Ken Krueger | |
|---|---|
.jpg) Ken Krueger (right) with Jon Hartz (left) at the 1982San Diego Comic-Con | |
| Born | October 7, 1926 |
| Died | November 21, 2009 (age 83) |
| Occupation(s) | Comic-Con co-founder,editor,publisher |
| Children | 8 |
Ken Krueger (October 7, 1926 – November 21, 2009) was an American publisher and retailer. Krueger co-founded and organized the firstSan Diego Comic-Con, then called "San Diego's Golden State Comic-Con," in 1970.[1] Krueger co-created the annual convention with a group of San Diego friends, includingShel Dorf,Richard Alf andMike Towry.[2]
Kenneth J. Krueger, Jr. was born in upstate New York.[3] Krueger was a Buffalo, New York, based member and co-founder of the Buffalo Fantasy League, Bohemia Club, and publisher of the semi-pro Pegasus Publications—most noted for the first appearance of science fiction writerWilson Tucker’sPrison Planet inSpace Trails (Pegasus Publications, Summer 1947).
Krueger later founded Shroud: Publishers, Kenneth J. Krueger: Publisher, Valcour-Krueger, and Fantasy House.[4]
Krueger was also an inspiration and focal point for an ambitious group of young comic book fans who planned and hosted the event that becameSan Diego Comic-Con, serving as chairman of the group’s first multi-day event, the San Diego Golden State Comic-Con held August 1–3, 1970.
Krueger began writing letters to science fiction magazines in 1938, at the age of eleven, and was an attendee of the very first “scientifiction” convention held in 1939, officially making him a member of the elite-if-obscure group known asFirst Fandom.[5]
As a resident of the New York area, he attended the first World Science Fiction Convention (Worldcon) on July 2–4, 1939, at age twelve, inNew York City, the first science fiction convention ever held.[6] Already an ardent science fiction fan, by age seventeen Krueger was also a member of the Slan Shack crowd (along with a very youngFrank M. Robinson, Jr.).[7]
The Slan Shack, which first appeared at the end of October 1943, was where a batch of active Battle Creek, Michigan, science fiction fans lived for nearly two years. Here dwelt the Ashley's, Walt Liebscher, and Jack Weidenbeck, and later noted science fiction authorE. Everett Evans. They all moveden masse on September 7, 1945, to another site on Bixel Street, Los Angeles, cheek by jowl with the LASFS (Los Angeles Science Fantasy Society) clubroom. (It was the ground floor of a duplex next door. Its upper floor, “Slan Shack Annex”, was rented occasionally to struggling fen and pros.) The place didn't break up till the building was torn down in March 1948 to make room for an office building.[8]
The original Battle Creek Slan Shack opened on October 30, 1943, when the Ashley's bought the eight-room house at 25 Popular Street, and simultaneously held the first Michicon.[8]
The fourth Michicon was held at Slan Shack from June 17 to 19, 1944. While in attendance, the youngZiff-Davis office boy,Frank Robinson, showed extreme valor by publishing two issues ofFanewscard during the con. Some 23 fans were there, including travelers Lynn Bridges, of Florida, and a seventeen-year-old Ken Krueger of Buffalo.[8]
Frank Robinson, in his memoir,Not So Good a Gay Man (TOR, 2017), writes of "having a crush" on his friend, Ken Krueger, and almost making a pass at him during the Michicon.[9]
In the fall of 1944, over Labor Day weekend, Krueger hosted the first BuffaloCon, in his mother's house. In attendance wereDon Wollheim and Elsia Balter (later Mrs. Wollheim),Damon Knight, andLarry Shaw. Oliver “Ollie” Saari of Flint, Michigan, a mechanical engineer working for GM, was there. As well asFrank Robinson, all the way from Chicago.[10]
Krueger began editing his first science fiction fanzine,Abortions, in 1952. Science fiction writerRog Phillips reviewed the first issue in his The Club House column in the February 1952 issue ofAmazing Stories.[11][12]
Not content with editing his own fanzine, Krueger was a regular contributor to the Buffalo Fantasy League's official club fanzine,Hyperopia, which was edited by fellow club member, Robert J. Fritz. Even as far back as July 1952, when the first issue ofHyperopia appeared, readers knew Ken Krueger and held him in very high regard.[7]
In 1952 Krueger was nominated and elected as Progressive Fandom's candidate to the post of president of theNational Fantasy Fan Federation. Alas, in his self-effacing manner, he declined the nomination.[7]
In 1945Grant-Hadley Enterprises published its first, and only, modest effort. It wasn't a book; rather it was a 26-page pamphlet.Rhode Island on Lovecraft consisted of five articles onH.P. Lovecraft by Rhode Islanders who had been associated with the writer during his lifetime. Two editions of this title were printed.[13]
Meeting in a well-knownProvidence, Rhode Island, landmark, Dana's Old Corner Bookstore, the two science fiction fans decided to publish a small volume about Lovecraft. After all, the Old Corner Bookstore had purchased H.P. Lovecraft's library from his estate, so what better place, and subject to begin publishing. The two partners,Donald M. Grant andThomas G. Hadley, having been bit by the publishing bug, moved on to their next reincarnation asThe Buffalo Book Company, with the addition of yet another partner, Kenneth J. Krueger, Jr.[13]
The two initial partners, Grant and Hadley, knew from their dismal experience producing and struggling to distribute the Lovecraft pamphlet that they would have problems distributing any new titles or any new books. Distribution is the key to any publishing effort, and the two had already failed at it and knew it. The two men had some ideas about book design, but not what to publish or how to make money from it. As their business plan expanded they sought the help of Ken Krueger, bringing him on board as the third partner for their newly planned, but not yet started, publishing company.[14]
Krueger, at the age of twenty-one, was already recognized as a super-salesman. He knew how to distribute books. He always did.[15]
This was the final key, and the three were ready to begin. The key to turning all their ideas from dreams to reality lay in Krueger's extensive mailing list from his successful mail-order book distribution business. With Krueger as the final partner the three men were ready to form The Buffalo Book Company and make some real money.[14]
In 1945, The Buffalo Book Company was formed by Donald M. Grant, Thomas G. Hadley of Providence, Rhode Island, and Kenneth J. Krueger, who lived inBuffalo, New York (hence the name). Krueger even designed their distinctive colophon.[16]
First, The Buffalo Book Company produced the noteworthy hardbound edition ofThe Time Stream, byJohn Taine. The book was quite professional in appearance, awakening hopes of a line of the best novels from science fiction magazines appearing in permanent form.[16]
The success of their first title was enough to encourage the three to go on to another book, the first book publication ofThe Skylark of Space, byE.E. Smith. Due to the publisher, Ken Krueger, and his successful efforts in advertising and distributing the book, it was an instant sell-out.[14]
By the time the third title was in the works, Don Grant was in the military. Krueger, as always the super-salesman, had plans for the company, but still in the military as well, was unable to become involved full-time. Without Grant's involvement, Krueger continued his struggle part-time to make the business a success despite Hadley's resistance; help was found in an unexpected quarter.Lloyd Arthur Eshbach contributed a few ideas on how to appeal to the science fiction fan base by placing advertisements in the major magazines.[16][17]
Grant continued in the military, went on to college after he was discharged, and in 1949 started The Grandon Company; still hooked on publishing science fiction and fantasy.[18]
With Krueger unable to prevent it, Tom Hadley transformed the business once again. Using substantial financial contributions from his family (Hadley thought he didn't need any partners) Hadley tried to go it alone withthe Hadley Publishing Co. Hadley used the distribution list and model created by Krueger, and the tips from Eshbach, as well as the various titles of forthcoming works that had once been scheduled for the now defunct Buffalo Book Company to begin. But when the ideas were used up, so was the company.[18]
Eshbach, having whetted himself in the publishing field, went on to foundFantasy Press, once again taking Krueger's extensive mailing list as a building block. Eshbach had several partners to begin with, but was clearly the leading force, and as his partners disappeared from the scene, one after the other, Eshbach carried on alone.[18]
Eshbach saw the potential use of Krueger's distribution list, made a copy, and used it as the basis of his subscription, special order, limited signed copy offer of his list of 47 titles. Thus was born Fantasy Press, one of the most successful and honored small presses, and highly collectible, despite the fact that Eshbach overextended himself and went bankrupt.[14]
Much later, Lloyd Arthur Eshbach, in his autobiographical account, as given in his memoirOver My Shoulder, disingenuously stated that he could not get a clear picture of Krueger's contributions to the publishing field and did not find anything of importance that Krueger contributed to the genre.[19]
As far as The Buffalo Book Company and its efforts,The Skylark of Space, by E.E. Smith, in collaboration with Lee Hawkins Garby, was plagued with the obvious signs of the beginning writer on the part of all concerned. Doc Smith later told how he collaborated with his neighbor's wife, Lee Hawkins Garby, for help writing scenes involving women. Later he would drop all reference to her help in subsequent reprints of this title.[18]
The publisher's name doesn't appear on the copyright page. The front of the book is stamped in a hand-lettered logotype and in the same logo at the base of the spine. Krueger even designed the logo for the company. Allan Halladay, the printer of the book, designed the jacket. However, with all these flaws, and contributions, it wasSkylark in book form.[18]
Without Ken Krueger, it would never have been published. He was the driving force behind this publication. His everlasting fingerprints are all over this title.[18]
Ken Krueger is one of the unsung heroes of science fiction and fandom. Yet he is not even mentioned inAdvent:Publishers,Hugo Award winning,The Encyclopedia of Science Fiction and Fantasy.[7]
Krueger's persistence of vision is truly amazing; he never licked the publishing bug. Out of the service, he started Shroud: Publishers, then Kenneth J. Krueger: Publisher, as well as a couple of other smaller semi-pro publications such as Valcour-Krueger, Fantasy House, and Pegasus Publications.[14]
Shroud: Publishers, begun in 1954, was financed, in the beginning at least, by one Robert J. Fritz, a friend and fellow member of the Buffalo Fantasy League. Kenneth J. Krueger was editor-in-chief, and became so identified with Shroud that few people even remember R.J. Fritz. The press was also associated with a paperback publisher, SSR (Snappy Space Rocket) Publications (including early works by one of the original fiveAdvent:Publishers founders Robert Briney writing as Don Duane). All of it—Shroud and SSR—passed finally to Ken Krueger, who retained the back stock, the copyrights, and the Shroud name as a series title.[20]
Under the Shroud imprint, Krueger published such titles as:The Maker of Moons, byRobert W. Chambers (1954);Look Behind You, by Arthur J. Burks (1954);The Female Demon, by William McDougle (1955); and perhaps his best-known publication,The Dream Quest of Unknown Kadath, byH.P. Lovecraft (1955); which was followed by one of his least-known titles,The Motive Key, byJack Woodford (1956).[21]
Of some small note:The Dream Quest of Unknown Kadath as published by Shroud was the very first appearance of this title in hardcover.August Derleth had published the story for the first time in his periodical,Arkham Sampler (Winter 1948 issue) under hisArkham House imprint. Krueger, with his Shroud imprint published the first separate appearance and the first hardcover of this title. It is the most elusive and costly of all Lovecraft's printed works, equal to if not exceeding evenThe Outsider and Others, the first hardcover title published by Arkham House.[22]
Kenneth J. Krueger used his own name for his next publishing operation (1958-1965) after Shroud had lapsed; even though Krueger kept selling his leftover copies as well as being a general book dealer.[23]
Under the Kenneth J. Krueger imprint, Krueger published such notable classic titles from the early predawn era of science fiction and horror literature as:The Moon Maker, byArthur Train and Robert Wood (1958); and what is undoubtedly the very best, now long forgotten, horror story ever written,The Fearsome Island, byAlbert Kinross (1965).[24]
After a time he decided to publish again, retaining the Shroud name as a series title.
For his return to the Shroud imprint, Ken choose to publish a memorial tribute to his best friend and mentor, fellow member ofFirst Fandom and fellow resident of the famous Slan Shack,E. Everett Evans.
Food for Demons (1971) consisted of story selections and “appreciations” from Doc Smith, Mel Hunter,Forrest J Ackerman,A.E. van Vogt,Ray Bradbury, Walter J. Daugherty,Henry M. Eichner, Walt Leibscher, and of course, one by Ken Krueger.[25]
Food for Demons (Shroud: Publishers, San Diego, CA, 1971, 154 pp., $3.95) was printed for Ken Krueger byDonald M. Grant in 1959, but not bound until 1969. The cover was done in 1970. Some are hand-colored by eitherHenry M. Eichner or Krueger. The “true” hardcovers (13 issued to contributors and friends) reflect the original New York address of Shroud. However, all of the paper copies reflect Krueger's mid-1960s move toSan Diego.[25]
By 1968 Krueger had relocated to San Diego, and partnered with a local pulp collector, John Hull, to open a bookstore in Ocean Beach,[2] California. John Hull, who lived in Chula Vista, was a neighbor ofGreg Bear, and let the precocious teen have the run of his garage-stored science fiction collection, thus bringing Bear into fandom.[7]
The two would supplement their book sales by reselling pornography lifted from theGreenleaf Classics stock byEarl Kemp, and sold to them at a discount.[7]
Greg Bear,Mike Towry, along with comic artistScott Shaw, and other friends, formed their own science fiction fan club, “The ProFanests” and hung out at Krueger's flyblown establishment, discussing the latest batch of “Ace Doubles” with the walk-in locals who frequented the place.[7]
On August 1–3, 1970, Ken Krueger hosted the first local comic book convention. The firstSan Diego Golden State Comic Convention, held in the basement of theU.S. Grant Hotel. The convention, for its day, was a rousing success. The U.S. Grant Hotel was not the snazziest of venues, but it was the only one in town willing to risk hosting an event that would garner such a low bar-attendance. Ken Krueger was instrumental with founding the event. Krueger invited his long time friend from science fiction fandom,Earl Kemp, Vice President of Greenleaf Classics, to speak at the Con. Earl Kemp followed San DiegoEvening Tribune editorial cartoonist Bob Stevens onto the podium.[7]
For the rest of his life Krueger worked as apublisher,editor, anddistributor for thecomic andsci-fi industries.[1] He published and released the first works of severalscience fiction and comic authors, including Greg Bear, Scott Shaw,Dave Stevens, andJim Valentino.[1] In 2009, Valentino called Krueger "my mentor".[3]
Krueger moved toBuffalo, New York, in 2002.[3] Retired, but not quite done, Krueger continued to attend the local Buffalo-area pulp and comic conventions with his lifelong pal, and fellow co-founder of Pegasus Publications and the Buffalo Fantasy League, Paul Ganly.
Krueger and other co-founders were honored for their contributions bySan Diego Comic-Con in 2009.[2]
Krueger died of aheart attack on November 21, 2009, inLockport, New York, at age 83, eighteen days after the passing of fellow Comic-Con founderShel Dorf.[1][2][6][3] Krueger was survived by his eight children.[3]