| Keeping the Faith | |
|---|---|
 Theatrical release poster | |
| Directed by | Edward Norton |
| Written by | Stuart Blumberg |
| Produced by | Hawk Koch Edward Norton Stuart Blumberg |
| Starring |
|
| Cinematography | Anastas N. Michos |
| Edited by | Malcolm Campbell |
| Music by | Elmer Bernstein |
Production companies | |
| Distributed by | Buena Vista Pictures Distribution (United States) Spyglass Entertainment (International) |
Release date |
|
Running time | 128 minutes |
| Country | United States |
| Language | English |
| Budget | $29 million |
| Box office | $59.9 million |
Keeping the Faith is a 2000 Americanromantic comedy film written byStuart Blumberg, and starringBen Stiller,Edward Norton (in hisdirectorial debut),Jenna Elfman,Eli Wallach, andAnne Bancroft. This film was released byTouchstone Pictures andSpyglass Entertainment, in association with Triple Threat Talent, on April 14, 2000.
The film is dedicated to Norton's late mother, Robin. It had a budget of $29 million.[1]
In aNew York City bar, a drunkenCatholic priest, Brian Finn, tells the bartender about the ongoinglove triangle involving him; his best friend Jake Schram, aJewishrabbi; and their childhood friend, Anna Reilly.
Dedicated to his calling as priest since childhood, Brian shares the duties of hisparish with the elderly Father Havel. Jake, inseparable from Brian since childhood, is the youngest rabbi at hissynagogue; he focuses on his work to the detriment of his romantic life, much to the chagrin of his mother, Ruth. The duo actively seek to bring a more modern, albeit controversial, approach to religious services; they plan to open a jointly-sponsored interfaithkaraoke community center. The pair reminisce about their childhood friend Anna. The three were close until Anna's family moved toCalifornia and they ultimately lost touch.
Sixteen years later, Anna returns to New York for work and the trio rekindle their friendship. Anna and Jake begin havingcasual sex. As they begin to develop mutual romantic feelings, their relationship is complicated by Anna not being a Jew, and by Brian, who finds himself in internal turmoil after also developing feelings for Anna. Finding himself in conflict with hisvows, he seriously considers leaving the priesthood to pursue a romantic relationship with her.
At dinner, Ruth reveals to Anna that she knows about her and Jake's secret relationship. Later that night, Jake and Anna argue over the religious issues complicating their romance and breakup. Anna calls Brian for comfort and he rushes to her, taking her tearful ramblings to be a confession of feelings for him. Brian kisses Anna and confesses his love but she rebuffs him, revealing she is in love with Jake and they have been seeing each other secretly. Embarrassed and rejected, he spends the nightbinge drinking on the streets. The following morning, Brian stumbles into Jake's temple and interrupts a post-bar mitzvah gathering, resulting in a confrontation that ends when Brian punches Jake. Brian then finds his way into a bar and tells the bartender his story; the bartender offers Brian advice on how to remedy the situation. Brian then reaffirms his vows with Father Havel's guidance.
As the community center's grand opening approaches, Brian reconciles with Jake and Anna. Brian encourages Jake to follow his heart and reveal his true feelings to Anna before she returns to California. Interrupting Anna's going-away party, Jake sets things right. That evening, Jake and Anna surprise Brian at the community center. She reveals that she had been taking classes to convert to Judaism for Jake. Their relationship officially renewed, the trio pose for a celebratory photo.
Buena Vista Pictures Distribution released the film in the United States and Canada, withSpyglass Entertainment handling international sales.Buena Vista International handled distribution in Latin America, United Kingdom, Australia and Singapore.[2]
Keeping the Faith received generally positive reviews. OnRotten Tomatoes, it holds a 69% rating, sampled from 117 film critics, with an average score of 6.23/10. The consensus states: "A dramedy featuring an unusual love triangle,Keeping the Faith is a perceptive look at how religion affects us in everyday life."[3]Metacritic gives the film a score of 60 out of 100, based on reviews from 31 critics, indicating "mixed or average reviews".[4]The New York Times film criticElvis Mitchell said the film "struggles hard to be a modern romantic comedy about commitment and, well, faith, but it doesn't quite make the grade ... it is competent, but it seems driven to clear up complications as quickly as acne is dispatched in an infomercial."[5] InVariety,Emanuel Levy praised Stiller's acting and said "Keeping the Faith is arguably the most accomplished" romantic movie in its era.[6]
The film opened at #3 at the US box office, making $8,078,671 in its opening weekend, behind28 Days andRules of Engagement.[7] The film eventually grossed $37,047,880 in North America and $22,897,303 in other territories, totaling $59,945,183 worldwide.[1]
