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Kanak war club

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Traditional hardwood clubs used by the Kanak tribes of New Caledonia

AKanak war club is a traditional weapon (mace) of theKanak tribes ofNew Caledonia.

Kanak mace's striking head

Uses

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Usually cut from a hardwood type ofiron wood,gaiac orkohu[1] they were used for war. Like all the Pacificclubs, their forms were of a very wide variety and specific to each country and each purpose.[2] They were found inphallic form, but also in the form of afungus or a bird’s beak.[3] Their striking head consisted of a root knot.[4] These weapons were originally decorated with plants, human hair, or cloths, and were wielded with one or two hands.[5]

Oceanian art specialist Roger Boulay makes a distinction between a mace, that is "an object whose percussion point is in the axis of the handle" and a club, that is "an object whose percussion point is shifted in relation to this axis".

The Kanak called the "bird beak" club a "turtle beak".[6]

Gallery

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  • Kanak warriors holding clubs
    Kanak warriors holding clubs
  • Kanak mace with fungus head
    Kanak mace with fungus head
  • Kanak mace fungus type
    Kanak mace fungus type
  • Bird's beak club
    Bird's beak club
  • Kanak bird's beak club
    Kanak bird's beak club
  • Phallic mace
    Phallic mace
  • Kanak Mace
    Kanak Mace

See also

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References

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  1. ^La 1ère Nouvelle-Calédonie
  2. ^Susan Cochrane,Max Quanchi,Hunting the Collectors: Pacific Collections in Australian Museums, Art … Oxford Scholars Publishing
  3. ^Gustave Regelsperger,L'Océanie française: la Nouvelle-Calédonie, les Nouvelles-Hébrides, les établissements français de l'Océanie, Édition Notre Domaine Colonial, 1922, p.15
  4. ^Fergus Clunie, Fijian Weapons & Warfare, 2003, p. 136-7 et 142
  5. ^La 1ère Nouvelle-Calédonie
  6. ^Éliane Métais,Art Neo Caledonien, p.19

Bibliography

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  • John Charles Edler, Terence Barrow,Art of Polynesia, Hemmeter Publishing Corporation, 1990.
  • Roger Boulay,Casse-Tête et Massues Kanak, 2015.
  • Adrienne L. Kaeppler, Douglas Newton, Harry N. Abrams,Oceanic Art, 1997.
  • Michael Gunn, William Teel,From the South Seas: Oceanic Art in the Teel Collection, Museum of Fine Arts, Boston, MFA Publications, 2006.
  • André Breton,Arts primitifs, Camels Cohen, 2002.
  • De jade et de nacre: patrimoine artistique kanak : Catalogue, Musée territorial de Nouvelle-Calédonie, Nouméa, mars-mai 1990, Musée national des arts africains et océaniens, Paris, octobre 1990-janvier 1991.
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