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KMJK

Coordinates:39°05′38″N94°05′49″W / 39.094°N 94.097°W /39.094; -94.097
From Wikipedia, the free encyclopedia
Contemporary hit radio station in Kansas City
For the radio station in Lake Oswego, Oregon at 106.7 FM known as KMJK from 1977-1991, seeKLTH.

KMJK
Broadcast areaKansas City metropolitan area (Missouri-Kansas)
Frequency107.3MHz
Branding107.3 The Vibe
Programming
FormatContemporary hit radio
AffiliationsWestwood One
Ownership
Owner
KCHZ,KCFX,KCJK,KCMO,KCMO-FM
History
First air date
September 11, 1969; 56 years ago (1969-09-11)
Former call signs
  • KLEX-FM (1969–1976)
  • KBEK-FM (1976–1984)
  • KCAC (1984–1988)
  • KCFM (1988–1992)
  • KXXR (1992–1993)
  • KISF (1993–1997)
  • KCCX (1997–1998)
  • KNRX (1998–2001)
Former frequencies
106.3 MHz (1969-1981)
Call sign meaning
"Magic" (former moniker)
Technical information[1]
Licensing authority
FCC
Facility ID33713
ClassC1
ERP100,000watts
HAAT299 meters (981 ft)
Links
Public license information
WebcastListen Live
Website1073thevibe.com

KMJK (107.3FM, "107.3 The Vibe") is acontemporary hit radiostation serving theKansas City metropolitan area. It islicensed toNorth Kansas City, Missouri, and owned byCumulus Media, with studios on Indian Creek Parkway nearInterstate 435 inOverland Park, Kansas.

KMJK has aneffective radiated power (ERP) of 100,000watts. Thetransmitter is off Pleasant Prairie Road at Doris Neer Road inNapoleon, Missouri.[1]

History

[edit]

Early years

[edit]

What is now KMJK started broadcasting on September 11, 1969, at 106.3 FM as KLEX-FM.[2] Thecall sign represented the originalcity of license,Lexington, Missouri. Thetower was just north ofOdessa, Missouri. The format wascountry music. The station's call letters changed to KBEK-FM in 1976, and relocated to 107.3 FM in 1981 with a class C signal. The station was locally owned by Lexington Broadcasters, until being sold in September 1989.

In 1984, the station changed formats to satellite-fedadult contemporary music as KCAC. On December 1, 1988, the station flipped back to country music and changed its call sign to KCFM. The station was acquired by Meyer Communications in September 1989.

Top 40 KXXR and KISF

[edit]

KCFM swapped formats and frequencies with Capitol Broadcasting's KXXR on February 16, 1992, at midnight. (KXXR was aTop 40 station at 106.5 FM, nowWDAF-FM.) The first song played after the swap was "I'm Too Sexy" byRight Said Fred. Meyer continued to own the station, while being operated by Capitol via alocal marketing agreement (LMA).[3][4] The KXXR call letters officially moved to 107.3 FM on March 13, 1992. (106.5, meanwhile, adopted the KKCJ call letters four days earlier.) US Radio, led byPhiladelphia attorney Ragan Henry who owned other radio stations across the country, bought the station in October 1992.[5]

On February 4, 1993, after 24 hours ofstunting with a loop of "Kiss" byPrince, the station changed call letters to KISF, and rebranded as "Kiss 107.3".[6][7] AfterKBEQ's unannounced flip to Country later that month, KISF became the only Top 40 station in the Kansas City market. That changed whenKMXV flipped from hot adult contemporary to Top 40 in March 1994. In addition, KMXV had a signal that covered the entire Kansas City metro. Despite KISF lacking full-market coverage, the station still received decent ratings.[8][9][10]

Modern rock

[edit]

During the mid-1990s,alternative rock was becoming the popular sound of the decade, while the Top 40 format was entering a period of decline. Management decided to follow the trend and compete againstLawrence, Kansas-basedKLZR, which was seeing success with the format. KISF started evolving towardsmodern rock with a lean on 1980snew wave in late 1994, with the shift complete by January 1995, including a slight name change to "107.3 Kiss FM." (The station would later rebrand as simply "107.3".)[11][12]

With the new format, the station initially had trouble gaining an audience, due in part because the station hung on to remnants of its former format, including imaging and presentation.[13] In addition, the station shifted through several morning shows.[14][15] Due to US Radio's financing balloon bank note becoming due, Henry was forced to sell his 49-station empire, with KISF being bought by Metropolitan Radio Group in April 1996. Syncom bought the station in May 1997.

The station rebranded as "107.3 The X" on March 16, 1997, and took the new call sign KCCX on June 25 of that year.[16]Classic rock stationKCFX nearly threatened to sue the station because the call letters were too similar.[17] To remedy this, the call letters were changed to KNRX on March 1, 1998. During this time, the station started leaning towards theactive rock route by playing harder-edged rock acts, in order to compete withKQRC. The station's airstaff during this period included Kansas City-nativeMancow Muller syndicated fromChicago (who began airing in mornings on March 14, 1997). OtherDJs included Jason Justice, "The Morning (and later, Afternoon) Headrush" with Jay Charles and Sammye Phelps, and Roach and Sumo (with The Fonz) hosting "The Midnight Moshpit". Specialty programming included "Off the Beaten Track" featuring afreeform format on Friday (and later, Sunday) nights, "Resurrection Sunday" and the syndicated "Out of Order Countdown" withJed the Fish on weekends.[18][19]

Likely because of the station's signal issues, and being one of two modern rock stations covering the Kansas City market, in addition toKLZR, the station's ratings were only modest during this time, usually in the mid-2 shares (12+).[20] By the Fall of 1997, the station's ratings plummeted to 15th place with a 1.5 share (12+).[21][22] Mancow's show was dropped on November 20, 1998.[23][24]

Urban oldies

[edit]

At 10:04 a.m. on January 5, 1999, without warning, KNRX dropped the modern rock format. Jason Justice played the final song on "The X", which was the acoustic version of "Plush" byStone Temple Pilots. The station then beganstunting with a ticking clock and a loop of "1999" byPrince. (On the same day, rivalKOZN dropped itsmodern AC format.)

The following day at noon, KNRX flipped tourban oldies as "K-107, The Rhythm & Soul of Kansas City".[25][26][27] K-107's first song was "Celebration" byKool and The Gang.[28] The station also picked upTom Joyner for morning drive.[29] The station's ratings began to improve after the flip. In the summer of 1999, "K-107" peaked at a 3.6 share (12+).[30][31]

Urban AC

[edit]
Former "Magic" logo (2015–2020)

On February 1, 2001, the station's call letters changed to the current KMJK. During the summer of that year, the station moved towards anurban adult contemporary format with the new moniker "Majik 107.3". In October 2003, Cumulus Media purchased KMJK along with Radio 2000-ownedKCHZ. In the Summer of 2004, KMJK altered its moniker to "Magic 107.3". In 2008, the station changed itscity of license toNorth Kansas City, Missouri. The station also had anFCCconstruction permit to move its transmitter from Odessa to a site nearLevasy, Missouri.

In 2011, withCumulus Media's acquisition ofCitadel Media, Cumulus announced that KMJK would be spun off and put into a trust called Volt Media, LLC, in order to meet FCC mandates on ownership limitations. This was despite Citadel not owning any stations in Kansas City. However, in October of the same year, Cumulus announced plans to reacquire the station.

Over the course of 2018, KMJK began dropping most classic soul and pre-1990s music from the playlist, and began adding morehip hop tracks, in order to better compete againstKPRS. During the fall of 2019, the station also dropped the "Magic" moniker, rebranding to "107.3 KC's R&B and Hip Hop", and switching mostly from urban AC to mainstreamurban contemporary. By 2023, KMJK's playlist focused primarily on 1990s to current R&B, along with some classic and current hip hop songs.

Top 40 The Vibe

[edit]

On September 28, 2023, at 4 p.m., after playing "End of the Road" byBoyz II Men, KMJK's urban contemporary format moved to sister stationKCJK, which rebranded as "Power 105.1". With the move, the R&B lean was dropped in favor of the inclusion of more hip hop songs. In addition,The D.L. Hughley Show was dropped from afternoons, as well as the weekday eveningslow jam program107.3 After Dark. Both KCJK and KMJK simulcasted until midnight on October 6; at that time, after playing "Turn Yo Clic Up" byQuavo andFuture and a short commercial break, KMJK assumed KCHZ's Top 40/CHR format as "107.3 The Vibe". Both KMJK and KCHZ simulcasted until after midnight on October 12, when KCHZ flipped to a simulcast ofKCMO’snews/talk format.[32][33][34]

Other uses of KMJK

  • KMJK was originally located in Phoenix, Arizona and owned by Mobley Broadcasting Inc. The station was built in 1991 as a docket 80-90 station to specially provide service to the African American community. The station was constructed by long time Phoenix area broadcaster, Arthur Mobley and his wife Vicki Wilson - Mobley with support from Syncom. The station was moved after being purchased in December 2000. Like the current format, the Phoenix station of the same call letters, was also Urban Adult Contemporary and carried Tom Joyner in the morning. KMJK Majik 107 (106.9) in Phoenix accepted the spelling of MaJiK as the original Arabic phonetic spelling of the word. The Phoenix station provided a progressive urban radio format with music, news, features and talk. The Phoenix station was partially owned by Syncom.
  • In 1977, KMJKMagic 107 first went on the air from Lake Oswego, Oregon on 106.7 MHz (nowKLTH, another set of call letters used by a Kansas City radio station (KZPT)). The station was owned by Communico Northwest Corp. (Frederic W. Constant and partners) with studios located in "Magic Manor" (the historic 1905 "Tug Master's House" at 107 Burnham Road). TheMagic 107 format was an early version of what has evolved into AAA (Triple-A), Adult-Album-Alternative. Programmed by morning host Archer, the Progressive, Soft-Album Rock station developed a small but solid 18- to 34-year-old audience. KMJK enjoyed moderate, low-budget success while competing with then-KVAN 1480 AM (The Mono Maniacs) and dominant market leaders KINK and KGON. In 1979, after formally adopting dual city of license (Lake Oswego-Portland),Magic 107 was purchased by Harte-Hanks Southern Communications, Inc. and becameThe Magic FM. The format changed to Contemporary Hit Radio (CHR) with a semi-highbrow, semi-comedic air staff of successful, medium/major market programmers and veteran air personalities. The debut air staff included: Beau Rafferty (6–10a); John Shomby, Program Director (10a–Noon); Dave McKay (Noon–3p); Pat Clarke (3–6p); "Dancin'" Danny Wright (6–10p); Chaz Kelly (10p–2a); "Allen Wesley" Archer (2–6a). Archer, along with News Director John David Lloyd, transitioned to the new ownership and format along with Randy Scott and "Spacey" Dave Vincent.

References

[edit]
  1. ^ab"Facility Technical Data for KMJK".Licensing and Management System.Federal Communications Commission.
  2. ^Broadcasting Yearbook 1977 page C-122. Retrieved May 12, 2025.
  3. ^"KXXR will move down, not off, the dial",The Kansas City Star, February 8, 1992.
  4. ^Radio and Records 1992 americanradiohistory.com
  5. ^"'Rhythm & Blues' finds a funny groove",The Kansas City Star, October 1, 1992.
  6. ^"KXXR, now KISF, goes to Top 40",The Kansas City Star, February 5, 1993.
  7. ^Radio and Records 1993 americanradiohistory.com
  8. ^Ratings Directories 1993 worldradiohistory.com
  9. ^Ratings Directories 1994 worldradiohistory.com
  10. ^Ratings Directories 1995 worldradiohistory.com
  11. ^Brian McTavish, "KISF-FM bumps urban sounds for a 'new rock' format",The Kansas City Star, January 20, 1995.
  12. ^Radio and Records 1995 americanradiohistory.com
  13. ^Ratings Directories 1996 worldradiohistory.com
  14. ^Brian McTavish, "Another laugh-a-minute morning show? Not on KISF",The Kansas City Star, February 24, 1995.
  15. ^Brian McTavish, "FM station wakes up and smells the competitive coffee",The Kansas City Star, September 29, 1995.
  16. ^Radio and Records 1997 americanradiohistory.com
  17. ^Brian McTavish, "X marks the lawsuit as station sues over call letters",The Kansas City Star, September 19, 1997.
  18. ^Brian McTavish, "The king of all Kansas City?",The Kansas City Star, March 14, 1997.
  19. ^Brian McTavish, "Honest or vulgar? Mancow's debut at least entertaining",The Kansas City Star, March 21, 1997.
  20. ^Ratings Directories 1997 worldradiohistory.com
  21. ^Ratings Directories 1998 worldradiohistory.com
  22. ^Ratings Directories 1999 worldradiohistory.com
  23. ^Hearne Christopher, Jr., "Radio station expunges itself of Mancow for now",The Kansas City Star, November 23, 1998.
  24. ^Hearne Christopher, Jr., "Mancow is out standing in local radio station's pasture",The Kansas City Star, November 27, 1998.
  25. ^Hearne Christopher, "Round and round KC radio stations' formats",The Kansas City Star, January 6, 1999.
  26. ^Radio and Records 1999 americanradiohistory.com
  27. ^Jeff Douglas, "KC radio scene left with...no alternatives",The Kansas City Star, February 5, 1999.
  28. ^"107.3 KNRX flips from Modern Rock to Rhythmic Oldies - Format Change Archive".formatchange.com. January 5, 1999.
  29. ^"Joyner comes to KC",The Kansas City Star, January 18, 1999.
  30. ^Ratings Directories 1999 worldradiohistory.com
  31. ^Ratings Directories 2000 worldradiohistory.com
  32. ^KMJK Moves, Rebrands as Power 105.1 as The X Signs Off
  33. ^"Kansas City's Vibe On The Move - RadioInsight". October 5, 2023. RetrievedOctober 6, 2023.
  34. ^710 KCMO Kansas City Gains Full Power FM Simulcast

External links

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