painted miniatures at the Persian andMughal courts in later centuries. Examples include theKhamsa of Nizami (British Library, Or. 12208), created for the Mughal EmperorAkbar in the 1590s. AKhamsa manuscript created forPrince Aurangzeb, the sixth Mughal emperor, is now in theKhalili Collection of Islamic Art. Its illustrations of Bahram Gur depict the character as Aurangzeb.[2]

Gallery

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  • Page from an Illustrated Manuscript of the "Khamsa" by Nizami. Brooklyn Museum.
    Page from an Illustrated Manuscript of the "Khamsa" by Nizami.Brooklyn Museum.
  • Sassanid king, Bahram Gur is a great favourite in Persian tradition and poetry. Depiction of Nezami's "Bahram and the Indian Princess in the Black Pavilion", Khamsa, mid-16th century Safavid era.
    Sassanid king,Bahram Gur is a great favourite in Persian tradition and poetry. Depiction of Nezami's "Bahram and the Indian Princess in the Black Pavilion",Khamsa, mid-16th centurySafavid era.
  • A manuscript from Nizami's Khamsa dated 1494, depicting Muhammad's journey from Mecca to the Dome of the Rock to heaven. The archangel Gabriel is seen to Muhammad's right with multiple wings.
    A manuscript from Nizami'sKhamsa dated 1494, depictingMuhammad's journey fromMecca to theDome of the Rock toheaven. ThearchangelGabriel is seen to Muhammad's right with multiple wings.
  • A scene from the romance "Layla and Majnun". The thwarted lovers meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders. Late 16th-century illustration.
    A scene from the romance "Layla and Majnun". The thwarted lovers meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders. Late 16th-century illustration.
  • 1543 illustration of the Mi'raj from the Khamsa, probably created by the court painter Sultan Muhammad. This version was created for the Persian Shah Tahmasp I.[3]
    1543 illustration of theMi'raj from theKhamsa, probably created by the court painter Sultan Muhammad. This version was created for the Persian ShahTahmasp I.[3]
  • Khosrow and Shirin meet, illustration from Prince Aurangzeb's Khamsa, 1640s
    Khosrow and Shirin meet, illustration from Prince Aurangzeb's Khamsa, 1640s

See also

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References

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  1. ^abcdCHARLES-HENRI DE FOUCHÉCOUR, "IRAN:Classical Persian Literature" inEncyclopædia Iranica
  2. ^"Islamic Art | A Khamsah of Nizami for Prince Awrangzeb".Khalili Collections. Retrieved2021-12-08.
  3. ^Bowker.World Religions. p. 165.
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