Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Kabuto

From Wikipedia, the free encyclopedia
Japanese combat helmet
For other uses, seeKabuto (disambiguation).
icon
This articleneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Kabuto" – news ·newspapers ·books ·scholar ·JSTOR
(December 2010) (Learn how and when to remove this message)

Dō-marukabuto.Muromachi period, 15th century,Tokyo National Museum,Important Cultural Property
Kabuto ofgusoku (Tosei-gusoku) armor European-stylecuirass, 16th - 17th century,Azuchi-Momoyama -Edo period, Tokyo National Museum

Kabuto (兜, 冑) is a type ofhelmet first used by ancient Japanese warriors that, in later periods, became an important part of the traditionalJapanese armour worn by thesamurai class and their retainers infeudal Japan.

Note that in theJapanese language, the wordkabuto is an appellative, not a type description, and can refer to anycombat helmet.

Every year onChildren's Day, May 5, Japanese households display miniature kabuto and samurai armor in keeping with the tradition ofTango no Sekku. In feudal times, real samurai armor,kabuto, andtachi were displayed.[1][2]

History

[edit]

Japanese helmets dating from the fifth century have been found in excavated tombs. Calledmabizashi-tsuke kabuto (attached-visor helmet), the style of these kabuto came from China and Korea. They had a pronounced central ridge.[3][4]

Kabuto, now known as samurai helmets, first appeared in the 10th centuryHeian period with the appearance ofō-yoroi. Until the earlyMuromachi period,kabuto were made by combining dozens of thin iron plates. Generally, onlydaimyo and samurai at the rank of commander worekabuto ornaments calleddatemono (立物), which were shaped like a pair ofhoes. In the middle of the Muromachi period, as the number of large group battles increased, ordinary samurai woredatemono in the shape of a hoe, the sun, the moon, or their flag on theirkabuto to show their courage or to distinguish friend from foe.[5][6]

In theSengoku period in the 16th century, when the scale of war increased and the guns calledtanegashima became popular, the armor styles calledō-yoroi anddō-maru became outdated. As a response to the popularity oftanegashima, the armor style oftosei-gusoku (当世具足) was created.Tosei-gusoku kabuto were made by combining three to four pieces of iron plates. These were more bulletproof than the conventional style and could be mass produced. Thetatemono became more eccentric and huge. Some were made of iron, but for safety reasons on the battlefield, they were often made with molded,lacquer-coated paper. In theAzuchi–Momoyama period,tosei-gusoku kabuto had a simple, bold design in accordance with the popularity of Momoyama culture.[5][6][7]

In theEdo period, theTokugawa shogunate defeated theToyotomi clan in theSummer Siege of Osaka. Japanese society became more peaceful and medieval armor styles were revived.Ō‑yoroi- anddō‑maru‑stylekabuto were made again.[7] Ornamentalkawari kabuto ("strange helmet") were made during this time that had "figures ofanimals, [kami], or various other objects mounted on top of them".[8]Kabuto during this time were made "from materials includingiron,gold-copperalloy,lacquer,leather,silk,wood,gesso,bone[,] and gessobinder".[8]

The kabuto was an important part of the equipment of the samurai, and played a symbolic role as well, which may explain theJapanese expressions, sayings, and codes related to them. For instance,Katte kabuto no o wo shimeyo translates literally to "Tighten the string of the kabuto after winning the war". This refers to not reducing one's efforts after success; an equivalent saying in English would be "Don't rest on your laurels".[9]Kabuto wo nugu (lit. "to take off the kabuto") means "to surrender".[10]

  • Dō-maru kabuto. Muromachi period, 15th century, Tokyo National Museum, Important Cultural Property
    Dō-maru kabuto. Muromachi period, 15th century, Tokyo National Museum, Important Cultural Property
  • Gusoku kabuto. Azuchi–Momoyama period, 16th–17th century, Suntory Museum of Art
    Gusoku kabuto. Azuchi–Momoyama period, 16th–17th century,Suntory Museum of Art
  • Gusoku kabuto, attributed to Sakakibara Yasumasa. Edo period, 17th century, Tokyo National Museum, Important Cultural Property
    Gusoku kabuto, attributed toSakakibara Yasumasa. Edo period, 17th century, Tokyo National Museum, Important Cultural Property
  • Kawari kabuto with octopus. 18th century, Edo period. Stibbert Museum
    Kawari kabuto with octopus. 18th century, Edo period.Stibbert Museum
  • Fancy Kabuto with Tokugawa Clan Crest and Design of Butterflies and Dragonflies. Edo period, 18th century. Tokyo Fuji Art Museum
    FancyKabuto withTokugawa ClanCrest and Design of Butterflies and Dragonflies. Edo period, 18th century.Tokyo Fuji Art Museum
  • Dō-maru style kabuto with a medieval revival style. Edo period, 19th century, Tokyo National Museum.
    Dō-maru stylekabuto with a medieval revival style. Edo period, 19th century, Tokyo National Museum.

Parts of thekabuto

[edit]

Media related toKabuto (individual parts) at Wikimedia Commons

  1. hachi
  2. shikoro
  3. fukigaeshi
  4. mae-zashi
  5. hari-date
  6. datemono
  7. hachimanza

The basic parts of the kabuto include:

  • Hachi, a dome composed of overlapping elongated plates calledtate hagi-no-ita
  • Tehen, a small opening at the top of thehachi, usually fitted with atehen kanamono (an ornamental grommet, often resembling achrysanthemum)
  • Mabizashi, a brim or visor on the front of thehachi
  • Ukebari, a cloth lining inside thehachi
  • Tsunamoto, mounting points for attachingcrests
  • Kasa jirushi no kan, a ring at the back of thehachi for securing akasa jirushi (helmet flag)
  • Fukigaeshi, wing-like or ear-like projections to the sides of thehachi
  • Shikoro, a suspended neck guard composed of multiple overlapping lames
  • Shinobi-no-o (chin cord), often used to secure themengu (facial armour)

A typicalkabuto features a central dome constructed of anywhere from three to over a hundred metal plates riveted together. These were usually arranged vertically, radiating from a small opening in the top. The rivets securing these metal plates to each other could be raised (a form known ashoshi-bachi) or hammered flat (a form known assuji-bachi); another form, calledhari bachi, had the rivets filed flush. Some of the finerhachi were signed by their makers, usually from one of several known families, such as the Myochin, Saotome, Haruta, Unkai, or Nagasone families.[citation needed]

Asuji bachikabuto with the cords tied under the chin; note the prominent front crest, the recurvingfukigaeshi, and theshikoro composed of hundreds of interlaced scales

A small opening in the top of thekabuto, called thetehen orhachimanza (seat of the war god,Hachiman), was thought[according to whom?] to be for passing the warrior'stop knot through. Although this practice was largely abandoned after theMuromachi period, this opening may have been retained for purposes of ventilation or simply as an artifact of how the plates were riveted together.[11] Thetehen was usually decorated withtehen kanamono, which were rings of intricately worked, soft metal bands often resembling a chrysanthemum.[11][12]Zunari kabuto andmomonari kabuto were two helmet forms that did not usually have an opening at the top.

Kabuto incorporated a suspended neck guard called ashikoro, usually composed of three to seven semicircular, lacquered metal or oxhidelames, attached and articulated by silk or leather lacing, although someshikoro were composed of 100 or more small metal scales in a row.[13] Thislamellar armour style, along withkusari (mail armour), was the standard technology of Japanese body armour, and someshikoro were made of mail sewn to a cloth lining (a form calledkusari shikoro).

Thekabuto was secured to the head by a chin cord calledshinobi-no-o, which would usually be tied to posts or hooks on themengu (facial armour) or simply tied under the chin.

Kabuto are often adorned withcrests calleddatemono ortatemono;[14] the four types of decorations were themaedate (frontal decoration),wakidate (side decorations),kashiradate (top decoration), andushirodate (rear decoration). These can be family crests (mon), or flat or sculptural objects representing animals, mythical entities, prayers or other symbols. Horns are particularly common, and many kabuto incorporatekuwagata, stylized antlers.

  • Various hachi shapes: Nari akoda Goshozan Heichozan Koseizan Tenkokuzan Zenshozan
    Varioushachi shapes:
    1. Nari akoda
    2. Goshozan
    3. Heichozan
    4. Koseizan
    5. Tenkokuzan
    6. Zenshozan
  • Many wavy shaped hagi-no-ita plates form a hachi. A colourful tehen kanamono can be seen at the top.
    Many wavy shapedhagi-no-ita plates form ahachi. A colourfultehen kanamono can be seen at the top.
  • Kasa jirushi no kan, a ring for securing a kasa jirushi (helmet flag) to the hachi
    Kasa jirushi no kan, a ring for securing akasa jirushi (helmet flag) to thehachi
  • Lacquered iron shikoro (neck guard)
    Lacquered ironshikoro (neck guard)
  • The fukigaeshi can be seen to both sides of the mabizashi (brim), and the shinobi-no-o (cord) secures the mengu (facial armour).
    Thefukigaeshi can be seen to both sides of themabizashi (brim), and theshinobi-no-o (cord) secures themengu (facial armour).
  • Maedate, c. 1800–1894, from the Oxford College Archives of Emory University
  • Various kabuto maedate (front crests)
    Variouskabuto maedate (front crests)
  • Maedate tsunamoto (mounting point for front crest)
    Maedate tsunamoto (mounting point for front crest)
  • Wakidate tsunamoto (mounting point for side crest)
    Wakidate tsunamoto (mounting point for side crest)

Types ofkabuto

[edit]
Asuji bachi kabuto

Suji bachi kabuto

[edit]

Suji bachi kabuto is a multiple-plate type of Japanese helmet with raised ridges or ribs showing where the helmet plates come together; the rivets may be filed flat or they may be left showing, as in thehoshi-bachi kabuto.

Hoshi-bachi kabuto

[edit]

Hoshi-bachi kabuto (star helmet bowl) with protruding rivet heads, have large rivets (o-boshi), small rivets (ko-boshi) and a rivet with a chrysantemoid-shaped washer at its base (za-boshi).Hoshi-bachi kabuto could also besuji bachi kabuto if there were raised ribs or ridges showing where the helmet plates came together.

Hari bachi kabuto

[edit]

Hari bachi kabuto is multiple-plate Japanesehachi with no ribs or ridges showing where the helmet plates come and the rivets are filed flush.

Zunari kabuto

[edit]
Edo period ironzunari kabuto

Thezunari kabuto is a simple, five-plate design.

Tatami kabuto

[edit]

A great number of simpler, lightweight, folding, portable armours for lower-ranking samurai and foot soldiers (ashigaru) were also produced. These were calledtatami armour, and some featured collapsibletatami kabuto (also calledchoshin-kabuto), made from articulated lames.[12][15][16]Tatami kabuto did not use rivets in their construction; instead, lacing or chain mail was used to connect the pieces to each other.

Kaji kabuto

[edit]

Kaji kabuto were a type of helmet worn by samurai firemen.[17]

Jingasa

[edit]

Jingasa were war hats made in a variety of shapes, worn byashigaru (foot soldiers) and samurai, which could be made from leather or metal.[18]

Kawari kabuto, or strange helmet

[edit]

During theMomoyama period of intense civil warfare, kabuto were made to a simpler design of three or four plates, lacking many of the ornamental features of earlier helmets. To offset the plain, utilitarian form of the new helmet, and to provide visibility and presence on the battlefield, armorers began to build fantastic shapes on top of the simple helmets inharikake (papier-mâché mixed with lacquer over a wooden armature), though some were constructed entirely of iron. These shapes mimicked forms from Japanese culture and mythology, including fish, cow horns, the head of the god of longevity, bolts of silk, head scarves,Ichi-no-Tani canyon, and axe heads, among many others. Some forms were realistically rendered, while others took on a very futuristic, modernist feel.

  • Harikake kabuto, a type of kawari kabuto which used papier-mâché mixed with lacquer for the elaborate decoration (the shell) on an iron bowl, beginning of the Edo Period, 17th century . Ann and Gabriel Barbier-Mueller Museum, Dallas (Texas)
    Harikake kabuto, a type ofkawari kabuto which used papier-mâché mixed with lacquer for the elaborate decoration (the shell) on an iron bowl, beginning of the Edo Period, 17th century . Ann and Gabriel Barbier-Mueller Museum, Dallas (Texas)
  • A Kofun period (fifth century) early kabuto made of iron and gilt copper, from Ise Province
    A Kofun period (fifth century) earlykabuto made of iron and gilt copper, fromIse Province
  • Za-boshi kabuto (chrysantemoid-shaped washer at the base of the rivet). This is also a suji bachi kabuto, as it has raised ridges.
    Za-boshi kabuto (chrysantemoid-shaped washer at the base of the rivet). This is also asuji bachi kabuto, as it has raised ridges.
  • Eboshi kabuto
    Eboshi kabuto
  • Eboshi kabuto
    Eboshi kabuto
  • Kaji kabuto
    Kaji kabuto
  • Jingasa, ashigaru type, constructed from hardened leather (nerigawa)
    Jingasa, ashigaru type, constructed from hardened leather (nerigawa)
  • A kawari kabuto
    Akawari kabuto
  • A kawari kabuto
    Akawari kabuto

See also

[edit]

References

[edit]
  1. ^五月人形と鯉のぼりの由来 (in Japanese). Nagoya Japanese Sword Museum Nagoya Touken World. Archived fromthe original on 4 February 2023. Retrieved4 February 2023.
  2. ^五月人形の基礎知識 (in Japanese). Nagoya Japanese Sword Museum Nagoya Touken World. Archived fromthe original on 4 February 2023. Retrieved4 February 2023.
  3. ^Bryant, Anthony J. (1991).Early Samurai: 200-1500 AD. Angus McBride, Ill. Osprey Publishing. p. 45.ISBN 9781855321311.[permanent dead link]
  4. ^Sinclaire, Clive (2004).Samurai: The Weapons and Spirit of the Japanese Warrior. Globe Pequot Press. p. 26.ISBN 9781592287208.
  5. ^ab変わり兜展.Fukuoka City Museum
  6. ^ab変わり兜 Nagoya Japanese Sword Museum "Nagoya Touken World"
  7. ^ab甲冑に見る江戸時代展5 武士と武人の甲冑像 Fukuoka City Museum
  8. ^abAn Illustrated Guide to Samurai History and Culture: From the Age of Musashi to Contemporary Pop Culture. Foreword by Alexander Bennett. North Clarendon, Vermont:Tuttle Publishing. 2022. p. 78.ISBN 978-4-8053-1659-7.{{cite book}}: CS1 maint: others (link)
  9. ^勝って兜の緒を締めよ weblio国語辞典
  10. ^兜を脱ぐ weblio国語辞典
  11. ^abLouis, Thomas; Ito, Tommy (2006).Samurai: The Code of the Warrior. New York: Sterling Publishing Co. p. 94.ISBN 9781402763120.
  12. ^abRatti, Oscar; Westbrook, Adele (1973).Secrets of the samurai: a survey of the martial arts of feudal Japan. Boston, Massachusetts: Tuttle Publishing. p. 211.ISBN 9780804816847.
  13. ^The Encyclopedia Americana: a library of universal knowledge, Volume 15 p.774
  14. ^Bryant, Anthony J. (1994).Samurai 1550-1600. Angus McBride, Illust. Oxford: Osprey Publishing. p. 25.ISBN 9781855323452.
  15. ^Transactions of the Asiatic Society of Japan - Page 279 Asiatic Society of Japan - 1881.
  16. ^Arms and Armor of the Samurai Ian Bottomley, Anthony Hopson Random House Value Publishing, 1993 p.92
  17. ^Yasuka (2013-08-26)."The Samurai Facial Armor and Helmet".KCP International. Retrieved2019-08-26.
  18. ^Deal, William E. (2007).Handbook to life in medieval and early modern Japan. Oxford: Oxford University Press. p. 172.ISBN 978-0-19-533126-4.

External links

[edit]

Media related toKabuto at Wikimedia Commons

Individual
historical
helmets
Combat
Ancient
Medieval and
Early Modern
Late Modern
1914–1945
1945–1980
1980–2000
2001–present
Athletic
Work
Other
Japanese weapons, armour and equipment
Swords
Construction
Knives and daggers
Polearms and spears
Practice weapons
Armour
Types
Clothing
Samurai accoutrements
Chain and rope weapons
Clubs and truncheons
Staff weapons
Projectile and throwing weapons
Firearms and guns
Improvised and other weapons
Signal devices
Users
Retrieved from "https://en.wikipedia.org/w/index.php?title=Kabuto&oldid=1286550693"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2026 Movatter.jp