In the 1970s, Ross had a leading role in the horror filmThe Stepford Wives (1975), for which she won theSaturn Award for Best Actress, and won her second Golden Globe award for her performance in the dramaVoyage of the Damned (1976). Her other roles during this period included the disaster filmThe Swarm (1978), the supernatural horror filmThe Legacy (1978), and the science-fiction filmThe Final Countdown (1980). Ross spent the majority of the 1980s appearing in a number of made-for-TV films, includingMurder in Texas (1981) andThe Shadow Riders (1982), and later starred on the network seriesThe Colbys from 1985 to 1987.[5][6][7]
Ross spent the majority of the 1990s in semiretirement, although she returned to film with a supporting part inRichard Kelly'scult filmDonnie Darko (2001). In 2016, she provided a voice role for the animated comedy seriesAmerican Dad!, and the following year starred in the comedy-dramaThe Hero (2017), opposite her husband,Sam Elliott.[8]
While at the workshop, she began acting in television series in Los Angeles to earn extra money.[24] She was brought to Hollywood byMetro, dropped, then picked up byUniversal.[30]
Ross made her first film,Shenandoah in 1965, playing the daughter-in-law ofJames Stewart. She returned to guest-starring on shows includingThe Loner,The Wild Wild West, andThe Road West. MGM put her in an unsold TV pilot about Bible stories. She signed a long-term deal with Universal, which called her an "AmericanSamantha Eggar",[36] despite some misgivings: "I didn't want a contract in the movies, but a lot of people convinced me it was a good thing to do."[37]
Ross's breakthrough role was as Elaine Robinson inMike Nichols's comedy-dramaThe Graduate (1967), oppositeDustin Hoffman andAnne Bancroft. Ross was only eight years younger than Bancroft, who played her mother in the film. She had been recommended to director Nichols by Signoret. This part, in which Ross plays a young woman who elopes with a young man who had an affair with her mother, earned Ross anOscar nomination forBest Supporting Actress,[39] and won her aGolden Globe Award asNew Star of the Year. Commenting on her critical accolades at the time, Ross said, "I'm not a movie star... that system is dying and I'd like to help it along."[24]
She later said at this time, "I got sent everything in town, but Universal wouldn't loan me out."[37] After eight months, she was inHellfighters (1968) playingJohn Wayne's daughter, who romancesJim Hutton.
Ross was cast as aNative American woman in Universal's Western filmTell Them Willie Boy Is Here (1969), starringRobert Redford.[40] In August 1968, she signed a new contract with Universal to make two films a year for seven years.[41] She refused several roles (includingJacqueline Bisset's role inBullitt)[42] before accepting the part ofEtta Place inButch Cassidy and the Sundance Kid (1969), co-starring Paul Newman and Robert Redford, which was another massive commercial hit.[43] She was paid $175,000 for her performance in the film.[44] For her roles in bothTell Them Willie Boy is Here andButch Cassidy and the Sundance Kid, Ross won theBAFTA Award for Best Actress.[45]
She was dropped by Universal in the spring of 1969 for refusing to play a stewardess inAirport starringBurt Lancaster andDean Martin, another role that went to Jacqueline Bisset.[30] Because of this, she later lost out toTuesday Weld on a film she greatly desired to do, theadaptation ofJoan Didion's novelPlay It as It Lays, because it was a Universal production.[37] Instead, she had a starring role in the dramaFools (1970) oppositeJason Robards.
Preferring stage acting, Ross returned to the small playhouses in Los Angeles for much of the 1970s.[46] "I'm aware that I have the reputation for being difficult", she later said.[48]
She reprised the role of Etta Place in a 1976 ABC television film,Wanted: The Sundance Woman, a sequel toButch Cassidy and the Sundance Kid.[43] Ross subsequently appeared in the drama filmVoyage of the Damned (1977) about a doomed ocean liner carrying Jewish refugees from Nazi Germany, which earned her a second Golden Globe Award for Best Supporting Actress.[50] She was also inThe Betsy (1978) and the disaster filmThe Swarm (1978). Next, Ross co-starred oppositeSam Elliott in the supernatural horror filmThe Legacy (1978), playing a woman who finds herself subject to an ancestral curse at an English estate. Ross had previously worked with Elliott onButch Cassidy and the Sundance Kid.
She had a role in the 1980s television seriesThe Colbys oppositeCharlton Heston as Francesca Scott Colby, mother ofDynasty crossover character Jeff Colby.[54]
Ross co-wrote the teleplay and starred inConagher (1991) alongside husband Sam Elliott and was inA Climate for Killing (1991), andHome Before Dark (1997).[55]
In January 2015, she appeared at the Malibu Playhouse in the first of a series titledA Conversation With, interviewed bySteven Gaydos.[31][34] That February, she again co-starred with Sam Elliott inLove Letters, also at the Malibu Playhouse.[35]
In 2017, she appeared as Sam Elliott's former wife inThe Hero, in which he played an aging Western star.
Ross has married five times. On February 28, 1960, she married her college sweetheart,Joel Fabiani, though the marriage lasted only two years before ending in divorce.[27]
She married her second husband John Marion in 1964, but they were divorced in 1967.[57]
She married Gaetano "Tom" Lisi in 1974 after makingThe Stepford Wives; they met when he was a chauffeur and technician on the set.[59][60] They divorced in 1979.
Ross marriedSam Elliott on May 1, 1984. They had worked together onButch Cassidy and the Sundance Kid, and began dating in 1978 after they were reacquainted on the set ofThe Legacy.[61] On September 17, 1984—four months after her marriage to Elliott and four months before turning 45—Ross gave birth to a daughter, Cleo Rose Elliott.[62][63]
In 2011, Ross filed a restraining order against her daughter after the latter allegedly attacked her with a pair of scissors.[64] Ross stated in a court document that her daughter has had violent episodes since childhood.[64]
^Early in her career, Ross changed her date of birth from January 29, 1940 to "January 29, 1943" for publication.[1] Reference sources began emending this in 2002 after theCalifornia Birth Index became accessible,[2] but the error persisted well into the post-internet era. As late as 2008, for example,Vanity Fair was still shaving three years off.[3]
^"California, World War II Draft Registration Cards, 1940–1945", FamilySearch (https://www.familysearch.org/ark:/61903/1:1:QGF4-N7GZ : Sun Mar 10 23:21:52 UTC 2024), Entry for Dudley Tyng Ross and Katharine Washburn Ross, 16 October 1940.
^Ross's mother was born as Katherine Elizabeth Hall on January 21, 1909 in Indianapolis, to Joseph Lloyd Hall and the former Ethel Bock.[1] She would take on her stepfather's surname of Washburn in 1928 at the age of 19. This caused subsequent confusion as differing maiden names were cited in legal records and newspaper articles.
^Josephson, Nancy (February 20, 1977). "Katharine Ross graduates to a renewed movie career".Chicago Tribune. p. D3.
^"Past Saturn Awards".Saturn Awards. The Academy of Science Fiction Fantasy & Horror Films. Archived fromthe original on December 19, 2008. RetrievedAugust 12, 2010.